\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Above All" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Michael W. Smith" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
% Lead vocal
%
-
LeadVox = \relative c''
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key bf \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\tiny r2 r8 d f bf | % 1
c8.f,16 f4 ~ f ~ f8 bf16 a | % 2
bf8. ef,16 ef4 ~ ef d | % 3
- <f c>2 \normalsize r8 f,16 f ~ f bf8. \bar "||:" % 4
+ <f c>2 \normalsize r8 f,16 f ~ f bf8. \bar ".|:-||" % 4
% Verse
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
bf1:sus2 | % 1
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 1
c4 c c c | % 2
c4 c c c | % 3
- c4 c c c \bar "||:" % 4
+ c4 c c c \bar ".|:-||" % 4
% Verse
\score
{
<<
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \RemoveEmptyStaffContext }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Agnus Dei" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Michael W. Smith" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
Global =
{
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\once \override TextScript #'padding = #2.0
% Intro
- s1*4 \bar "||:" % 1-4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
{
% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
+% \override Staff.TimeSignature #'style = #'()
%Hm. Needed anymore?
% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
r1 | % 21
}
+
LeadVoxText = \lyricmode
{
Al -- _ _ le -- lu -- _ ia, _
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
+
% Intro
c4 c c c | % 1
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
+ \Global % The "roadmap" that everything else depends on
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
+
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/4
s1.*8 \bar "|." % 1-16
%Cross = { \override NoteHead #'style = #'cross }
Rhythm = \relative c
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Verse
c4 c c c c c | % 5
c4 c c c c c | % 6
c4 c c c c c | % 7
- c4 c c c c c \bar "|." % 8
+ c4 c c c c c | % 8
}
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Almighty" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Gary Oliver" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
% Lead vocal
%
-
LeadVox = \relative c''
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-% \set Score.markFormatter = #format-mark-box-letters
% Intro
g1^\fermata^\markup { \italic { On cue } } \bar "|."
}
+
LeadVoxText = \lyricmode
{
Al -- migh -- _ ty, most ho -- _ ly God _
%
% Instrumental lines
%
-
RhythmB = \relative c'
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
\clef G
\key d \major
- \time 4/4
+ \time 4/4
-%This structure, BTW, is totally wrong (from a different song)
+%This structure, BTW, is totally wrong (from a different song)
% Intro
r1 |
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 \bar "||"
StaffC = \relative c
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
+ \time 4/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
-% \new ChoirStaff = "Vox"
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
% \new Staff = "riff" \RhythmB
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
- \layout {
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"\r
-\include "pop-chords.ly"\r
-\include "english.ly"\r
-\r
-% Good sizes are 16, 18, & 20\r
-staffSize = #18\r
-#(set-default-paper-size "letter")\r
-#(set-global-staff-size staffSize)\r
-#(ly:set-option (quote no-point-and-click))\r
-\r
-%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}\r
-\r
-\header\r
-{\r
- title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Amazing Love" }\r
- composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Graham Kendrick" }\r
- arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Shamus Hammons" }\r
- tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))\r
-}\r
-\r
-\r
-%\r
-% Lead vocal\r
-%\r
-\r
-LeadVox = \relative c'\r
-{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrument = #"Lead vox"\r
- \override Staff.TimeSignature #'style = #'()\r
- \clef G\r
- \key d \major\r
- \time 4/4\r
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
-\r
- % Intro\r
-\r
- R1^\markup { Moderate half time feel } | % 1\r
- r2 r4 e | % 2\r
-\r
- \repeat volta 3\r
- {\r
- % Verse\r
-\r
-\mark \markup { \override #'(font-family . sans) { \box { A } } }\r
-\r
- fs1 ~ | % 3\r
- fs2. fs4 | % 4\r
- fs4. e8 g2 ~ | % 5\r
- g2. e4 | % 6\r
- e1 ~ | % 7\r
- e2. g4 | % 8\r
- g4. ( fs8 ) fs2 | % 9\r
- r2 r4 e | % 10\r
- fs1 ~ | % 11\r
- fs2. fs4 | % 12\r
- fs4. e8 g2 ~ | % 13\r
- g2. r4 | % 14\r
- b1 | % 15\r
- a1 | % 16\r
- d1 ~ | % 17\r
- d2 r4 d \bar "||" % 18\r
-\r
- % Chorus\r
-\r
-\mark \markup { \override #'(font-family . sans) { \box { B } } }\r
-\r
- c4. b8 a2 ~ | % 19\r
- a2 g4 a | % 20\r
- a4. d,8 d2 ~ | % 21\r
- d2 r4 d' | % 22\r
- c4. b8 a2 ~ | % 23\r
- a2 g8 g a4 | % 24\r
- a1 ~ | % 25\r
- a2 r4 d | % 26\r
-\r
- c4. b8 a2 ~ | % 27\r
- a2 g4 a | % 28\r
- a4. d,8 d2 ~ | % 29\r
- d2. fs4 | % 30\r
- g4. ( fs8 e2 ) ~ | % 31\r
- e2 b'4. ( a8 ) | % 32\r
- a1 ~ | % 33\r
- a2. fs4 | % 34\r
- g4. ( fs8 e2 ) ~ | % 35\r
- e2 b'4. ( a8 ) | % 36\r
- }\r
- \alternative\r
- {\r
- {\r
- a1 | % 37\r
- r2 r4 e | % 38\r
- }\r
- {\r
- a1 ~ | % 39\r
- }\r
- }\r
-\r
- % Ending\r
-\r
- a2. fs4 \bar "||" % 40\r
-\r
-%\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { \override #'(font-family . sans) { \box { C } } }\r
-\r
- g4. ( fs8 e2 ) ~ | % 41\r
- e2^\fermata \breathe d' | % 42\r
- d1 ~ | % 43\r
- d1 | % 44\r
- R1 | % 45\r
- R1 | % 46\r
- r1^\fermata \bar "|." % 47\r
-}\r
-\r
-\r
-LeadVoxText = \lyricmode\r
-{\r
- My Lord, __ _ what love is this _\r
- that pays __ _ so dear -- _ ly;\r
- That I, __ _ the guil -- ty one _\r
- may go free? __ _\r
-\r
- A -- ma -- zing love, __ _ O what sac -- ri -- fice __ _\r
- The Son of God __ _ gi -- ven for me; __ _\r
- My debt he pays __ _ and my death he dies __ _\r
- That I __ _ _ _ might _ live, __ _ that I __ _ _ _ might _ live.\r
-\r
- And\r
- live, __ _\r
-\r
- that I __ _ _ _ might live. __ _\r
-}\r
-\r
-LeadVoxTextB = \lyricmode\r
-{\r
- _ so, __ _ they watched him die _\r
- de -- spised, __ _ re -- jec -- _ ted;\r
- But O, __ _ the blood he shed _\r
- flowed for me! __\r
-}\r
-\r
-LeadVoxTextC = \lyricmode\r
-{\r
- _ now __ _ this love of Christ _\r
- shall flow __ _ like ri -- _ vers;\r
- Come wash __ _ your guilt a -- way, _\r
- live a -- gain! __\r
-}\r
-\r
-\r
-%\r
-% Chord names\r
-%\r
-\r
-Chords = \chordmode\r
-{\r
-%Bah, can't we set this globally?\r
-% \popChords\r
-\r
- % Intro\r
-\r
- d1 | % 1\r
- a2:sus4.7 a:7 | % 2\r
-\r
- % Verse\r
-\r
- d1 | % 3\r
- s1 | % 4\r
- s2 e:m7 | % 5\r
- s1 | % 6\r
- a1:sus4.7 | % 7\r
- a1:7 | % 8\r
- g2 d | % 9\r
- s2 a:sus4.7 | % 10\r
- d1 | % 11\r
- s1 | % 12\r
- s2 e:m7 | % 13\r
- s1 | % 14\r
- g1 | % 15\r
- a1 | % 16\r
- d1 | % 17\r
- d4.:sus4 d s4 | % 18\r
-\r
- % Chorus\r
-\r
- a1:m7 | % 19\r
- s1 | % 20\r
- d2.. d8:sus4 | % 21\r
- s4. d2 s8 | % 22\r
- f1:maj7 | % 23\r
- s1 | % 24\r
- a2..:sus2 a8 | % 25\r
- s1 | % 26\r
-\r
- a1:m7 | % 27\r
- s1 | % 28\r
- d2.. d8:sus4 | % 29\r
- s4. d2 s8 | % 30\r
- a1:m7 | % 31\r
- s2 g | % 32\r
- d1 | % 33\r
- s1 | % 34\r
- a1:m7 | % 35\r
- s2 g | % 36\r
-\r
- d1 | % 37\r
- s2 a:sus4.7 | % 38\r
-\r
- d1 | % 39\r
-\r
- % Ending\r
-\r
- s1 | % 40\r
- a1:m7 | % 41\r
- c1 | % 42\r
- d1 | % 43\r
- s1 | % 44\r
- a1:m7 | % 45\r
- c1 | % 46\r
- d1 | % 47\r
-}\r
-\r
-\r
-%\r
-% Chord rhythms\r
-%\r
-\r
-% Use a RhythmicStaff on the chords instead of this?\r
-% It almost works, but not quite. Doesn't collapse chords above to single notes...\r
-\r
-StaffC = \relative c\r
-{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrument = #"Rhythm"\r
- \override Staff.TimeSignature #'style = #'()\r
- \time 4/4 \r
- \override NoteHead #'style = #'slash\r
-\r
- % Intro\r
-\r
- c4 c c c | % 1\r
- c4. c c4 | % 2\r
-\r
- \repeat volta 3\r
- {\r
- % Verse\r
-\r
- c4_\markup { \italic { fingerpick throughout verses } } c c c | % 3\r
- c4 c c c | % 4\r
- c4 c c c | % 5\r
- c4 c c c | % 6\r
- c4 c c c | % 7\r
- c4 c c c | % 8\r
- c4 c c c | % 9\r
- c4 c c c | % 10\r
- c4 c c c | % 11\r
- c4 c c c | % 12\r
- c4 c c c | % 13\r
- c4 c c c | % 14\r
- c4 c c c | % 15\r
- c4 c c c | % 16\r
- c4 c c c | % 17\r
- c4. c c4 \bar "||" % 18\r
-\r
- % Chorus\r
-\r
- c4 r8 c c4 r8 c ~ | % 19\r
- c8 c c4 c8 c c4 | % 20\r
- c4 r8 c c4 c8 c ~ | % 21\r
- c8 c4 c8 ~ c c c4 | % 22\r
- c4 r8 c c4 r8 c | % 23\r
- r8 c c4 c8 c c4 | % 24\r
- c4 c c8 c r c | % 25\r
- r8 c c4 c8 c c c | % 26\r
-\r
- c4 r8 c c4 r8 c ~ | % 27\r
- c8 c c4 c8 c c4 | % 28\r
- c4 r8 c c4 c8 c ~ | % 29\r
- c8 c4 c8 c4 c | % 30\r
- c4 r8 c c4 r8 c ~ | % 31\r
- c8 c c c c4 c8 c | % 32\r
- c4 r8 c c4 r8 c | % 33\r
- r8 c c4 c8 c c4 | % 34\r
- c4 r8 c c4 r8 c ~ | % 35\r
- c8 c c c c4. c8 | % 36\r
- }\r
- \alternative\r
- {\r
- {\r
- c4 r8 c c4 r8 c ~ | % 37\r
- c8 c c4 c2 | % 38\r
- }\r
- {\r
- c4 r8 c c4 c8 c ~ | % 39\r
- }\r
- }\r
-\r
- % Ending\r
-\r
- c8 c c4 c8 c c4 \bar "||" % 40\r
-\r
- c4 r8 c c4 c8 c | % 41\r
- c1^\fermata | % 42\r
- c4_\markup { \italic { a tempo } } c c c | % 43\r
- c4 c c c | % 44\r
- c4 c c c_\markup { \italic { rit. } } | % 45\r
- c4 c c c | % 46\r
- c1^\fermata \bar "|." % 47\r
-}\r
-\r
-\r
-\score\r
-{\r
- <<\r
-% \new ChoirStaff = "Vox"\r
- <<\r
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }\r
- \new Lyrics \lyricsto "lead" \LeadVoxText\r
- \new Lyrics \lyricsto "lead" \LeadVoxTextB\r
- \new Lyrics \lyricsto "lead" \LeadVoxTextC\r
- >>\r
-\r
- \new ChoirStaff = "Rhythm"\r
- <<\r
-% \new Staff = "riff" \RhythmB\r
- \new ChordNames = "chords" \Chords\r
- \new RhythmicStaff = "chordRhythm" \StaffC\r
- >>\r
-\r
- \set Score.skipBars = ##t\r
- \set Score.melismaBusyProperties = #'()\r
- >>\r
- \layout\r
- {\r
-% ragged-last-bottom = ##t\r
- ragged-last = ##t\r
- }\r
-}\r
-\r
-\r
-\paper\r
-{\r
- #(define fonts (make-pango-font-tree\r
- "Times New Roman"\r
- "DomCasual BT"\r
- "Luxi Mono"\r
- (/ staffSize 20)))\r
-}\r
+\version "2.16.0"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20
+staffSize = #18
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Amazing Love" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Graham Kendrick" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Shamus Hammons" }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+
+%
+% Lead vocal
+%
+
+LeadVox = \relative c'
+{
+ \numericTimeSignature
+ \clef G
+ \key d \major
+ \time 4/4
+\override Score.SpacingSpanner #'average-spacing-wishes = ##f
+
+ % Intro
+
+ R1^\markup { Moderate half time feel } | % 1
+ r2 r4 e | % 2
+
+ \repeat volta 3
+ {
+ % Verse
+
+\mark \markup { \override #'(font-family . sans) { \box { A } } }
+
+ fs1 ~ | % 3
+ fs2. fs4 | % 4
+ fs4. e8 g2 ~ | % 5
+ g2. e4 | % 6
+ e1 ~ | % 7
+ e2. g4 | % 8
+ g4. ( fs8 ) fs2 | % 9
+ r2 r4 e | % 10
+ fs1 ~ | % 11
+ fs2. fs4 | % 12
+ fs4. e8 g2 ~ | % 13
+ g2. r4 | % 14
+ b1 | % 15
+ a1 | % 16
+ d1 ~ | % 17
+ d2 r4 d \bar "||" % 18
+
+ % Chorus
+
+\mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ c4. b8 a2 ~ | % 19
+ a2 g4 a | % 20
+ a4. d,8 d2 ~ | % 21
+ d2 r4 d' | % 22
+ c4. b8 a2 ~ | % 23
+ a2 g8 g a4 | % 24
+ a1 ~ | % 25
+ a2 r4 d | % 26
+
+ c4. b8 a2 ~ | % 27
+ a2 g4 a | % 28
+ a4. d,8 d2 ~ | % 29
+ d2. fs4 | % 30
+ g4. ( fs8 e2 ) ~ | % 31
+ e2 b'4. ( a8 ) | % 32
+ a1 ~ | % 33
+ a2. fs4 | % 34
+ g4. ( fs8 e2 ) ~ | % 35
+ e2 b'4. ( a8 ) | % 36
+ }
+ \alternative
+ {
+ {
+ a1 | % 37
+ r2 r4 e | % 38
+ }
+ {
+ a1 ~ | % 39
+ }
+ }
+
+ % Ending
+
+ a2. fs4 \bar "||" % 40
+
+%\once \override Score.RehearsalMark #'self-alignment-X = #left
+\mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ g4. ( fs8 e2 ) ~ | % 41
+ e2^\fermata \breathe d' | % 42
+ d1 ~ | % 43
+ d1 | % 44
+ R1 | % 45
+ R1 | % 46
+ r1^\fermata \bar "|." % 47
+}
+
+
+LeadVoxText = \lyricmode
+{
+ My Lord, __ _ what love is this _
+ that pays __ _ so dear -- _ ly;
+ That I, __ _ the guil -- ty one _
+ may go free? __ _
+
+ A -- ma -- zing love, __ _ O what sac -- ri -- fice __ _
+ The Son of God __ _ gi -- ven for me; __ _
+ My debt he pays __ _ and my death he dies __ _
+ That I __ _ _ _ might _ live, __ _ that I __ _ _ _ might _ live.
