From 33e1021fd4e2f073ee59dc977ce3b51de041c42e Mon Sep 17 00:00:00 2001
From: Shamus Hammons <jlhamm@acm.org>
Date: Thu, 31 Aug 2017 15:39:06 -0500
Subject: [PATCH] New chart "From The Inside Out".

---
 from-the-inside-out.ly | 602 +++++++++++++++++++++++++++++++++++++++++
 1 file changed, 602 insertions(+)
 create mode 100644 from-the-inside-out.ly

diff --git a/from-the-inside-out.ly b/from-the-inside-out.ly
new file mode 100644
index 0000000..9065ca1
--- /dev/null
+++ b/from-the-inside-out.ly
@@ -0,0 +1,602 @@
+\version "2.19.48"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20
+staffSize = #18
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+	title    = \markup { \override #'(font-family . sans) \fontsize #3.5 "From The Inside Out" }
+	composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Hillsong United" }
+	arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
+	tagline  = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+  (set! (ly:music-property arg 'tweaks)
+    (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
+
+%
+% Song's structure (original is in C)
+%
+
+Global =
+{
+	\key c \major
+	\numericTimeSignature
+	\time 4/4
+
+	% Intro
+
+	s1*4 |   % 1-4
+
+	\repeat volta 2
+	{
+%	\once \override TextScript #'padding = #2.0
+%	s1*0^\markup { \large \italic { Piano only } }
+		s1*4 \bar "||"   % 5-8
+
+		% Verse
+
+		\mark \markup { \override #'(font-family . sans) { \box { A } } }
+		s1*8 |   % 9-16
+
+		% Prechorus
+
+%		\mark \markup { \override #'(font-family . sans) { \box { B } } }
+\once \override Score.RehearsalMark #'self-alignment-X = #left
+\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+		s1*7 |   % 17-23
+\once \override Score.RehearsalMark #'self-alignment-X = #right
+\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
+\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+	}
+	\alternative
+	{
+		{
+			s1*2 |   % 24-5
+		}
+		{
+			s1 |   % 26
+		}
+	}
+
+	% Chorus
+
+	\mark \markup { \override #'(font-family . sans) { \box { C } } }
+	s1*8 \bar "||"  % 27-34
+
+	% Solo
+
+	\mark \markup { \override #'(font-family . sans) { \box { D } } }
+	s1*9 \bar "||"  % 35-43
+
+	\once \override Score.RehearsalMark #'self-alignment-X = #right
+	\mark \markup { \italic { D.S. al Coda } }
+
+	% blank measure between last measure and coda
+	\stopStaff s1 \startStaff
+	\set Score.currentBarNumber = #44
+
+	% Coda
+
+	\once \override Score.RehearsalMark #'self-alignment-X = #left
+	\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+	s1 |   % 44
+
+	\repeat volta 2
+	{
+		\mark \markup { \override #'(font-family . sans) { \box { E } } }
+		s1*7 |   % 45-51
+	}
+	\alternative
+	{
+		{
+			s1 |   % 52
+		}
+		{
+			s1 |   % 53
+		}
+	}
+
+	s1*5 \bar "|." |   % 54-58
+}
+
+
+%
+% Lead vocal
+%
+
+LeadVox = \relative c'
+{
+	\clef "treble_8"
+	\override Score.SpacingSpanner #'average-spacing-wishes = ##f
