--- /dev/null
+% Needs band direction, dynamics, figure annotations
+
+\version "2.19.0"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #16
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Garments Of Praise" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Jamie Harville" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+ (set! (ly:music-property arg 'tweaks)
+ (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
+
+%
+% Song's structure
+%
+Global =
+{
+ \clef G
+ \key g \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Intro
+
+ s1*4 \bar ".|:-||" % 1-4
+
+ \repeat volta 3
+ {
+ % A Section
+
+% \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ s1*15 | % 5-19
+ }
+ \alternative
+ {
+ {
+ \set Score.repeatCommands = #'((volta "1."))
+ s1 | % 20
+ \set Score.repeatCommands = #'((volta #f))
+ }
+ {
+ \set Score.repeatCommands = #'((volta "2.–3.") end-repeat) % That's an ndash in there...
+ s1 \bar "||" % 21
+ \set Score.repeatCommands = #'((volta #f))
+ }
+ }
+
+ % B Section
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*14 \bar "||" % 22-35
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s1*2 | % 36-37
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #38
+
+ % Coda
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1*2 \bar "||" % 38-39
+
+ % Outro
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*2 \bar ".|:-||" % 40-41
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 \bar "||" % 42-49
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*16 | % 50-65
+ }
+
+ s1 \bar "|." % 66
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ R1*3 | % 1-3
+ r2 r8 g16 g ~ g8 g16 a ~ | % 4
+
+ % A Section
+
+ <a \hn e \hn c>8 <b \hn g \hn d>4 <g \hn g \hn d>8 <b \hn g \hn d>2 ~ | % 5
+ <b \hn g \hn d>4 r8 <g \hn d \hn b>16 <g \hn d \hn b> <c \hn a \hn e>8. <c \hn a \hn e>16 ~ <c \hn a \hn e>8 <c \hn a \hn e> | % 6
+ <c \hn a \hn e>8. <b \hn g \hn d>16 ~ <b \hn g \hn d>8 <g \hn d \hn b> ~ <g \hn d \hn b>2 ~ | % 7
+ <g \hn d \hn b>4 r r r8 <b \hn g \hn d>16 <b \hn g \hn d> | % 8
+ <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <a \hn fs \hn d> ~ <a \hn fs \hn d> <g \hn e \hn d>4 <d \hn b \hn g>8 | % 9
+ <e \hn c \hn g>4 r <c' \hn a \hn e>4. <b \hn g \hn d>8 ~ | % 10
+ <b \hn g \hn d>8 <b \hn g \hn d>4. ~ <b \hn g \hn d>2 | % 11
+ r2 r8 <g \hn d \hn b>16 <g \hn d \hn b> ~ <g \hn d \hn b>8 <g \hn d \hn b>16 <a \hn e \hn c> ~ | % 12
+ <a \hn e \hn c>8 <b \hn g \hn d>4 <b \hn g \hn d>8 <b \hn g \hn d>2 ~ | % 13
+ <b \hn g \hn d>4 r8 <g \hn d \hn b>16 <g \hn d \hn b> <c \hn a \hn e>8. <c \hn a \hn e>16 ~ <c \hn a \hn e>8 <c \hn a \hn e> | % 14