+
+ And
+ live, __ _
+
+ that I __ _ _ _ might live. __ _
+}
+
+LeadVoxTextB = \lyricmode
+{
+ _ so, __ _ they watched him die _
+ de -- spised, __ _ re -- jec -- _ ted;
+ But O, __ _ the blood he shed _
+ flowed for me! __
+}
+
+LeadVoxTextC = \lyricmode
+{
+ _ now __ _ this love of Christ _
+ shall flow __ _ like ri -- _ vers;
+ Come wash __ _ your guilt a -- way, _
+ live a -- gain! __
+}
+
+
+%
+% Chord names
+%
+Chords = \chordmode
+{
+ % Intro
+
+ d1 | % 1
+ a2:sus4.7 a:7 | % 2
+
+ % Verse
+
+ d1 | % 3
+ s1 | % 4
+ s2 e:m7 | % 5
+ s1 | % 6
+ a1:sus4.7 | % 7
+ a1:7 | % 8
+ g2 d | % 9
+ s2 a:sus4.7 | % 10
+ d1 | % 11
+ s1 | % 12
+ s2 e:m7 | % 13
+ s1 | % 14
+ g1 | % 15
+ a1 | % 16
+ d1 | % 17
+ d4.:sus4 d s4 | % 18
+
+ % Chorus
+
+ a1:m7 | % 19
+ s1 | % 20
+ d2.. d8:sus4 | % 21
+ s4. d2 s8 | % 22
+ f1:maj7 | % 23
+ s1 | % 24
+ a2..:sus2 a8 | % 25
+ s1 | % 26
+
+ a1:m7 | % 27
+ s1 | % 28
+ d2.. d8:sus4 | % 29
+ s4. d2 s8 | % 30
+ a1:m7 | % 31
+ s2 g | % 32
+ d1 | % 33
+ s1 | % 34
+ a1:m7 | % 35
+ s2 g | % 36
+
+ d1 | % 37
+ s2 a:sus4.7 | % 38
+
+ d1 | % 39
+
+ % Ending
+
+ s1 | % 40
+ a1:m7 | % 41
+ c1 | % 42
+ d1 | % 43
+ s1 | % 44
+ a1:m7 | % 45
+ c1 | % 46
+ d1 | % 47
+}
+
+
+%
+% Chord rhythms
+%
+
+% Use a RhythmicStaff on the chords instead of this?
+% It almost works, but not quite. Doesn't collapse chords above to single notes...
+
+StaffC = \relative c
+{
+ \numericTimeSignature
+ \time 4/4
+ \override NoteHead #'style = #'slash
+ \teeny
+
+ % Intro
+
+ c4 c c c | % 1
+ c4. c c4 | % 2
+
+ \repeat volta 3
+ {
+ % Verse
+
+ c4_\markup { \italic { fingerpick throughout verses } } c c c | % 3
+ c4 c c c | % 4
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4. c c4 \bar "||" % 18
+
+ % Chorus
+
+ c4 r8 c c4 r8 c ~ | % 19
+ c8 c c4 c8 c c4 | % 20
+ c4 r8 c c4 c8 c ~ | % 21
+ c8 c4 c8 ~ c c c4 | % 22
+ c4 r8 c c4 r8 c | % 23
+ r8 c c4 c8 c c4 | % 24
+ c4 c c8 c r c | % 25
+ r8 c c4 c8 c c c | % 26
+
+ c4 r8 c c4 r8 c ~ | % 27
+ c8 c c4 c8 c c4 | % 28
+ c4 r8 c c4 c8 c ~ | % 29
+ c8 c4 c8 c4 c | % 30
+ c4 r8 c c4 r8 c ~ | % 31
+ c8 c c c c4 c8 c | % 32
+ c4 r8 c c4 r8 c | % 33
+ r8 c c4 c8 c c4 | % 34
+ c4 r8 c c4 r8 c ~ | % 35
+ c8 c c c c4. c8 | % 36
+ }
+ \alternative
+ {
+ {
+ c4 r8 c c4 r8 c ~ | % 37
+ c8 c c4 c2 | % 38
+ }
+ {
+ c4 r8 c c4 c8 c ~ | % 39
+ }
+ }
+
+ % Ending
+
+ c8 c c4 c8 c c4 \bar "||" % 40
+
+ c4 r8 c c4 c8 c | % 41
+ c1^\fermata | % 42
+ c4_\markup { \italic { a tempo } } c c c | % 43
+ c4 c c c | % 44
+ c4 c c c_\markup { \italic { rit. } } | % 45
+ c4 c c c | % 46
+ c1^\fermata \bar "|." % 47
+}
+
+
+\score
+{
+ <<
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ \new Lyrics \lyricsto "lead" \LeadVoxTextC
+ >>
+
+ \new ChoirStaff
+ <<
+% \new Staff = "riff" \RhythmB
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
+ >>
+
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+ >>
+}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+ ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+}
+
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
-%{ Some useful characters: âÂ\80Â\98 âÂ\80Â\99 âÂ\80Â\9c âÂ\80Â\9d âÂ\80Â\93 âÂ\80Â\94 âÂ\80 âÂ\80¡ âÂ\80¢ âÂ\80¦ %}
+%{ Some useful characters: â\80\98 â\80\99 â\80\9c â\80\9d â\80\93 â\80\94 â\80 â\80¡ â\80¢ â\80¦ %}
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Angels We Have Heard On High" }
% subtitle = \markup { \override #'(font-family . sans) \fontsize #1.5 "Capo 3 Version" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
%
% Lead vocal
%
-
LeadVox = \relative c''
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override Score.SpacingSpanner #'average-spacing-wishes = ##f
s1 | % 9
s1 | % 10
s1 | % 11
- s1 \bar "||:" % 12
+ s1 \bar ".|:-||" % 12
\repeat volta 2
{
LeadVoxText = \lyricmode
{
An -- gels we have heard on high
- sweet -- ly sing -- ing oâÂ\80Â\99er the plains,
+ sweet -- ly sing -- ing oâ\80\99er the plains,
And the moun -- tains in re -- ply
e -- cho back their joy -- ous strains.
{
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override Score.SpacingSpanner #'average-spacing-wishes = ##f
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
f4 s8. bf2:sus2/f s16 | % 1
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4-> c-> c-> c-> | % 9
c4 c c c | % 10
c4-> c8. c16-> ~ c4 c | % 11
- c4-> c8. c16-> ~ c4 c \bar "||:" % 12
+ c4-> c8. c16-> ~ c4 c \bar ".|:-||" % 12
\repeat volta 2
{
\score
{
<<
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >>
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
+ \new ChordNames \Chords
% Capo 3 version
% \new ChordNames = "chords" \transpose f d \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
-% top-margin = -0.25 \in
+% Don't spread staves vertically across last page (default: t)
+ ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
-
-%{
-tweak = #(define-music-function (parser location sym val arg)
- (symbol? scheme? ly:music?)
-
- "Add @code{sym . val} to the @code{tweaks} property of @var{arg}."
-
- (set!
- (ly:music-property arg 'tweaks)
- (acons sym val
- (ly:music-property arg 'tweaks)))
- arg)
-%}
-
% Useful tweak abbreviations (hn = harmony note)
hn = #(define-music-function (parser location arg) (ly:music?)
Global =
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
e -- ven though you _ are a king,
I love you more than a -- ny o -- ther
- so much more than a -- ny -- thing.
+ so much more than a -- ny -- thing. _
}
+
%
% Riffs
%
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
c2 e:m/b | % 1
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
- \context Staff << \new Voice = "lead" \LeadVox \new Voice \Riffs >>
+ << \new Voice = "lead" \LeadVox \new Voice \Riffs >>
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
Global =
{
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Intro
\partial 4*1 s4 \bar "||" % 0
- s2.*5 \bar "||:" % 1-5
+ s2.*5 \bar ".|:-||" % 1-5
\repeat volta 2
{
% Intro
- \partial 4*1 s4 \bar "||" % 0
+ \partial 4*1 s4 | % 0
s2. | % 1
s2. | % 2
s2. | % 3
s2. | % 4
- s2 c4 \bar "||:" % 5
+ s2 c4 | % 5
% Verse
f,2. ~ | % 23
- f2 c'4 \bar "||" % 24
+ f2 c'4 | % 24
% Last verse
bf'4. a8 g4 | % 37
a4 g f | % 38
g d e | % 39
- f2.^\fermata \bar "|." % 40
+ f2.^\fermata | % 40
}
LeadVoxText = \lyricmode
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
\partial 4*1 s4 | % 0
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c | % 2
c4 c c | % 3
c4 c c | % 4
- c4 c c \bar "||:" % 5
+ c4 c c \bar ".|:-||" % 5
% Verse
\score
{
<<
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
+ \context Staff
+ <<
+ \Global % The "roadmap" that everything else depends on
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ >>
-% \new Staff
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- \new Lyrics \lyricsto "lead" \LeadVoxTextB
- >>
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
Global =
{
\key b \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Intro
% Intro
- s2.*8 \bar "||:" % 1-8
+ s2.*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
Riffs = \relative c''
{
\clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
<<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Be Thou My Vision" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
% Lead vocal
%
-
LeadVox = \relative c'
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
\override Score.SpacingSpanner #'average-spacing-wishes = ##f
LeadVoxTextC = \lyricmode
{
- Ri -- ches I _ heed not, nor man’s em -- pty praise
+ Ri -- ches I _ heed not, nor vain em -- pty praise
Thou mine in -- her -- i -- tance, now and al -- ways
Thou and _ thou _ on -- _ ly, first in my heart _
High King of Hea -- _ ven, my _ trea -- sure thou
%
% Riff/rhythm figures
%
-
StaffRiffs = \relative c'
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
\key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
+ \time 3/4
% Intro
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
d2. | % 1
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
+ \time 3/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
-% \new ChoirStaff = "Vox"
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
}
\StaffRiffs
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
- \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
Global =
{
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
\mark \markup { \override #'(font-family . sans) { \box { F } } }
s1*7 \bar "|." % 60-66
-
-%{
-
-% \once \override TextScript #'padding = #2.0
-% s1*0^\markup { \large \bold { Moderately fast pop } }
-%%Capo 3 version
-%% s1*0^\markup { \large \bold { Moderately fast pop "(*** CAPO 3 ***)" } }
-% s1*13 \bar "||:" % 1-13
-
-%}
}
% Intro
- r1 | % 1
- r1 | % 2
- r1 | % 3
+ R1*3 | % 1-3
r2 r4 r8 e | % 4
% Verse
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
e1:sus2 | % 1
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
(/ staffSize 20)))
% Don't spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
% To find out what's eating the space at the top...
% annotate-spacing = ##t
}
+
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #16
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Bless The Lord, O My Soul" }
subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "(10,000 Reasons)" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Matt Redman" }
% Intro
- s1*4 | % 1-4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
s1*6 | % 14-19
- s1*3 | % 20-22
+ s1*2 | % 20-22
+ s2...
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark \markup { \italic { to Coda } \musicglyph #"scripts.coda" }
+ s16
}
\alternative
{
s1 | % 23
}
{
- s1 | % 24
+ s1 \bar "||" % 24
}
}
% blank measure between last measure and coda
% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
- \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break (DID IT???)
+ \stopStaff s1 \startStaff
% \break % Meh
\set Score.currentBarNumber = #41
}
s1 \bar "|." % 63
-
-%{
-
-% \once \override TextScript #'padding = #2.0
-% s1*0^\markup { \large \bold { Moderately fast pop } }
-%%Capo 3 version
-%% s1*0^\markup { \large \bold { Moderately fast pop "(*** CAPO 3 ***)" } }
-% s1*13 \bar "||:" % 1-13
-
-%}
}
LeadVox = \relative c'
{
\clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
{ The sun comes up it's a new day daw -- ning,
it's time to sing your song _ a -- gain,
What -- e -- ver may _ pass _ and what -- e -- ver lies be -- fore _ me,
- let me go sing -- ing when the eve -- ning comes. }
+ let me be sing -- ing when the eve -- ning comes. }
\new Lyrics = "verse2" \with { alignBelowContext = #"verse1" }
{ \set associatedVoice = "Lead"
f2 c | % 16
g2 a:m | % 17
f2 c | % 18
- g2 a:m | % 19
+ g2 a4:m r | % 19 (rest here shows as N.C.!!!)
s2 f | % 20
c2 g4:sus4 g | % 21
c1 | % 22
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
+Slash = { \override NoteHead #'style = #'slash }
+Cross = { \override NoteHead #'style = #'cross }
Rhythm =
{
\numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 16
c4 c c c | % 17
c4 c c c | % 18
- c4 c c c-> | % 19
- c4-> c-> c c | % 20
+ c4 c c \Cross c-> | % 19
+ c4-> c-> \Slash c c | % 20
c4 c c c | % 21
c4 c c c | % 22
s2 s4 \< s \! | % 53
%}
s1*18
- s2. s4_\markup { \italic { No chord } }
+% s2. s4_\markup { \italic { No chord } }
}
(/ staffSize 20)))
% Don't spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override Score.SpacingSpanner #'average-spacing-wishes = ##f
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
s4_\markup { \hspace #0.0 \raise #-2.0 \italic { orig. half-time groove } } s2. | % 81
s1*2 | % 82-83
s2 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { last X rit. } } s | % 84
-
-%{
- s4_\mf s2. | % 1
- s1*22 | % 2-23
- s4 s \> | % 24
- s4 \! s2. | % 25
- s1*2 | % 26-27
- s4 \< s s \! s | % 28
- s1*4 | % 29-32
- s4 \< s s \! s | % 33
- s1*23 | % 34-56
- s2 s2_\markup { \italic { rit. } } | % 57
-%}
}
\score
{
<<
+ \context Staff
<<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox >> }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
\new ChoirStaff = "Rhythm"
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope :-P]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key b \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- r1 | % 1
- r1 | % 2
- r1 | % 3
- r1 | % 4
+ R1*4 | % 1-4
\repeat volta 3
{
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
b1 | % 1
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
+ \teeny
% \override NoteHead #'style = #'slash
% Intro
\score
{
<<
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
% \new Staff = leadStaff { \new Voice = "lead" \transpose b a \LeadVox }
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
-% \new ChordNames = "chords" \transpose b a \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+% \new ChordNames \transpose b a \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
#(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
%
% Lead vocal
%
-
LeadVox = \relative c'
{
\set Staff.instrumentName = #"Sop."
