{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][nope :-P]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #16
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
{
<<
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { \new Voice = "lead" \transpose b a \LeadVox }
+ \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+% \new Staff = leadStaff { \new Voice = "lead" \transpose b a \LeadVox }
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
\new ChoirStaff = "Rhythm"
<<
-% \new ChordNames = "chords" \Chords
- \new ChordNames = "chords" \transpose b a \Chords
+ \new ChordNames = "chords" \Chords
+% \new ChordNames = "chords" \transpose b a \Chords
\new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
>>
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
--- /dev/null
+\version "2.16.0"
+
+\header {
+ enteredby = "Magnus Lewis-Smith"
+ maintainer = "Magnus Lewis-Smith"
+ maintainerEmail = "mlewissmith (at) users.sourceforge.net"
+ copyright = "Public Domain"
+ filename = "chopin.prelude.op28.no20.ly"
+ title = "Prelude"
+ subtitle = "'Funeral March'"
+ opus = "Op. 28, No. 20"
+ composer = "Frederic Chopin (1810-1849)"
+ style = "Classical"
+ source = "Edition Peters"
+ lastupdated = "20 Sep 2004"
+
+ mutopiainstrument = "Piano"
+ mutopiatitle = "Prelude: Op. 28, No. 20"
+ mutopiacomposer = "ChopinFF"
+ mutopiaopus = "Op. 28"
+ mutopiastyle = "Romantic"
+ mutopiadate = "1838/39"
+
+ footer = "Mutopia-2011/06/19-472"
+ tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
+}
+
+
+ % "PRELUDE Op28 No20"
+ % Frederic Chopin
+ %
+ % Please see "header.ly" for more information
+
+\include "english.ly"
+
+\paper {
+ %{ comment out for mutopiaproject }
+ %#(set-paper-size "letter")
+ %bottom-margin = 13
+ %annotate-spacing = ##t
+ %indent = #0
+ %ragged-right = ##t
+ %{ %}
+ page-count = 1
+ #(layout-set-staff-size 20)
+ between-system-space = 5
+ between-system-padding = 1
+ ragged-bottom = ##t
+ ragged-last-bottom = ##f
+}
+\pointAndClickOff
+
+
+shortStem = \once \override Stem #'length-fraction = #(magstep -4)
+
+barRest = { s1 }
+
+
+playRH = \relative g {
+ \clef bass
+ \key c \minor
+ \time 4/4
+ \tempo 4 = 42
+ \set Score.tempoHideNote = ##t
+ % 1 - 4
+ \once\override PhrasingSlur #'height-limit = #5
+ \once\override TextScript #'extra-offset = #'( -4 . 1.5 )
+ <g c ef g>4\(^\markup{\bold\large Largo} <af c ef af> << { \shortStem <ef' g>8. \shortStem <d f>16 } \\
+ { <g, b>4 } >> <ef g c ef>\) |
+ \once\override PhrasingSlur #'height-limit = #5
+ <ef af c ef>4\( <f af df f> << { \shortStem <c' ef>8. \shortStem <bf df>16 } \\
+ { <df, ef g>4 } >> <c ef af c>4\) |
+ \once\override PhrasingSlur #'height-limit = #4
+ % \once\override PhrasingSlur #'attachment = #'(head . stem)
+ <d f b d>4\( <e g bf c e> << { \shortStem g'8. \shortStem f16 } \\
+ { <af, c>4 } >> <g c ef>4 |
+ <fs c' d>4 <g b d g>
+ \clef treble
+ << { b'8. a16 } \\
+ { <c, d fs>4 } >> <b d g>4\) |
+
+ % 5 - 8
+ <ef g ef'>4\( <ef af ef'> << { <d d'>4 } \\
+ \once\override NoteColumn #'force-hshift = #1.5
+ { af'8. fs16 } >> <d g d'>4 |
+ <c g' c>4 <c d fs d'> <d g b>8. <c a'>16 <b d g>4 |
+ <c g' c>4 <af c af'> << { \stemDown <g d'>4 } \\
+ { \stemUp g'8. f16 } >> <g, c ef>4^\markup{\italic riten.} |
+ \clef bass
+ <ef af c ef>4 <f af df f> << { \shortStem ef'8. \shortStem d16 } \\
+ { <f, g b>4 } >> <ef g c>4\) |
+
+ % 9 - 12
+ \clef treble
+ \once\override TextScript #'extra-offset = #'(0 . 0.5)
+ <ef' g ef'>4^\markup{\italic "a tempo"}\( <ef af ef'> << { <d d'>4 } \\
+ \once \override NoteColumn #'force-hshift = #1.5
+ { af'8. fs16 } >> <d g d'>4 |
+ <c g' c>4 <c d fs d'> <d g b>8. <c a'>16 <b d g>4 |
+ <c g' c>4 <af c af'> << { \stemDown <g d'>4^\markup{\italic riten.} } \\
+ { \stemUp g'8. f16 } >> <g, c ef>4 |
+ \clef bass
+ <ef af c ef>4 <f af df f> << { \shortStem ef'8. \shortStem d16 } \\
+ { <f, g b>4 } >> <ef g c>4\) |
+
+ %13
+ \clef treble
+ <c' ef g c>1->\fermata
+}
+
+playDyn = {
+ % 1 - 4
+ s4\ff s s s |
+ \barRest |
+ s4\< s s s |
+ s4 s s\! s |
+ % 5 - 8
+ s4\p s s s |
+ \barRest |
+ \barRest |
+ \barRest |
+ % 9 - 12
+ s4\pp s s s |
+ \barRest |
+ \crescTextCresc
+ \override DynamicLineSpanner #'staff-padding = #5
+ s4 s s\< s |
+ s s s s\! |
+
+ % 13
+ \barRest |
+}
+
+playLH = \relative c, {
+ \clef bass
+ \key c \minor
+ \time 4/4
+ % 1
+ <c c'>4\sustainOn
+ <f, f'>\sustainOff\sustainOn
+ <g g'>\sustainOff\sustainOn
+ <c g' c>\sustainOff\sustainOn |
+ % 2
+ <af af'>\sustainOff\sustainOn
+ \override TextScript #'extra-offset = #'(0.5 . -0.5)
+ <df df,>\sustainOff_\markup{\italic simile}
+ \revert TextScript #'extra-offset
+ <ef ef,>
+ <af af,> |
+ % 3 - 4
+ <g g,> <c, c,> <f f,> <c' c,> |
+ <d, a' d> <g, g'> <d d'> <g g'> |
+
+ % 5 - 8
+ <c c'>\( <c' c'> <b b'> <bf bf'> |
+ <a a'> <af af'> <g g'> <f f'> |
+ <ef ef'> <f f'> <b, b'> <c c'> |
+ <af af'> <df, df'> <g g'> <c, c'>\) |
+
+ % 9 - 12
+ <c' c'>\( <c' c'> <b b'> <bf bf'> |
+ <a a'> <af af'> <g g'> <f f'> |
+ <ef ef'> <f f'> <b, b'> <c c'> |
+ \override Staff.PianoPedalBracket #'shorten-pair = #'(0 . -5.0)
+ <af af'> <df, df'> <g g'> <c, c'>\)\sustainOn |
+
+ % 13
+ <c'' g'>1->\sustainOff\fermata
+}
+
+
+
+scoreAll = {
+ \new PianoStaff {
+ %JRA-commented line below
+ % \override PianoStaff.VerticalAlignment #'forced-distance = #13 % gap between staves -- default 12
+ %JRA-
+ \set PianoStaff.midiInstrument = "acoustic grand"
+ %% \accidentalStyle "piano"
+ <<
+ \context Staff = "rh" {
+ %% \override Staff.TextScript #'staff-padding = #2
+ \override Staff.DynamicLineSpanner #'staff-padding = #3.5 % (forced-distance - 6) / 2
+ %% \override Staff.Hairpin #'minimum-length = #3
+ <<
+ \playRH
+ \playDyn
+ >>
+ \bar "|."