+ <c \hn a \hn e>8. <b \hn g \hn d>16 ~ <b \hn g \hn d>8 <g \hn d \hn b> ~ <g \hn d \hn b>2 ~ | % 15
+ <g \hn d \hn b>4 r r2 | % 16
+ <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <a \hn fs \hn d> <a \hn fs \hn d>8. <g \hn e \hn d>16 ~ <g \hn e \hn d>8 <d \hn b \hn g> | % 17
+ <e \hn c \hn g>4 r <e \hn c \hn c>8. <g \hn e \hn c>16 ~ <g \hn e \hn c>8 <a \hn e \hn c> ~ | % 18
+ <a \hn e \hn c>8 <g \hn d \hn b>4. ~ <g \hn d \hn b>2 | % 19
+
+ r2 r8 <g \hn d \hn b>16 <g \hn d \hn b> ~ <g \hn d \hn b>8 <g \hn d \hn b>16 <a \hn e \hn c> \laissezVibrer | % 20
+
+ r2 r4 <b \hn g \hn d>8 <d \hn b \hn g> | % 21
+
+ % B Section
+
+ <d \hn b \hn g>4 <c \hn a \hn e>8 <c \hn a \hn e> ~ <c \hn a \hn e> <b \hn g \hn d>4 <c \hn g \hn e>8 ~ | % 22
+ <c \hn g \hn e>2 r4 <a \hn e \hn c>8 <b \hn g \hn d>16 <c \hn a \hn e> ~ | % 23
+ <c \hn a \hn e>8 <b \hn g \hn d>16 <b \hn g \hn d> ~ <b \hn g \hn d>4 ~ <b \hn g \hn d>2 ~ | % 24
+ <b \hn g \hn d>4 r r <b \hn g \hn d>8 <d \hn b \hn g> | % 25
+ <d \hn b \hn g>4 <c \hn a \hn e>8 <c \hn a \hn e> ~ <c \hn a \hn e> <b \hn g \hn d>4 <c \hn g \hn e>8 ~ | % 26
+ <c \hn g \hn e>2 r4 r8 <c \hn a \hn e>16 <b \hn g \hn d> | % 27
+ <b \hn g \hn d>16 <a \hn fs \hn d>8. ~ <a \hn fs \hn d>4 ~ <a \hn fs \hn d>2 ~ | % 28
+ <a \hn fs \hn d>4 r r <b \hn g \hn d>8 <d \hn b \hn g> | % 29
+ <d \hn b \hn g>4 <c \hn a \hn e>8 <c \hn a \hn e> ~ <c \hn a \hn e> <b \hn g \hn d>4 <c \hn g \hn e>8 ~ | % 30
+ <c \hn g \hn e>2 r8 r16 <g \hn e \hn c> <a \hn e \hn c> <b \hn fs \hn d>8. | % 31
+ <c \hn g \hn e>8. <b \hn g \hn d>16 ~ <b \hn g \hn d>4 ~ <b \hn g \hn d>2 ~ | % 32
+ <b \hn g \hn d>4 r r <b \hn g \hn d>8 <a \hn fs \hn d> | % 33
+ <a \hn e \hn c>8. <g \hn e \hn c>16 ~ <g \hn e \hn c>8 <a \hn e \hn c> ~ <a \hn e \hn c>8 <e \hn c \hn g>4. ~ | % 34
+ <e \hn c \hn g>2 r4 r8 <e \hn c \hn g> | % 35
+
+ <b' \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <g \hn e \hn d> ~ <g \hn e \hn d> <a \hn fs \hn d>4. ~ | % 36
+ <a \hn fs \hn d>2 r8 <g \hn d \hn b>16 <g \hn d \hn b> ~ <g \hn d \hn b>8 <g \hn d \hn b>16 <a \hn e \hn c> \laissezVibrer | % 37
+
+s1 % Blank bar for coda
+
+ % Coda
+
+ <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <g \hn e \hn d> ~ <g \hn e \hn d> <a \hn fs \hn d>4. ( | % 38
+ <g \hn e \hn c>1 | % 39
+
+ <g \hn d \hn b>1 ) | % 40
+ s1 | % 41
+
+ % Outro
+
+ s1*7 | % 42-48
+ s2. <b \hn g \hn d>8 <d \hn b \hn g> | % 49
+
+ <d \hn b \hn g>4. <b \hn g \hn d>8 r <g \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 50
+ <e \hn c \hn g>4. <d \hn b \hn g>8 r <g, \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 51
