--- /dev/null
+\version "2.19.48"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20
+staffSize = #18
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "From The Inside Out" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Hillsong United" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+ (set! (ly:music-property arg 'tweaks)
+ (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
+
+%
+% Song's structure (original is in C)
+%
+
+Global =
+{
+ \key c \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Intro
+
+ s1*4 | % 1-4
+
+ \repeat volta 2
+ {
+% \once \override TextScript #'padding = #2.0
+% s1*0^\markup { \large \italic { Piano only } }
+ s1*4 \bar "||" % 5-8
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 | % 9-16
+
+ % Prechorus
+
+% \mark \markup { \override #'(font-family . sans) { \box { B } } }
+\once \override Score.RehearsalMark #'self-alignment-X = #left
+\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ s1*7 | % 17-23
+\once \override Score.RehearsalMark #'self-alignment-X = #right
+\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
+\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ }
+ \alternative
+ {
+ {
+ s1*2 | % 24-5
+ }
+ {
+ s1 | % 26
+ }
+ }
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 \bar "||" % 27-34
+
+ % Solo
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*9 \bar "||" % 35-43
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % blank measure between last measure and coda
+ \stopStaff s1 \startStaff
+ \set Score.currentBarNumber = #44
+
+ % Coda
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 | % 44
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*7 | % 45-51
+ }
+ \alternative
+ {
+ {
+ s1 | % 52
+ }
+ {
+ s1 | % 53
+ }
+ }
+
+ s1*5 \bar "|." | % 54-58
+}
+
+
+%
+% Lead vocal
+%
+
+LeadVox = \relative c'
+{
+ \clef "treble_8"
+ \override Score.SpacingSpanner #'average-spacing-wishes = ##f
+
+ % Intro
+
+ s1*7 | % 1-7
+ s2 s8 s16 g16 \stemUp c8 b \stemNeutral | % 8
+
+ % Verse
+
+ a8 a4 a8 ~ a r e g | % 9
+ g8 f e d r8. g16 c8 b | % 10
+ a8 g a c,4 r8 r16 e16 g8 | % 11
+ g8 f a4 g c,16 d e8 ~ | % 12
+
+ e8 c r e e d c d | % 13
+ e4 d d c16 d e8 ~ | % 14
+ e8 c r e e d c d | % 15
+ e4 d d r | % 16
+
+ % Prechorus
+
+ r4 r8 c' c b a g | % 17
+ r4 r8 c c b a g | % 18
+ r4 r8 c c b a g | % 19
+ g4 a a a | % 20
+
+ r4 r8 c c b a g | % 21
+ r4 r8 c c << { \voiceTwo b a g } \context Voice = vb { \voiceOne \tiny d' e d } >> | % 22
+ r4 r8 << { \voiceTwo c c b a g } \context Voice = vb { \voiceOne \tiny g' g f f e } >> \oneVoice | % 23
+
+ g,4 a a2 | % 24
+ R1 | % 25
+
+ << { \voiceTwo g4 a a } \context Voice = vb { \voiceOne \tiny e' f e16 ( d8. ) } >> \oneVoice c16 d e8 ~ | % 26
+
+ % Chorus
+
+ e8 c r e e d c d | % 27
+ e4 d d8 r c16 d e8 ~ | % 28
+ e8 c r e e d c d | % 29
+ e4 d d8 r c16 d e8 ~ | % 30
+
+ e8 f e c8 ~ c d8 d d ~ | % 31
+ d8 r e4 e8 r d16 c c8 ~ | % 32
+ c8 r e4 d8 c b c ~ | % 33
+ c4 e d2 | % 34
+
+ % Solo
+
+ R1 | % 35
+ r4 r8 c8 g'4 c,8 c ~ | % 36
+ c2 r4 d8 d ~ | % 37
+ d4. c8 g'4 g8 ( e ) | % 38
+ f16 ( e c4 ) r8 r4 e8 e ~ | % 39
+ e2 r8 f8 ( e ) d ~ | % 40
+ d2 r4 a | % 41
+ a2 r | % 42
+ R1 | % 43
+
+ % Coda
+
+ % blank measure between last measure and coda
+ s1
+
+ << { \voiceTwo g4 a a } \context Voice = vb { \voiceOne \tiny e' f e16 ( d8. ) } >> \oneVoice c16 d e8 ~ | % 44
+
+ e8 c r e e d c d | % 45
+ e4 d d8 r c16 d e8 ~ | % 46
+ e8 c r e e d c d | % 47
+ e4 d d8 r c16 d e8 ~ | % 48
+ e8 f e c8 ~ c d8 d d ~ | % 49
+ d8 r e4 e8 r d16 c c8 ~ | % 50
+ c8 r e4 d8 c b c ~ | % 51
+
+ c4 e d c16 d e8-\laissezVibrer | % 52
+
+ c4-\repeatTie e d d8 c | % 53
+