\clef G
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Verse
\set Staff.instrumentName = #"Alto"
\clef G
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Verse
\set Staff.instrumentName = #"Tenor"
\clef F
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Verse
\set Staff.instrumentName = #"Bass"
\clef F
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Verse
\paper
{
#(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
Global = \transpose a g
{
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-% \once \override TextScript #'padding = #2.0
s1*0^\markup { \italic \bold { 8th-note ballad } }
% Capo 4 version
% s1*0^\markup { \hspace #0.0 \raise #2.0 \bigger \bold { "Moderate pop (*** CAPO 4 ***)" } }
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
Riffs = \relative c'
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
% Verse
b1:sus2 | % 22
- e1:sus2/b | % 23
+ e1:sus2/b | % 23
b8:sus2 \parenthesize fs/b s2. | % 24
e1:sus2/b | % 25
b2 fs/as | % 26
- gs2:m7 fs:5.11 | % 27
+ gs2:m7 fs:3.5.11 | % 27
e2 gs:m7 | % 28
fs2 fs4:sus4 fs | % 29
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
\override Staff.TimeSignature #'style = #'()
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
% Verse
c4 c c c | % 22
- c4 c c c | % 23
+ c4 c c c | % 23
c4 c c c | % 24
c4 c c c | % 25
c4 c c c | % 26
Dynamics =
{
-% s1*4 | % 1-4
-% s4_\markup { \italic { 1st X: Melody, 2nd X+: Solos } } s2. | % 5
-% s1*38 | % 1-38
-% s4_\markup { \bold \italic { Double Chorus 2nd X } } s2. | % 39
-% s1*7 | % 40-46
-% s4_\markup { \bold { Tutti } } s2. | % 47
-% s4 | % 0
-% s2.*39 | % 1-39
-% s4_\markup { \large \bold \italic { Solo } } s2 | % 40
s4_\mp s2. | % 1
s1*20 | % 2-21
s4_\f s2. | % 22
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \transpose a g \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
\Global % The "roadmap" that everything else depends on
\new Voice = "lead" \transpose a g \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \transpose a g \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
#(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override Score.SpacingSpanner #'average-spacing-wishes = ##f
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
g1 | % 1
d2 g4 c | % 2
%{
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override NoteHead #'style = #'slash
+ \teeny
c4 c c c | % 1
c4 c c c | % 2
\score
{
<<
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
-% \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
-% \new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
-% \new ChordNames = "chords2" \ChordsSup
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+% \new ChordNames \ChordsSup
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
#(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
Global =
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
% Capo 4 version
% s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
- s1*4 \bar "||:" % 1-4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
Riffs = \relative c'
{
\clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 | % 1
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
+ <<
+ \Global % The "roadmap" that everything else depends on
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
% \new ChordNames \transpose b g \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
>>
}
\paper
{
#(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
- ragged-bottom = ##t
+% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
Global =
{
\key b \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 2/2
% Intro
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
Riffs = \relative c'
{
\clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
b2:m b:m/a | % 1
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
+ <<
+ \Global % The "roadmap" that everything else depends on
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ >>
+
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- \new Lyrics \lyricsto "lead" \LeadVoxTextB
- >>
>>
}
\paper
{
#(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
Global =
{
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
Come and give _ _ thanks un -- to _ the Lord _
Come be -- hold __ _ the Lamb
Come and sing _ _ prais -- es of _ the __ _ King
- Bow -- ing down _ be -- _ fore __ _ _ _
}
%
% Riffs
%
-
Riffs = \relative c''
{
%{
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
%
% Chord rhythms
%
-
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override NoteHead #'style = #'slash
-\tiny
+ \teeny
% Intro
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new ChoirStaff
+ \context Staff
<<
- \new ChordNames \Chords
-%Capo 3 edition
-% \new ChordNames \transpose f d \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 3 edition
+% \new ChordNames \transpose f d \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
Global =
{
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
\mark \markup { \override #'(font-family . sans) { \box { F } } }
s1*7 \bar "|." % 60-66
-
-%{
-
-% \once \override TextScript #'padding = #2.0
-% s1*0^\markup { \large \bold { Moderately fast pop } }
-%%Capo 3 version
-%% s1*0^\markup { \large \bold { Moderately fast pop "(*** CAPO 3 ***)" } }
-% s1*13 \bar "||:" % 1-13
-
-%}
}
LeadVox = \relative c'
{
\clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- r1 | % 1
- r1 | % 2
- r1 | % 3
+ R1*3 | % 1-3
r2 r4 r8 e | % 4
% Verse
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
e1:sus2 | % 1
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "v2" \LeadVoxEcho
-% \new Lyrics \lyricsto "v2" \LeadVoxEcho
>>
\new ChoirStaff
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Come Let Us Worship And Bow Down" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Dave Doherty" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
\repeat volta 2
d2 g:maj7 | % 3
d1 | % 4
- g4 g/fs e2 | % 5
+ g4 g/fs e2:m | % 5
d4/a a2. | % 6
d2 g:maj7 | % 7
d1 | % 8
- g4 g/fs e2 | % 9
+ g4 g/fs e2:m | % 9
d4/a a2. | % 10
% B section
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #20
+staffSize = #22
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Come, Now is the Time to Worship" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "M. Barnett" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% \once \override TextScript #'padding = #2.0
% Intro
- s1*4 | % 1-4
+ s1*4 \bar ".|:-||" % 1-4
% Verse
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
- r1 | % 1
- r1 | % 2
- r1 | % 3
- r1 | % 4
+ R1*4 | % 1-4
% Verse
Come.
One day ev’ -- ry tongue will con -- fess _ you are God, _
- One day ev’ -- ry knee will bow _ down, _
+ One day ev’ -- ry knee _ will bow _ _
Still the great -- est trea -- sure re -- mains _ for those _
who glad -- _ ly choose _ you now. _
Come,
One day ev’ -- ry tongue will con -- fess _ you are God, _
- One day ev’ -- ry knee will bow _ down, _
+ One day ev’ -- ry knee _ will bow _ _
Still the great -- est trea -- sure re -- mains _ for those _
who glad -- _ ly choose _ you now. _
Riffs = \relative c'
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
\new Staff
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope, it doesn't :-/]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Come Thou Fount Of Every Blessing" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
Riffs = \relative c'
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\partial 4*1 \tiny fs8 e | % partial
b4 a fs8 e | % 24
d2.^\fermata | % 25
\normalsize
-
-%{
- \tiny
- \repeat "percent" 3 % 1 - 6
- {
- << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
- << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
- }
- << s2. \\ { \tiny d2 c4 } >> | % 7
- << s2. \\ { \tiny bf2. } >> | % 8
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
- \oneVoice
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
- \oneVoice
-
- \key g \major
-
- \voiceOne
- \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
- \oneVoice
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
- \oneVoice
- \normalsize
-%}
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s4 | % pickup
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
"Luxi Mono"
(/ staffSize 20)))
-% top-margin = -0.25 \in
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Create In Me A Clean Heart" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1^\markup { 8th note ballad, s. stick & colors } | % 1
- R1 | % 2
- R1 | % 3
- r2 r4. d8 \bar "||" % 4
+ s1^\markup { 8th note ballad, s. stick & colors } | % 1
+ s1*3 \bar "||" % 2-4
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- g8 g g g fs4 d8 ( fs | % 5
- e4 ) e16 ( d e8 ) d4 r | % 6
- r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 7
- g2 r4. d8 | % 8
- g8 g g g fs4 d8 ( fs | % 9
- e4 ) e16 ( d e8 ) d4 r | % 10
- r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 11
- g2 r \bar "||:" % 12
+ s1*8 \bar ".|:-||" % 5-12
% Chorus
\repeat volta 3
{
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- c8.^\markup { \italic { 2nd time snare } } c16 c8 b a4 g8 a | % 13
- b8 b4 a16 ( g ) g4 r8 g | % 14
- c4 c8 b a a a16 g a8 | % 15
- b2 r4. g8 | % 16
- c4. b16 ( a ) a4. r16 g | % 17
- b8. c16 b8 a g e ~ e4 | % 18
- r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s8.^\markup { \italic { 2nd time snare } } s16 s2. | % 13
+ s1*6 | % 14-19
}
\alternative
{
{
- g2 r | % 20
- r2 r4.^\markup { \hspace #0.0 \raise #0.65 \bold D.S. } d8 \bar "||" % 21
+ s1 | % 20
+ s2.. s8^\markup { \hspace #0.0 \raise #0.65 \bold D.S. } \bar "||" % 21
}
{
- g2 r | % 22
+ s1 | % 22
}
{
- g2 r | % 23
+ s1 | % 23
}
}
% Ending
+ s1*4 \bar "|." % 24-27
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ R1 | % 1
+ R1 | % 2
+ R1 | % 3
+ r2 r4. d8 | % 4
+
+ % Verse
+
+ g8 g g g fs4 d8 ( fs | % 5
+ e4 ) e16 ( d e8 ) d4 r | % 6
+ r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 7
+ g2 r4. d8 | % 8
+ g8 g g g fs4 d8 ( fs | % 9
+ e4 ) e16 ( d e8 ) d4 r | % 10
+ r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 11
+ g2 r | % 12
+
+ % Chorus
+
+ c8. c16 c8 b a4 g8 a | % 13
+ b8 b4 a16 ( g ) g4 r8 g | % 14
+ c4 c8 b a a a16 g a8 | % 15
+ b2 r4. g8 | % 16
+ c4 c8 b16 ( a ) a4. r16 g | % 17
+ b8. c16 b8 a g e ~ e4 | % 18
+ r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 19
+
+ g2 r | % 20
+ r2 r4. d8 | % 21
+
+ g2 r | % 22
+
+ g2 r | % 23
+
+ % Ending
+
r8 g16 g g a g8 fs fs fs16 a ( g8 ) | % 24
g2 r | % 25
r8 g16 g g a g8 fs fs fs16 a ( g8 ) | % 26
- g1^\fermata \bar "|." % 27
+ g1^\fermata | % 27
}
+
LeadVoxText = \lyricmode
{
Cre -- ate in me a clean heart __ _ _ O __ _ _ God
Cast me not a -- way from your pre -- sence O _ Lord
And take not your Ho -- ly Spi -- rit from me
- Re -- store to _ me the joy of your sal -- va -- tion _
+ Re -- store un -- to _ me the joy of your sal -- va -- tion _
And re -- new a right spi -- rit wi -- thin _ me
Cre --
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g2 d/g | % 1
% Chorus
- \repeat volta 3
- {
- c2 d/c | % 13
- b2:m7 e:m7 | % 14
- a2:m7 d | % 15
- g1:maj7 | % 16
- fs2:m7.5- b:7.9- | % 17
- e4:m7 e:m7/d c:maj7 g/b | % 18
- a2:m7 d | % 19
- }
- \alternative
- {
- {
- g2 d/g | % 20
- c2/g d/g | % 21
- }
- {
- g2 g8. a:m7 g8/b | % 22
- }
- {
- g2 b:m7 | % 23
- }
- }
+ c2 d/c | % 13
+ b2:m7 e:m7 | % 14
+ a2:m7 d | % 15
+ g1:maj7 | % 16
+ fs2:m7.5- b:7.9- | % 17
+ e4:m7 e:m7/d c:maj7 g/b | % 18
+ a2:m7 d | % 19
+
+ g2 d/g | % 20
+ c2/g d/g | % 21
+
+ g2 g8. a:m7 g8/b | % 22
+
+ g2 b:m7 | % 23
% Ending
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4_\mp c c c | % 1
c4 c c c | % 2
c4 c c c | % 3
- c4 c c c \bar "||" % 4
+ c4 c c c | % 4
% Verse
c4 c c c | % 9
c4 c c c | % 10
c4 c c c | % 11
- c4 c c8.-> c16-> \< ~ c8 c \! \bar "||:" % 12
+ c4 c c8.-> c16-> \< ~ c8 c \! | % 12
% Chorus
- \repeat volta 3
- {
- c4_\mf c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- }
- \alternative
- {
- {
- c4 c c c | % 20
- c4 c c c \bar "||" % 21
- }
- {
- c4 c c8.-> c16-> \< ~ c8 c \! | % 22