+
+	% Intro
+
+	s1*7 |   % 1-7
+	s2 s8 s16 g16 \stemUp c8 b \stemNeutral |   % 8
+
+	% Verse
+
+	a8 a4 a8 ~ a r e g |   % 9
+	g8 f e d r8. g16 c8 b |   % 10
+	a8 g a c,4 r8 r16 e16 g8 |   % 11
+	g8 f a4 g c,16 d e8 ~ |   % 12
+
+	e8 c r e e d c d |   % 13
+	e4 d d c16 d e8 ~ |   % 14
+	e8 c r e e d c d |   % 15
+	e4 d d r |   % 16
+
+	% Prechorus
+
+	r4 r8 c' c b a g |   % 17
+	r4 r8 c c b a g |   % 18
+	r4 r8 c c b a g |   % 19
+	g4 a a a |   % 20
+
+	r4 r8 c c b a g |   % 21
+	r4 r8 c c << { \voiceTwo b a g } \context Voice = vb { \voiceOne \tiny d' e d } >> |   % 22
+	r4 r8 << { \voiceTwo c c b a g } \context Voice = vb { \voiceOne \tiny g' g f f e } >> \oneVoice |   % 23
+
+	g,4 a a2 |   % 24
+	R1 |   % 25
+
+	<< { \voiceTwo g4 a a } \context Voice = vb { \voiceOne \tiny e' f e16 ( d8. ) } >> \oneVoice c16 d e8 ~ |   % 26
+
+	% Chorus
+
+	e8 c r e e d c d |   % 27
+	e4 d d8 r c16 d e8 ~ |   % 28
+	e8 c r e e d c d |   % 29
+	e4 d d8 r c16 d e8 ~ |   % 30
+
+	e8 f e c8 ~ c d8 d d ~ |   % 31
+	d8 r e4 e8 r d16 c c8 ~ |   % 32
+	c8 r e4 d8 c b c ~ |   % 33
+	c4 e d2 |   % 34
+
+	% Solo
+
+	R1 |   % 35
+	r4 r8 c8 g'4 c,8 c ~ |   % 36
+	c2 r4 d8 d ~ |   % 37
+	d4. c8 g'4 g8 ( e ) |   % 38
+	f16 ( e c4 ) r8 r4 e8 e ~ |   % 39
+	e2 r8 f8 ( e ) d ~ |   % 40
+	d2 r4 a |   % 41
+	a2 r |   % 42
+	R1 |   % 43
+
+	% Coda
+
+	% blank measure between last measure and coda
+	s1
+
+	<< { \voiceTwo g4 a a } \context Voice = vb { \voiceOne \tiny e' f e16 ( d8. ) } >> \oneVoice c16 d e8 ~ |   % 44
+
+	e8 c r e e d c d |   % 45
+	e4 d d8 r c16 d e8 ~ |   % 46
+	e8 c r e e d c d |   % 47
+	e4 d d8 r c16 d e8 ~ |   % 48
+	e8 f e c8 ~ c d8 d d ~ |   % 49
+	d8 r e4 e8 r d16 c c8 ~ |   % 50
+	c8 r e4 d8 c b c ~ |   % 51
+
+	c4 e d c16 d e8-\laissezVibrer |   % 52
+
+	c4-\repeatTie e d d8 c |   % 53
+
+	c8 r e4 d8 c b c ~ |   % 54
+	c4 e d d8 c |   % 55
+	c8 r e4 d8 c b c ~ |   % 56
+	c4 e d2 ~ |   % 57
+	d1-\fermata |   % 58
+}
+
+
+LeadVoxTextA = \lyricmode
+{
+	A thou -- sand times I've failed, _
+	still your mer -- cy re -- mains
+	And should I stum -- ble a -- gain,
+	still I'm caught in your grace
+
+	E -- ver -- last -- _ ing,
+	your light will shine when all else fades
+	Nev -- er -- end -- _ ing,
+	your glo -- ry goes be -- yond all fame
+
+	My heart and my soul, I give you con -- trol,
+	con -- sume me from the in -- side out Lord
+	Let jus -- tice and praise, be -- come my em -- brace,
+	to love you from the in -- side out
+
+	in -- side out
+
+	E -- ver -- last -- _ ing,
+	your light will shine when all else fades
+	Nev -- er -- end -- _ ing,
+	your glo -- ry goes be -- yond all fame
+
+	And the cry _ of my heart _ is to bring _ you praise
+	from the in -- _ side out, Lord my soul _ cries out
+
+	My soul cries out _ to you _
+	My soul cries _ out _ _ to you _
+	to _ you _
+	to you
+
+	in -- side out
+
