2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Will Never Be (The Same Again)" }
18 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Geoff Bullock" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
28 LeadVox = \relative c'
30 % \set Voice.autoBeaming = ##f
31 % \set Staff.instrument = #"Lead vox"
34 \override Staff.TimeSignature #'style = #'()
36 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
47 \mark \markup { \override #'(font-family . sans) \box { A } }
48 r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 3
50 r8 d,16 d d e fs e ~ e4 r8 a | % 5
51 a8 e4 fs8 ~ fs4 r | % 6
52 r8 fs16 fs fs fs g8 ~ g4 r8 b | % 7
53 b8 a4 a8 ~ a4 r8 fs | % 8
54 d4 fs8 fs16 e ~ e4. d16 cs | % 9
59 d4 cs8 d ~ d4 r | % 10
62 d4 cs8 d ~ d4 r | % 11
68 \once \override Score.RehearsalMark #'self-alignment-X = #left
69 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
70 %\mark \markup { \override #'(font-family . sans) \box { B } }
72 g8 g4 g8 ~ g4. a8 ~ | % 12
73 a8 e4 fs8 ~ fs2 | % 13
74 g8 g g g16 b ~ b b4. b16 | % 14
75 a8 e fs fs ~ fs4 r | % 15
76 f8 f16 f ~ f f g8 ~ g8. g16 ~ g4 | % 16
77 g8 g16 g ~ g f a8 ~ a4 r8 fs | % 17
78 d8 d16 b' ~ b8 a ~ a4 r8 fs | % 18
79 \time 2/4 g8 fs16 g ~ g b8. ( \time 4/4 | % 19
80 %\once \override Score.RehearsalMark #'self-alignment-X = #right
81 %\mark \markup { \hspace #4.0 \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
82 %Argh, needs to be adjusted by hand...!
83 a8 ) a2..^\markup { \hspace #9.0 \raise #0.0 \italic { \larger { to Coda } } \hspace #1.0 \musicglyph #"scripts.coda" } \bar "||" % 20
87 \mark \markup { \override #'(font-family . sans) \box { C } }
88 r8 fs16 fs fs fs g8 ~ g4 r4 | % 21
89 r8 g16 g b8 a ~ a a4 r16 fs | % 22
90 d16 d b d ~ d fs8 e16 ~ e4 r8 a | % 23
91 a8 e4 fs8 ~ fs4 r8 r16 d | % 24
92 fs8 fs g g ~ g4 r8 b ~ | % 25
93 b8 a4 a8 ~ a4 r8 fs | % 26
94 d4 fs8 fs16 e ~ e4. d16 cs | % 27
95 d4 cs8 d ~ d4 r \bar "||" % 28
97 \once \override Score.RehearsalMark #'self-alignment-X = #right
98 \mark \markup { \italic { D.S. al Coda } }
100 % \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
101 \stopStaff s1 \startStaff
102 \set Score.currentBarNumber = #29
104 \once \override Score.RehearsalMark #'self-alignment-X = #left
105 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
109 r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 29
110 b4 a8 a ~ a4 r | % 30
111 r8 d,16 d d e fs e ~ e4 r8 a | % 31
112 a8 e4 fs8 ~ fs4 r | % 32
113 r8 fs16 fs fs fs g8 ~ g4 r8 b | % 33
114 b8 a4 a8 ~ a4 r8 fs | % 34
115 d4 fs8 fs16 e ~ e4. d16 cs | % 35
116 d4 cs8 d ~ d4 r \bar "||" % 36
122 \mark \markup { \override #'(font-family . sans) \box { D } }
123 r8 g16 g g g af8 ~ af4 r8 r16 af | % 37
124 c4 bf8 bf ~ bf4 r | % 38
125 r8 ef,16 ef ef f g f ~ f4 r8 bf | % 39
126 bf8 f4 g8 ~ g4 r | % 40
127 r8 g16 g g af af8 ~ af4 r8 c | % 41
128 c8 bf4 bf8 ~ bf4 r8 g | % 42
129 ef4 g8 g16 f ~ f4. ef16 d | % 43
130 ef4 d8 ef ~ ef4 r8 g | % 44
132 ef4 g8 g16 f ~ f4. ef16 d | % 45
133 ef4 d8 ef ~ ef4 r8 g | % 46
134 ef4 g8 g16 f ~ f4. ef16 d | % 47
136 \voiceTwo { ef2 r2 } \oneVoice | % 49
140 LeadVoxText = \lyricmode
142 I will ne -- ver be _ the same a -- gain, _
143 I can ne -- ver re -- turn, _ I’ve closed the door; _
144 I will walk the path, _ I’ll run the race, _
145 And I will ne -- ver _ be the same a -- again. _
149 Fall like fire, _ soak _ like rain, _
150 Flow like migh -- ty wa -- _ ters a -- gain and a -- gain. _
151 Sweep a -- way _ the dark -- _ ness, _ burn a -- way _ the chaff, _
152 And let a flame _ burn _ to glo -- ri -- fy _ your _ name!
154 There are high -- er heights, _ there are deep -- er _ seas;
155 What -- e -- ver you want _ to do, _ Lord do in me. _
156 The glo -- ry of God _ fills _ my life _
157 And I will ne -- ver _ be the same a -- again. _
159 I will ne -- ver be _ the same a -- gain, _
160 I can ne -- ver re -- turn, _ I’ve closed the door; _
161 I will walk the path, _ I’ll run the race, _
162 And I will ne -- ver _ be the same a -- again. _
164 I will ne -- ver be _ the same a -- gain, _
165 I can ne -- ver re -- turn, _ I’ve closed the door; _
166 I will walk the path, _ I’ll run the race, _
167 And I will ne -- ver _ be the same a -- again. _
169 And I will ne -- ver _ be the same a -- again. _
170 And I will ne -- ver _ be the same a -- again. _
178 \override Staff.TimeSignature #'style = #'()
180 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
185 d4 fs8 fs16 e ~ e4. d16 cs | % 1
194 \voiceOne { r8 g16 g g g af8 ~ af2 } \oneVoice | % 49
195 c8 bf4. g2-\fermata | % 50
206 %Bah, can't we set this globally?
