--- /dev/null
+% missing: correct dynamics/cue markings
+
+\version "2.19.0"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #16
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Knowing You" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Graham Kendrick" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+
+%
+% Song's structure
+%
+Global =
+{
+ \clef G
+ \key c \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Intro
+
+ s1 \bar ".|:-||" % 1
+
+ \repeat volta 3
+ {
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*7 | % 2-8
+ \time 2/4 s2 \time 4/4 | % 9
+ s1 \bar "||" % 10
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*4 | % 11-14
+ }
+ \alternative
+ {
+ {
+ s1*3 | % 15-17
+ \time 2/4 s2 \time 4/4 | % 18
+ }
+ {
+ s1 | % 19
+ }
+ }
+
+ s1*12 \bar "|." % 20-31
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s2. e8 d | % 1
+
+ % Verse
+
+ c4 a' g e8 d | % 2
+ c4 d8 ( e ) e4 e8 d | % 3
+ c4 a' << { \voiceOne g4. e8 } \context Voice = vb { \voiceTwo s4 \tiny e8 \normalsize s } >> \oneVoice | % 4
+ a4. e8 d4 e8 g | % 5
+ a4 g e e8 d | % 6
+ c4 d8. ( e16 ) e4 e8 d | % 7
+ c4 a' g4. e8 | % 8
+ a4. e8 | % 9
+ d2 r4 b'8 c | % 10
+
+ a2 g8 c,4. | % 11
+ r4 c'8 g g4. c,8 | % 12
+ c'4. c8 b4 g | % 13
+ a2 r4 b8 c | % 14
+
+ g4 b8 c16 f, ~ f4 b8 c | % 15
+ g8 c b c16 f, ~ f4 g8 a | % 16
+ g4 c,8. g'16 ~ g2 | % 17
+ r4 e8 d | % 18
+
+ g4 b8 c16 f, ~ f4 b8 c | % 19
+
+ g8 c b c16 f, ~ f4 b8 c | % 20
+ g4 b8 c16 f, ~ f4 b8 c | % 21
+ g8 c b c16 f, ~ f4 b8 c | % 22
+ g4 b8 c16 f, ~ f4 b8 c | % 23
+ g8 c b c16 f, ~ f4 g8 a | % 24
+ g4 c,8. g'16 ~ g2 ~ | % 25
+ g2 r4 r8 a | % 26
+ g4 c,8. g'16 ~ g2 ~ | % 27
+ g2 r4 r8 a | % 28
+ g4 c,8. g'16 ~ g2 ~ | % 29
+ g2-\fermata r4 r8 c, | % 30
+ g'4 c, c2-\fermata | % 31
+}
+
+
+LeadVoxText = \lyricmode
+{
+ All I once held dear, built my life, u -- _ pon,
+ al this world re -- veres, and wants to own,
+ all I once thought gain I have count -- ed _ loss;
+ spent and worth -- less now, com -- pared to this:
+
+ Know -- ing you, Je -- sus,
+ know -- ing you,
+ there is no great -- er thing,
+ you're my all, you're the best, _
+ you're my joy, my right -- eous -- ness, _
+ and I love you, Lord _
+
+ And my
+
+ all, you're the best, _
+
+ you're my joy, my right -- eous -- ness, _
+ you're my all, you're the best, _
+ you're my joy, my right -- eous -- ness, _
+ you're my all, you're the best, _
+ you're my joy, my right -- eous -- ness, _
+
+ and I love you, Lord _ _
+ I love you, Lord _ _
+ I love you, Lord _ _
+
+ I love you, Lord.
+}
+
+LeadVoxTextB = \lyricmode
+{
+ _ _ heart's de -- sire is to know you _ more,
+ to be found in you be known as yours.
+ To pos -- sess by faith what I could not _ earn.
+ All sur -- pass -- ing gift of right -- eous -- ness.
+
+ _ _ _ _ _
+ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _ _
+ _ _ _ _ _ _ _ _
+ _ _ _ _ _ _
+
+ Oh, to
+}
+
+LeadVoxTextC = \lyricmode
+{
+ _ _ know the pow'r of your ri -- sen _ life.
+ And to know you in your suf -- fer -- ings.
+ To be -- come like you in your death my _ Lord,
+ so with you to live and ne -- ver die.
