2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Have Decided To Follow Jesus" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
17 % Let's try a chord dictionary
18 subtitle = \markup { \override #'(font-family . sans) { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \center-column { { "B" \chordFlat "maj7" } \fret-diagram-terse #"x;1;3;2;3;x;" } " " \center-column { A7sus4 \fret-diagram-terse #"x;o;2;o;3;x;" } " " \center-column { "F#7#5" \fret-diagram-terse #"2;x;2;3;3;x;" } " " \center-column { "Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } " " \center-column { "C#m11" \fret-diagram-terse #"x;4;4;4;5;4;" } " " \center-column { "F#7#9" \fret-diagram-terse #"2;4;2;3;2;5;" } } }
29 \override Staff.TimeSignature #'style = #'()
35 s1^\markup { \italic { Ac. guitar } } | % 1
37 s1^\markup { \italic { Guitar II in } } | % 3
39 s1^\markup { \italic { Bass in } } | % 5
41 s1^\markup { \italic { Drums in } } | % 7
50 \mark \markup { \override #'(font-family . sans) { \box { A } } }
70 % \once \override Score.RehearsalMark #'self-alignment-X = #left
71 \mark \markup { \override #'(font-family . sans) { \box { B } } } %\small \italic { Women 8vb throughout } }
78 % \once \override Score.RehearsalMark #'self-alignment-X = #left
79 \mark \markup { \override #'(font-family . sans) { \box { C } } } % \small \italic { On cue } }
90 LeadVox = \relative c'
92 \override Staff.TimeSignature #'style = #'()
108 a4. a8 ~ a8 r8 r4 | % 9
110 fs4. d8 ~ d8 r8 r4 | % 11
112 d4. d8 ~ d8 r8 r4 | % 13
114 b4. a8 ~ a8 r8 r4 | % 15
117 a4. a8 ~ a8 r8 r4 | % 17
119 fs4. d8 ~ d8 r8 r4 | % 19
158 LeadVoxText = \lyricmode
160 I have de- ci- ded _ to fol- low Je- sus _
161 I have de- ci- ded _ to fol- low Je- sus _
162 I have de- ci- ded _ to fol- low Je- sus _
163 No tur- ning back, no tur- ning back.
169 No tur- ning back! No tur- ning back!
170 No tur- ning back! No tur- ning back!
174 LeadVoxTextB = \lyricmode
176 _ _ _ with me, _ still I will fol- low _
177 Though none go with me, _ still I will fol- low _
178 Though none go with me, _ still I will fol- low _
179 No tur- ning back, no tur- ning back.
184 LeadVoxTextC = \lyricmode
186 _ _ _ hind me, _ the cross be- fore me _
187 The world be- hind me, _ the cross be- fore me _
188 The world be- hind me, _ the cross be- fore me _
189 No tur- ning back, no tur- ning _
206 c4.:9 b2:7.9+ bf8:7+ | % 1
207 s4. a2:sus4.7 c8:9 | % 2
208 s4. b2:7.9+ bf8:7+ | % 3
209 s4. a2:sus4.7 c8:9 | % 4
210 s4. b2:7.9+ bf8:7+ | % 5
211 s4. a2:sus4.7 c8:9 | % 6
212 s4. b2:7.9+ bf8:7+ | % 7
213 s4. a2:sus4.7 s8 | % 8
219 d2..:7+ fs8:aug7 | % 11
221 g4.:7+ d2:/fs e8:m7 | % 13
222 s4. a2:sus4.7 s8 | % 14
223 d2..:7+ g8:m/a | % 15
226 d2..:7+ cs8:m11 | % 17
227 s4. fs2:7.9+ b8:m7 | % 18
233 s4. b2:7.9+ bf8:7+ | % 23
234 s4. a2:sus4.7 c8:9 | % 24
235 s4. b2:7.9+ bf8:7+ | % 25
236 s4. a2:sus4.7 s8 | % 26
238 s4. b2:7.9+ bf8:7+ | % 27
239 s4. a2:sus4.7 c8:9 | % 28
240 s4. b2:7.9+ bf8:7+ | % 29
242 s4 a:sus4.7 s2 | % 30
246 d2..:7+ af8:7.5- | % 31
250 e2..:m7 a8:sus4.7 | % 35
252 c4.:9 b2:7.9+ bf8:7+ | % 37
253 s4. a2:sus4.7 s8 | % 38
257 c4.:9 b2:7.9+ bf8:7+ | % 39
258 s4. a2:sus4.7 c8:9 | % 40
259 s4. b2:7.9+ bf8:7+ | % 41
260 s4. a2:sus4.7 c8:9 | % 42
261 s4. b2:7.9+ bf8:7+ | % 43
262 s4. a2:sus4.7 s8 | % 44
271 % Use a RhythmicStaff on the chords instead of this?