212 g4/b a8/cs d2 s8 | % 2
219 g4/b a8/cs d2 s8 | % 4
221 g8/b a4/cs d4. a4:sus4 | % 6
223 g8 a4 d4. d4/fs | % 8
229 g4/b a8/cs d4. a4:sus4 | % 10
232 g4/b a8/cs d2 s8 | % 11
238 c4. g2/b a8:sus4 | % 12
239 s8 a4/cs d2 s8 | % 13
241 a4:sus4 a8/cs d4. d4/c | % 15
243 a4.:m7 d2/a s8 | % 17
244 e4.:m11 d2/fs s8 | % 18
245 \time 2/4 g2 \time 4/4 | % 19
251 g8/b a4/cs d2 s8 | % 22
253 g8/b a4/cs d4. a4:sus4 | % 24
254 d4. e2:m11 g8/b | % 25
255 s8 a4/cs d4. d4/fs | % 26
257 g4/b a8/cs d2 s8 | % 28
264 g4/b a8/cs d2 s8 | % 30
266 g8/b a4/cs d4. a4:sus4 | % 32
268 g8 a4 d4. d4/fs | % 34
270 g4/b a8/cs d4. bf4 | % 36
274 ef4. af2/ef s8 | % 37
275 af4/c bf8/d ef2 s8 | % 38
277 af8/c bf4/d ef4. bf4:sus4 | % 40
278 ef4. f2:m11 s8 | % 41
279 af8/c bf4/d ef4. ef4/g | % 42
281 af4/c bf8/d ef4. ef4/g | % 44
283 af4/c bf8/d ef2 s8 | % 46
286 ef4. af2/ef s8 | % 49
287 af8/c bf4./d ef2 | % 50
294 % Use a RhythmicStaff on the chords instead of this?
295 % It almost works, but not quite. Doesn't collapse chords above to single notes...
299 % \set Voice.autoBeaming = ##f
300 % \set Staff.instrument = #"Rhythm"
301 \override Staff.TimeSignature #'style = #'()
303 \override NoteHead #'style = #'slash
316 c4 ~ c8. c16 ~ c4 c | % 5
317 c8 c4 c8 ~ c4 c | % 6
319 c8 c4 c8 ~ c4 c | % 8
325 c4 c8 c ~ c4 c-> | % 10
328 c4 c8 c ~ c4 c | % 11
334 c4.-> c8-> ~ c4. c8-> ~ | % 12
335 c8 c4 c8 ~ c4 c | % 13
336 c4 c8. c16 ~ c4 c | % 14
337 c4 c8 c-> ~ c4 c | % 15
338 c4. c8-> ~ c4 c | % 16
340 c4.-> c8-> ~ c4 c | % 18
341 \time 2/4 c4-> c \time 4/4 | % 19
342 c4-> c c c \bar "||" % 20
347 c8 c4 c8 ~ c4 c | % 22
348 c4 c8. c16 ~ c4 c | % 23
349 c8 c4 c8 ~ c4 c | % 24
350 c4. c8 ~ c4. c8 ~ | % 25
351 c8 c4 c8 ~ c4 c | % 26
353 c4 c8 c ~ c4 c \bar "||" % 28
355 % \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
356 \stopStaff s1 \startStaff
357 \set Score.currentBarNumber = #29
362 c4 c8 c ~ c4 c | % 30
363 c4 c8. c16 ~ c4 c | % 31
364 c8 c4 c8 ~ c4 c | % 32
366 c8 c4 c8 ~ c4 c | % 34
368 c4 c8 c ~ c4 c \bar "||" % 36
372 c4. c8-> ~ c4 c | % 37
373 c4 c8 c-> ~ c4 c | % 38
374 c4 c8. c16 ~ c4 c | % 39
375 c8 c4-> c8-> ~ c4 c | % 40
377 c8 c4-> c8-> ~ c4 c | % 42
379 c4 c8 c ~ c4 c | % 44
381 c4 c8 c ~ c4 c | % 46
385 c8 c4. c2-\fermata \bar "|." % 50
409 s8 s_\markup { \italic { rit. } } s2. | % 50
412 s4_\markup { \italic { snare pat. } } s2 | % 1
413 s4_\markup { \italic { simile } } s2 | % 2
415 s4_\markup { \italic { spacy } } s2 | % 22
419 s4_\markup { \italic { Last time } } s2 | % 51
428 % \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
429 \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
430 \new Lyrics \lyricsto "lead" \LeadVoxText
433 \new ChoirStaff = "Rhythm"
435 \new ChordNames = "chords" \Chords
436 \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
439 \set Score.skipBars = ##t
440 \set Score.melismaBusyProperties = #'()
447 #(define fonts (make-pango-font-tree
453 % Don't spread staves vertically across last page (default: t)
454 % ragged-last-bottom = ##f
455 % Don't spread staves vertically across the page (default: f)
456 % ragged-bottom = ##t
457 % Allow partial line for last stave (default: f)
460 % To find out what's eating the space at the top...
461 % annotate-spacing = ##t
462 %let's try this: [It works! Huzzah!][nope]
463 % obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)