\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Forever" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Chris Tomlin/Jesse Reeves" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
%
Global =
{
- \key g \major
+ \key a \major
\numericTimeSignature
\time 4/4
% Intro
+ \partial 4*1 s4 | % 0
+
\once \override TextScript #'padding = #2.0
s1*0^\markup { \large \bold { 8th Note Rock } }
% Capo 4 version
% s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
- s1*8 \bar ".|:-||" % 1-8
+ \repeat volta 2
+ {
+ s1*4 | % 1-4
+ }
- % Verse
+ % Chorus
\repeat volta 2
{
\mark \markup { \override #'(font-family . sans) { \box { A } } }
- s1*11 | % 9-19
+ s1^\markup { \italic { Unison 1st X } } | % 5
+ s1*6 | % 6-11
}
\alternative
{
{
- s1 | % 20
+ s1 | % 12
}
{
- s1 | % 21
+ s1 | % 13
}
}
- % Prechorus
-
- s1*4 \bar "||" % 22-25
-
- % Chorus
-
- \mark \markup { \override #'(font-family . sans) { \box { B } } }
- s1*10 \bar "||" % 26-
+ s1*2 | % 14-15
% Verse
- \mark \markup { \override #'(font-family . sans) { \box { C } } }
- s1*8 \bar "||" % -
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { B } }
+ \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ s1*11 | % 16-26
+ }
+ \alternative
+ {
+ {
+ s1 | % 27
+ }
+ {
+ s1 | % 28
+ }
+ }
% Prechorus
- \mark \markup { \override #'(font-family . sans) { \box { D } } }
- s1*8 \bar ".|:-||" % -
+ s1*4 \bar ".|:-||" % 29-32
- % Chorus
+ \repeat volta 4
+ {
+ % Chorus
- \repeat volta 2
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*7 | % 33-39
+ }
+ \alternative
{
- \mark \markup { \override #'(font-family . sans) { \box { E } } }
- s1*10 | % -
+ {
+ s1 | % 40
+ }
+ {
+ s1*2 | % 41-42
+ s1^\markup { D.S. (take 2nd end.) } \bar "||" % 43
+ }
+ {
+ s1 | % 44
+ }
+ {
+ s1 | % 45
+ }
}
- % Bridge
-
- \mark \markup { \override #'(font-family . sans) { \box { F } } }
- s1*7 | % -
-% s1*0^\markup { \large \bold { "Repeat at [D], end at [F]" } }
- \mark \markup { \large \bold { "Repeat at [D], end at [F]" } }
- s1*1 \bar "||" % -
-% \once \override Score.RehearsalMark #'self-alignment-X = #right
+ s1 \bar "|." % 46
}
%
% Lead vocal
%
-LeadVox = \relative c'
+LeadVox = \relative c''
{
\clef G
% Intro
- r1 | % 1
- r1 | % 2
- r1 | % 3
- r1 | % 4
- r1 | % 5
- r1 | % 6
- r1 | % 7
- r2 r4 d | % 8
+ s4 | % 0
+ s1 | % 1
+ s1 | % 2
+ s1 | % 3
+ s2 r4 e8 e8 ~ | % 4
+
+ % Chorus
+
+ <e \hn a,>8 <cs \hn e,> r <b \hn d,> ~ <b \hn d,> <a \hn cs,>4 <b \hn d,>8 ~ | % 5
+ <b \hn d,>8 <cs \hn e,> ~ <cs \hn e,>2 <e \hn a,>8 <e \hn a,> ~ | % 6
+ <e \hn a,> <cs \hn e,>4 <b \hn d,>8 ~ <b \hn d,> <cs \hn e,>4 <a \hn cs,>8 ~ | % 7
+ <a \hn cs,>2. <e' \hn a,>8 <e \hn gs,> ~ | % 8
+ <e \hn gs,>8 <cs \hn e,>4 <b \hn d,>8 ~ <b \hn d,> <a \hn cs,>4 <b \hn d,>8 ~ | % 9
+ <b \hn d,>8 <cs \hn e,> ~ <cs \hn e,>2 <b \hn e,>8 <b \hn e,> ( | % 10