+ }
+ \context Staff = "lh" {
+ \set Staff.pedalSustainStyle = #'bracket
+ %% \override Staff.PianoPedalBracket #'shorten-pair = #'(0 . -1.0)
+ \playLH
+ \bar "|."
+ }
+ >>
+ }
+}
+
+
+\score
+{
+
+ {
+ \scoreAll
+ }
+ \layout {}
+ \midi {
+ %% Remove the dynamics from the midi output
+ \context {
+ \Voice
+ \remove "Dynamic_performer"
+ %\remove "Span_dynamic_performer"
+ }
+ }
+}
+
+
+
+
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
\header
{
- title = "Christmas Time Is Here"
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Christmas Time Is Here" }
%% subtitle = "Second Movement"
- composer = "V. Guaraldi"
- arranger = "arr. S. Hammons"
- meter = "Largo"
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "V. Guaraldi" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
+ meter = \markup { \override #'(font-family . sans) \fontsize #1.3 "Largo" }
}
%paperOFF = { \set Score.skipTypesetting = ##t }
}
%}
}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Spread staves vertically across last page (default: t)
+ ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+%let's try this: [It works! Huzzah!] [not no more it don't]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+}
+
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #18
+staffSize = #24
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][Nope!]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][not any more...]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g1.:sus2 | % 1
% Intro/midtro
\repeat "percent" 2 {
- <e e' a>4 <e e' a>8 <e e' a>16 <e e' a> ~ <e e' a> <fs e' a> <fs e' a>8 <fs e' a> <d e' a>16 <d e' a> | %
- <d e' a>4 <d e' a>8 <d e' a>16 <d e' a> ~ <d e' a> <d e' a> <d e' a>8 <d e' a>16 <d e' a> <d e' a> <d e' a> | %
+ <e e' a>4 <e e' a>8 <e e' a>16 <e e' a> ~ <e e' a> <fs e' a> <fs e' a>8 <fs e' a> <d e' a>16 <d e' a> | %
+ <d e' a>4 <d e' a>8 <d e' a>16 <d e' a> ~ <d e' a> <d e' a> <d e' a>8 <d e' a>16 <d e' a> <d e' a> <d e' a> | %
}
%{
% Intro
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][Nope... :-/]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
--- /dev/null
+\version "2.19.48"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20
+staffSize = #20
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+%Let's bump up the title size and switch to the chord font. :-)
+
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Here I Am To Worship" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "T. Hughes" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+ (set! (ly:music-property arg 'tweaks)
+ (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
+
+%
+% Song's structure
+%
+
+Global =
+{
+ \key a \major
+ % \override Staff.TimeSignature #'style = #'()
+ \time 4/4
+
+ % Intro
+
+% \once \override TextScript #'padding = #2.0
+% s1*0^\markup { \large \italic { Piano only } }
+ \partial 4*2 s2 | % 0
+ s1*5 \bar "||" % 1-5
+
+ \repeat volta 2
+ {
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*9 \bar "||" % 6-14
+
+ % Chorus
+
+% \mark \markup { \override #'(font-family . sans) { \box { B } } }
+\once \override Score.RehearsalMark #'self-alignment-X = #left
+\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ s1*7 | % 15-21
+ }
+ \alternative
+ {
+ {
+\once \override Score.RehearsalMark #'self-alignment-X = #right
+\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
+\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s1*2 | % 22-23
+ }
+ {
+ s1 | % 24
+ }
+ }
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*3 | % 25-27
+ }
+ \alternative
+ {
+ {
+ s1 | % 28
+ }
+ {
+ s1 | % 29
+ }
+ }
+
+ s1 | % 30
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % blank measure between last measure and coda
+ \stopStaff s1 \startStaff
+ \set Score.currentBarNumber = #31
+
+ % Coda
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 \bar "||" % 31
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 \bar "||" % 32-39
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*8 \bar "|." % 40-47
+}
+
+
+%
+% Lead vocal
+%
+
+LeadVox = \relative c''
+{
+ \clef G
+ \override Score.SpacingSpanner #'average-spacing-wishes = ##f
+
+ % Intro
+
+ s2 | % 0
+ s1 | % 1
+ s1 | % 2
+ s1 | % 3
+ s1 | % 4
+ s1 | % 5
+
+ % Verse
+
+ <gs \hn e \hn b>4 <gs \hn e \hn b>8 <a \hn e \hn b> <fs \hn e \hn b>4 <fs \hn ds \hn b>8 <gs \hn e \hn b> | % 6
+ <a \hn e \hn cs>4 <gs \hn e \hn cs>8 <fs \hn e \hn cs> <fs \hn cs \hn a> e <cs \hn a>4 | % 7
+ <gs' \hn e \hn b>4 <gs \hn e \hn b>8 <a \hn e \hn b> <fs \hn e \hn b>4 <fs \hn ds \hn b>8 <gs \hn e \hn b> ~ | % 8
