From: Shamus Hammons Date: Sat, 23 Sep 2017 14:57:34 +0000 (-0500) Subject: New chart "Knowing You". X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?p=music;a=commitdiff_plain;h=4fd6184ad8e1e83328481ed40311c82b8c2a44f8 New chart "Knowing You". --- diff --git a/knowing-you.ly b/knowing-you.ly new file mode 100644 index 0000000..0838e9a --- /dev/null +++ b/knowing-you.ly @@ -0,0 +1,402 @@ +% missing: correct dynamics/cue markings + +\version "2.19.0" +\include "pop-chords.ly" +\include "english.ly" + +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) +staffSize = #16 +#(set-default-paper-size "letter") +#(set-global-staff-size staffSize) +#(ly:set-option (quote no-point-and-click)) + +%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %} + +\header +{ + title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Knowing You" } + composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Graham Kendrick" } + arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" } + tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) +} + + +% +% Song's structure +% +Global = +{ + \clef G + \key c \major + \numericTimeSignature + \time 4/4 + + % Intro + + s1 \bar ".|:-||" % 1 + + \repeat volta 3 + { + % Verse + + \mark \markup { \override #'(font-family . sans) { \box { A } } } + s1*7 | % 2-8 + \time 2/4 s2 \time 4/4 | % 9 + s1 \bar "||" % 10 + + % Chorus + + \mark \markup { \override #'(font-family . sans) { \box { B } } } + s1*4 | % 11-14 + } + \alternative + { + { + s1*3 | % 15-17 + \time 2/4 s2 \time 4/4 | % 18 + } + { + s1 | % 19 + } + } + + s1*12 \bar "|." % 20-31 +} + + +% +% Lead vocal +% +LeadVox = \relative c' +{ + % Intro + + s2. e8 d | % 1 + + % Verse + + c4 a' g e8 d | % 2 + c4 d8 ( e ) e4 e8 d | % 3 + c4 a' << { \voiceOne g4. e8 } \context Voice = vb { \voiceTwo s4 \tiny e8 \normalsize s } >> \oneVoice | % 4 + a4. e8 d4 e8 g | % 5 + a4 g e e8 d | % 6 + c4 d8. ( e16 ) e4 e8 d | % 7 + c4 a' g4. e8 | % 8 + a4. e8 | % 9 + d2 r4 b'8 c | % 10 + + a2 g8 c,4. | % 11 + r4 c'8 g g4. c,8 | % 12 + c'4. c8 b4 g | % 13 + a2 r4 b8 c | % 14 + + g4 b8 c16 f, ~ f4 b8 c | % 15 + g8 c b c16 f, ~ f4 g8 a | % 16 + g4 c,8. g'16 ~ g2 | % 17 + r4 e8 d | % 18 + + g4 b8 c16 f, ~ f4 b8 c | % 19 + + g8 c b c16 f, ~ f4 b8 c | % 20 + g4 b8 c16 f, ~ f4 b8 c | % 21 + g8 c b c16 f, ~ f4 b8 c | % 22 + g4 b8 c16 f, ~ f4 b8 c | % 23 + g8 c b c16 f, ~ f4 g8 a | % 24 + g4 c,8. g'16 ~ g2 ~ | % 25 + g2 r4 r8 a | % 26 + g4 c,8. g'16 ~ g2 ~ | % 27 + g2 r4 r8 a | % 28 + g4 c,8. g'16 ~ g2 ~ | % 29 + g2-\fermata r4 r8 c, | % 30 + g'4 c, c2-\fermata | % 31 +} + + +LeadVoxText = \lyricmode +{ + All I once held dear, built my life, u -- _ pon, + al this world re -- veres, and wants to own, + all I once thought gain I have count -- ed _ loss; + spent and worth -- less now, com -- pared to this: + + Know -- ing you, Je -- sus, + know -- ing you, + there is no great -- er thing, + you're my all, you're the best, _ + you're my joy, my right -- eous -- ness, _ + and I love you, Lord _ + + And my + + all, you're the best, _ + + you're my joy, my right -- eous -- ness, _ + you're my all, you're the best, _ + you're my joy, my right -- eous -- ness, _ + you're my all, you're the best, _ + you're my joy, my right -- eous -- ness, _ + + and I love you, Lord _ _ + I love you, Lord _ _ + I love you, Lord _ _ + + I love you, Lord. +} + +LeadVoxTextB = \lyricmode +{ + _ _ heart's de -- sire is to know you _ more, + to be found in you be known as yours. + To pos -- sess by faith what I could not _ earn. + All sur -- pass -- ing gift of right -- eous -- ness. + + _ _ _ _ _ + _ _ _ + _ _ _ _ _ _ + _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ + _ _ _ _ _ _ + + Oh, to +} + +LeadVoxTextC = \lyricmode +{ + _ _ know the pow'r of your ri -- sen _ life. + And to know you in your suf -- fer -- ings. + To be -- come like you in your death my _ Lord, + so with you to live and ne -- ver die. +} + + +Riffs = \relative c'' +{ + % Intro + + \tiny + 2.