+ <a \hn d,>8 ) <a \hn d,> ~ <a \hn d,>2 <b \hn e,>8 <b \hn e,> ( | % 11
+
+ a8 ) a ~ a2 <e' \hn a,>8 <e \hn a,>-\laissezVibrer | % 12
+
+ <a, \hn d,>8 <a \hn d,> ~ <a \hn d,>2 b8 b ( | % 13
+
+ a8 ) a ~ a2. | % 14
+ r2 r4 e | % 15
% Verse
- b8 d d d ~ d d4 e8 ~ | % 9
- e8 d4 d8 ~ d4 r8 d8 | % 10
- b'4 b b a8 a ( | % 11
- g8 ) g ~ g2 g8 g | % 12
- e8 g4 g8 ~ g g g g | % 13
- a8 b4 g8 ~ g4 r8 d8 | % 14
- b'4 b b a8 a ( | % 15
- g8 ) g ~ g2 g4 | % 16
+ cs8 e e e ~ e e4 fs8 ~ | % 16
+ fs8 e4 e8 ~ e4 r8 e | % 17
+ <cs' \hn e,>4 <cs \hn e,> <cs \hn e,> <b \hn d,>8 <b \hn d,> ( | % 18
+ <a \hn cs,>8 ) <a \hn cs,> ~ <a \hn cs,>2 a8 \tiny a \normalsize | % 19
+ fs8 a4 a8 ~ a a a a | % 20
+ b8 cs4 a8 ~ a4 r8 e | % 21
+ <cs' \hn e,>4 <cs \hn e,> <cs \hn e,> <b \hn d,>8 <b \hn d,> ( | % 22
+ <a \hn cs,>8 ) <a \hn cs,> ~ <a \hn cs,>2 <cs \hn a>4 | % 23
+ <b \hn gs>1 ~ | % 24
+ <b \hn gs>2 ~ <b \hn gs>8 <cs \hn a>4. | % 25
+ <a \hn fs \hn d>1 ~ | % 26
- a1 ~ | % 17
- a2 ~ a8 b4. | % 18
- g1 ~ | % 19
+ <a \hn fs \hn d>2. d,8 d | % 27
- g2. c,8 c | % 20
+ <a' \hn fs \hn d>2-\repeatTie ~ <a \hn fs \hn d>8 <cs \hn a \hn e>4. | % 28
- g'2 ~ g8 g4. | % 21
+ % Prechorus
- a1 ~ | % 22
- a2 ~ a8 b4. | % 23
- g1 ~ | % 24
- g2. d'8 d ~ | % 25
+ <b \hn gs \hn e>1 ~ | % 29
+ <b \hn gs \hn e>2 ~ <b \hn gs \hn e>8 <cs \hn a \hn e>4. | % 30
+ <a \hn fs \hn d>1 ~ | % 31
+ <a \hn fs \hn d>2. <e' \hn a,>8 <e \hn a,> ~ | % 32
% Chorus
- d8 b4 a8 ~ a g4 a8 ~ | % 26
- a8 b2 ~ b8 d8 d ~ | % 27
- d8 b4 a8 ~ a b4 g8 ~ | % 28
- g2. d'8 d ~ | % 29
- d8 b4 a g a8 ~ | % 30
- a8 b ~ b2 a8 a ( | % 31
- g8 ) g ~ g2. | % 32
- r2 r4 a8 a ( | % 33
- g8 ) g ~ g2. | % 34
- r2 r4 d8 d | % 35
+ <e \hn a,>8 <cs \hn e,>4 <b \hn d,>8 ~ <b \hn d,> <a \hn cs,>4 <b \hn d,>8 ~ | % 33
+ <b \hn d,>8 <cs \hn e,> ~ <cs \hn e,>2 <e \hn a,>8 <e \hn a,> ~ | % 34
+ <e \hn a,>8 <cs \hn e,>4 <b \hn d,>8 ~ <b \hn d,> <cs \hn e,>4 <a \hn cs,>8 ~ | % 35
+ <a \hn cs,>2. <e' \hn a,>8 ~ <e \hn gs,> ~ | % 36
+ <e \hn gs,>8 <cs \hn e,>4 <b \hn d,>8 ~ <b \hn d,> <a \hn cs,>4 <b \hn d,>8 ~ | % 37
+ <b \hn d,>8 <cs \hn e,> ~ <cs \hn e,>2 <b \hn e,>8 <b \hn e,> ( | % 38
+ <a \hn d,>8 ) <a \hn d,> ~ <a \hn d,>2 <b \hn e,>8 <b \hn e,> ( | % 39
- % Verse
+ <a \hn d,>8 ) <a \hn d,> ~ <a \hn d,>2 <e' \hn a,>8 <e \hn a,>-\laissezVibrer | % 40
- b8 d d d ~ d d4 e8 ~ | % 36
- e8 d4 d8 ~ d4 r8 d8 | % 37
- b'4 b b a8 a ( | % 38
- g8 ) g ~ g2 g8 g | % 39
- e8 g4 g8 ~ g g g g | % 40
- a8 b4 g8 ~ g4 r8 d8 | % 41
- b'4 b b a8 a ( | % 42
- g8 ) g ~ g2 g4 | % 43
+ <a, \hn d,>8 <a \hn d,> ~ <a \hn d,>2 b8 b ( | % 41
+ a8 ) a ~ a2. | % 42
+ r2 r4 e8 e | % 43
- % Prechorus
+ <a \hn d,>8 <a \hn d,> ~ <a \hn d,>2 <e' \hn a,>8 <e \hn a,>-\laissezVibrer | % 44
- a1 ~ | % 44
- a2 ~ a8 b4. | % 45
- g1 ~ | % 46
- g2 ~ g8 g4. | % 47
- a1 ~ | % 48