- }
- {
- c4 c c c | % 23
- }
- }
+ c4_\mf c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+
+ c4 c c c | % 20
+ c4 c c c \bar "||" % 21
+
+ c4 c c8.-> c16-> \< ~ c8 c \! | % 22
+
+ c4 c c c | % 23
% Ending
c4 c c c | % 24
c4 c c c | % 25
c2 c_\markup { \italic { rit. } } | % 26
- c1^\fermata \bar "|." % 27
+ c1^\fermata | % 27
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Creation Song (Glory to the Lamb)" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Fernando Ortega" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "Arr. John Wierick/Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
% Let's try a chord dictionary
- subtitle = \markup { \center-column { G2 \fret-diagram-terse #"x;x;x;7;8;10;" } " " \center-column { F2 \fret-diagram-terse #"x;x;x;5;6;8;" } }
+ subtitle = \markup { \center-column { \fret-diagram-terse #"x;x;x;7;8;10;" \override #'(font-family . sans) G2 } " " \center-column { \fret-diagram-terse #"x;x;x;5;6;8;" \override #'(font-family . sans) F2 } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/4
% Intro
LeadVox = \relative c'
{
\clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
s1. | % 100
}
+
LeadVoxText = \lyricmode
{
He wraps him -- self in light
_ _ and e -- ver and e -- ver _
}
+
%
% Riffs
%
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c c c | % 51
c4 c c c c c | % 52
- s1. % for Coda spacing
+ \stopStaff s1. \startStaff % for Coda spacing
% Coda
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #16
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Do You Know" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
- \clef G
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1^\markup { \italic { Light ballad } } | % 1
- R1 | % 2
- R1 | % 3
- r2 r4. cs16 [ d ] | % 4
+ s1^\markup { \italic { Light ballad } } | % 1
+ s1*3 | % 2-4
\repeat volta 4
{
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \small \italic { Solo 3rd time } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \small \italic { Solo 3rd time } }
- e8 [ e e fs ] ~ fs4 fs | % 5
- e4 d cs r8 cs16 [ d ] | % 6
-%\break
- e8 [ e e fs ] ~ fs4 fs | % 7
- e4 b' a r8 a16 [ b ] | % 8
- cs2 b4 r8 b16 [ cs ] | % 9
- d4. cs8 cs4 r8 a16 [ gs ] | % 10
- fs8 [ gs a a ] ~ a4 b | % 11
- cs4 gs a2 \bar "||" % 12
+ s1*8 \bar "||" % 5-12
% Refrain
\time 2/4
+ \mark \markup { \musicglyph #"scripts.segno" }
-\mark \markup { \musicglyph #"scripts.segno" }
-
- r4^\markup { \hspace #0.0 \raise #1.0 \italic { end solo } } a8 [ b ] \bar "||" % 13
+ s4^\markup { \hspace #0.0 \raise #1.0 \italic { end solo } } s \bar "||" % 13
\time 4/4
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \small \italic { No groove on D.S. } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \small \italic { No groove on D.S. } }
- cs2 b4 b8 [ cs ] | % 14
- d2 cs4 r8 e, | % 15
- fs8 [ gs a cs ] ~ cs [ a ] a4 | % 16
- fs8 [ gs a cs ] ~ cs [ a ] a4 | % 17
-%\break
- fs8 [ gs a cs ] ~ cs [ a ] a4 | % 18
+ s1*5 | % 14-18
}
\alternative
{
{
\time 2/4
- b8 [ cs ] gs8. ([ a16 ]) | % 19
+ s2 | % 19
\time 4/4
- a2 r | % 20
- r2 r4. cs,16 [ d ] | % 21
+ s1*2 | % 20-21
}
{
- b'8 [ cs ] gs8. ([ a16 ]) a2^\markup { \hspace #1.8 \raise #0.6 { D.S. } } \bar "||" % 22
+ s2 s^\markup { \hspace #1.8 \raise #0.6 { D.S. } } \bar "||" % 22
}
{
- b8 [ cs ] gs8. ([ a16 ]) a2-\fermata \bar "|." | % 23
+ s1 \bar "|." % 23
}
}
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*3 | % 1-3
+ r2 r4. cs16 [ d ] | % 4
+
+ % Verse
+
+ e8 [ e e fs ] ~ fs4 fs | % 5
+ e4 d cs r8 cs16 [ d ] | % 6
+%\break
+ e8 [ e e fs ] ~ fs4 fs | % 7
+ e4 b' a r8 a16 [ b ] | % 8
+ cs2 b4 r8 b16 [ cs ] | % 9
+ d4. cs8 cs4 r8 a16 [ gs ] | % 10
+ fs8 [ gs a a ] ~ a4 b | % 11
+ cs4 gs a2 | % 12
+
+ % Refrain
+
+ r4 a8 [ b ] | % 13
+
+ cs2 b4 b8 [ cs ] | % 14
+ d2 cs4 r8 e, | % 15
+ fs8 [ gs a cs ] ~ cs [ a ] a4 | % 16
+ fs8 [ gs a cs ] ~ cs [ a ] a4 | % 17
+%\break
+ fs8 [ gs a cs ] ~ cs [ a ] a4 | % 18
+
+ b8 [ cs ] gs8. ([ a16 ]) | % 19
+
+ a2 r | % 20
+ r2 r4. cs,16 [ d ] | % 21
+
+ b'8 [ cs ] gs8. ([ a16 ]) a2 | % 22
+
+ b8 [ cs ] gs8. ([ a16 ]) a2-\fermata | % 23
+}
+
LeadVoxText = \lyricmode
{
Do you know what the blood _ has done for me,
%
% Riff/rhythm figures
%
-
StaffRiffs = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
\key a \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
+ \time 4/4
% Intro
<e' b>8 [ a, <e' b> a, ] <e' b> [ a, <e' b> a, ] | % 4
\stopStaff
- s1*7 | % 5 - 12
- \time 2/4
+ s1*8 | % 5-12
+
s2 | % 13
- \time 4/4
- s1*6 | % 14 - 18
- \time 2/4
+
+ s1*5 | % 14-18
+
s2 | % 19
- \time 4/4
\startStaff
<e' b>8 [ a, <e' b> a, ] <e' b> [ a, <e' b> a, ] | % 20
%
% Chord names
%
-
Chords = \chordmode
{
-% Bah, can't we set this globally?
-% \popChords
-
% Intro
a1:sus2 | % 1
a1:sus2 | % 3
d2:6.9 e:sus4 | % 4
- \repeat volta 4
- {
- % Verse
+ % Verse
- a2 d | % 5
- a4/e e:7 a2 | % 6
- a2 d | % 7
- a4/e f:dim7 fs2:m7 | % 8
- a2/e e | % 9
- b2:m7 fs:m7 | % 10
- b2:m7 a/cs | % 11
- d4:maj7 e a2 \bar "||" % 12
+ a2 d | % 5
+ a4/e e:7 a2 | % 6
+ a2 d | % 7
+ a4/e f:dim7 fs2:m7 | % 8
+ a2/e e | % 9
+ b2:m7 fs:m7 | % 10
+ b2:m7 a/cs | % 11
+ d4:maj7 e a2 | % 12
- % Refrain
+ % Refrain
- \time 2/4
+ e2/gs | % 13
- e2/gs \bar "||" % 13
+ fs2:m7 e | % 14
+ b2:m7 fs:m7 | % 15
+ d4. a8/cs s2 | % 16
+ b4.:m7 fs8:m7 s2 | % 17
+ d4. a8/cs s2 | % 18
- \time 4/4
+ b4:m7 e | % 19
- fs2:m7 e | % 14
- b2:m7 fs:m7 | % 15
- d4. a8/cs s2 | % 16
- b4.:m7 fs8:m7 s2 | % 17
- d4. a8/cs s2 | % 18
- }
- \alternative
- {
- {
- \time 2/4
-
- b4:m7 e | % 19
+ a1:sus2 | % 20
+ d2:6.9 e:sus4 | % 21
- \time 4/4
+ b4:m7 e a2 | % 22
- a1:sus2 | % 20
- d2:6.9 e:sus4 | % 21
- }
- {
- b4:m7 e a2 \bar "||" % 22
- }
- {
- b4:m7 e a2 \bar "|." | % 23
- }
- }
+ b4:m7 e a2 | % 23
}
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 3
c4 c c c | % 4
- \repeat volta 4
- {
- % Verse
-
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
+ % Verse
- % Refrain
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
- \time 2/4
+ % Refrain
- c4 c \bar "||" % 13
+ c4 c | % 13
- \time 4/4
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4. c8 ~ c2 | % 16
+ c4. c8 ~ c2 | % 17
+ c4. c8 ~ c2 | % 18
- c4 c c c | % 14
- c4 c c c | % 15
- c4. c8 ~ c2 | % 16
- c4. c8 ~ c2 | % 17
- c4. c8 ~ c2 | % 18
- }
- \alternative
- {
- {
- \time 2/4
+ c4 c | % 19
- c4 c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
- \time 4/4
+ c4 c c c | % 22
- c4 c c c | % 20
- c4 c c c | % 21
- }
- {
- c4 c c c \bar "||" % 22
- }
- {
- c4-\markup { \italic { rit. } } c c2-\fermata \bar "|." | % 23
- }
- }
+ c4-\markup { \italic { rit. } } c c2-\fermata | % 23
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
\new ChoirStaff = "Rhythm"
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
-
- \context
- {
- \Score
- \remove "Timing_translator"
- \remove "Default_bar_line_engraver"
- \remove "Repeat_acknowledge_engraver"
- }
- \context
- {
-% \Staff
- \Staff \RemoveEmptyStaves
- \consists "Timing_translator"
- \consists "Default_bar_line_engraver"
- \consists "Repeat_acknowledge_engraver"
- }
- \context
- {
- \RhythmicStaff
- \consists "Timing_translator"
- \consists "Default_bar_line_engraver"
- \consists "Repeat_acknowledge_engraver"
- }
-%{
- \context
- {
- \ChordNames
- \consists "Timing_translator"
- \consists "Default_bar_line_engraver"
- \consists "Repeat_acknowledge_engraver"
- }
-%}
- }
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Fall On Me" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
Global =
{
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
\mark \markup { \override #'(font-family . sans) { \box { B } } }
- s1*16 | % 25-40
+ s1*16 | % 25-40
\once \override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
s1*2 \bar "||" % 41-42
% Coda
% blank measure between last measure and coda
-% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
- \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break
+ \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+% \stopStaff s1 \startStaff % This is needed only because the above has to be enabled IFF the coda starts on a new line...:-P
% \break % Meh
\set Score.currentBarNumber = #59
LeadVox = \relative c'
{
\clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
<a \hn cs,>8 <gs \hn b,> ~ <gs \hn b,>2 r4 | % 5
<fs \hn b,>4. ( <e \hn gs,>8 ) ~ <e \hn gs,>2 | % 6
r2 <a \hn cs,>4 << { \voiceOne gs8 ( fs ) } \new Voice = "v" { \voiceTwo \once \override NoteHead #'font-size = #-3.5 a,4 } >> \oneVoice | % 7
-%disnowok r2 <a \hn cs,>4 << { \voiceOne gs8 ( fs ) } \new Voice = "v" { \voiceTwo \hn a,4 } >> \oneVoice | %
+%disnowok r2 <a \hn cs,>4 << { \voiceOne gs8 ( fs ) } \new Voice = "v" { \voiceTwo \hn a,4 } >> \oneVoice | %
%Also, the << \\ >> notation doesn't track lyrics correctly... Grrrrrrrrrrrrrr
<fs' \hn b,>2. <e \hn gs,>8 <fs \hn a,> | % 8
<a \hn cs,>8 <gs \hn b,> ~ <gs \hn b,>2 r4 | % 9
<a \hn cs,>8 <gs \hn b,> ~ <gs \hn b,>2 r4 | % 25
<fs \hn b,>4. ( <e \hn gs,>8 ) ~ <e \hn gs,>2 | % 26
r2 <a \hn cs,>4 << { \voiceOne gs8 ( fs ) } \new Voice = "v" { \voiceTwo \once \override NoteHead #'font-size = #-3.5 a,4 } >> \oneVoice | % 27
-%disnowok r2 <a \hn cs,>4 << { \voiceOne gs8 ( fs ) } \new Voice = "v" { \voiceTwo \hn a,4 } >> \oneVoice | %
+%disnowok r2 <a \hn cs,>4 << { \voiceOne gs8 ( fs ) } \new Voice = "v" { \voiceTwo \hn a,4 } >> \oneVoice | %
%Also, the << \\ >> notation doesn't track lyrics correctly... Grrrrrrrrrrrrrr
<fs' \hn b,>2. <e \hn gs,>8 <fs \hn a,> | % 28
<a \hn cs,>8 <gs \hn b,> ~ <gs \hn b,>2 r4 | % 29
r8 b e fs ~ fs e ~ e4 | % 2
r8 a, e' fs ~ fs e ~ e4 | % 3
r8 b e fs ~ fs4 s | % 4
-
-%{
- % Intro
-
- \tiny
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
-
- c8 ( f ) ~ f2. | % 5
- e2 ~ e8 a4. | % 6
- d,1 ( | % 7
- c1 ) | % 8
- bf4 ( df2. ) | % 9
- df4 ( e2. ) | % 10
- ef1 | % 11
- d8 ef4 f8 ~ f4 bf-. | % 12
- d,2 s2 | % 13
-
- s1*36 | % 14-49
- s2 | % 50
- s1*32 | % 51-82
- r8 df df df df ( c ) bf4 | % 83
- R1*8 | % 84-91
\normalsize
-%}
}
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
e1:sus2 | % 1
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
- \context Staff << \new Voice = "lead" \LeadVox \new Voice \Riffs >>
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
-% Spread staves vertically across last page (default: t)
-% ragged-last-bottom = ##f
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
-% ragged-bottom = ##t
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
\override Staff.TimeSignature #'style = #'()
\time 4/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
Global =
{
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
% Prechorus
\mark \markup { \override #'(font-family . sans) { \box { D } } }
- s1*8 \bar "||:" % -
+ s1*8 \bar ".|:-||" % -
% Chorus
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
Riffs = \relative c''
{
\clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g1:sus2 | %
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
r4 r8 c c4 | % 0
c4 c c | % 1
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
-% \new Lyrics \lyricsto "lead" \LeadVoxTextC
-% \new Lyrics \lyricsto "lead" \LeadVoxTextD
>>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
f2 g | % 55
f2 g | % 56
f2 g | % 57
- g1 | % 58
+ s1 | % 58
}
\score
{
-%{
- <<
- <<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
-
- \new ChoirStaff = "Rhythm"
- <<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
- >>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
- >>
-%}
<<
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
+ \Global % The "roadmap" that everything else depends on
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxTextA
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
-% \new Staff
+ \new ChoirStaff
<<
\new ChordNames \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
Global =
{
\key a \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\once \override TextScript #'padding = #2.0
% Intro
- s1*4 \bar "||:" % 1-4
+ s1*4 \bar ".|:-||" % 1-4
% The rest...