-\fermata \arpeggio s4 | % 1 + \normalsize +%{ + \tiny + \repeat "percent" 3 % 1 - 6 + { + << { \tiny f16 c f, ~ f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1 + << { \tiny f'16 c f, ~ f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2 + } + << s2. \\ { \tiny d2 c4 } >> | % 7 + << s2. \\ { \tiny bf2. } >> | % 8 + + s2.*7 + + \voiceOne + \repeat "percent" 6 { f''16 c f, ~ f, c' f f8 e | } % 16-21 + \oneVoice + + s2.*7 + + \voiceOne + \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30 + \oneVoice + + \key g \major + + \voiceOne + \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32 + \oneVoice + + s2.*7 + + \voiceOne + \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43 + \oneVoice + \normalsize +%} +} + + +% +% Chord names +% +Chords = \chordmode +{ + % Intro + + f2.:sus2/a g4/b | % 1 + + % Verse + + a4:m f c2 | % 2 + f4:sus2/a g:sus2/b c2 | % 3 + a4:m f c2 | % 4 + a2:m g4 c/e | % 5 + f4 g c c/e | % 6 + f4:sus2/a g:sus2/b c g/b | % 7 + a4:m f c2 | % 8 + a2:m | % 9 + g2:sus4 g | % 10 + + % Chorus + + f4 g c2 | % 11 + f4:sus2/a g:sus2/b c2 | % 12 + a2:m7 e:m7 | % 13 + f1:3.5.9 | % 14 + + c4:sus2/e s8. f16:sus2/a s2 | % 15 + c4:sus2/g s8. f16 s2 | % 16 + c4:sus2/e s8. g16:sus2/a s2 | % 17 + s4 g/b | % 18 + + c4:sus2/e s8. f16 s2 | % 19 + + c4:sus2/g s8. f16:sus2/a s2 | % 20 + c4:sus2/g s8. f16:sus2/a s2 | % 21 + c4:sus2/e s8. f16 s2 | % 22 + c4:sus2/g s8. f16:sus2/a s2 | % 23 + c4:sus2/g s8. f16 s2 | % 24 + c4:sus2/e s8. f16 s2 | % 25 + s1 | % 26 + c4:sus2/e s8. f16 s2 | % 27 + s1 | % 28 + c4:sus2/g s8. f16:sus2/a s2 | % 29 + s2 g:sus2/b | % 30 + c1:sus2 | % 31 +} + + +% +% Chord rhythms +% +StaffC = \relative c +{ + \numericTimeSignature + \override NoteHead #'style = #'slash + \teeny + + % Intro + + c2.-\fermata c4 | % 1 + + % Verse + + c4 c c c | % 2 + c4 c c c | % 3 + c4 c c c | % 4 + c4 c c c | % 5 + c4 c c c | % 6 + c4 c c c | % 7 + c4 c c c | % 8 + c4 c | % 9 + c4 c c c | % 10 + + % Chorus + + c4 c c c | % 11 + c4 c c c | % 12 + c4 c c c | % 13 + c4 c c c | % 14 + + c4 c8. c16 ~ c4 c | % 15 + c4 c8. c16 ~ c4 c | % 16 + c4 c8. c16 ~ c2 ~ | % 17 + c4 c | % 18 + + c4 c8. c16 ~ c4 c | % 19 + + c4 c8. c16 ~ c4 c | % 20 + c4 c8. c16 ~ c4 c | % 21 + c4 c8. c16 ~ c4 c | % 22 + c4 c8. c16 ~ c4 c | % 23 + c4 c8. c16 ~ c4 c | % 24 + c4 c8. c16 ~ c2 ~ | % 25 + c1 | % 26 + c4 c8. c16 ~ c2 ~ | % 27 + c1 | % 28 + c4 c8. c16 ~ c2 ~ | % 29 + c2-\fermata c | % 30 + c1-\fermata | % 31 +} + + +Dynamics = +{ +% s1_\markup { \italic { Cym. Colors, Hi Gtr, Piano } } + s2._\p + s2. + s4. s_\< + s2. + s2._\f + s2.*3 + s2._\mf + s2. + s2._\markup { \italic { Sim. } } + s2.*11 + s4. s_\< + s2. + + s2._\f + s2.*6 + s4._\< s_\! + s2.*9 + s2._\> + s2._\mf + s2.*2 + s2._\markup { \italic { Rit. Last X } } +%{ + s4_\markup { \italic { snare pat. } } s2 | % 1 + s4_\markup { \italic { simile } } s2 | % 2 + s2.*19 + s4_\markup { \italic { spacy } } s2 | % 22 + s2.*5 + s4 s \< s \! | % 28 + s2.*22 + s4_\markup { \italic { Last time } } s2 | % 51 +%} +} + + +\score +{ + << + \Global % The "roadmap" that everything else depends on + + \context Staff + << + \new Voice = "lead" \LeadVox + \new Voice = "riffs" \Riffs + \new Lyrics \lyricsto "lead" \LeadVoxText + \new Lyrics \lyricsto "lead" \LeadVoxTextB + \new Lyrics \lyricsto "lead" \LeadVoxTextC + >> + + \new ChoirStaff + << + \new ChordNames \Chords + \new RhythmicStaff << \StaffC \Dynamics >> + >> + + \set Score.skipBars = ##t + \set Score.melismaBusyProperties = #'() + >> +} + + +\paper +{ + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJAZZText" + "Luxi Mono" + (/ staffSize 20))) + +% Don't spread staves vertically across last page (default: t) +% ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) +% ragged-bottom = ##t +% Allow partial line for last stave (default: f) + ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t +} +