--- /dev/null
+\version "2.16.0"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20
+staffSize = #16
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "(I Will Not Be) Shaken" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "T.Guerrero" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+ (set! (ly:music-property arg 'tweaks)
+ (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
+
+
+%
+% Song's structure
+%
+Global =
+{
+ \key g \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Intro
+
+ \repeat volta 2
+ {
+ s1*4 | % 1-4
+ }
+
+ \repeat volta 2
+ {
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1^\markup { \italic { (1st X Gtr 16ths) } } | % 5
+ s1*7 \bar "||" % 6-12
+ \mark \markup { \override #'(font-family . sans) { \box { A9 } } }
+ s8 s2..^\markup { \italic { (1st X Add Bass & Kick) } } | % 13
+ s1*6 | % 14-19
+ s1^\markup { \italic { (Drum Fill) } } \bar "||" % 14-20
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s8 s2..^\markup { \italic { (Snare 2&4) } } | % 21
+ s1*10 \bar "||" % 22-31
+ }
+ \alternative
+ {
+ {
+ s1*2 | % 32-33
+ }
+ {
+ s1 | % 34
+ }
+ }
+
+ s1 \bar "||" % 35
+
+ % Bridge
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*6 | % 36-41
+ s1^\markup { \italic { (Add Gtr. 16ths) } } | % 42
+ s1*2 | % 43-44
+ s1^\markup { \italic { (Drum Fill) } } \bar ".|:-||" % 45
+
+ % Solos
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s8 s2..^\markup { \bold { Solos } } | % 46
+ s1*2 | % 47-48
+ }
+ \alternative
+ {
+ {
+ s1 | % 49
+ }
+ {
+ s1 \bar "||" % 50
+ }
+ }
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s16 s2...^\markup { \italic { (Add Gtr. 16ths) } } | % 51
+ s1^\markup { \italic { (Women Echo) } } | % 52
+ s1 | % 53
+ s1^\markup { \italic { (Women Echo) } } | % 54
+ s2.. s8^\markup { \italic { (Tutti) } } | % 55
+ s1*2 | % 56-57
+ s1^\markup { \italic { (Drum Fill) } } \bar ".|:-||" % 58
+
+ \repeat volta 2
+ {
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s1*8 | % 59-66
+ }
+
+ s1 | % 67
+
+ \repeat volta 2
+ {
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { G } } }
+ s1*4 | % 68-71
+ }
+
+ s1 \bar "|." % 72
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*3 | % 1-3
+ s2 r4 r8 d8 | % 4
+
+ % Verse
+
+ g4 a b g | % 5
+ e2 r4 r8 e | % 6
+ a4 b c g | % 7
+ fs2 r4 r8 fs | % 8
+ b4 c d r8 fs, | % 9
+ g8. a16 ~ a8 b ~ b4 r8 e, | % 10
+ a4 b c g | % 11
+ fs2 r4 r8 d | % 12
+
+ g4 a b g | % 13
+ e2 r4 r8 e | % 14
+ a4 b c g | % 15
+ fs2 r4 r8 fs | % 16
+ b4 c8. d16 ~ d4 r8 fs, | % 17
+ g8. a16 ~ a8 b ~ b4 r8 e, | % 18
+ a4 b c g | % 19
+ fs2. r4 | % 20
+
+ % Chorus
+
+ r4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 21
+ <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 22
+ <e \hn c>4 <g \hn c,>16 <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 23
+ <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 24
+
+ r4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 25
+ <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 26
+ <e \hn c>8. <g \hn c,>16 <g \hn c,> <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 27
+ <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 28
+ r4 <g \hn b,>16 <g \hn b,>8 <b \hn d,>16 ~ <b \hn d,> <b \hn d,>8 <a \hn c,>16 ~ <a \hn c,> <g \hn b,>8. | % 29
+ R1 | % 30
+ R1 | % 31
+
+ R1 | % 32
+ R1 | % 33
+
+ R1 | % 34