+ <e \hn c \hn g>8. <d \hn b \hn g>16 ~ <d \hn b \hn g>8 <d \hn b \hn g> <b \hn g \hn d>8. <a \hn e \hn c>16 ~ <a \hn e \hn c>8 <g \hn d \hn b> | % 52
+ <b \hn g \hn d>2 r4 <b \hn g \hn d>8 <d \hn b \hn g> | % 53
+ <d \hn b \hn g>4. <b \hn g \hn d>8 r <g \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 54
+ <e \hn c \hn g>4. <d \hn b \hn g>8 r <g, \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 55
+ <e \hn c \hn g>8. <d \hn b \hn g>16 ~ <d \hn b \hn g>8 <d \hn b \hn g> <b \hn g \hn d>8. <a \hn e \hn c>16 ~ <a \hn e \hn c>8 <g \hn d \hn b> | % 56
+ <b \hn g \hn d>2 r4 <b \hn g \hn d>8 <d \hn b \hn g> | % 57
+
+ <d \hn b \hn g>4. <b \hn g \hn d>8 r <g \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 58
+ <e \hn c \hn g>4. <d \hn b \hn g>8 r <g, \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 59
+ <e \hn c \hn g>8. <d \hn b \hn g>16 ~ <d \hn b \hn g>8 <d \hn b \hn g> <b \hn g \hn d>8. <a \hn e \hn c>16 ~ <a \hn e \hn c>8 <g \hn d \hn b> | % 60
+ <b \hn g \hn d>2 r4 <b \hn g \hn d>8 <d \hn b \hn g> | % 61
+ <d \hn b \hn g>4. <b \hn g \hn d>8 r <g \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 62
+ <e \hn c \hn g>4. <d \hn b \hn g>8 r <g, \hn d \hn b> <b \hn g \hn d>16 <d \hn b \hn g>8. | % 63
+ <e \hn c \hn g>8. <d \hn b \hn g>16 ~ <d \hn b \hn g>8 <d \hn b \hn g> <b \hn g \hn d>8. <a \hn e \hn c>16 ~ <a \hn e \hn c>8 <g \hn d \hn b> | % 64
+ <b \hn g \hn d>2 r2 | % 65
+
+ R1-\fermata | % 66
+}
+
+
+LeadVoxText = \lyricmode
+{
+ Put on _ the gar -- _ ments of praise, _
+ for the spi -- rit _ of hea -- vi -- _ ness, _ _
+ Let the oil of _ glad -- _ ness flow down from your _ throne. _
+ Put on _ the gar -- _ ments of praise, _
+ for the spi -- rit _ of heav -- i -- _ ness, _ _
+ your joy _ is my strength _ a -- lone, my strength _ a -- _ lone. _
+
+ Put on _ the gar-
+
+ Make these bro -- ken wea -- _ ry bones _
+ rise to dance _ a -- gain, _ _ _
+ Wet this dry and thirs -- _ ty land _
+ with a ri -- ver, _ _ _
+ Lord our eyes are fixed _ on you, _
+ and we are wait -- ing, _ _ _
+ for your gar -- land _ of _ grace, _
+ as we praise _ your _ name. _
+
+ Put on _ the gar-
+
+ we praise _ your _ name _ _
+
+ Hal -- le -- lu jah, sing hal -- le -- lu -- jah,
+ we give all hon -- or _ and praise to _ your name,
+ Hal -- le -- lu jah, sing hal -- le -- lu -- jah,
+ we trade our sor -- rows _ for gar -- ments _ of praise.
+
+ Hal -- le -- lu jah, sing hal -- le -- lu -- jah,
+ we give all hon -- or _ and praise to _ your name,
+ Hal -- le -- lu jah, sing hal -- le -- lu -- jah,
+ we trade our sor -- rows _ for gar -- ments _ of praise.