+ <gs \hn e \hn b>8 <e \hn b \hn a> ~ <e \hn b \hn a>2 r4 | % 9
+ <gs \hn e \hn b>4 <gs \hn e \hn b>8 <a \hn e \hn b> <fs \hn e \hn b>4 <fs \hn ds \hn b>8 <gs \hn e \hn b> | % 10
+ <a \hn fs \hn cs>4 <a \hn fs \hn cs>8 <gs \hn e \hn cs> <fs \hn cs \hn a> e <e \hn cs \hn a>4 | % 11
+ <gs \hn e \hn b>4 <gs \hn e \hn b>8 <a \hn e \hn b> <fs \hn e \hn b>4 <fs \hn ds \hn b>8 <gs \hn e \hn cs> ~ | % 12
+ <gs \hn e \hn cs>8 <e \hn b \hn a> ~ <e \hn b \hn a>2 r4 | % 13
+ r4 r8. cs16 <a' \hn fs \hn cs>8 <gs \hn e \hn b> <gs \hn e \hn b> <fs \hn ds \hn b> | % 14
+
+ % Chorus
+
+ <gs \hn e \hn b>4 <gs \hn e \hn b> <a \hn fs \hn cs>8 <gs \hn e \hn b> <fs \hn ds \hn b> <e \hn b \hn gs> | % 15
+ <fs \hn ds \hn b>4 <fs \hn ds \hn b> <a \hn fs \hn cs>8 <gs \hn e \hn b> <gs \hn e \hn b> <fs \hn ds \hn a> | % 16
+ <gs \hn e \hn b>4 <gs \hn e \hn b> <gs \hn e \hn b>8 <b \hn gs \hn e>4 <e, \hn cs \hn a>8 ~ | % 17
+ <e \hn cs \hn a>4 r8 cs16 <a' \hn fs> <a \hn fs \hn cs>8 <gs \hn e \hn b> <gs \hn e \hn b> <fs \hn ds \hn b> | % 18
+ <gs \hn e \hn b>4 <gs \hn e \hn b> <a \hn fs \hn cs>8 <gs \hn e \hn b> <gs \hn e \hn b> <fs \hn cs \hn gs> | % 19
+ <fs \hn ds \hn b>4 <fs \hn ds \hn b> <a \hn fs \hn cs>8 <gs \hn e \hn b> <gs \hn e \hn b> <fs \hn ds \hn gs,> | % 20
+ <gs \hn e \hn b>4 <gs \hn e \hn b> <gs \hn e \hn b>8 <b \hn gs \hn e>4 <e, \hn cs \hn a>8 ~ | % 21
+
+ <e \hn cs \hn a>2 s | % 22
+ s1 | % 23
+
+ <e \hn cs \hn a>2-\repeatTie r8 b gs' fs ~ | % 24
+
+ % Bridge
+
+ fs4 <fs \hn ds \hn b>8 <gs \hn e \hn b> ~ <gs \hn e \hn b>4 <b \hn gs \hn e>8 <a \hn e \hn cs> ~ | % 25
+ <a \hn e \hn cs>8 <gs \hn e \hn b>4 <fs \hn e \hn b>8 ~ <fs \hn e \hn b>4 <gs \hn e \hn b>8 <fs \hn ds \hn b>8 ~ | % 26
+ <fs \hn ds \hn b>4 <fs \hn ds \hn b>8 <gs \hn e \hn cs> ~ <gs \hn e \hn cs>4 <b \hn fs \hn e>8 <a \hn e \hn cs> ~ | % 27
+
+ a8 gs4 fs8 ~ fs b, <gs' \hn e> <gs \hn ds \hn b> | % 28
+
+ <a \hn e \hn cs>8-\repeatTie <gs \hn e \hn cs>4 <fs \hn e \hn b>8 ~ <fs \hn e \hn b>2 ~ | % 29
+
+ <fs \hn e \hn b>4 r8. cs16 <a' \hn fs \hn cs>8 <gs \hn e \hn b> <gs \hn e \hn b> <fs \hn ds \hn b> | % 30
+
+ s1 % blank bar for coda
+
+ % Coda
+
+ <e \hn cs>4.-\repeatTie ~ <e \hn cs>16 cs <a' \hn fs>8 <gs \hn e> <gs \hn e> <fs \hn ds> | % 31
+
+ <gs \hn e>4 <gs \hn e> <a \hn fs>8 <gs \hn e> <fs \hn ds> <e \hn b> | % 32
+ <fs \hn ds>4 <fs \hn ds> <a \hn fs>8 <gs \hn e> <gs \hn e> <fs \hn ds> | % 33
+ <gs \hn e>4 <gs \hn e> <gs \hn e>8 <b \hn gs>4 <e, \hn cs>8 ~ | % 34
+ <e \hn cs>4. cs16 <a' \hn fs> <a \hn fs>8 <fs \hn e> <gs \hn e> <fs \hn ds> | % 35
+ <gs \hn e>4 <gs \hn e> <a \hn fs>8 <gs \hn e> <gs \hn e> <fs \hn cs> | % 36
+ <fs \hn ds>4 <fs \hn ds> <a \hn fs>8 <gs \hn e> <gs \hn e> <fs \hn ds> | % 37
+ <gs \hn e>4 <gs \hn e> <gs \hn e>8 <b \hn gs>4 <e, \hn cs>8 ~ | % 38
+ <e \hn cs>2 r8 b gs' fs ~ | % 39
+
+ fs4 fs8 gs ~ gs4 b8 a ~ | % 40
+ a8 gs4 fs8 ~ fs4 e8 fs ~ | % 41
+ fs4 fs8 gs ~ gs4 b8 a ~ | % 42
+ a8 gs4 fs8 ~ fs8 e ~ e4 ~ | % 43
+ e1 | % 44
+ s1 | % 45
+ s1 | % 46
+ s1 | % 47
+}
+
+
+LeadVoxTextA = \lyricmode
+{
+ Light of the world, you stepped down in -- to dark -- _ ness,
+ O -- pened my eyes, let me _ see, _
+ Beau -- ty that made this _ heart _ a -- dore _ you,
+ Hope of a life spent with _ you. _
+
+ So here I am to wor -- ship,
+ here I am to bow down,
+ here I am to say that you’re my God, _
+ And you’re al -- to -- geth -- er love -- ly,
+ al -- to -- geth -- er wor -- thy,
+ al -- to -- geth -- er won -- der -- ful to me. _ _
+
+ And I’ll ne -- _ ver know _
+ how much _ it cost _
+ to see _ my sin _ u -- pon _ that cross _
+
+ And I’ll ne
+ _ that cross. _ _
+
+ So here I am to
+
+ _ _ So here I am to wor -- ship,
+ here I am to bow down,
+ here I am to say that you’re my God, _
+ and you’re al -- to -- geth -- er love -- ly,
+ al -- to -- geth -- er wor -- thy,
+ al -- to -- geth -- er won -- der -- ful to me, _
+
+ And I’ll ne -- _ ver know _
+ how much _ it cost _
+ to see _ my sin _ u -- pon _ that cross _ _ _ _
+}
+
+
+LeadVoxTextB = \lyricmode
+{
+ King of all days, oh so high -- ly ex -- al -- _ ted,
+ glo -- rious in hea -- ven a -- _ bove, _
+ Hum -- bly you came to the Earth you cre -- a -- _ ted,
+ all for love’s sake be -- came _ poor. _
+}
+
+
+Riffs = \relative c''
+{
+ \tiny
+ a8 gs gs fs | % 0
+ gs4 gs a8 gs fs e | % 1
+ fs4 fs a8 gs gs fs | % 2
+ gs4 gs gs8 b4 e,8 ~ | % 3
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 4
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 5
+
+ s1*16 | % 6-21
+
+ r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 22