+ c8 r e4 d8 c b c ~ | % 54
+ c4 e d d8 c | % 55
+ c8 r e4 d8 c b c ~ | % 56
+ c4 e d2 ~ | % 57
+ d1-\fermata | % 58
+}
+
+
+LeadVoxTextA = \lyricmode
+{
+ A thou -- sand times I've failed, _
+ still your mer -- cy re -- mains
+ And should I stum -- ble a -- gain,
+ still I'm caught in your grace
+
+ E -- ver -- last -- _ ing,
+ your light will shine when all else fades
+ Nev -- er -- end -- _ ing,
+ your glo -- ry goes be -- yond all fame
+
+ My heart and my soul, I give you con -- trol,
+ con -- sume me from the in -- side out Lord
+ Let jus -- tice and praise, be -- come my em -- brace,
+ to love you from the in -- side out
+
+ in -- side out
+
+ E -- ver -- last -- _ ing,
+ your light will shine when all else fades
+ Nev -- er -- end -- _ ing,
+ your glo -- ry goes be -- yond all fame
+
+ And the cry _ of my heart _ is to bring _ you praise
+ from the in -- _ side out, Lord my soul _ cries out
+
+ My soul cries out _ to you _
+ My soul cries _ out _ _ to you _
+ to _ you _
+ to you
+
+ in -- side out
+
+ E -- ver -- last -- _ ing,
+ your light will shine when all else fades
+ Nev -- er -- end -- _ ing,
+ your glo -- ry goes be -- yond all fame
+
+ And the cry _ of my heart _ is to bring _ you praise
+ from the in -- _ side out, Lord my soul _ cries out
+
+ E -- ver -- last
+
+ _ cries out
+ from the in -- side out, Lord my soul _ cries out
+ from the in -- side out, Lord my soul _ cries out
+}
+
+LeadVoxTextB = \lyricmode
+{
+ Your will a -- bove all else, _
+ _ my pur -- pose re -- mains
+ The art of los -- ing my -- self,
+ _ in bring -- ing you praise
+}
+
+
+Riffs = \relative c
+{
+ \tiny
+ f8 g e'8. e16 ~ e2 | % 1
+ e,8 g e'8. e16 d8 b g4 | % 2
+ f8 g e'8. e16 ~ e2 | % 3
+ e,8 g e'8. e16 d8 b g4 | % 4
+ f8 g e'8. e16 ~ e2 | % 5
+ e,8 g e'8. e16 d8 b g4 | % 6
+ f8 g e'8. e16 ~ e2 | % 7
+ e,8 g e'8. e16 d8 b \stemDown g4 \stemNeutral | % 8
+ \normalsize
+%{
+ \tiny
+ a8 gs gs fs | % 0
+ gs4 gs a8 gs fs e | % 1
+ fs4 fs a8 gs gs fs | % 2
+ gs4 gs gs8 b4 e,8 ~ | % 3
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 4
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 5
+
+ s1*16 | % 6-21
+
+ r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 22
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 23
+
+ s1*7 | % 24-30
+
+ s1 % blank bar for Coda
+
+ s1*13 | % 31-43
+
+ r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 44
+ e a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ | % 45
+ e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, | % 46
+ <a b e>1-\fermata | % 47
+ \normalsize
+%}
+}
+
+
+%
+% Chord names
+%
+
+Chords = \chordmode
+{
+ % Intro
+
+ f1 | % 1
+ c2 g | % 2
+ f1 | % 3
+ c2 g | % 4
+ f1 | % 5
+ c2 g | % 6
+ f1 | % 7
+ c2 g | % 8
+
+ % Verse
+
+ f1 | % 9
+ c2 g | % 10
+ f1 | % 11
+ c2 g | % 12
+ a2:m f | % 13
+ c2 g | % 14
+ a2:m f | % 15
+ c2 g | % 16
+
+ % Prechorus
+
+ f1 | % 17
+ c1 | % 18
+ a1:m | % 19
+ g1 | % 20
+ f1 | % 21
+ a1:m | % 22
+ g1 | % 23
+
+ d1:m | % 24
+ s1 | % 25
+
+ d1:m | % 26
+
+ % Chorus
+
+ a2:m f | % 27
+ c2 g | % 28
+ a2:m f | % 29
+ c2 g | % 30
+
+ c2 f | % 31
+ g2 a:m | % 32
+ f2 g | % 33
+ f2 g | % 34
+
+ % Solo
+
+ f1 | % 35
+ c1 | % 36
+ a1:m | % 37
+ g1 | % 38
+ f1 | % 39
+ a1:m | % 40
+ g1 | % 41
+ d1:m | % 42
+ s1 | % 43
+
+ % Coda
+
+ % blank measure between last measure and coda
+ s1
+
+ d1:m | % 44
+
+ a2:m f | % 45
+ c2 g | % 46
+ a2:m f | % 47
+ c2 g | % 48
+ c2 f | % 49
+ g2 a:m | % 50
+ f2 g | % 51
+
+ f2 g | % 52
+
+ f2 g | % 53
+
+ f2 g | % 54
+ f2 g | % 55
+ f2 g | % 56
+ f2 g | % 57
+ g1 | % 58
+}
+
+
+%
+% Chord rhythms
+%
+
+% Use a RhythmicStaff on the chords instead of this?