272 % It almost works, but not quite. Doesn't collapse chords above to single notes...
276 % \set Voice.autoBeaming = ##f
277 \override Staff.TimeSignature #'style = #'()
278 \override NoteHead #'style = #'slash
283 c4. c8 ~ c4. c8 ~ | % 1
284 c4. c8 ~ c4. c8 ~ | % 2
285 c4. c8 ~ c4. c8 ~ | % 3
286 c4. c8 ~ c4. c8 ~ | % 4
287 c4. c8 ~ c4. c8 ~ | % 5
288 c4. c8 ~ c4. c8 ~ | % 6
289 c4. c8 ~ c4. c8 ~ | % 7
298 c4. c8 ~ c4. c8 ~ | % 13
304 c4. c8 ~ c4. c8 ~ | % 18
310 c4. c8 ~ c4. c8 ~ | % 23
311 c4. c8 ~ c4. c8 ~ | % 24
312 c4. c8 ~ c4. c8 ~ | % 25
315 c4. c8 ~ c4. c8 ~ | % 27
316 c4. c8 ~ c4. c8 ~ | % 28
317 c4. c8 ~ c4. c8 ~ | % 29
329 c4. c8 ~ c4. c8 ~ | % 37
334 c4. c8 ~ c4. c8 ~ | % 39
335 c4. c8 ~ c4. c8 ~ | % 40
336 c4. c8 ~ c4. c8 ~ | % 41
337 c4. c8 ~ c4. c8 ~ | % 42
338 c4. c8 ~ c4. c8 ~ | % 43
346 s1_\markup { \small \italic { Ac. guitar } } | % 1
348 s1_\markup { \small \italic { Guitar II in } } | % 3
350 s1_\markup { \small \italic { Bass in } } | % 5
352 s1_\markup { \small \italic { Drums in } } | % 7
356 s4_\markup { \small \italic { Women 8vb throughout } } s2. | % 30
363 s4_\markup { \small \italic { On cue } } s2. | % 39
365 s4_\markup { \small \italic { rit. } } s2. | % 43
373 % \new ChoirStaff = "Vox"
375 \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
376 \new Lyrics \lyricsto "lead" \LeadVoxText
377 \new Lyrics \lyricsto "lead" \LeadVoxTextB
378 \new Lyrics \lyricsto "lead" \LeadVoxTextC
381 \new ChoirStaff = "Rhythm"
383 % \new Staff = "riff" \RhythmB
384 \new ChordNames = "chords" \Chords
385 \new RhythmicStaff = "chordRhythm" \StaffC
388 \set Score.skipBars = ##t
389 \set Score.melismaBusyProperties = #'()
393 \set Score.skipBars = ##t
394 \set Score.melismaBusyProperties = #'()
398 \new ChordNames \Chords
399 \new RhythmicStaff << \Rhythm \Dynamics >>
405 \new Voice = "lead" \LeadVox
407 \new Lyrics \lyricsto "lead" \LeadVoxText
408 \new Lyrics \lyricsto "lead" \LeadVoxTextB
409 \new Lyrics \lyricsto "lead" \LeadVoxTextC
417 #(define fonts (make-pango-font-tree
423 % Don't spread staves vertically across last page (default: t)
424 % ragged-last-bottom = ##f
425 % Don't spread staves vertically across the page (default: f)
426 % ragged-bottom = ##t
427 % Allow partial line for last stave (default: f)
430 % To find out what's eating the space at the top...
431 % annotate-spacing = ##t
432 %let's try this: [It works! Huzzah!][Nope...]
433 % obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)