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 23
+
+ s1*7 | % 24-30
+
+ s1 % blank bar for Coda
+
+ s1*13 | % 31-43
+
+ r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 44
+ e a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 45
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 46
+ <a b e>1-\fermata | % 47
+ \normalsize
+}
+
+
+%
+% Chord names
+%
+
+Chords = \chordmode
+{
+ % Intro
+
+ s2 | % 0
+ e1 | % 1
+ b1/ds | % 2
+ cs2:m cs:m/b | % 3
+ a1:sus2 | % 4
+ s1 | % 5
+
+ % Verse
+
+ e2 b4:sus4 b | % 6
+ fs2:m a | % 7
+ e2 b4:sus4 b | % 8
+ a1:sus2 | % 9
+ e2 b4:sus4 b | % 10
+ fs2:m a | % 11
+ e2 b4:sus4 b | % 12
+ a1:sus2 | % 13
+ a1:sus2 | % 14
+
+ % Chorus
+
+ e1 | % 15
+ b1/ds | % 16
+ cs2:m cs:m/b | % 17
+ a1:sus2 | % 18
+ e1 | % 19
+ b1 | % 20
+ e1/gs | % 21
+
+ a1:sus2 | % 22
+ s1 | % 23
+
+ a1:sus2 | % 24
+
+ % Bridge
+
+ b2/ds e | % 25
+ a1:sus2 | % 26
+ b2 cs:m | % 27
+
+ a1:sus2 | % 28
+
+ a1:sus2 | % 29
+ b1:sus4 | % 30
+
+ % Coda
+
+ s1 % blank
+
+ a1:sus2 | % 31
+ e1 | % 32
+ b1/ds | % 33
+ cs2:m cs:m/b | % 34
+ a1:sus2 | % 35
+ e1 | % 36
+ b1 | % 37
+ e1/gs | % 38
+ a1:sus2 | % 39
+
+ b2/ds e | % 40
+ a1:sus2 | % 41
+ b2 cs:m | % 42
+ a1:sus2 | % 43
+ a1:sus2 | % 44
+ s1 | % 45
+ s1 | % 46
+ a1:sus2 | % 47
+}
+
+
+%
+% Chord rhythms
+%
+
+% Use a RhythmicStaff on the chords instead of this?
+% It almost works, but not quite. Doesn't collapse chords above to single notes...
+
+Rhythm = \relative c
+{
+ \override NoteHead #'style = #'slash
+ \teeny
+
+ % Intro
+
+ s2 | % 0
+ c1 | % 1
+ c1 | % 2
+ c2 c | % 3
+ c1 | % 4
+ c1 | % 5
+
+ % Verse
+
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c1 | % 14
+
+ % Chorus
+
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
+
+ c1 | % 22
+ c1 | % 23
+
+ c4 c c c | % 24
+
+ % Bridge
+
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+
+ c4 c c c | % 29
+ c4 c c c | % 30
+
+ % Coda
+
+ % blank measure between last measure and coda
+%hm. Shouldn't need /startStaff /stopStaff... !!! FIX !!!
+ \stopStaff s1 \startStaff
+
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+ c4 c c c | % 36
+ c4 c c c | % 37
+ c4 c c c | % 38
+ c4 c c c | % 39
+
+ c2 c | % 40
+ c2 c | % 41
+ c2 c | % 42
+ c2 c4 c | % 43
+ c1 | % 44
+ c1 | % 45
+ c1 | % 46
+ c1^\fermata | % 47
+}
+
+
+Dynamics =
+{
+%{
+ s1*12 | % 1-12
+ s4_\markup { \italic { Add bass, pad } } s2. | % 13
+ s1*7 | % 14-20
+ s4_\markup { \italic { Add perc, Ac. gtrs. } } s2. | % 21
+ s1*28 | % 22-49
+ s4_\markup { \italic { Piano only, like intro } } s2. | % 50
+ s1*2 | % 51-52
+ s4_\markup { \italic { Full band } } s2. | % 53
+%}
+ s2_\mf | % 0
+ s1*3 | % 1-3
+ s4_\markup { \italic { add cymbal colors } } s2. | % 5
+ s2 s16 s \> s4 s16 s \! | % 5
+
+ % Verse
+
+ s4_\markup { \italic { Unison 1st X } } s2. | % 6
+ s1*8 | % 7-14
+
+ % Chorus
+
+ s4_\markup { \italic { snare on D.S. } } s2. | % 15
+ s1*9 | % 16-24
+
+ % Bridge
+
+ s4_\markup { \italic { Unison 1st X } } s2. | % 25
+ s1*4 | % 26-29
+ s4.. s16_\markup { \italic { big fill } } \< s4. s8-\f | % 30
+
+ s1 % blank bar for coda
+
+ % Coda
+
+ s2 s8 \< s4 s8 \! | % 31
+ s4_\ff s2. | % 32
+ s1*6 | % 33-38
+ s2 s8 \> s4 s8-\mp | % 39
+
+ s4_\markup { \italic { floating } } s2. | % 40
+}
+
+
+\score
+{
+%{
+ <<
+ <<
+% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff = "Rhythm"
+ <<
+ \new ChordNames = "chords" \Chords
+ \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ >>
+
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+ >>
+%}
+ <<
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+
+ \new Staff
+ <<
+ \Global % The "roadmap" that everything else depends on
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxTextA
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ >>
+
+% \new Staff
+ <<
+ \new ChordNames \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
+ >>
+}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+%let's try this: [It works! Huzzah!][nope... :-/]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+}
+
% B section
- g1:5.9 | % 17
+ g1:3.5.9 | % 17
s2 fs:m7 | % 18
- g2.:5.9 fs4:m7 | % 19
+ g2.:3.5.9 fs4:m7 | % 19
e2:m7 a/cs | % 20
d4:sus4 d a/d d | % 21
d2/fs g | % 22
d1/a | % 23
a2 fs:m7 | % 24
- g1:5.9 | % 25
+ g1:3.5.9 | % 25
s2 fs:m7 | % 26
- g2.:5.9 fs4:m7 | % 27
+ g2.:3.5.9 fs4:m7 | % 27
e2:m7 a/cs | % 28
d4:sus4 d a/d d | % 29
d2/fs g | % 30
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][nope]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
}
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
% Let's try a chord dictionary