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
- % Intro
% Intro
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
%
% Lead vocal
%
-
LeadVox = \relative c''
{
\set Voice.autoBeaming = ##f
b4. e,8 fs4 g | % 17
a2. g4 | % 18
a2. d4 | % 19
-
+
d2. d8 [ d ] | % 20
d4 g, a b | % 21
c2. c8 [ c ] | % 22
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
g1 | % 1
d2:sus4 d | % 2
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\override NoteHead #'style = #'slash
+ \teeny
c4 c c c | % 1
c4 c c c | % 2
\score
{
<<
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\layout
{
\context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
}
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Go Tell It On The Mountain" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart/Shamus & Deborah Hammons/J. & Kat Michaels/Chris Craig" }
%
% Lead vocal
%
-
LeadVox = \relative c''
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
% Coda
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
+\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\stopStaff s1 \startStaff
\set Score.currentBarNumber = #37
\once \override Score.RehearsalMark #'self-alignment-X = #left
r1-\fermata \bar ".|" % 54
}
+
LeadVoxText = \lyricmode
{
Go tell it on the moun -- _ _ tain, _
Riffs = \relative c''
{
\clef G
- \key g \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
\repeat volta 2
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "God Is Great" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Twila Paris" }
+% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = "Engraved by JLH and Lilypond 2.8.2"
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \partial 2 r2 | % 0
+ \partial 2 s2 | % 0
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1*4 | % 1-4
}
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+
+ s1*16 \bar "||" % 5-20
+
+ s1*16 \bar "||" % 21-36
+
+ % Chorus
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*16 \bar "||" % 37-52
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { To Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+
+ % Midtro
+
+ s1*4 \bar "||" % 53-56
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ s1*16 \bar "||" % 57-72
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % Coda
+
+\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #73
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ \repeat volta 2
+ {
+ s1*4 | % 73-76
+ }
+
+ % Bridge
+
+ \repeat volta 2
+ {
+ s1*8 | % 77-84
+ }
+
+ s1*8 \bar "||" % 85-92
+
+ s1*8 \bar ".|:-||" % 93-100
+
+ % Chorus
+
+ \repeat volta 2
+ {
+ s1*8 \bar "||" % 101-108
+
+ s1*7 | % 109-115
+ }
+ \alternative
+ {
+ {
+ s1 | % 116
+ }
+ {
+ s1 | % 117
+ }
+ }
+
+ s1*4 | % 118-121
+
+ % Outro
+
+ \repeat volta 2
+ {
+ s1*4 | % 122-125
+ }
+
+ s1 \bar "|." % 126
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ \partial 2 r2 | % 0
+
+ R1*4 | % 1-4
+
+ % Verse
r2 cs8 e4 e8 ~ | % 5
e8 a,4 d8 ~ d cs4 b8 ~ | % 6
a4 r r2 | % 17
R1 | % 18
R1 | % 19
- R1 \bar "||" % 20
+ R1 | % 20
r2 cs8 e4 e8 ~ | % 21
e8 a,4 d8 ~ d cs4 b8 ~ | % 22
a4 r r2 | % 33
R1 | % 34
R1 | % 35
- r2 a4 cs \bar "||" % 36
+ r2 a4 cs | % 36
% Chorus
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-%\musicglyph #"scripts.segno" \italic { band in } }
-
cs4 r a cs | % 37
cs4 r d cs8 b ~ | % 38
b8 r r4 d cs8 b ( | % 39
cs4 a8 a ~ a cs4 cs8 ~ | % 49
cs8 a4 d8 ~ d cs ( b ) b ~ | % 50
b2. r8 e, | % 51
- cs'4 b8 b ~ b a4 a8 ~ \bar "||" % 52
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { To Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ cs'4 b8 b ~ b a4 a8 ~ | % 52
% Midtro
a1 | % 53
- R1 | % 54
- R1 | % 55
- R1 \bar "||" % 56
+ R1*3 | % 54-56
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
r2 cs8 e4 e8 ~ | % 57
e8 a,4 d8 ~ d cs4 b8 ~ | % 58
b4 r r2 | % 59
a1 | % 69
r2 r4 e8 d' ~ | % 70
d8 cs ( b ) b ~ b2 | % 71
- r2 a4 cs \bar "||" % 72
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ r2 a4 cs | % 72
% Coda
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #73
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % Spacer for coda
- \repeat volta 2
- {
- R1 | % 73
- R1 | % 74
- R1 | % 75
- R1 | % 76
- }
+ R1*4 | % 73-76
% Bridge
- \repeat volta 2
- {
- e2 e | % 77
- e a,4 ( b ) | % 78
- b1 | % 79
- r4 a8 d ~ d cs4 a8 ( | % 80
- fs1 ) | % 81
- r4 a8 d ~ d cs4 b8 ~ | % 82
- b1 | % 83
- R1 | % 84
- }
+ e2 e | % 77
+ e a,4 ( b ) | % 78
+ b1 | % 79
+ r4 a8 d ~ d cs4 a8 ( | % 80
+ fs1 ) | % 81
+ r4 a8 d ~ d cs4 b8 ~ | % 82
+ b1 | % 83
+ R1 | % 84
e2 e | % 85
e a,4 ( b ) | % 86
fs1 ) | % 89
r4 a8 d ~ d cs4 b8 ~ | % 90
b1 | % 91
- R1 \bar "||" % 92
+ R1 | % 92
e2 e | % 93
e a,4 ( b ) | % 94
fs1 ) | % 97
r4 a8 d ~ d cs4 b8 ~ | % 98
b1 | % 99
- r2 a4 cs \bar "||" % 100
+ r2 a4 cs | % 100
% Chorus
- \repeat volta 2
- {
- cs4 r a cs | % 101
- cs4 r d cs8 b ~ | % 102
- b8 r r4 d cs8 b ( | % 103
- a8 ) a4 r8 a4 cs | % 104
- cs4 r8 a ~ a cs4 cs8 ~ | % 105
- cs4 a8 d ~ d4 cs8 cs ( | % 106
- b2 ) r | % 107
- r2 a4 cs \bar "||" % 108
-
- cs4 r a cs | % 109
- cs4 r d cs8 b ~ | % 110
- b8 r r4 d cs8 b ( | % 111
- a8 ) a4 r8 a4 cs | % 112
- cs4 a8 a ~ a cs4 cs8 ~ | % 113
- cs8 a4 d8 ~ d cs ( b ) b ~ | % 114
- b2. r4 | % 115
-% cs'4 b8 b ~ b a4 a8 ~ | % 116
- }
- \alternative
- {
- {
- r2 a4 cs | % 116
- }
- {
- R1 | % 117
- }
- }
+ cs4 r a cs | % 101
+ cs4 r d cs8 b ~ | % 102
+ b8 r r4 d cs8 b ( | % 103
+ a8 ) a4 r8 a4 cs | % 104
+ cs4 r8 a ~ a cs4 cs8 ~ | % 105
+ cs4 a8 d ~ d4 cs8 cs ( | % 106
+ b2 ) r | % 107
+ r2 a4 cs \bar "||" % 108
+
+ cs4 r a cs | % 109
+ cs4 r d cs8 b ~ | % 110
+ b8 r r4 d cs8 b ( | % 111
+ a8 ) a4 r8 a4 cs | % 112
+ cs4 a8 a ~ a cs4 cs8 ~ | % 113
+ cs8 a4 d8 ~ d cs ( b ) b ~ | % 114
+ b2. r4 | % 115
+
+ r2 a4 cs | % 116
- R1 | % 118
- R1 | % 119
- R1 | % 120
- R1 | % 121
+ R1 | % 117
+
+ R1*4 | % 118-121
% Outro
- \repeat volta 2
- {
- R1 | % 122
- R1 | % 123
- R1 | % 124
- R1 | % 125
- }
+ R1*4 | % 122-125
r1^\fermata | % 126
}
+
LeadVoxText = \lyricmode
{
All cre- a- _ tion cries _ to you _
Riffs = \relative c''
{
\clef G
- \key a \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\partial 2 s2 | % 0
- \repeat volta 2
- {
- a1 | % 1
- d1:sus2 | % 2
- e1:11^7.9 | % 3
- d1:sus2 | % 4
- }
+ a1 | % 1
+ d1:sus2 | % 2
+ e1:11^7.9 | % 3
+ d1:sus2 | % 4
% Verse
% Coda
-%\stopStaff s1 \startStaff
-s1
+ s1 % Blank for coda
- \repeat volta 2
- {
- d1 | % 73
- fs1:m7 | % 74
- e1:sus4 | % 75
- e1 | % 76
- }
+ d1 | % 73
+ fs1:m7 | % 74
+ e1:sus4 | % 75
+ e1 | % 76
% Bridge
- \repeat volta 2
- {
- a2.. d8:sus2 | % 77
- s2.. e8:sus4 | % 78
- s2.. e8 | % 79
- s1 | % 80
- fs2..:m7 d8:sus2 | % 81
- s2.. e8:sus4 | % 82
- s2.. e8 | % 83
- s1 | % 84
- }
+ a2.. d8:sus2 | % 77
+ s2.. e8:sus4 | % 78
+ s2.. e8 | % 79
+ s1 | % 80
+ fs2..:m7 d8:sus2 | % 81
+ s2.. e8:sus4 | % 82
+ s2.. e8 | % 83
+ s1 | % 84
a1 | % 85
d1:sus2 | % 86
% Chorus
- \repeat volta 2
- {
- a1 | % 101
- d1:sus2 | % 102
- e1:sus4 | % 103
- d1:sus2 | % 104
- a1 | % 105
- fs1:m7 | % 106
- e1:sus4 | % 107
- e1 | % 108
-
- a1 | % 109
- d1:sus2 | % 110
- e1:sus4 | % 111
- d1:sus2 | % 112
- fs1:m7 | % 113
- d1:sus2 | % 114
- e1:sus4 | % 115
- }
- \alternative
- {
- {
- e1:sus4 | % 116
- }
- {
- e1:sus4 | % 117
- }
- }
+ a1 | % 101
+ d1:sus2 | % 102
+ e1:sus4 | % 103
+ d1:sus2 | % 104
+ a1 | % 105
+ fs1:m7 | % 106
+ e1:sus4 | % 107
+ e1 | % 108
+
+ a1 | % 109
+ d1:sus2 | % 110
+ e1:sus4 | % 111
+ d1:sus2 | % 112
+ fs1:m7 | % 113
+ d1:sus2 | % 114
+ e1:sus4 | % 115
+
+ e1:sus4 | % 116
+
+ e1:sus4 | % 117
fs1:m7 | % 118
d1:sus2 | % 119
% Outro
- \repeat volta 2
- {
- a1 | % 122
- d1:sus2 | % 123
- e1:11^7.9 | % 124
- d1:sus2 | % 125
- }
+ a1 | % 122
+ d1:sus2 | % 123
+ e1:11^7.9 | % 124
+ d1:sus2 | % 125
a1 | % 126
}
+
%
% Alternate chord changes (2nd verse)
%
%}
}
+
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\partial 2 c4-> c-> | % 0
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 1
- c4. c8 ~ c4 c | % 2
- c4. c8 ~ c4 c | % 3
- c4. c8 ~ c4 c | % 4
- }
+ c4. c8 ~ c4 c | % 1
+ c4. c8 ~ c4 c | % 2
+ c4. c8 ~ c4 c | % 3
+ c4. c8 ~ c4 c | % 4
% Verse
c2. ~ c8 c ~ | % 17
c1 | % 18
c2. ~ c8 c ~ | % 19
- c2. ~ c8 c-> ~ \bar "||" % 20
+ c2. ~ c8 c-> ~ | % 20
c4 c-> c8 c c c ~ | % 21
c4 c-> c8 c c c ~ | % 22
c2. ~ c8 c ~ | % 33
c1 | % 34
c2. ~ c8 c ~ | % 35
- c1 \bar "||" % 36
+ c1 | % 36
% Chorus
c4 c c c | % 49
c4 c c c | % 50
c4 c c c | % 51
- c4 c c c \bar "||" % 52
+ c4 c c c | % 52
% Midtro
c4 c c c | % 69
c4 c c c8 c ~ | % 70
c4 c c c | % 71
- c4 c c c \bar "||" % 72
+ c4 c c c | % 72
% Coda
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
+\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\stopStaff s1 \startStaff
\set Score.currentBarNumber = #73
- \repeat volta 2
- {
- c4 c c c | % 73
- c4 c c c | % 74
- c4 c c c | % 75
- c4 c c c | % 76
- }
+ c4 c c c | % 73
+ c4 c c c | % 74
+ c4 c c c | % 75
+ c4 c c c | % 76
% Bridge
- \repeat volta 2
- {
- c4 c-> c8 c c c ~ | % 77
- c4 c-> c8 c c c ~ | % 78
- c4 c-> c8 c c c ~ | % 79
- c4 c-> c8 c c c | % 80
- c4 c-> c8 c c c ~ | % 81
- c4 c-> c8 c c c ~ | % 82
- c4 c-> c8 c c c ~ | % 83
- c4 c-> c8 c c c | % 84
- }
+ c4 c-> c8 c c c ~ | % 77
+ c4 c-> c8 c c c ~ | % 78
+ c4 c-> c8 c c c ~ | % 79
+ c4 c-> c8 c c c | % 80
+ c4 c-> c8 c c c ~ | % 81
+ c4 c-> c8 c c c ~ | % 82
+ c4 c-> c8 c c c ~ | % 83
+ c4 c-> c8 c c c | % 84
c4 c c c | % 85
c4 c c c | % 86
c4 c c c | % 89
c4 c c c | % 90
c4 c c c | % 91
- c4 c c c \bar "||" % 92
+ c4 c c c | % 92
c4 c c c | % 93
c4 c c c | % 94
c4 c c c | % 97
c4 c c c | % 98
c4 c c c | % 99
- c4 c c c \bar "||" % 100
+ c4 c c c | % 100
% Chorus
- \repeat volta 2
- {
- c4 c2.-> ~ | % 101
- c4 c2.-> ~ | % 102
- c4 c2.-> ~ | % 103
- c4 c2.-> ~ | % 104
- c4 c2.-> ~ | % 105
- c4 c2.-> | % 106
- c8 c c c c c c c | % 107
- r8 c-> c4-> r8 c-> c-> c-> \bar "||" % 108
-
- c4 c c c | % 109
- c4 c c c | % 110
- c4 c c c | % 111
- c4 c c c | % 112
- c4 c c c | % 113
- c4 c c c | % 114
- c4 c c c | % 115
- }
- \alternative
- {
- {
- c4 c c c | % 116
- }
- {
- c4 c c c | % 117
- }
- }
+ c4 c2.-> ~ | % 101
+ c4 c2.-> ~ | % 102
+ c4 c2.-> ~ | % 103
+ c4 c2.-> ~ | % 104
+ c4 c2.-> ~ | % 105
+ c4 c2.-> | % 106
+ c8 c c c c c c c | % 107
+ r8 c-> c4-> r8 c-> c-> c-> | % 108
+
+ c4 c c c | % 109
+ c4 c c c | % 110
+ c4 c c c | % 111
+ c4 c c c | % 112
+ c4 c c c | % 113
+ c4 c c c | % 114
+ c4 c c c | % 115
+
+ c4 c c c | % 116
+
+ c4 c c c | % 117
c4 c c c | % 118
c4 c c c | % 119
% Outro
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 122
- c4. c8 ~ c4 c | % 123
- c4. c8 ~ c4 c | % 124
- c4. c8 ~ c4 c | % 125
- }
+ c4. c8 ~ c4 c | % 122
+ c4. c8 ~ c4 c | % 123
+ c4. c8 ~ c4 c | % 124
+ c4. c8 ~ c4 c | % 125
c1^\fermata | % 126