- a2 ~ a8 b4. | % 49
- g1 ~ | % 50
- g2. d'8 d ~ | % 51
+ <a, \hn d,>8 <a \hn d,> ~ <a \hn d,>2 b8 b ( | % 45
- % Chorus
+ % End
- d8 b4 a8 ~ a g4 a8 ~ | % 52
- a8 b2 ~ b8 d8 d ~ | % 53
- d8 b4 a8 ~ a b4 g8 ~ | % 54
- g2. d'8 d ~ | % 55
- d8 b4 a g a8 ~ | % 56
- a8 b ~ b2 a8 a ( | % 57
- g8 ) g ~ g2. | % 58
- r2 r4 a8 a ( | % 59
- g8 ) g ~ g2. | % 60
- r2 r4 r8 d | % 61
-
- % Bridge
-
- b'4 b b a8 a ( | % 62
- g8 ) g ~ g2 r8 d | % 63
- b'4 b b a8 a ( | % 64
- g8 ) g ~ g2 r8 d | % 65
- b'4 b b a8 a ( | % 66
- g8 ) g ~ g2 r8 d | % 67
- b'4 b b a8 a ( | % 68
- g8 ) g ~ g2 g4 | % 69
-
- | %
+ a8 ) a ~ a2.-\fermata | % 46
}
LeadVoxText = \lyricmode
{
- Give thanks to the Lord, _ our God _ and King, _
+ For -- e -- _ ver God _ is faith -- _ ful, _
+ For -- e -- _ ver God _ is strong, _
+ For -- e -- _ ver God _ is with _ us, _
+ For -- e -- _ ver _
+ For -- e -- _ ver _
+
+ For -- e-
+ _ ver, _ for -- e -- _ ver. _
+
+ Give
+ <<
+ { thanks to the Lord, _ our God _ and King, _
His love en -- dures for -- e -- _ ver _
- For _ he is good, _ he is a -- bove all things, _
+ For _ he is good, _ he is a -- bove all things, _ }
+
+ \new Lyrics = "verse2" \with { alignBelowContext = #'"verse1" }
+ { \set associatedVoice = "Lead"
+ might -- y _ hand _ and out -- _ stretched arm, _
+ _ _ _ _ _ _ _ _ _
+ For the life that’s been _ re -- _ born _ in Christ, _
+ }
+
+ \new Lyrics = "verse3" \with { alignBelowContext = #'"verse2" }
+ { \set associatedVoice = "Lead"
+ ris -- ing _ to _ the set -- _ ting sun, _
+ _ _ _ _ _ _ _ _ _
+ By the grace of God, _ we will car -- _ ry on, _
+ }
+ >>
His love en -- dures for -- e -- _ ver _
Sing praise, __ _ _ sing praise __ _
For -- e -- _ ver God _ is faith -- _ ful _
For -- e -- _ ver God _ is strong _
- For -- e -- _ ver God is with _ us _
+ For -- e -- _ ver God _ is with _ us _
For -- e -- _ ver _
For -- e -- _ ver _
- From the ris -- ing _ to _ the set -- _ ting sun, _
- His love en -- dures for -- e -- _ ver _
- By the grace of God, _ we will car -- _ ry on, _
- His love en -- dures for -- e -- _ ver _
-
- Sing praise, __ _ _ sing praise __ _ _
- Sing praise, __ _ _ sing praise __ _
-
- For -- e -- _ ver God _ is faith -- _ ful _
- For -- e -- _ ver God _ is strong _
- For -- e -- _ ver God is with _ us _
- For -- e -- _ ver _
- For -- e -- _ ver _
-
- His love en -- dures for -- e -- _ ver _
- His love en -- dures for -- e -- _ ver _
- His love en -- dures for -- e -- _ ver _
- His love en -- dures for -- e -- _ ver _
+ For -- e-
- Sing
-}
+ _ ver, _ for -- e -- _ ver. _
+ From the
-LeadVoxTextB = \lyricmode
-{
- _ might -- y _ hand _ and out -- _ stretched arm, _
- His love en -- dures for -- e -- _ ver _
- _ _ For the life _ _ _ that’s been re -- born, _
- His love en -- dures for -- e -- _ ver _
-}
+ _ ver, _ for -- e-