- subtitle = \markup { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \center-column { Bbmaj7 \fret-diagram-terse #"x;1;3;2;3;x;" } " " \center-column { A7sus4 \fret-diagram-terse #"x;o;2;o;3;x;" } " " \center-column { "F#7#5" \fret-diagram-terse #"2;x;2;3;3;x;" } " " \center-column { "Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } " " \center-column { "C#m11" \fret-diagram-terse #"x;4;4;4;5;4;" } " " \center-column { "F#7#9" \fret-diagram-terse #"2;4;2;3;2;5;" } }
+ subtitle = \markup { \override #'(font-family . sans) { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \center-column { { "B" \chordFlat "maj7" } \fret-diagram-terse #"x;1;3;2;3;x;" } " " \center-column { A7sus4 \fret-diagram-terse #"x;o;2;o;3;x;" } " " \center-column { "F#7#5" \fret-diagram-terse #"2;x;2;3;3;x;" } " " \center-column { "Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } " " \center-column { "C#m11" \fret-diagram-terse #"x;4;4;4;5;4;" } " " \center-column { "F#7#9" \fret-diagram-terse #"2;4;2;3;2;5;" } } }
}
% Song's structure
%
-Global =
+Global =
{
\key d \major
\override Staff.TimeSignature #'style = #'()
}
-Dynamics =
+Dynamics =
{
s1_\markup { \small \italic { Ac. guitar } } | % 1
s1 | % 2
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][Nope...]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
I can ne -- ver re -- turn, _ I’ve closed the door; _
I will walk the path, _ I’ll run the race, _
And I will ne -- ver _ be the same a -- again. _
-
+
same a -- gain. _
Fall like fire, _ soak _ like rain, _
I can ne -- ver re -- turn, _ I’ve closed the door; _
I will walk the path, _ I’ll run the race, _
And I will ne -- ver _ be the same a -- again. _
-
+
I will ne -- ver be _ the same a -- gain, _
I can ne -- ver re -- turn, _ I’ve closed the door; _
I will walk the path, _ I’ll run the race, _
And I will ne -- ver _ be the same a -- again. _
-
+
And I will ne -- ver _ be the same a -- again. _
And I will ne -- ver _ be the same a -- again. _
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][nope]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
\new Staff
<<
\Global % The "roadmap" that everything else depends on
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
\new Lyrics \lyricsto "lead" \LeadVoxTextD
+
+% \new Staff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][nope, it does not]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #18
+staffSize = #24
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #16
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro/midtro
f4./a bf2:sus2 s8 | % 1
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
}
c:7.9 % Dominant ninth
c:m7.9 % Minor ninth
c:maj9 % Major ninth
- c:5.9 % Add nine
+ c:3.5.9 % Add nine
c:6.9 % Six/nine
c:m6.9 % Minor six/nine
c:m7+9 % Minor major 9
c:11 % Dominant eleventh
c:m11 % Minor eleventh
c:maj11 % Major eleventh
- c:5.11 % Add eleven
- c:m5.11 % Minor add eleven
+ c:3.5.11 % Add eleven
+ c:3-.5.11 % Minor add eleven
c:m7.11 % Minor seventh add eleven
% Thirteenths
c:13 % Dominant thirteenth
c:m7.9.13 % Minor thirteenth
c:maj13 % Major thirteenth
- c:5.13 % Add thirteen
+ c:3.5.13 % Add thirteen (really a 6th chord)
+ c:3-.5.13 % Minor add thirteen (really a minor 6th chord)
c:13.9- % Dominant thirteen/b9
% Misc add chords
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
}
<c ees g bes d' a'>-\markup { "m13" }
<c e g b d' a'>-\markup { "maj13" }
<c e g a'>-\markup { "add13" }
+ <c ees g a'>-\markup { "m add13" }
<c e g bes des' a'>-\markup { "13" \chordFlat "9" }
% Misc add chords
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][nope]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #18
+staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
% Song's structure
%
-Global =
+Global =
{
- \clef G
\key c \major
\override Staff.TimeSignature #'style = #'()
\time 4/4
+
+ % Intro
+
+ \once \override TextScript #'padding = #2.0
+ s1*0^\markup { \large \italic { Piano only } }
+
+ s1*4 \bar "||" % 1-4
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*8 \bar "||" % 13-20
+
+ % Midtro
+
+ \mark \markup { \override #'(font-family . sans) { \box { B2 } } }
+ s1*4 \bar "||" % 21-24
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 \bar "||" % 25-32
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 \bar "||" % 33-40
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*9 \bar "||" % 41-49
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s1*4 \bar "|." % 96-100
}
% Lead vocal
%
-LeadVox = \relative c''
+LeadVox = \relative c'
{
% \set Voice.autoBeaming = ##f