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new ChordNames = "chords2" \ChordsSup
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new ChordNames \ChordsSup
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \tiny
- r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 1
- r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 2
- r4 g, fs e | % 3
- d1 | % 4
- \normalsize
+ s1*4 \bar ".|:-||" % 1-4
% Verse
\repeat volta 3
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- fs2^\markup { \italic { 3rd time instr. solo to B } } e | % 5
- d2 r4. a'8 | % 6
- b2 ~ b8 [ a g a ] | % 7
- a2 r | % 8
- fs2 e | % 9
- d2. ~ d8 [ fs ] | % 10
- g4. g8 g8. [ fs16 ] ~ fs8 [ d ] | % 11
- e2. r8 a, \bar"||" % 12
-
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- fs'2 e | d2. ~ d8 [ a' ] | % 14
- b2 ~ b8 [ a g a ] | % 15
- a1 | % 16
- r4 <b d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 17
- r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 18
- r4 g, fs e | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+
+ s2^\markup { \italic { 3rd time instr. solo to B } } s | % 5
+ s1*7 \bar"||" % 6-12
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*7 | % 14-19
}
\alternative
{
{
- d1 | % 20
+ s1 | % 20
}
{
- d2 r | % 21
+ s1 | % 21
}
}
% Outro
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ s1*4 | % 22-25
+
+ \repeat volta 3
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+
+ s4^\markup { \italic { 3x } } s2. | % 26
+ s1 | % 27
+ }
+
+ % Ending
+
+ s1*2 \bar "|." % 28-29
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+%{ \tiny
+ r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 1
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 2
+ r4 g, fs e | % 3
+ d1 | % 4
+ \normalsize%}
+ s1*4 | % 1-4
+
+ % Verse
+
+ fs2 e | % 5
+ d2 r4. a'8 | % 6
+ b2 ~ b8 [ a g a ] | % 7
+ a2 r | % 8
+ fs2 e | % 9
+ d2. ~ d8 [ fs ] | % 10
+ g4. g8 g8. [ fs16 ] ~ fs8 [ d ] | % 11
+ e2. r8 a, | % 12
+
+ fs'2 e | d2. ~ d8 [ a' ] | % 14
+ b2 ~ b8 [ a g a ] | % 15
+ a1 | % 16
+ r4 <b d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 17
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 18
+ r4 g, fs e | % 19
+
+ d1 | % 20
+
+ d2 r | % 21
+
+ % Outro
+
r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 22
r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 23
r4 g, fs e | % 24
d1 | % 25
- \repeat volta 3
- {
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-% \mark \default
- r4^\markup { \italic { 3x } } <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 26
- r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 27
- }
+ r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 26
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 27
% Ending
r4 g, fs e | % 28
- d1^\fermata \bar "|." % 29
+ d1^\fermata | % 29
}
+
LeadVoxText = \lyricmode
{
- _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _
-
- God is my re- dee- __ _ _ _ _ mer
- He heals me _ with re- a- ssu- __ _ _ ring love
- And I love my _ re- dee- __ _ _ _ _ mer
- O- ver- whel- __ _ _ ming
- o- ver- co- __ _ _ ming
- re- dee- ming love
+ God is my re -- dee -- _ _ _ _ mer
+ He heals me _ with re -- as -- su -- _ _ ring love
+ And I love my _ re -- dee -- _ _ _ _ mer
+ O -- ver -- whel -- _ _ ming
+ o -- ver -- co -- _ _ ming
+ re -- dee -- ming love
love
- O- ver- whel- __ _ _ ming
- o- ver- co- __ _ _ ming
- re- dee- ming love
+ O -- ver -- whel -- _ _ ming
+ o -- ver -- co -- _ _ ming
+ re -- dee -- ming love
- O- ver- whel- __ _ _ ming
- o- ver- co- __ _ _ ming
+ O -- ver -- whel -- _ _ ming
+ o -- ver -- co -- _ _ ming
- re- dee- ming love
+ re -- dee -- ming love
}
%
-% Chord names
+% Riffs/instrumental figures
%
+Riffs = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ \tiny
+ r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 1
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 2
+ r4 g, fs e | % 3
+ d1 | % 4
+ \normalsize
+}
+
+%
+% Chord names
+%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g1 | % 1
% Verse
- \repeat volta 3
- {
- d2 a | % 5
- b2:m7 b:m7/a | % 6
- g1 | % 7
- d1 | % 8
- d2 a/cs | % 9
- b2:m7 b:m7/a | % 10
- e1:m7 | % 11
- a2:sus4 a | % 12
-
- d2 a/cs | % 13
- b2:m7 b:m7/a | % 14
- g1 | % 15
- d2 e4:m11 d/fs | % 16
- g1 | % 17
- d2./fs b4:m7 | % 18
- e2:m7 d4/a a | % 19
- }
- \alternative
- {
- {
- d2 g/a | % 20
- }
- {
- d2 e4:m11 d/fs | % 21
- }
- }
+ d2 a | % 5
+ b2:m7 b:m7/a | % 6
+ g1 | % 7
+ d1 | % 8
+ d2 a/cs | % 9
+ b2:m7 b:m7/a | % 10
+ e1:m7 | % 11
+ a2:sus4 a | % 12
+
+ d2 a/cs | % 13
+ b2:m7 b:m7/a | % 14
+ g1 | % 15
+ d2 e4:m11 d/fs | % 16
+ g1 | % 17
+ d2./fs b4:m7 | % 18
+ e2:m7 d4/a a | % 19
+
+ d2 g/a | % 20
+
+ d2 e4:m11 d/fs | % 21
% Outro
e2:m7 d4/a a | % 24
d2 e4:m11 d/fs | % 25
- \repeat volta 3
- {
- g1 | % 26
- d2./fs b4:m7 | % 27
- }
+ g1 | % 26
+ d2./fs b4:m7 | % 27
% Ending
e2:m7 d4/a a | % 28
- d1 \bar "|." % 29
+ d1 | % 29
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% Verse
- \repeat volta 3
- {
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
-
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- }
- \alternative
- {
- {
- c4 c c c | % 20
- }
- {
- c4 c \< c c \! | % 21
- }
- }
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+
+ c4 c c c | % 20
+
+ c4 c \< c c \! | % 21
% Outro
c4 c c c | % 24
c4 c \< c c \! | % 25
- \repeat volta 3
- {
- c4 c c c | % 26
- c4 c c c | % 27
- }
+ c4 c c c | % 26
+ c4 c c c | % 27
% Ending
c2_\markup { \italic { rit. } } c4 c | % 28
- c1^\fermata \bar "|." % 29
+ c1^\fermata | % 29
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
\context Staff
<<
\new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Don't spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
% To find out what's eating the space at the top...
% annotate-spacing = ##t
}
+
\set Staff.instrumentName = #"Sop."
\clef G
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
\set Staff.instrumentName = #"Alto"
\clef G
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
\set Staff.instrumentName = #"Tenor"
\clef F
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
\set Staff.instrumentName = #"Bass"
\clef F
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
Global =
{
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
% Intro/midtro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
+ s1*4 | % 1-4
% Verse
% Solo
<cs \hn a \hn e \hn cs>1 | % 31
- R1 | % 32
- R1 | % 33
- R1 | % 34
- R1 | % 35
- R1 | % 36
- R1 | % 37
- R1 | % 38
+ R1*7 | % 32-38
% Chorus
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro/midtro
- e2:5.11 s16 fs4:m7 s16 d8:sus2 | % 1
+ e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 1
s1 | % 2
- e2:5.11 s16 fs4:m7 s16 d8:sus2 | % 3
+ e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 3
s1 | % 4
% Verse
- e2:5.11 s16 fs4:m7 s16 d8:sus2 | % 5
+ e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 5
s1 | % 6
- e2:5.11 s16 fs4:m7 s16 d8:sus2 | % 7
+ e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 7
s1 | % 8
- e2:5.11 s16 fs4:m7 s16 d8:sus2 | % 9
+ e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 9
s1 | % 10
- e2:5.11 s16 fs4:m7 s16 d8:sus2 | % 11
+ e2:3.5.11 s16 fs4:m7 s16 d8:sus2 | % 11
s1 | % 12
% Chorus
b1:m9 | % 19
d1:maj7 | % 20
- d2:sus2 e:5.11 | % 21
- d2:sus2 e:5.11 | % 22
- d2:sus2 e:5.11 | % 23
+ d2:sus2 e:3.5.11 | % 21
+ d2:sus2 e:3.5.11 | % 22
+ d2:sus2 e:3.5.11 | % 23
d1:sus2 | % 24
% Interlude
% Outro
- d2:sus2 e:5.11 | % 47
- d2:sus2 e:5.11 | % 48
- d2:sus2 e:5.11 | % 49
- d2:sus2 e:5.11 | % 50
- d2:sus2 e:5.11 | % 51
+ d2:sus2 e:3.5.11 | % 47
+ d2:sus2 e:3.5.11 | % 48
+ d2:sus2 e:3.5.11 | % 49
+ d2:sus2 e:3.5.11 | % 50
+ d2:sus2 e:3.5.11 | % 51
d1:sus2 | % 52
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro/midtro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][Nope... :-/]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
%\r
Global =\r
{\r
- \override Staff.TimeSignature #'style = #'()\r
+ \numericTimeSignature\r
\key c \major\r
\time 6/8\r
\r
% Intro\r
\r
- s2.*4 \bar "||:" % 1-4\r
+ s2.*4 \bar ".|:-||" % 1-4\r
\r
\repeat volta 2\r
{\r
%\r
% Lead vocal\r
%\r
-\r
LeadVox = \relative c'\r
{\r
-% \set Staff.instrument = #"Lead vox"\r
-% \override Staff.TimeSignature #'style = #'()\r
\clef G\r
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
\r
% Intro\r
\r
- R2. | % 1\r
- R2. | % 2\r
- R2. | % 3\r
- R2. \bar "||:" % 4\r
+ R2.*4 \bar "||:" % 1-4\r
\r
% A section\r
\r
%\r
% Riffs\r
%\r
-\r
Riffs = \relative c'''\r
{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrument = #"Lead vox"\r
- \override Staff.TimeSignature #'style = #'()\r
\clef G\r
-% \key c \major\r
-% \time 6/8\r
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
\r
% Intro\r
\r
%\r
% Chord names\r
%\r
-\r
Chords = \chordmode\r
{\r
-%Bah, can't we set this globally?\r
-% \popChords\r
-\r
% Intro\r
\r
c2.:^3 | % 1\r
%\r
% Chord rhythms\r
%\r
-\r
-% Use a RhythmicStaff on the chords instead of this?\r
-% It almost works, but not quite. Doesn't collapse chords above to single notes...\r
-\r
Rhythm = \relative c\r
{\r
-% \set Staff.instrument = #"Rhythm"\r
- \override Staff.TimeSignature #'style = #'()\r
+ \numericTimeSignature\r
\override NoteHead #'style = #'slash\r
+ \teeny\r
\r
% Intro\r
\r
\score\r
{\r
<<\r
- \Global % The "roadmap" that everything else depends on\r
+ \Global % The "roadmap" that everything else depends on\r
\r
\context Staff\r
<<\r
}\r
\Riffs\r
\r
- \new ChoirStaff = "Rhythm"\r
+ \new ChoirStaff\r
<<\r
-% \new Staff = "riff" \RhythmB\r
- \new ChordNames = "chords" \Chords\r
+ \new ChordNames \Chords\r
\new RhythmicStaff << \Rhythm \Dynamics >>\r
>>\r
\r
{\r
#(define fonts (make-pango-font-tree\r
"Times New Roman"\r
- "DomCasual BT"\r
+ "JazzText"\r
"Luxi Mono"\r
(/ staffSize 20)))\r
\r
\r
% To find out what's eating the space at the top...\r
% annotate-spacing = ##t\r
-%let's try this: [It works! Huzzah!]\r
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)\r
}\r
+\r
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Hallelujah (Your Love Is Amazing)" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
Global =
{
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% \once \override TextScript #'padding = #2.0
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
- r1 | % 1
- r1 | % 2
- r1 | % 3
+ r1*3 | % 1-3
r2 e16 g8 g16 ~ g e8 a16 ~ | % 4
% Verse
Riffs = \relative c'
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
+ \Global % The "roadmap" that everything else depends on
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
- ragged-last = ##t
+% ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
%
% Lead vocal
%
-
LeadVox = \relative c''
{
\set Staff.instrumentName = #"Sop."