-LeadVoxTextC = \lyricmode
-{
+ _ ver, _ For -- e -- _ ver. _
}
{
\clef G
+ \tiny
+
% Intro
-%{
- \tiny
+ e8 e ~ | % 0
+ e8 cs4 b8 ~ b a4 b8 ~ | % 1
+ b8 cs4. ~ cs4 e8 e ~ | % 2
+ e8 cs4 b8 ~ b cs4 a8 ~ | % 3
+ a2 s2 | % 4
+
\normalsize
-%}
}
{
% Intro
- g1:sus2 | %
- s1 | %
- e1:m7 | %
- s1 | %
- d1 | %
- s1 | %
- c1:sus2 | %
- s1 | %
+ s8 a:sus2 | % 0
+ s1 | % 1
+ s2.. a8:sus2/fs | % 2
+ s2.. d8:sus2 | % 3
+ s2.. a8:sus2 | % 4
+
+ % Chorus
+
+ s1 | % 5
+ s2.. a8:sus2/fs | % 6
+ s1 | % 7
+ s2.. e8 | % 8
+ s1 | % 9
+ s2.. d8:sus2 | % 10
+ s1 | % 11
+
+ d2..:sus2 a8:sus2 | % 12
+
+ d2..:sus2 a8:sus2 | % 13
+
+ s1 | % 14
+ s2 d:sus2 | % 15
% Verse
- g1:sus2 | %
- s1 | %
- s1 | %
- s1 | %
- c1 | %
- s1 | %
- s1 | %
- g1:sus2 | %
- d1 | %
- s1 | %
- e1:m7 | %
+ a1:sus2 | % 16
+ s1 | % 17
+ s1 | % 18
+ s1 | % 19
+ d1 | % 20
+ s1 | % 21
+ s1 | % 22
+ a1:sus2 | % 23
+ e1 | % 24
+ s1 | % 25
+ d1:sus2/fs | % 26
- c1:sus2 | %
+ d1:sus2 | % 27
- c1:sus2 | %
+ d1:sus2 | % 28
% Prechorus
- d1 | %
- s1 | %
- e1:m7 | %
- c1 | %
+ e1 | % 29
+ s1 | % 30
+ d1:sus2/fs | % 31
+ d2.. a8:sus2 | % 32
% Chorus
- g1:sus2 | %
- s1 | %
- e1:m7 | %
- s1 | %
- d1 | %
- s1 | %
- c1:sus2 | %
- s1 | %
- g1:sus2 | %
- s2 c:sus2 | %
+ s1 | % 33
+ s2.. a8:sus2/fs | % 34
+ s1 | % 35
+ s2.. e8 | % 36
+ s1 | % 37
+ s2.. d8:sus2 | % 38
+ s1 | % 39
- % Verse
+ d2..:sus2 a8:sus2 | % 40
- g1:sus2 | %
- s1 | %
- s1 | %
- s1 | %
- c1 | %
- s1 | %
- s1 | %
- g1:sus2 | %
+ d2..:sus2 a8:sus2 | % 41
+ s1 | % 42
+ s2 d:sus2 | % 43
- % Prechorus
+ d2..:sus2 a8:sus2 | % 44
- d1 | %
- s1 | %
- e1:m7 | %
- c1:sus2 | %
- d1 | %
- s1 | %
- e1:m7 | %
- c1 | %
+ d1:sus2 | % 45
- % Chorus
+ % End
- g1:sus2 | %
- s1 | %
- e1:m7 | %
- s1 | %
- d1 | %
- s1 | %
- c1:sus2 | %
- s1 | %
- g1:sus2 | %
- s1 | %
-
- % Bridge
-
- g1 | %
- | %
+ a1:sus2 | % 46
}
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
\numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
- r4 r8 c c4 | % 0
+ r8 c ~ | % 0
c4 c c | % 1
c4 c c | % 2
c4 c4. c8 | % 3
Dynamics =
{
-%{
- s4_\markup { \italic { snare pat. } } s2 | % 1
- s4_\markup { \italic { simile } } s2 | % 2
- s2.*19
- s4_\markup { \italic { spacey } } s2 | % 22
- s2.*5
- s4 s \< s \! | % 28
- s2.*22
- s4_\markup { \italic { Last time } } s2 | % 51
-%}
+ s4_\f | % 0
+ s1*14
+ s2._\> s4_\mf | % 15
+ s1*11
+ s1^\markup { \italic { (Dr. Fill) } } | % 27
+ s1*4
+ s2._\<^\markup { \italic { (Dr. Fill) } } s4_\f | % 32
+ s1*10
+ s2._\>^\markup { \italic { (Dr. Fill) } } s4_\mf | % 43
+ s1
+ s2 s^\markup { \italic { Rit. } } | % 45
}
<<
\Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ \new Voice << \Riffs \Dynamics >>
+ \new Lyrics = "verse1" \lyricsto "lead" \LeadVoxText
>>
>>
}
% To find out what's eating the space at the top...
% annotate-spacing = ##t
}
+
projects / music / commitdiff