% \set Staff.instrumentName = #"Lead vox"
\time 4/4
\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-%{
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
- s1 | % 6
- s1 | % 7
- \voiceTwo r2 r4 g \oneVoice | % 8
+ r1 | % 1
+ r1 | % 2
+ r1 | % 3
+ r4 r8. c16 e8 g a g ~ | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ g2 ~ g8 e16 g a4 ~ | % 5
+ a16 g g8 ~ g4 r g8 g16 g | % 6
+ c,16 c8. c4 r c16 d8. ~ | % 7
+ d8 c ~ c8. c16 e8 g a g ~ | % 8
- e4. d8 c4 g' | % 9
- a4 f f a | % 10
- g4. e8 e4 d8 ( c ) | % 11
- e4 e d g | % 12
- e4. d8 c4 g' | % 13
- a4 f c' b8 ( a ) | % 14
- g4 e e8 ( d ) c ( d ) | % 15
- e4. d8 c4 <g' \hn f \hn b,> \bar "||" % 16
+ g2 ~ g8. e16 a4 ~ | % 9
+ a16 g g8 ~ g2 g8 g16 g ~ | % 10
+ g2 r8. g16 c d8 d16 ~ | % 11
+ d2 <c, \hn e>8 <d \hn f>16 <e \hn g> ~ <e \hn g>8 <e \hn g> ~ | % 12
- % Chorus
+ % Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn b \hn g> | % 17
- <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 18
- <g \hn e \hn c>4 <e \hn c \hn g> <e \hn c \hn a>8 ( <d \hn b> ) <c \hn a> ( <d \hn b \hn g> ) | % 19
- <e \hn c \hn fs,>4 <e \hn c \hn fs,> <d \hn c \hn g> <g \hn f! \hn d> | % 20
- <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn g, \hn b,> | % 21
- <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 22
- <g \hn e \hn c>4 <e \hn c \hn g> << { \voiceOne <e \hn c>8 ( <d \hn b> ) c ( d ) } \context Voice = "v2" { \voiceTwo \tiny a4 a8 b \normalsize } \oneVoice >> | % 23
- \time 2/4 <e \hn c>4 <d \hn b> \time 4/4 | % 24
- \voiceTwo c1 \oneVoice | % 25
- s1 | % 26
- }
- \alternative
- {
- {
- s1 | % 27
- \voiceTwo r2 r4 g' \oneVoice | % 28
- }
- {
- s1 | % 29
- }
- }
+ <e \hn g>4 r8 <g, \hn c>16 <g \hn c> <e' \hn g>8 <d \hn f> <c \hn e> <d \hn g> ~ | % 13
+ <d \hn g>4 r <d \hn g>8 <d \hn g> <e \hn g> <d \hn g> ~ | % 14
+ <d \hn g>8 <c \hn f>16 <c \hn f> ~ <c \hn f>2 <a \hn c>8 <d \hn g> ~ | % 15
+ <d \hn g>8 <c \hn f>16 <c \hn f> r8. <a \hn c>16 <\hn g c \hn e>8 <\hn a d \hn f> <\hn c e \hn g> <\hn c e \hn g> ~ | % 16
- s1 | % 30
- s1 | % 31
- s1 | % 32
- \voiceTwo r2 r4 <a \hn d,> \oneVoice \bar "||" % 33
+ <\hn c e \hn g>4 r8.<g \hn e'>16 <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 17
+ <\hn c d \hn g>4 r <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 18
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 19
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>4 <g \hn g'>8 <g \hn g'>16 <g \hn g'> ~ <g \hn g'>8 <g \hn g'> ~ | % 20
- \key d \major
+ % Midtro
+
+ <g \hn g'>4 r r2 | % 21
+ r1 | % 22
+ r1 | % 23
+ r4 r8. <\hn g c>16 <\hn c e>8 <\hn e g> <\hn f a> <\hn e g> ~ | % 24
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ <\hn e g>4 r r8 <\hn c e>16 <\hn e g> <\hn f a>4 ~ | % 25
+ <\hn f a>16 <\hn e g> <\hn e g>8 ~ <\hn e g>4 r8. g16 g8 g16 g ~ | % 26
+ g16 c,8. r4 r8. c16 c8 d16 c16 ~ | % 27
+ c4 r <\hn c e>8 <\hn e g> <\hn f a> <\hn e g> ~ | % 28
- <fs \hn a,>4. <e \hn g,>8 <d \hn fs,>4 <a' \hn d,> | % 34
- <b \hn d,>4 <g \hn b,> <g \hn b,> <b \hn d,> | % 35
- <a \hn d,>4. <fs \hn a,>8 <fs \hn a,>4 <e \hn g,>8 ( <d \hn fs,> ) | % 36
- <fs \hn a,>4 <fs \hn a,> <e \hn a> <a \hn e \hn cs> | % 37
- <fs \hn d \hn a>4. <e \hn d \hn g,>8 <d \hn a \hn cs>4 <a' \hn fs \hn d> | % 38
- <b \hn g \hn d>4 <g \hn d \hn b> <d' \hn f, \hn b,> <cs \hn f, \hn cs>8 ( <b \hn d,> ) | % 39
- <a \hn fs \hn d>4 <fs \hn d \hn a> << { \voiceOne <fs \hn d>8 ( <e \hn cs> ) d ( e ) } \context Voice = "v2" { \voiceTwo \tiny b4 b8 cs \normalsize } \oneVoice >> | % 40
- <fs \hn d \hn a>4. <e \hn cs \hn g>8 <d \hn fs,>4 <a' \hn g \hn cs,> \bar "||" % 41
+ <\hn e g>4 r r8 <\hn c e>16 <\hn e g> <\hn f a>4 ~ | % 29
+ <\hn f a>16 <\hn e g> <\hn e g>8 ~ <\hn e g>4 r8. g16 g8 g16 g ~ | % 30
+ g16 g r8 r4 r <\hn g, c \hn f>16 <\hn c d \hn g>8 <\hn c d \hn g>16 ~ | % 31
+ <\hn c d \hn g>4 r <\hn g c \hn e>8 <\hn a d \hn f>16 <\hn c e \hn g> ~ <\hn c e \hn g>8 <\hn c e \hn g> ~ | % 32
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
- <a \hn fs \hn d>4 <d \hn a \hn fs> <cs \hn a \hn e> <e \hn cs \hn a> | % 42
- <d \hn b \hn g>4 <cs \hn a \hn fs>8 ( <b \hn g \hn e> ) <a \hn fs \hn d>4 <b \hn g \hn d> | % 43
- <a \hn fs \hn d>4 <fs \hn d \hn a> <fs \hn d \hn b>8 ( <e \hn cs> ) <d \hn b> ( <e \hn cs \hn a> ) | % 44
- <fs \hn d \hn gs,>4 <fs \hn d \hn gs,> <e \hn d \hn a> <a \hn g! \hn cs,> | % 45
- <a \hn fs \hn d>4 <d \hn a \hn fs> <cs \hn a \hn e> <e \hn a, \hn cs,> | % 46
- <d \hn g, \hn b,>4 <cs \hn fs, \hn a,>8 ( <b \hn e, \hn g,> ) <a \hn d, \hn fs,>4 <b \hn g \hn d> | % 47