+
+ R1 | % 35
+
+ % Bridge
+
+ r4 d'16 d8 d16 ~ d b8 c16 ~ c d8 c16 ~ | % 36
+ c16 c8 c16 ~ c b8 a16 ( g4 ) r | % 37
+ r8. a16 c c8 c16 ~ c b8 a16 ~ a8 g | % 38
+ c8 b16 a ~ a g8 a16 ~ a4 r | % 39
+ r8. <b \hn d,>16 <d \hn g,> <d \hn g,>8 <d \hn g,>16 ~ <d \hn g,> <b \hn d,>8 <c \hn e,>16 ~ <c \hn e,> <d \hn g,>8 <d \hn g,>16 ~ | % 40
+ <d \hn g,>16 <c \hn e,>8 <c \hn e,>16 ~ <c \hn e,> <b \hn d,>8 <a \hn c,>16 ( <g \hn b,>4 ) r | % 41
+ r4 <b \hn g \hn e>16 <b \hn g \hn e>8 <b \hn g \hn e>16 ~ <b \hn g \hn e> <g \hn e \hn b>8 <a \hn fs \hn d>16 ~ <a \hn fs \hn d> ( <b \hn g \hn e>8. ) | % 42
+ r4 <c \hn a \hn e>16 <c \hn a \hn e>8 <c \hn a \hn e>16 ~ <c \hn a \hn e> <b \hn g \hn d>8 <a \hn e \hn c>16 ~ <a \hn e \hn c> <g \hn e \hn c>8. | % 43
+ r8. <b \hn d,>16 <d \hn g,> <d \hn g,>8 <d \hn g,>16 ~ <d \hn g,> <b \hn d,>8 <c \hn e,>16 ~ <c \hn e,> << { \voiceOne d8. ~ } \context Voice = vb { \voiceTwo \hn g,8. ( } >> | % 44
+ << { \voiceOne d'2. } \context Voice = vb { \voiceTwo \hn fs,2. ) } >> \oneVoice r4 | % 45
+
+ % Solos
+
+ R1 | % 46
+ R1 | % 47
+ R1 | % 48
+
+ R1 | % 49
+
+ r2 r4 r8 d | % 50
+
+ % Verse
+
+ g4 a b g | % 51
+ e2. r8 e | % 52
+ a4 b c g | % 53
+ fs2 r4 r8 fs | % 54
+ b4 c d r8 fs, | % 55
+ g8. a16 ~ a8 b ~ b4 r8 e, | % 56
+ a4 b <c \hn g \hn e>-> <d \hn g, \hn e>-> | % 57
+ <d \hn a \hn fs>2.-> r4 | % 58
+
+ % Chorus
+
+ r4 <g, \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 59
+ <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 60
+ <e \hn c>4 <g \hn c,>16 <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 61
+ <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 62
+
+ r4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 63
+ <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 64
+ <e \hn c>8. <g \hn c,>16 <g \hn c,> <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 65
+ <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 66
+
+ r4 <g \hn b,>16 <g \hn b,>8 <b \hn d,>16 ~ <b \hn d,> <b \hn d,>8 <a \hn c,>16 ~ <a \hn c,> <g \hn b,>8. | % 67
+
+ % Outro
+
+ R1 | % 68
+ R1 | % 69
+ R1 | % 70
+ r4 <g \hn b,>16 <g \hn b,>8 <b \hn d,>16 ~ <b \hn d,> <b \hn d,>8 <a \hn c,>16 ~ <a \hn c,> <g \hn b,>8. | % 71
+ R1-\fermata | % 72
+}
+
+LeadVoxText = \lyricmode
+{
+ My soul finds rest in you,
+ my for -- tress and my rock,
+ my hope for life, my hid -- ing _ place, _
+ my re -- fuge and my God.
+
+ In you I've found my home,
+ my shel -- ter from the storm,
+ and I'll pour out _ my hear to _ you, _
+ and lean u -- pon your throne.
+
+ I will put _ my trust _ in you, _
+ I will put _ my hope _ there too, _
+ I will stand _ u -- pon _ your word, _
+ and I will not _ be sha -- _ ken,
+
+ I will let _ my prai -- _ ses show, _
+ hold -- ing on _ to what _ I know, _
+ be -- cause I know _ you're al -- _ ways there, _
+ and I will not _ be sha -- _ ken,
+ I will not _ be sha -- _ ken.
+
+ I will not _ be moved, _ I'm lean -- _ ing on _ the throne, _
+ be -- cause you died _ for me _ and called me to _ your own, _
+ and e -- ven when _ the dark -- _ est winds _ be -- gin _ to blow, _
+ I will stand _ my ground, _ _ I will not _ be moved, _ _
+ and I will not _ be sha -- _ ken. _
+
+ My soul finds rest in you,
+ my for -- tress and my rock,
+ my hope for life, my hid -- ing _ place, _
+ my re -- fuge and my God.