+}
+
+
+Riffs = \relative c''
+{
+ \tiny
+
+ s1*42 | % 1-41 (incl. blank coda bar)
+
+ g16 a b c d8 d d16 c b8 c16 b a8 | % 43
+ g16 a b c d8 d16 e f e d8 c4 | % 44
+ g16 a b c d8 d d16 c b8 c16 b a8 | % 45
+ g16 a b c d8 g, a16 g f8 g4 | % 46
+ g16 a b c d8 d d16 c b8 c16 b a8 | % 47
+ g16 a b c d8 d16 e f e d8 c4 | % 48
+ g16 a b c d8 d d16 c b8 c16 b a8 | % 49
+ g16 a b c d8 g, a16 g f8 g4 | % 50
+
+ \normalsize
+}
+
+
+%
+% Chord names
+%
+Chords = \chordmode
+{
+ % Intro
+
+ g1 | % 1
+ s1 | % 2
+ s1 | % 3
+ s1 | % 4
+
+ % A Section
+
+ g1 | % 5
+ s2 g:sus4 | % 6
+ s8. g16 s2. | % 7
+ s1 | % 8
+ d1 | % 9
+ c1 | % 10
+ g1 | % 11
+ s1 | % 12
+ s1 | % 13
+ s2 g:sus4 | % 14
+ s8. g16 s2. | % 15
+ s1 | % 16
+ d1 | % 17
+ c1 | % 18
+ g1 | % 19
+
+ s1 | % 20
+
+ s1 | % 21
+
+ % B Section
+
+ c1 | % 22
+ s1 | % 23
+ g1 | % 24
+ s1 | % 25
+ c1 | % 26
+ s1 | % 27
+ d1 | % 28
+ s1 | % 29
+ c1 | % 30
+ s1 | % 31
+ e1:m | % 32
+ s1 | % 33
+ a1:m | % 34
+ c1 | % 35
+
+ d1 | % 36
+ s1 | % 37
+
+s1 % blank bar for coda
+
+ % Coda
+
+ d1 | % 38
+ c1 | % 39
+
+ g1 | % 40
+ s1 | % 41
+
+ % Outro
+
+ g1 | % 42
+ s1 | % 43
+ s1 | % 44
+ s2 f4 c | % 45
+ g1 | % 46
+ s1 | % 47
+ s1 | % 48
+ s2 f4 c | % 49
+
+ g1 | % 50
+ c4./g g8 s2 | % 51
+ c8./g g16 s2. | % 52
+ s2 f4 c | % 53
+ g1 | % 54
+ c4./g g8 s2 | % 55
+ c8./g g16 s2. | % 56
+ s2 f4 c | % 57
+
+ g1 | % 58
+ c4./g g8 s2 | % 59
+ c8./g g16 s2. | % 60
+ s2 f4 c | % 61
+ g1 | % 62
+ c4./g g8 s2 | % 63
+ c8./g g16 s2. | % 64
+ s2 f4 c | % 65
+
+ g1 | % 66
+}
+
+
+%
+% Chord rhythms
+%
+StaffC = \relative c
+{
+ \numericTimeSignature
+ \override NoteHead #'style = #'slash
+ \teeny
+
+ % Intro
+
+ c8. c16 c8 c c c16 c c4 | % 1
+ c8. c16 c8 c c c16 c c4 | % 2
+ c8. c16 c8 c c c16 c c4 | % 3
+ c8. c16 c8 c c c16 c c4 | % 4
+
+ % A Section
+
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c8. c16 ~ c4 c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c8. c16 ~ c4 c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+
+ c4 c c c | % 20
+
+ c4 c c c | % 21
+
+ % B Section
+
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+
+ c4 c c c | % 36
+ c4 c c c | % 37
+
+\stopStaff s1 \startStaff % blank bar for coda
+
+ % Coda
+
+ c4 c c c | % 38
+ c4 c c c | % 39
+
+ c1 ~ | % 40
+ c1 | % 41
+
+ % Outro
+
+ c4 c c c | % 42
+ c4 c c c | % 43
+ c4 c c c | % 44
+ c4 c c-> c-> | % 45
+ c4 c c c | % 46
+ c4 c c c | % 47
+ c4 c c c | % 48
+ c4 c c-> c-> | % 49
+
+ c4 c c c | % 50
+ c4. c8 c4 c | % 51
+ c8. c16 ~ c4 c c | % 52
+ c4 c c-> c-> | % 53
+ c4 c c c | % 54
+ c4. c8 c4 c | % 55
+ c8. c16 ~ c4 c c | % 56
+ c4 c c-> c-> | % 57
+
+ c4 c c c | % 58
+ c4. c8 c4 c | % 59
+ c8. c16 ~ c4 c c | % 60
+ c4 c c-> c-> | % 61
+ c4 c c c | % 62
+ c4. c8 c4 c | % 63
+ c8. c16 ~ c4 c c | % 64
+ c4 c c-> c-> | % 65
+
+ c1-\fermata | % 66
+}
+
+
+Dynamics =
+{
+%{
+ s1_\markup { \italic { snare pat. } } | % 1
+ s1_\markup { \italic { simile } } | % 2
+ s1*19
+ s1_\markup { \italic { spacy } } | % 22
+ s1*5
+ s1 s \< s \! | % 28
+ s1*22
+ s1_\markup { \italic { Last time } } | % 51
+%}
+}
+
+
+\score
+{
+ <<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
+ >>
+
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+ >>
+}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+}
+
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