- <a \hn fs \hn d>4 <fs \hn d \hn a> << { \voiceOne <fs \hn d>8 ( <e \hn cs> ) d ( <e \hn cs> ) } \context Voice = "v2" { \voiceTwo \tiny b4 b8 a \normalsize } \oneVoice >> | % 48
- <fs' \hn d \hn a>2 <e \hn cs \hn a> \bar "||" % 49
-
- % Outro
-
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
- \voiceTwo d1 \oneVoice | % 50
- s1 | % 51
- s1 | % 52
- s1 | % 53
- s1 | % 54
- s1 | % 55
- s1 | % 56
- s1 | % 57
- s1 \bar "|." % 58
-%}
+ <\hn c e \hn g>4 r8 <\hn g c>16 <\hn g c> <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 33
+ <\hn c d \hn g>2 <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 34
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>2 <a \hn c>8 <\hn a d \hn g> ~ | % 35
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> r8. <a \hn c>16 <\hn g c \hn e>8 <\hn a d \hn f> <\hn c e \hn g> <\hn c e \hn g> ~ | % 36
+
+ <\hn c e \hn g>4 r8.<g \hn e>16 <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 37
+ <\hn c d \hn g>4 r <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 38
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 39
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>4 <\hn g f' \hn g>8 <\hn a e' \hn a>16 <\hn c d \hn g \hn c> ~ <\hn c c \hn g' \hn c>8 <\hn c e \hn g \hn c> ~ | % 40
+
+ <\hn c e \hn g \hn c>4 r8 <\hn g c \hn e \hn g>16 <\hn g c \hn e \hn g> <\hn c \hn e g \hn c>8 <\hn a \hn d f \hn a> <\hn g \hn c e \hn g> <\hn g \hn c e \hn g> ~ | % 41
+ <\hn g \hn c d \hn g>4 r <\hn g \hn b d \hn g>8 <\hn g \hn b d \hn g> <\hn a \hn c e \hn g> <\hn bf d \hn g> ~ | % 42
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r <a \hn c>8 <\hn a d \hn g> ~ | % 43
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> r8. <a \hn c \hn f>16 <\hn g c \hn e \hn g>8 <\hn a d \hn f \hn a> <\hn c e \hn g \hn c> <\hn c e \hn g \hn c> ~ | % 44
+
+ <\hn c e \hn g \hn c>4 r8. <c \hn e \hn g>16 <\hn c \hn e g \hn c>8 <\hn a \hn d f \hn a> <\hn g \hn c e \hn g> <\hn g \hn c e \hn g> ~ | % 45
+ <\hn g \hn c d \hn g>4 r <\hn g \hn b d \hn g>8 <\hn g \hn b d \hn g> <\hn a \hn c e \hn g> <\hn bf d \hn g> ~ | % 46
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 47
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>2 r4 | % 48
+ r4 r8. c16 e8 g a g ~ | % 49
+
+ % End
+
+ g2 r8 e16 g a4 ~ | % 50
+ a16 g g8 ~ g4 r g8 g16 g | % 51
+ c,16 c8. c4 r c16 d8. ~ | % 52
+ d8 c ~ c2.-\fermata | % 53
}
LeadVoxText = \lyricmode
{
- I'm find- ing my- self at a loss for words
- and the fun- ny thing is, it's o- kay
- The last thing I need is too be heard
- but to hear what you might say
-
- Word of God speak, would you pour down like rain,
- wash- ing my eyes to see your ma- jes- ty
- To be still and know that you're in this place,
- please let me stay and rest in your ho- li- ness
- Word of God speak.
+ I'm find -- ing my -- self _ _ at a loss _ for words _
+ and the fun -- ny thing is, it's o -- _ kay _
+ The last thing I need _ _ is to _ be heard _
+ but to hear _ what you might say _
+
+ Word of God _ speak, _ would you pour down like rain, _
+ wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
+ To be still and know _ that you're in this place, _
+ please let me stay _ and rest _ in your ho -- _ li -- ness _
+ Word of God _ speak. _
+
+ I'm find -- in' my -- self _ in the midst _ of you _
+ be -- yond the mu -- _ sic, be -- yond the noise, _
+ all that I need _ is to be _ with you, _
+ and in the qui -- _ et, hear your voice, _
+
+ Word of God _ speak, _ would you pour down like rain, _
+ wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
+ To be still and know _ that you're in this place, _
+ please let me stay _ and rest _ in your ho -- _ li -- ness _
+
+ Word of God _ speak, _ would you pour down like rain, _
+ wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
+ To be still and know _ that you're in this place, _
+ please let me stay _ and rest _ in your ho -- _ li -- ness _
+
+ I'm find -- ing my -- self _ at a loss _ for words _
+ and the fun -- ny thing is, it's o -- _ kay _
}
Riffs = \relative c''
{
+%{
\clef G
\key c \major
\override Staff.TimeSignature #'style = #'()
d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 cs8. ~ | % 57
<d a fs d>1^\fermata | % 59
\normalsize
+%}
}
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- c2:sus2/a c:sus2/f | % 1
- g1:sus4 | % 2
- c2:sus2/a c:sus2/f | % 3
- g1:sus4 | % 4
- c2:sus2/a c:sus2/f | % 5
- g1:sus4 | % 6
- c2:sus2/e c:sus2/f | % 7
- g1:sus4 | % 8
+ c2. c4:sus4 | % 1
+ c2. c4:sus2 | % 2
+ c2./f c4:sus4/f | % 3
+ c2./f c4:sus2/f | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- c2 c/e | % 9