\clef G
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 9/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
\set Staff.instrumentName = #"Alto"
\clef G
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 9/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
\set Staff.instrumentName = #"Tenor"
\clef F
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 9/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
\set Staff.instrumentName = #"Bass"
\clef F
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 9/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #20
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "He Knows My Name" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\partial 8*1 s8 | % 0
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
- r4 e8 fs ~ fs4 a8 gs ( ~ | % 5
- gs4 e8 ) cs ~ cs4 r | % 6
- r4 gs'8 a ( ~ a gs ) fs fs ~ | % 7
- fs2 r | % 8
- r4 e8 fs ~ fs4 gs8 a | % 9
- gs4 ( e8 ) cs ~ cs4. e8 | % 10
- gs4 gs8 fs ~ fs4 e8 e ~ | % 11
- e2 r \bar "||" % 12
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
- r4 <cs' \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ( ~ | % 13
- <fs \hn ds \hn b>4. <e \hn b \hn gs>8 ) ~ <e \hn b \hn gs>2 | % 14
- r4 <cs' \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ~ | % 15
- <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <gs \hn e \hn b> ~ <gs \hn e \hn b>2 | % 16
- r4 <cs \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ~ | % 17
- <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn cs \hn gs> ~ <e \hn cs \hn gs>4 r8 <e \hn b \hn gs> | % 18
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
- <e \hn cs \hn a>4 <gs \hn e \hn cs>8 <fs \hn ds \hn b>8 ~ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn b \hn gs> ~ | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*6 | % 13-18
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s1 | % 19
}
\alternative
{
{
- <e \hn b \hn gs>2 r | % 20
+ s1 | % 20
}
{
- <e \hn b \hn gs>2 \repeatTie r \bar "||" % 21
+ s1 \bar "||" % 21
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
}
}
% Coda
-\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-%\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #22
+ \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+ %\stopStaff s1 \startStaff
+ \set Score.currentBarNumber = #22
%blegh
\break
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1*9 \bar "|." % 22-30
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ \partial 8*1 s8 | % 0
+ s1*4 | % 1-4
+
+ % Verse
+
+ r4 e8 fs ~ fs4 a8 gs ( ~ | % 5
+ gs4 e8 ) cs ~ cs4 r | % 6
+ r4 gs'8 a ( ~ a gs ) fs fs ~ | % 7
+ fs2 r | % 8
+ r4 e8 fs ~ fs4 gs8 a | % 9
+ gs4 ( e8 ) cs ~ cs4. e8 | % 10
+ gs4 gs8 fs ~ fs4 e8 e ~ | % 11
+ e2 r | % 12
+
+ % Chorus
+
+ r4 <cs' \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ( ~ | % 13
+ <fs \hn ds \hn b>4. <e \hn b \hn gs>8 ) ~ <e \hn b \hn gs>2 | % 14
+ r4 <cs' \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ~ | % 15
+ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <gs \hn e \hn b> ~ <gs \hn e \hn b>2 | % 16
+ r4 <cs \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ~ | % 17
+ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn cs \hn gs> ~ <e \hn cs \hn gs>4 r8 <e \hn b \hn gs> | % 18
+ <e \hn cs \hn a>4 <gs \hn e \hn cs>8 <fs \hn ds \hn b>8 ~ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn b \hn gs> ~ | % 19
+
+ <e \hn b \hn gs>2 r | % 20
+
+ <e \hn b \hn gs>2 \repeatTie r | % 21
+
+ % Coda
+
+ s1 % Extra bar for coda
<e \hn cs \hn a>4 <gs \hn e \hn cs>8 <fs \hn ds \hn b>8 ~ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn b \hn gs> ~ | % 22
<e \hn b \hn gs>2 r4 r8 <e \hn b> | % 23
<gs \hn e \hn cs>2. r8 e | % 25
e4 gs8 fs ~ fs4 e | % 26
\voiceTwo e1 \oneVoice | % 27
- s1 | % 28
- s1 | % 29
- s1 \bar "|." % 30
+ s1*3 | % 28-30
}
+
LeadVoxText = \lyricmode
{
I have _ a mak -- _ _ er, _
Riffs = \relative c''
{
\clef G
- \key e \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
\partial 8*1 s8 | % 0
a4. b2 cs8:m7 | % 1
- r4. cs2:m7/b s8 | % 2
+ s4. cs2:m7/b s8 | % 2
fs4.:m7 b a8/b e | % 3
s2 b4/e a/e | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- e4. fs2:m11 e8/gs | % 5
- s4. a2 s8 | % 6
- e4./b a2:sus2/cs b8:sus4 | % 7
- s4. b2 s8 | % 8
- e4. fs2:m11 e8/gs | % 9
- s4. a2 s8 | % 10
- e4./b b a8/b e | % 11
- s2 fs4:m7 e/gs | % 12
+ e4. fs2:m11 e8/gs | % 5
+ s4. a2 s8 | % 6
+ e4./b a2:sus2/cs b8:sus4 | % 7
+ s4. b2 s8 | % 8
+ e4. fs2:m11 e8/gs | % 9
+ s4. a2 s8 | % 10
+ e4./b b a8/b e | % 11
+ s2 fs4:m7 e/gs | % 12
- % Chorus
+ % Chorus
- a4. e2 b8 | % 13
- s4. e2 s8 | % 14
- a4. e2 b8 | % 15
- s4. e2 s8 | % 16
- a4. e2 b8 | % 17
- s4. cs2:m7 s8 | % 18
- fs4.:m7 b2 e8 | % 19
- }
- \alternative
- {
- {
- s2 a/b | % 20
- }
- {
- s2 fs4:m7 e/gs | % 21
- }
- }
+ a4. e2 b8 | % 13
+ s4. e2 s8 | % 14
+ a4. e2 b8 | % 15
+ s4. e2 s8 | % 16
+ a4. e2 b8 | % 17
+ s4. cs2:m7 s8 | % 18
+ fs4.:m7 b2 e8 | % 19
+
+ s2 a/b | % 20
+
+ s2 fs4:m7 e/gs | % 21
% Coda
-s1
+ s1 % Extra bar for coda
fs4.:m7 b2 cs8:m7 | % 22
s2 cs:m7/b | % 23
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4. c8 ~ c4 c8 c ~ | % 3
c2 c4 c | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4. c8 ~ c4. c8 ~ | % 5
- c4. c8 ~ c4 c | % 6
- c4. c8 ~ c4. c8 ~ | % 7
- c4. c8 ~ c2 | % 8
- c4. c8 ~ c4. c8 ~ | % 9
- c4. c8 ~ c4 c | % 10
- c4. c8 ~ c4 c8 c ~ | % 11
- c2 c4 c \bar "||" % 12
+ c4. c8 ~ c4. c8 ~ | % 5
+ c4. c8 ~ c4 c | % 6
+ c4. c8 ~ c4. c8 ~ | % 7
+ c4. c8 ~ c2 | % 8
+ c4. c8 ~ c4. c8 ~ | % 9
+ c4. c8 ~ c4 c | % 10
+ c4. c8 ~ c4 c8 c ~ | % 11
+ c2 c4 c | % 12
- % Chorus
+ % Chorus
- c4. c8 ~ c4. c8 ~ | % 13
- c4. c8 ~ c4 c | % 14
- c4. c8 ~ c4. c8 ~ | % 15
- c4. c8 ~ c4 c | % 16
- c4. c8 ~ c4. c8 ~ | % 17
- c4. c8 ~ c4 c | % 18
- c4. c8 ~ c4. c8 ~ | % 19
- }
- \alternative
- {
- {
- c4 c c c | % 20
- }
- {
- c4 \repeatTie c c c | % 21
- }
- }
+ c4. c8 ~ c4. c8 ~ | % 13
+ c4. c8 ~ c4 c | % 14
+ c4. c8 ~ c4. c8 ~ | % 15
+ c4. c8 ~ c4 c | % 16
+ c4. c8 ~ c4. c8 ~ | % 17
+ c4. c8 ~ c4 c | % 18
+ c4. c8 ~ c4. c8 ~ | % 19
+
+ c4 c c c | % 20
+
+ c4 \repeatTie c c c | % 21
% Coda
\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
%\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #22
c4. c8 ~ c4. c8 ~ | % 22
c4 c c c | % 23
c4. c8 ~ c4. c8 ~ | % 27
c4. c8 ~ c4 c | % 28
c4 c c c | % 29
- c1-\fermata \bar "|." % 30
+ c1-\fermata | % 30
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #16
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "He Leadeth Me" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Fernando Ortega" }
+% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = "Engraved by JLH and Lilypond 2.8.2"
}
%
% Lead vocal
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
- s1 | % 6
- s1 | % 7
- \voiceTwo r2 r4 g \oneVoice | % 8
+ s1*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
- e4. d8 c4 g' | % 9
- a4 f f a | % 10
- g4. e8 e4 d8 ( c ) | % 11
- e4 e d g | % 12
- e4. d8 c4 g' | % 13
- a4 f c' b8 ( a ) | % 14
- g4 e e8 ( d ) c ( d ) | % 15
- e4. d8 c4 <g' \hn f \hn b,> \bar "||" % 16
+ s1*8 \bar "||" % 16
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn b \hn g> | % 17
- <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 18
- <g \hn e \hn c>4 <e \hn c \hn g> <e \hn c \hn a>8 ( <d \hn b> ) <c \hn a> ( <d \hn b \hn g> ) | % 19
- <e \hn c \hn fs,>4 <e \hn c \hn fs,> <d \hn c \hn g> <g \hn f! \hn d> | % 20
- <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn g, \hn b,> | % 21
- <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 22
- <g \hn e \hn c>4 <e \hn c \hn g> << { \voiceOne <e \hn c>8 ( <d \hn b> ) c ( d ) } \context Voice = "v2" { \voiceTwo \tiny a4 a8 b \normalsize } \oneVoice >> | % 23
- \time 2/4 <e \hn c>4 <d \hn b> \time 4/4 | % 24
- \voiceTwo c1 \oneVoice | % 25
- s1 | % 26
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*7 | % 17-23
+ \time 2/4 s2 \time 4/4 | % 24
+ s1*2 | % 25-26
}
\alternative
{
{
- s1 | % 27
- \voiceTwo r2 r4 g' \oneVoice | % 28
+ s1*2 | % 27-28
}
{
s1 | % 29
}
}
- s1 | % 30
- s1 | % 31
- s1 | % 32
- \voiceTwo r2 r4 <a \hn d,> \oneVoice \bar "||" % 33
+ s1*4 \bar "||" % 30-33
\key d \major
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ s1*8 \bar "||" % 34-41
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+
+ s1*8 \bar "||" % 42-49
+
+ % Outro
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+
+ s1*9 \bar "|." % 50-58
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ s1*7 | % 1-7
+ \voiceTwo r2 r4 g \oneVoice | % 8
+
+
+ % Verse
+
+ e4. d8 c4 g' | % 9
+ a4 f f a | % 10
+ g4. e8 e4 d8 ( c ) | % 11
+ e4 e d g | % 12
+ e4. d8 c4 g' | % 13
+ a4 f c' b8 ( a ) | % 14
+ g4 e e8 ( d ) c ( d ) | % 15
+ e4. d8 c4 <g' \hn f \hn b,> | % 16
+
+ % Chorus
+
+ <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn b \hn g> | % 17
+ <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 18
+ <g \hn e \hn c>4 <e \hn c \hn g> <e \hn c \hn a>8 ( <d \hn b> ) <c \hn a> ( <d \hn b \hn g> ) | % 19
+ <e \hn c \hn fs,>4 <e \hn c \hn fs,> <d \hn c \hn g> <g \hn f! \hn d> | % 20
+ <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn g, \hn b,> | % 21
+ <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 22
+ <g \hn e \hn c>4 <e \hn c \hn g> << { \voiceOne <e \hn c>8 ( <d \hn b> ) c ( d ) } \context Voice = "v2" { \voiceTwo \tiny a4 a8 b \normalsize } \oneVoice >> | % 23
+ <e \hn c>4 <d \hn b> | % 24
+ \voiceTwo c1 \oneVoice | % 25
+ s1 | % 26
+
+ s1 | % 27
+ \voiceTwo r2 r4 g' \oneVoice | % 28
+
+ s1 | % 29
+
+ s1 | % 30
+ s1 | % 31
+ s1 | % 32
+ \voiceTwo r2 r4 <a \hn d,> \oneVoice | % 33
+
+ % Verse
<fs \hn a,>4. <e \hn g,>8 <d \hn fs,>4 <a' \hn d,> | % 34
<b \hn d,>4 <g \hn b,> <g \hn b,> <b \hn d,> | % 35
<fs \hn d \hn a>4. <e \hn d \hn g,>8 <d \hn a \hn fs>4 <a' \hn fs \hn d> | % 38
<b \hn g \hn d>4 <g \hn d \hn b> <d' \hn f, \hn b,> <cs \hn f, \hn cs>8 ( <b \hn d,> ) | % 39
<a \hn fs \hn d>4 <fs \hn d \hn a> << { \voiceOne <fs \hn d>8 ( <e \hn cs> ) d ( e ) } \context Voice = "v2" { \voiceTwo \tiny b4 b8 cs \normalsize } \oneVoice >> | % 40
- <fs \hn d \hn a>4. <e \hn cs \hn g>8 <d \hn fs,>4 <a' \hn g \hn cs,> \bar "||" % 41
+ <fs \hn d \hn a>4. <e \hn cs \hn g>8 <d \hn fs,>4 <a' \hn g \hn cs,> | % 41
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
<a \hn fs \hn d>4 <d \hn a \hn fs> <cs \hn a \hn e> <e \hn cs \hn a> | % 42
<d \hn b \hn g>4 <cs \hn a \hn fs>8 ( <b \hn g \hn e> ) <a \hn fs \hn d>4 <b \hn g \hn d> | % 43
<a \hn fs \hn d>4 <fs \hn d \hn a> <fs \hn d \hn b>8 ( <e \hn cs> ) <d \hn b> ( <e \hn cs \hn a> ) | % 44
<a \hn fs \hn d>4 <d \hn a \hn fs> <cs \hn a \hn e> <e \hn a, \hn cs,> | % 46
<d \hn g, \hn b,>4 <cs \hn fs, \hn a,>8 ( <b \hn e, \hn g,> ) <a \hn d, \hn fs,>4 <b \hn g \hn d> | % 47
<a \hn fs \hn d>4 <fs \hn d \hn a> << { \voiceOne <fs \hn d>8 ( <e \hn cs> ) d ( <e \hn cs> ) } \context Voice = "v2" { \voiceTwo \tiny b4 b8 a \normalsize } \oneVoice >> | % 48
- <fs' \hn d \hn a>2 <e \hn cs \hn a> \bar "||" % 49
+ <fs' \hn d \hn a>2 <e \hn cs \hn a> | % 49
% Outro
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
\voiceTwo d1 \oneVoice | % 50
- s1 | % 51
- s1 | % 52
- s1 | % 53
- s1 | % 54
- s1 | % 55
- s1 | % 56
- s1 | % 57
- s1 \bar "|." % 58
+ s1*8 | % 51-58
}
+
LeadVoxText = \lyricmode
{
He lead- eth me, O bless- ed thought,
Riffs = \relative c''
{
\clef G
- \key c \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 7
\voiceOne <g' d c g>1 \oneVoice | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- s1 | % 9
- s1 | % 10
- s1 | % 11
- s1 | % 12
- s1 | % 13
- s1 | % 14
- s1 | % 15
- s1 | % 16
+ s1*8 | % 9-16
- % Chorus
+ % Chorus
- s1 | % 17
- s1 | % 18
- s1 | % 19
- s1 | % 20
- s1 | % 21
- s1 | % 22
- s1 | % 23
- \time 2/4 s2 \time 4/4 | % 24
- \voiceOne r8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ \oneVoice | % 25
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 26
- }
- \alternative
- {
- {
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 27
- \voiceOne <g' d c g>1 \oneVoice | % 28
- }
- {
- d8 \repeatTie g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 29
- }
- }
+ s1*7 | % 17-23
+ s2 | % 24
+ \voiceOne r8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ \oneVoice | % 25
+ c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 26
+