+
+ I will put _ my trust _ in you, _
+ I will put _ my hope _ there too, _
+ I will stand _ u -- pon _ your word, _
+ and I will not _ be sha -- _ ken,
+
+ I will let _ my prai -- _ ses show, _
+ hold -- ing on _ to what _ I know, _
+ be -- cause I know _ you're al -- _ ways there, _
+ and I will not _ be sha -- _ ken,
+ I will not _ be sha -- _ ken.
+
+ I will not _ be sha -- _ ken.
+}
+
+
+Riffs = \relative c''
+{
+ \clef G
+
+ \tiny
+
+ % Intro
+
+%{ e8 e ~ | % 0
+ e8 cs4 b8 ~ b a4 b8 ~ | % 1
+ b8 cs4. ~ cs4 e8 e ~ | % 2
+ e8 cs4 b8 ~ b cs4 a8 ~ | % 3
+ a2 s2 | % 4
+%}
+ \normalsize
+}
+
+
+%
+% Chord names
+%
+Chords = \chordmode
+{
+ % Intro
+
+ g4:sus2 s8. c16:sus2 s2 | % 1
+ g4:sus2 s8. c16:sus2 s2 | % 2
+ g4:sus2 s8. c16:sus2 s2 | % 3
+ e4:m7 s8. d16 s2 | % 4
+
+ % Verse
+
+ g1:sus2 | % 5
+ c1:sus2 | % 6
+ a1:m7 | % 7
+ d1 | % 8
+ b1:m7 | % 9
+ e1:m7 | % 10
+ a1:m7 | % 11
+ d1 | % 12
+
+ g1:sus2 | % 13
+ c1:sus2 | % 14
+ a1:m7 | % 15
+ d2 d/c | % 16
+ b1:m7 | % 17
+ c1:sus2 | % 18
+ a1:m7 | % 19
+ d2. c4:sus2 | % 20
+
+ % Chorus
+
+ g1:sus2 | % 21
+ c1:sus2 | % 22
+ a1:m7 | % 23
+ d4..:sus4 d16 s2 | % 24
+ g1:sus2 | % 25
+ c4..:sus2 g16/b s2 | % 26
+ a1:m7 | % 27
+ d4..:sus4 d16 s2 | % 28
+ c4..:sus2 d16 s2 | % 29
+ g4..:sus2 c16:sus2 s2 | % 30
+ g4..:sus2 c16:sus2 s2 | % 31
+
+ g4..:sus2 c16:sus2 s2 | % 32
+ e4..:m7 d16 s2 | % 33
+
+ g4..:sus2 c16:sus2 s2 | % 34
+
+ g4..:sus2 c16:sus2 s2 | % 35
+
+ % Bridge
+
+ g1:sus2 | % 36
+ c1:sus2 | % 37
+ a1:m7 | % 38
+ c2:sus2 d4 c:sus2 | % 39
+ g1:sus2 | % 40
+ c1:sus2 | % 41
+ e1:m7 | % 42
+ f1:3.5.9 | % 43
+ d1:sus4 | % 44
+ d1 | % 45
+
+ % Solos
+
+ g4..:sus2 c16:sus2 s2 | % 46
+ g4..:sus2 c16:sus2 s2 | % 47
+ g4..:sus2 c16:sus2 s2 | % 48
+
+ e4..:m7 d16 s2 | % 49
+
+ e4..:m7 d16 s2 | % 50
+
+ % Verse
+
+ g1:sus2 | % 51
+ c1:sus2 | % 52
+ a1:m7 | % 53
+ d2 d/c | % 54
+ b1:m7 | % 55
+ e1:m7 | % 56
+ a1:m7 | % 57
+ d2. c4:sus2 | % 58
+
+ % Chorus
+
+ g1:sus2 | % 59
+ c1:sus2 | % 60
+ a1:m7 | % 61
+ d4..:sus4 d16 s2 | % 62
+ g1:sus2 | % 63
+ c4..:sus2 g16/b s2 | % 64
+ a1:m7 | % 65
+ d4..:sus4 d16 s2 | % 66
+
+ c4..:sus2 d16 s2 | % 67
+
+ % Outro
+
+ g4..:sus2 c16:sus2 s2 | % 68
+ g4..:sus2 c16:sus2 s2 | % 69
+ g4..:sus2 c16:sus2 s2 | % 70
+ e4..:m7 d16 s2 | % 71
+
+ g1:sus2 | % 72
+}
+
+