+	E -- ver -- last -- _ ing,
+	your light will shine when all else fades
+	Nev -- er -- end -- _ ing,
+	your glo -- ry goes be -- yond all fame
+
+	And the cry _ of my heart _ is to bring _ you praise
+	from the in -- _ side out, Lord my soul _ cries out
+
+	E -- ver -- last
+
+	_ cries out
+	from the in -- side out, Lord my soul _ cries out
+	from the in -- side out, Lord my soul _ cries out
+}
+
+LeadVoxTextB = \lyricmode
+{
+	Your will a -- bove all else, _
+	_ my pur -- pose re -- mains
+	The art of los -- ing my -- self,
+	_ in bring -- ing you praise
+}
+
+
+Riffs = \relative c
+{
+	\tiny
+	f8 g e'8. e16 ~ e2 |   % 1
+	e,8 g e'8. e16 d8 b g4 |   % 2
+	f8 g e'8. e16 ~ e2 |   % 3
+	e,8 g e'8. e16 d8 b g4 |   % 4
+	f8 g e'8. e16 ~ e2 |   % 5
+	e,8 g e'8. e16 d8 b g4 |   % 6
+	f8 g e'8. e16 ~ e2 |   % 7
+	e,8 g e'8. e16 d8 b \stemDown g4 \stemNeutral |   % 8
+	\normalsize
+%{
+	\tiny
+	a8 gs gs fs |   % 0
+	gs4 gs a8 gs fs e |   % 1
+	fs4 fs a8 gs gs fs |   % 2
+	gs4 gs gs8 b4 e,8 ~ |   % 3
+	e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ |   % 4
+	e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, |   % 5
+
+	s1*16 |   % 6-21
+
+	r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ |   % 22
+	e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, |   % 23
+
+	s1*7 |   % 24-30
+
+	s1 % blank bar for Coda
+
+	s1*13 |   % 31-43
+
+	r16 a b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ |   % 44
+	e a, b e ~ e b e gs ~ gs b, e b' ~ b8 b,16 e ~ |   % 45
+	e16 a, b e ~ e b e gs ~ gs b, e b' ~ b8 b, |   % 46
+	<a b e>1-\fermata |   % 47
+	\normalsize
+%}
+}
+
+
+%
+% Chord names
+%
+
+Chords = \chordmode
+{
+	% Intro
+
+	f1 |   % 1
+	c2 g |   % 2
+	f1 |   % 3
+	c2 g |   % 4
+	f1 |   % 5
+	c2 g |   % 6
+	f1 |   % 7
+	c2 g |   % 8
+
+	% Verse
+
+	f1 |   % 9
+	c2 g |   % 10
+	f1 |   % 11
+	c2 g |   % 12
+	a2:m f |   % 13
+	c2 g |   % 14
+	a2:m f |   % 15
+	c2 g |   % 16
+
+	% Prechorus
+
+	f1 |   % 17
+	c1 |   % 18
+	a1:m |   % 19
+	g1 |   % 20
+	f1 |   % 21
+	a1:m |   % 22
+	g1 |   % 23
+
+	d1:m |   % 24
+	s1 |   % 25
+
+	d1:m |   % 26
+
+	% Chorus
+
+	a2:m f |   % 27
+	c2 g |   % 28
+	a2:m f |   % 29
+	c2 g |   % 30
+
+	c2 f |   % 31
+	g2 a:m |   % 32
+	f2 g |   % 33
+	f2 g |   % 34
+
+	% Solo
+
+	f1 |   % 35
+	c1 |   % 36
+	a1:m |   % 37
+	g1 |   % 38
+	f1 |   % 39
+	a1:m |   % 40
+	g1 |   % 41
+	d1:m |   % 42
+	s1 |   % 43
+
+	% Coda
+
+	% blank measure between last measure and coda
+	s1
+
+	d1:m |   % 44
+
+	a2:m f |   % 45
+	c2 g |   % 46
+	a2:m f |   % 47
+	c2 g |   % 48
+	c2 f |   % 49
+	g2 a:m |   % 50
+	f2 g |   % 51
+
+	f2 g |   % 52
+
+	f2 g |   % 53
+
+	f2 g |   % 54
+	f2 g |   % 55
+	f2 g |   % 56
+	f2 g |   % 57
+	g1 |   % 58
+}
+
+
+%
+% Chord rhythms
+%
+
+% Use a RhythmicStaff on the chords instead of this?
+% It almost works, but not quite. Doesn't collapse chords above to single notes...