- f2 d:m7 | % 10
- c2/g a:m7 | % 11
- c2/f g4:sus4 g | % 12
- c2 c/e | % 13
- f2 fs:dim | % 14
- c2/g a:m7 | % 15
- c4/g g c g:sus4.7 \bar "||" % 16
+ c2. c4:sus4 | % 5
+ c2. c4:sus2 | % 6
+ c2./f c4:sus4/f | % 7
+ c2./f c4:sus2/f | % 8
- % Chorus
+ c2. c4:sus4 | % 9
+ c2. c4:sus2 | % 10
+ c2./f c4:sus4/f | % 11
+ c1/f | % 12
- c2 g | % 17
- f4 e8:m7 d:m7 c4 f | % 18
- c2/g a:m7 | % 19
- d2:9 g4:sus4.7 g:7 | % 20
- c2 g | % 21
- f4 e8:m7 d:m7 c4 f | % 22
- c2/e a:m7 | % 23
- \time 2/4 c4/f g \time 4/4 | % 24
- c2:sus2/a c:sus2/f | % 25
- g1:sus4 | % 26
- }
- \alternative
- {
- {
- c2:sus2/e c:sus2/f | % 27
- g1:sus4 | % 28
- }
- {
- c2:sus2/e c:sus2/ef | % 29
- }
- }
+ % Chorus
- bf1:sus2/d | % 30
- df1:maj7 | % 31
- f1/g | % 32
- g2/a a4 a:sus4.7 \bar "||" % 33
+ c1 | % 13
+ g2:sus4 g4 a:m11 | % 14
+ bf1:sus2 | % 15
+ f2 c/f | % 16
- % Verse
+ c1 | % 17
+ g2:sus4 g4 a:m11 | % 18
+ bf1:sus2 | % 19
+ f1 | % 20
- d2 d/fs | % 34
- g2 e:m7 | % 35
- d2/a b:m7 | % 36
- d2/a a | % 37
- d4. e8:m7 d2/fs | % 38
- g2 gs:dim | % 39
- d2/a b:m7 | % 40
- d4/a a d d:sus4.7 \bar "||" % 41
+ % Midtro
- % Chorus
+ c2. c4:sus4 | % 21
+ c2. c4:sus2 | % 22
+ c2./f c4:sus4/f | % 23
+ c2./f c4:sus2/f | % 24
- d2 a | % 42
- g4 fs8:m7 e:m7 d4 g | % 43
- d2/a b:m7 | % 44
- e2:9 a4:sus4.7 a:7 | % 45
- d2/a a | % 46
- g4 fs8:m7 e:m7 d4 g | % 47
- d2/fs b:m7 | % 48
- d2/g a \bar "||" % 49
+ % Verse
- % Outro
+ c2. c4:sus4 | % 25
+ c2. c4:sus2 | % 26
+ c2./f c4:sus4/f | % 27
+ c2./f c4:sus2/f | % 28
+
+ c2. c4:sus4 | % 29
+ c2. c4:sus2 | % 30
+ c2./f c4:sus4/f | % 31
+ c1 | % 32
- d2:sus2 g:6.9 | % 50
- a1:sus4 | % 51
- d2:sus2/b g:6.9 | % 52
- a1:sus4 | % 53
- d2:sus2 g:6.9 | % 54
- a1:sus4 | % 55
- d2:sus2/fs g:6.9 | % 56
- a1:sus4 | % 57
- d1 | % 58
+ % Chorus
+
+ c1 | % 33
+ g2:sus4 g4 a:m11 | % 34
+ bf1:sus2 | % 35
+ f2 c/f | % 36
+
+ c1 | % 37
+ g2:sus4 g4 a:m11 | % 38
+ bf1:sus2 | % 39
+ f1 | % 40
+
+ c1 | % 41
+ g2:sus4 g4 a:m11 | % 42
+ bf1:sus2 | % 43
+ f2 c/f | % 44
+
+ c1 | % 45
+ g2:sus4 g4 a:m11 | % 46
+ bf1:sus2 | % 47
+ f1 | % 48
+ f1:sus2 | % 49
+
+ % End
+
+ c2. c4:sus4 | % 50
+ c2. c4:sus2 | % 51
+ c2./f c4:sus4/f | % 52
+ f1:sus2 | % 53
}
c4 c c c | % 2
c4 c c c | % 3
c4 c c c | % 4
+
+ % Verse
+
c4 c c c | % 5
c4 c c c | % 6
c4 c c c | % 7
- c1 | % 8
+ c4 c c c | % 8
- \repeat volta 2
- {
- % Verse
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c-> \bar "||" % 16
+ % Chorus
- % Chorus
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
- c4 c c c | % 17
- c4 c8 c c4 c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c | % 21
- c4 c8 c c4 c | % 22
- c4 c c c | % 23
- \time 2/4 c4 c \time 4/4 | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- }
- \alternative
- {
- {
- c4 c c c | % 27
- c4 c c c | % 28
- }
- {
- c4 c c c | % 29
- }
- }
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+
+ % Midtro
+
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+
+ % Verse
+
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
c4 c c c | % 30
c4 c c c | % 31
c4 c c c | % 32
- c4 c c c \bar "||" % 33
- % Verse
+ % Chorus
+ c4 c c c | % 33
c4 c c c | % 34
c4 c c c | % 35
c4 c c c | % 36
+
c4 c c c | % 37
- c4. c8 c4 c | % 38
+ c4 c c c | % 38
c4 c c c | % 39
c4 c c c | % 40
- c4 c c c-> \bar "||" % 41
-
- % Chorus
+ c4 c c c | % 41
c4 c c c | % 42
- c4 c8 c c4 c | % 43
+ c4 c c c | % 43
c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
- c4 c8 c c4 c | % 47
+ c4 c c c | % 47
c4 c c c | % 48
- c2 c \bar "||" % 49
+ c1^\fermata | % 49
% Outro
c4 c c c | % 50
c4 c c c | % 51
c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c1^\fermata \bar "|." % 58
+ c1^\fermata | % 53
}
Dynamics =
{
-%{
- s4_\mf s2. | % 1
- s1*22 | % 2-23
- s4 s \> | % 24
- s4 \! s2. | % 25
- s1*2 | % 26-27
- s4 \< s s \! s | % 28
- s1*4 | % 29-32
- s4 \< s s \! s | % 33
- s1*23 | % 34-56
- s2 s2_\markup { \italic { rit. } } | % 57
-%}
+ s1*12 | % 1-12
+ s4_\markup { \italic { Add bass, pad } } s2. | % 13
+ s1*7 | % 14-20
+ s4_\markup { \italic { Add perc, Ac. gtrs. } } s2. | % 21
+ s1*28 | % 22-49
+ s4_\markup { \italic { Piano only, like intro } } s2. | % 50
+ s1*2 | % 51-52
+ s4_\markup { \italic { Full band } } s2. | % 53
}
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
\new Staff
<<
\Global
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
+
+% \new Staff
+ <<
+ \new ChordNames \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+%let's try this: [It works! Huzzah!][nope... :-/]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
projects / music / commitdiff