+}
+
+
+Riffs = \relative c''
+{
+ % Intro
+
+ \tiny
+ <g c, f,>2.-\fermata \arpeggio s4 | % 1
+ \normalsize
+%{
+ \tiny
+ \repeat "percent" 3 % 1 - 6
+ {
+ << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
+ << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
+ }
+ << s2. \\ { \tiny d2 c4 } >> | % 7
+ << s2. \\ { \tiny bf2. } >> | % 8
+
+ s2.*7
+
+ \voiceOne
+ \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
+ \oneVoice
+
+ s2.*7
+
+ \voiceOne
+ \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
+ \oneVoice
+
+ \key g \major
+
+ \voiceOne
+ \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
+ \oneVoice
+
+ s2.*7
+
+ \voiceOne
+ \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
+ \oneVoice
+ \normalsize
+%}
+}
+
+
+%
+% Chord names
+%
+Chords = \chordmode
+{
+ % Intro
+
+ f2.:sus2/a g4/b | % 1
+
+ % Verse
+
+ a4:m f c2 | % 2
+ f4:sus2/a g:sus2/b c2 | % 3
+ a4:m f c2 | % 4
+ a2:m g4 c/e | % 5
+ f4 g c c/e | % 6
+ f4:sus2/a g:sus2/b c g/b | % 7
+ a4:m f c2 | % 8
+ a2:m | % 9
+ g2:sus4 g | % 10
+
+ % Chorus
+
+ f4 g c2 | % 11
+ f4:sus2/a g:sus2/b c2 | % 12
+ a2:m7 e:m7 | % 13
+ f1:3.5.9 | % 14
+
+ c4:sus2/e s8. f16:sus2/a s2 | % 15
+ c4:sus2/g s8. f16 s2 | % 16
+ c4:sus2/e s8. g16:sus2/a s2 | % 17
+ s4 g/b | % 18
+
+ c4:sus2/e s8. f16 s2 | % 19
+
+ c4:sus2/g s8. f16:sus2/a s2 | % 20
+ c4:sus2/g s8. f16:sus2/a s2 | % 21
+ c4:sus2/e s8. f16 s2 | % 22
+ c4:sus2/g s8. f16:sus2/a s2 | % 23
+ c4:sus2/g s8. f16 s2 | % 24
+ c4:sus2/e s8. f16 s2 | % 25
+ s1 | % 26
+ c4:sus2/e s8. f16 s2 | % 27
+ s1 | % 28
+ c4:sus2/g s8. f16:sus2/a s2 | % 29
+ s2 g:sus2/b | % 30
+ c1:sus2 | % 31
+}
+
+
+%
+% Chord rhythms
+%
+StaffC = \relative c
+{
+ \numericTimeSignature
+ \override NoteHead #'style = #'slash
+ \teeny
+
+ % Intro
+
+ c2.-\fermata c4 | % 1
+
+ % Verse
+
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c | % 9
+ c4 c c c | % 10
+
+ % Chorus
+
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+
+ c4 c8. c16 ~ c4 c | % 15
+ c4 c8. c16 ~ c4 c | % 16
+ c4 c8. c16 ~ c2 ~ | % 17
+ c4 c | % 18
+
+ c4 c8. c16 ~ c4 c | % 19
+
+ c4 c8. c16 ~ c4 c | % 20
+ c4 c8. c16 ~ c4 c | % 21
+ c4 c8. c16 ~ c4 c | % 22
+ c4 c8. c16 ~ c4 c | % 23
+ c4 c8. c16 ~ c4 c | % 24
+ c4 c8. c16 ~ c2 ~ | % 25
+ c1 | % 26
+ c4 c8. c16 ~ c2 ~ | % 27
+ c1 | % 28
+ c4 c8. c16 ~ c2 ~ | % 29
+ c2-\fermata c | % 30
+ c1-\fermata | % 31
+}
+
+
+Dynamics =
+{
+% s1_\markup { \italic { Cym. Colors, Hi Gtr, Piano } }
+ s2._\p
+ s2.
+ s4. s_\<
+ s2.
+ s2._\f
+ s2.*3
+ s2._\mf
+ s2.
+ s2._\markup { \italic { Sim. } }
+ s2.*11
+ s4. s_\<
+ s2.
+
+ s2._\f
+ s2.*6
+ s4._\< s_\!
+ s2.*9
+ s2._\>
+ s2._\mf
+ s2.*2
+ s2._\markup { \italic { Rit. Last X } }
+%{
+ s4_\markup { \italic { snare pat. } } s2 | % 1
+ s4_\markup { \italic { simile } } s2 | % 2
+ s2.*19
+ s4_\markup { \italic { spacy } } s2 | % 22
+ s2.*5
+ s4 s \< s \! | % 28
+ s2.*22
+ s4_\markup { \italic { Last time } } s2 | % 51
+%}
+}
+
+
+\score
+{
+ <<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ \new Lyrics \lyricsto "lead" \LeadVoxTextC
+ >>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
+ >>
+
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+ >>
+}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+}
+
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