+
+Rhythm = \relative c
+{
+	\numericTimeSignature
+	\override NoteHead #'style = #'slash
+	\teeny
+
+	% Intro
+
+	c4 c c c |   % 1
+	c4 c c c |   % 2
+	c4 c c c |   % 3
+	c4 c c c |   % 4
+	c4 c c c |   % 5
+	c4 c c c |   % 6
+	c4 c c c |   % 7
+	c4 c c c |   % 8
+
+	% Verse
+
+	c4 c c c |   % 9
+	c4 c c c |   % 10
+	c4 c c c |   % 11
+	c4 c c c |   % 12
+	c4 c c c |   % 13
+	c4 c c c |   % 14
+	c4 c c c |   % 15
+	c4 c c c |   % 16
+
+	% Prechorus
+
+	c4 c c c |   % 17
+	c4 c c c |   % 18
+	c4 c c c |   % 19
+	c4 c c c |   % 10
+	c4 c c c |   % 21
+	c4 c c c |   % 22
+	c4 c c c |   % 23
+
+	c4 c c c |   % 24
+	c1 |   % 25
+
+	c4 c c c |   % 26
+
+	% Chorus
+
+	c4 c c c |   % 27
+	c4 c c c |   % 28
+	c4 c c c |   % 29
+	c4 c c c |   % 30
+	c4 c c c |   % 31
+	c4 c c c |   % 32
+	c4 c c c |   % 33
+	c4 c c c |   % 34
+
+	% Solo
+
+	c4 c c c |   % 35
+	c4 c c c |   % 36
+	c4 c c c |   % 37
+	c4 c c c |   % 38
+	c4 c c c |   % 39
+	c4 c c c |   % 40
+	c4 c c c |   % 41
+	c4 c c c |   % 42
+	c4 c c c |   % 43
+
+	% Coda
+
+	% blank measure between last measure and coda
+%hm. Shouldn't need /startStaff /stopStaff... !!! FIX !!!
+	\stopStaff s1 \startStaff
+	c4 c c c |   % 44
+
+	c4 c c c |   % 45
+	c4 c c c |   % 46
+	c4 c c c |   % 47
+	c4 c c c |   % 48
+	c4 c c c |   % 49
+	c4 c c c |   % 50
+	c4 c c c |   % 51
+
+	c4 c c c |   % 52
+
+	c4 c c c |   % 53
+
+	c4 c c c |   % 54
+	c4 c c c |   % 55
+	c4 c c c |   % 56
+	c4 c c c |   % 57
+	c1-\fermata |   % 58
+}
+
+
+Dynamics =
+{
+%{
+	s2_\mf |   % 0
+	s1*3 |   % 1-3
+	s4_\markup { \italic { add cymbal colors } } s2. |   % 5
+	s2 s16 s \> s4 s16 s \! |   % 5
+
+	% Verse
+
+	s4_\markup { \italic { Unison 1st X } } s2. |   % 6
+	s1*8 |   % 7-14
+
+	% Chorus
+
+	s4_\markup { \italic { snare on D.S. } } s2. |   % 15
+	s1*9 |   % 16-24
+
+	% Bridge
+
+	s4_\markup { \italic { Unison 1st X } } s2. |   % 25
+	s1*4 |   % 26-29
+	s4.. s16_\markup { \italic { big fill } } \< s4. s8-\f |   % 30
+
+	s1 % blank bar for coda
+
+	% Coda
+
+	s2 s8 \< s4 s8 \! |   % 31
+	s4_\ff s2. |   % 32
+	s1*6 |   % 33-38
+	s2 s8 \> s4 s8-\mp |   % 39
+
+	s4_\markup { \italic { floating } } s2. |   % 40
+%}
+}
+
+
+\score
+{
+%{
+	<<
+		<<
+%			\new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+			\new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+			\new Lyrics \lyricsto "lead" \LeadVoxText
+		>>
+
+		\new ChoirStaff = "Rhythm"
+		<<
+			\new ChordNames = "chords" \Chords
+			\new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+		>>
+
+		\set Score.skipBars = ##t
+		\set Score.melismaBusyProperties = #'()
+	>>
+%}
+	<<
+		\set Score.skipBars = ##t
+		\set Score.melismaBusyProperties = #'()
+
+		\new Staff
+		<<
+			\Global   % The "roadmap" that everything else depends on
+			\new Voice = "lead" \LeadVox
+			\new Voice \Riffs
+			\new Lyrics \lyricsto "lead" \LeadVoxTextA
+			\new Lyrics \lyricsto "lead" \LeadVoxTextB
+		>>
+
+%		\new Staff
+		<<
+			\new ChordNames \Chords
+			\new RhythmicStaff << \Rhythm \Dynamics >>
+		>>
+	>>
+}
+
+
+\paper
+{
+  #(define fonts (make-pango-font-tree
+    "Times New Roman"
+    "JazzText"
+    "Luxi Mono"
+    (/ staffSize 20)))
+
+% Spread staves vertically across last page (default: t)
+%	ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+%	ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+	ragged-last = ##t
+
+% To find out what's eating the space at the top...
+%	annotate-spacing = ##t
+%let's try this: [It works! Huzzah!][nope... :-/]
+%	obsolete-page-top-space = 0  top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
+}
+
-- 
2.37.2