+% It almost works, but not quite. Doesn't collapse chords above to single notes...
+
+Rhythm = \relative c
+{
+ \numericTimeSignature
+ \override NoteHead #'style = #'slash
+ \teeny
+
+ % Intro
+
+ c4 c c c | % 1
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+
+ % Verse
+
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+
+ % Prechorus
+
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 10
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+
+ c4 c c c | % 24
+ c1 | % 25
+
+ c4 c c c | % 26
+
+ % Chorus
+
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+
+ % Solo
+
+ c4 c c c | % 35
+ c4 c c c | % 36
+ c4 c c c | % 37
+ c4 c c c | % 38
+ c4 c c c | % 39
+ c4 c c c | % 40
+ c4 c c c | % 41
+ c4 c c c | % 42
+ c4 c c c | % 43
+
+ % Coda
+
+ % blank measure between last measure and coda
+%hm. Shouldn't need /startStaff /stopStaff... !!! FIX !!!
+ \stopStaff s1 \startStaff
+ c4 c c c | % 44
+
+ c4 c c c | % 45
+ c4 c c c | % 46
+ c4 c c c | % 47
+ c4 c c c | % 48
+ c4 c c c | % 49
+ c4 c c c | % 50
+ c4 c c c | % 51
+
+ c4 c c c | % 52
+
+ c4 c c c | % 53
+
+ c4 c c c | % 54
+ c4 c c c | % 55
+ c4 c c c | % 56
+ c4 c c c | % 57
+ c1-\fermata | % 58
+}
+
+
+Dynamics =
+{
+%{
+ s2_\mf | % 0
+ s1*3 | % 1-3
+ s4_\markup { \italic { add cymbal colors } } s2. | % 5
+ s2 s16 s \> s4 s16 s \! | % 5
+
+ % Verse
+
+ s4_\markup { \italic { Unison 1st X } } s2. | % 6
+ s1*8 | % 7-14
+
+ % Chorus
+
+ s4_\markup { \italic { snare on D.S. } } s2. | % 15
+ s1*9 | % 16-24
+
+ % Bridge
+
+ s4_\markup { \italic { Unison 1st X } } s2. | % 25
+ s1*4 | % 26-29
+ s4.. s16_\markup { \italic { big fill } } \< s4. s8-\f | % 30
+
+ s1 % blank bar for coda
+
+ % Coda
+
+ s2 s8 \< s4 s8 \! | % 31
+ s4_\ff s2. | % 32
+ s1*6 | % 33-38
+ s2 s8 \> s4 s8-\mp | % 39
+
+ s4_\markup { \italic { floating } } s2. | % 40
+%}
+}
+
+
+\score
+{
+%{
+ <<
+ <<
+% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff = "Rhythm"
+ <<
+ \new ChordNames = "chords" \Chords
+ \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ >>
+
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+ >>
+%}
+ <<
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+
+ \new Staff
+ <<
+ \Global % The "roadmap" that everything else depends on
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxTextA
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ >>
+
+% \new Staff
+ <<
+ \new ChordNames \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
+ >>
+}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+%let's try this: [It works! Huzzah!][nope... :-/]
+% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+}
+
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