+%
+% Chord rhythms
+%
+Rhythm = \relative c
+{
+ \numericTimeSignature
+ \override NoteHead #'style = #'slash
+ \stemDown
+ \teeny
+
+ % Intro
+
+ c4 c8. c16-> ~ c4 c | % 1
+ c4 c8. c16-> ~ c4 c | % 2
+ c4 c8. c16-> ~ c4 c | % 3
+ c4 c8. c16-> ~ c4 c | % 4
+
+ % Verse
+
+ c1 | % 5
+ c1 | % 6
+ c1 | % 7
+ c1 | % 8
+ c1 | % 9
+ c1 | % 10
+ c1 | % 11
+ c1 | % 12
+
+ c1 | % 13
+ c1 | % 14
+ c1 | % 15
+ c2 c | % 16
+ c1 | % 17
+ c1 | % 18
+ c1 | % 19
+ c4 c c c-> | % 20
+
+ % Chorus
+
+ c4.. c16-> ~ c4 c | % 21
+ c4.. c16-> ~ c4 c | % 22
+ c4.. c16-> ~ c4 c | % 23
+ c4.. c16-> ~ c4 c | % 24
+ c4.. c16-> ~ c4 c | % 25
+ c4.. c16-> ~ c4 c | % 26
+ c4.. c16-> ~ c4 c | % 27
+ c4.. c16-> ~ c4 c | % 28
+ c4.. c16-> ~ c4 c | % 29
+ c4 c8. c16-> ~ c4 c | % 30
+ c4 c8. c16-> ~ c4 c | % 31
+
+ c4 c8. c16-> ~ c4 c | % 32
+ c4 c8. c16-> ~ c4 c | % 33
+
+ c4 c8. c16-> ~ c4 c | % 34
+
+ c4 c8. c16-> ~ c4 c | % 35
+
+ % Bridge
+
+ c1 | % 36
+ c1 | % 37
+ c1 | % 38
+ c2 c4 c-> | % 39
+ c1 | % 40
+ c1 | % 41
+ c1-> | % 42
+ c1-> | % 43
+ c1-> | % 44
+ c4 c c c | % 45
+
+ % Solos
+
+ c4 c8. c16-> ~ c4 c | % 46
+ c4 c8. c16-> ~ c4 c | % 47
+ c4 c8. c16-> ~ c4 c | % 48
+
+ c4 c8. c16-> ~ c4 c | % 49
+
+ c4 c8. c16-> ~ c4 c | % 50
+
+ % Verse
+
+ c1 | % 51
+ c1 | % 52
+ c1 | % 53
+ c2 c | % 54
+ c1 | % 55
+ c1 | % 56
+ c1 | % 57
+ c4 c c c-> | % 58
+
+ % Chorus
+
+ c4.. c16-> ~ c4 c | % 59
+ c4.. c16-> ~ c4 c | % 60
+ c4.. c16-> ~ c4 c | % 61
+ c4.. c16-> ~ c4 c | % 62
+ c4.. c16-> ~ c4 c | % 63
+ c4.. c16-> ~ c4 c | % 64
+ c4.. c16-> ~ c4 c | % 65
+ c4.. c16-> ~ c4 c | % 66
+
+ c4 c8. c16 ~ c2 | % 67
+
+ % Outro
+
+ c4 c8. c16-> ~ c2 | % 68
+ c4 c8. c16-> ~ c2 | % 69
+ c4 c8. c16-> ~ c4 c | % 70
+ c4 c8. c16-> ~ c4 c | % 71
+
+ c1-\fermata | % 72
+}
+
+
+Dynamics =
+{
+ s1_\f | % 1
+
+ s1*3
+
+ s1_\mf | % 5
+
+ s1*14
+
+ s4 s2._\< | % 20
+ s1_\ff | % 21
+
+ s1*23
+
+ s2 s_\< | % 45
+ s1_\! | % 46
+
+ s1*4
+
+ s1_\mf | % 51
+
+ s1*6
+
+ s4 s2._\< | % 58
+ s1_\ff | % 59
+
+ s1*11
+
+ s2 s_\markup { \italic { Last X Rit. } } | % 71
+}
+
+
+\score
+{
+ <<
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics = "verse1" \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
+ >>
+}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+}
+
projects / music / commitdiff