+ d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 27
+ \voiceOne <g' d c g>1 \oneVoice | % 28
+
+ d8 \repeatTie g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 29
c8 bf16 f ~ f2. | % 30
c'8 bf16 f ~ f4 ~ f8. af16 ~ af bf8. | % 31
% Verse
- s1 | % 34
- s1 | % 35
- s1 | % 36
- s1 | % 37
- s1 | % 38
- s1 | % 39
- s1 | % 40
- s1 | % 41
+ s1*8 | % 34-41
% Chorus
- s1 | % 42
- s1 | % 43
- s1 | % 44
- s1 | % 45
- s1 | % 46
- s1 | % 47
- s1 | % 48
- s1 | % 49
+ s1*8 | % 42-49
% Outro
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
c2:sus2/a c:sus2/f | % 1
c2:sus2/e c:sus2/f | % 7
g1:sus4 | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- c2 c/e | % 9
- f2 d:m7 | % 10
- c2/g a:m7 | % 11
- c2/f g4:sus4 g | % 12
- c2 c/e | % 13
- f2 fs:dim | % 14
- c2/g a:m7 | % 15
- c4/g g c g:sus4.7 \bar "||" % 16
+ c2 c/e | % 9
+ f2 d:m7 | % 10
+ c2/g a:m7 | % 11
+ c2/f g4:sus4 g | % 12
+ c2 c/e | % 13
+ f2 fs:dim | % 14
+ c2/g a:m7 | % 15
+ c4/g g c g:sus4.7 | % 16
- % Chorus
+ % Chorus
- c2 g | % 17
- f4 e8:m7 d:m7 c4 f | % 18
- c2/g a:m7 | % 19
- d2:9 g4:sus4.7 g:7 | % 20
- c2 g | % 21
- f4 e8:m7 d:m7 c4 f | % 22
- c2/e a:m7 | % 23
- \time 2/4 c4/f g \time 4/4 | % 24
- c2:sus2/a c:sus2/f | % 25
- g1:sus4 | % 26
- }
- \alternative
- {
- {
- c2:sus2/e c:sus2/f | % 27
- g1:sus4 | % 28
- }
- {
- c2:sus2/e c:sus2/ef | % 29
- }
- }
+ c2 g | % 17
+ f4 e8:m7 d:m7 c4 f | % 18
+ c2/g a:m7 | % 19
+ d2:9 g4:sus4.7 g:7 | % 20
+ c2 g | % 21
+ f4 e8:m7 d:m7 c4 f | % 22
+ c2/e a:m7 | % 23
+ c4/f g | % 24
+ c2:sus2/a c:sus2/f | % 25
+ g1:sus4 | % 26
+
+ c2:sus2/e c:sus2/f | % 27
+ g1:sus4 | % 28
+
+ c2:sus2/e c:sus2/ef | % 29
bf1:sus2/d | % 30
df1:maj7 | % 31
f1/g | % 32
- g2/a a4 a:sus4.7 \bar "||" % 33
+ g2/a a4 a:sus4.7 | % 33
% Verse
d4. e8:m7 d2/fs | % 38
g2 gs:dim | % 39
d2/a b:m7 | % 40
- d4/a a d d:sus4.7 \bar "||" % 41
+ d4/a a d d:sus4.7 | % 41
% Chorus
d2 a | % 46
g4 fs8:m7 e:m7 d4 g | % 47
d2/fs b:m7 | % 48
- d2/g a \bar "||" % 49
+ d2/g a | % 49
% Outro
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 7
c1 | % 8
- \repeat volta 2
- {
- % Verse
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c-> \bar "||" % 16
+ % Verse
- % Chorus
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c-> | % 16
- c4 c c c | % 17
- c4 c8 c c4 c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c | % 21
- c4 c8 c c4 c | % 22
- c4 c c c | % 23
- \time 2/4 c4 c \time 4/4 | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- }
- \alternative
- {
- {
- c4 c c c | % 27
- c4 c c c | % 28
- }
- {
- c4 c c c | % 29
- }
- }
+ % Chorus
+
+ c4 c c c | % 17
+ c4 c8 c c4 c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
+ c4 c8 c c4 c | % 22
+ c4 c c c | % 23
+ c4 c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
+
+ c4 c c c | % 27
+ c4 c c c | % 28
+
+ c4 c c c | % 29
c4 c c c | % 30
c4 c c c | % 31
c4 c c c | % 32
- c4 c c c \bar "||" % 33
+ c4 c c c | % 33
% Verse
c4. c8 c4 c | % 38
c4 c c c | % 39
c4 c c c | % 40
- c4 c c c-> \bar "||" % 41
+ c4 c c c-> | % 41
% Chorus
c4 c c c | % 46
c4 c8 c c4 c | % 47
c4 c c c | % 48
- c2 c \bar "||" % 49
+ c2 c | % 49
% Outro
c4 c c c | % 55
c4 c c c | % 56
c4 c c c | % 57
- c1^\fermata \bar "|." % 58
+ c1^\fermata | % 58
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
\context Staff
<<
\new Voice = "lead" \LeadVox
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Don't spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
- ragged-last = ##t
+% ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
}
+
%
-% Lead vocal
+% Song's structure
%
-
-LeadXvoxA = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
- \set Staff.instrumentName = #"Lead vox"
\clef G
\key a \major
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-% \set Score.markFormatter = #format-mark-box-letters
\repeat volta 2
{
- R1^"Moderately, not too slow" | % 1
- R1 | % 2
+ s1^"Moderately, not too slow" | % 1
+ s1 | % 2
}
\alternative
{
{
- R1 | % 3
- R1 | % 4
+ s1*2 | % 3-4
}
{
- R1 | % 5
- R1 \bar "||" % 6
+ s1*2 \bar "||" % 5-6
}
}
% Chorus
-%\mark \markup { \override #'(font-family . sans) { \box { A } } }
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*12 | % 7-18
+
+ s2... \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" } s16 | % 19
+
+ s1 \bar "||" % 20
+
+ % Interlude
+
+ s1*4 \bar"||" % 21-24
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*15 | % 25-39
+ R1
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark "D.S. al Coda"
+ \bar "||" % 40
+% \break
+
+ % Coda (chorus again)
+
+\stopStaff s1 \startStaff
+% s1
+\set Score.currentBarNumber = #41
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1 \bar "||" % 43
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ s1*14 | % 42-55
+
+ % Ending
+
+ \repeat volta 2
+ {
+ s1*2 | % 56-57
+ }
+ \alternative
+ {
+ {
+ s1*2 | % 58-59
+ }
+ {
+ s1 | % 60
+ }
+ }
+
+ s1 \bar "|." % 61
+}
+
+
+%
+% Lead vocal
+%
+LeadXvoxA = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*6 | % 1-6
+
+ % Chorus
\stemUp a'4. gs8 ~ gs4 r8 e | % 7
fs [ gs ] a [ b ~ ] b gs4 e8 ~ | % 8
d [ cs ] \stemUp b [ a ] \stemDown cs [ b ~ ] b4 | % 17
r2 r8 b cs [ d ~ ] | % 18
d [ cs ] \stemUp b [ a ~ ] a [ b ] \stemDown cs [ d ~ ] | % 19
-%\mark \markup { \musicglyph #"scripts.coda" } | % 19
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
-
d [ cs ] \stemUp b [ a ] a [ b ] gs [ a ~ ] \bar "||" % 20
% Interlude
a2 r | % 21
R1 | % 22
R1 | % 23
- r2. r8 cs,16 [ d ] \bar"||" % 24
+ r2. r8 cs,16 [ d ] | % 24
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
e8 [ e ] e [ e ~ ] e [ d ] cs4 | % 25
e8 [ fs ] gs [ a ~ ] a [ gs ] e [ d ~ ] | % 26
d4 r r8 e fs [ b, ] ~ | % 27
gs8 [ gs ] gs [ gs ~ ] gs fs4 e8 | % 37
\times 2/3 { gs4 gs gs } \times 2/3 { gs a \stemDown b } | % 38
\stemUp a1 | % 39
- R1
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark "D.S. al Coda"
- \bar "||" % 40
-% \break
+ R1 | % 40
% Coda (chorus again)
-%\stopStaff s1 \startStaff
-s1
-\set Score.currentBarNumber = #41
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
-
- d8 \repeatTie [ cs ] \stemUp b [ a ] a [ b ] gs4 \bar "||" \mark \default % 43
-
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1 % Blank bar for coda
+ d8 \repeatTie [ cs ] \stemUp b [ a ] a [ b ] gs4 | % 41
\stemUp a4. gs8 ~ gs4 r8 e | % 42
fs [ gs ] a [ b ~ ] b gs4 e8 ~ | % 43
e2 r | % 44
d [ cs ] \stemUp b [ a ] \stemDown cs [ b ~ ] b4 | % 52
r2 r8 b cs [ d ~ ] | % 53
d [ cs ] \stemUp b [ a ~ ] a [ b ] \stemDown cs [ d ~ ] | % 54
-% d [ cs ] \stemUp b [ a ] a [ b ] gs [ a ~ ] \bar "|:" % 55
d [ cs ] \stemUp b [ a ] a [ b ] gs4 | % 55
% Ending
- \repeat volta 2
- {
- a2 r | % 56
- R1 | % 57
- }
- \alternative
- {
- {
- R1 | % 58
- R1 | % 59
- }
- {
- R1 | % 60
- }
- }
+ a2 r | % 56
+ R1 | % 57
+
+ R1 | % 58
+ R1 | % 59
- r1^\fermata \bar "|." % 61
+ R1 | % 60
+
+ r1^\fermata | % 61
}
+
LeadXvoxATextA = \lyricmode
{
- He who _ be- gan a good work _ in you _
- He who _ be- gan a good work _ in you _
- _ Will be fai- _ thful to com- plete it _
- Will be fai- _ thful to com- plete it _
- He who start- _ ed the work _ will be fai-
- _ thful to com- plete it in you _
-
- If the trou- ble you're fac- _ ing is
- slow- ly re- pla- _ cing your hope _ with des- pair _
- And the pro- cess is long _ and you're
- lo- sing your songs _ in the night _
- You can be sure _ that the Lord has his hand _ on you
- Safe and se- cure _ He will ne- ver a- band- _ on you
- You are his trea- _ sure And
- He finds His plea- sure in you
-
- _ thful to com- plete it in
-
- He who _ be- gan a good work _ in you _
- He who _ be- gan a good work _ in you _
- _ Will be fai- _ thful to com- plete it _
- Will be fai- _ thful to com- plete it _
- He who start- _ ed the work _ will be fai-
- _ thful to com- plete it in you _
+ He who _ be- gan a good work _ in you _
+ He who _ be- gan a good work _ in you _
+ _ Will be fai- _ thful to com- plete it _
+ Will be fai- _ thful to com- plete it _
+ He who start- _ ed the work _ will be fai-
+ _ thful to com- plete it in you _
+
+ If the trou- ble you're fac- _ ing is
+ slow- ly re- pla- _ cing your hope _ with des- pair _
+ And the pro- cess is long _ and you're
+ lo- sing your songs _ in the night _
+ You can be sure _ that the Lord has his hand _ on you
+ Safe and se- cure _ He will ne- ver a- band- _ on you
+ You are his trea- _ sure And
+ He finds His plea- sure in you
+
+ _ thful to com- plete it in
+
+ He who _ be- gan a good work _ in you _
+ He who _ be- gan a good work _ in you _
+ _ Will be fai- _ thful to com- plete it _
+ Will be fai- _ thful to com- plete it _
+ He who start- _ ed the work _ will be fai-
+ _ thful to com- plete it in you _
}
%
% Background vocals
%
-
BgXvoxA = \relative c'
{
-% \set Voice.autoBeaming = ##f
- \set Staff.instrumentName = #"BG vox"
\clef G
- \key a \major
- \time 4/4
+ \numericTimeSignature
- \repeat volta 2
- {
- R1 | % 1
- R1 | % 2
- }
- \alternative
- {
- {
- R1 | % 3
- R1 | % 4
- }
- {
- R1 | % 5
- R1 | % 6
- }
- }
- \bar "||"
+ % Intro
+
+ R1 | % 1
+ R1 | % 2
+
+ R1 | % 3
+ R1 | % 4
+
+ R1 | % 5
+ R1 | % 6
% Chorus
% Coda (chorus again)
\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #41
- R1 \bar "||" % 41
+ R1 | % 41
R1 | % 42
R1 | % 43
% Ending
- \repeat volta 2
- {
- R1 | % 56
- R1 | % 57
- }
- \alternative
- {
- {
- R1 | % 58
- R1 | % 59
- }
- {
- R1 | % 60
- }
- }
+ R1 | % 56
+ R1 | % 57
- r1^\fermata \bar "|." % 61
+ R1 | % 58
+ R1 | % 59
+
+ R1 | % 60
+
+ r1^\fermata | % 61
}
+
BgXvoxATextA = \lyricmode
{
%\set associatedVoice = foo
%
% Instrumental lines
%
-
RhythmB = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
\clef G
- \key a \major
- \time 4/4
-
- \repeat volta 2
- {
- \stemDown a'8 [ b cs b ~ ] b [ e ~ ] e4 |
- d8 [ e cs b ~ ] b2 | % 4
- }
- \alternative
- {
- {
- a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 |
- }
- {
- \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 |
- }
- }
- \bar "||"
+ \tiny
+
+ % Intro
+
+ \stemDown a'8 [ b cs b ~ ] b [ e ~ ] e4 | % 1
+ d8 [ e cs b ~ ] b2 | % 2
+
+ a8 [ b cs b ~ ] b [ e cs a ~ ] | % 3
+ \stemUp a1 | % 4
+
+ \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] | % 5
+ \stemUp a1 | % 6
% Chorus
- R1 | % 9
- R1 |
- R1 | % 11
- R1 |
- R1 | % 13
- R1 |
- R1 | % 15
- R1 |
- R1 | % 17
- R1 |
- R1 | % 19
- R1 |
- R1 | % 21
- R1 |
+ s1*14 | % 7-20
% Interlude
- \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 |
- d8 [ e cs b ~ ] b2 | % 24
- a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 | % 26
+ \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 | % 21
+ d8 [ e cs b ~ ] b2 | % 22
+ a8 [ b cs b ~ ] b [ e cs a ~ ] | % 23
+ \stemUp a1 | % 24
% Verse
- R1 |
- R1 |
- R1 | % 29
- R1 |
- R1 | % 31
- R1 |
- R1 | % 33
- R1 |
- R1 | % 35
- R1 |
- R1 | % 37
- R1 |
- R1 | % 39
- R1 |
- R1 | % 41
- R1 |
+ s1*16 | % 25-40
% Coda (chorus again)
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #41
+ s1 % Blank bar for coda
- R1 \bar "||" % 43
- R1 |
- R1 | % 45
- R1 |
- R1 | % 47
- R1 |
- R1 | % 49
- R1 |
- R1 | % 51
- R1 |
- R1 | % 53
- R1 |
- R1 | % 55
- R1 |
- R1 | % 57
+ s1*15 | % 41-55
% Ending
- \repeat volta 2
- {
- \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 |
- d8 [ e cs b ~ ] b2 | % 4
- }
- \alternative
- {
- {
- a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 |
- }
- {
- \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] |
- }
- }
+ \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 | % 56
+ d8 [ e cs b ~ ] b2 | % 57
+
+ a8 [ b cs b ~ ] b [ e cs a ~ ] | % 58
+ \stemUp a1 | % 59
- \stemUp a1^\fermata \bar "|."
+ \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] | % 60
+
+ \stemUp a1^\fermata | % 61
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-%\set chordNameExceptions = #popChords
-%\set chordRootNamer = #chord-name->pop-markup
+ % Intro
-% \popChords
+ a4. cs4.:m7 s4 | % 1
+ d4. e4.:sus4 e4 | % 2
- \repeat volta 2
- {
- a4. cs4.:m7 s4 |
- d4. e4.:sus4 e4 | % 4
- }
- \alternative
- {
- {
- a4. cs2:m7 d8 |
- s2 d/e |
- }
- {
- fs4.:m7 e2 d8 |
- s2 d/e |
- }
- }
+ a4. cs2:m7 d8 | % 3
+ s2 d/e | % 4
+
+ fs4.:m7 e2 d8 | % 5
+ s2 d/e | % 6
% Chorus
- a4. e4./gs s4 |
- d4./fs e4./gs s8 cs8:m7 | % 10
- s1 |
- b2:m7 d/e | % 12
- a4. e/gs s4 |
- d4./fs e2/gs cs8:sus4.7 | % 14
- s2. s8 cs:7 |
- s1 | % 16
- b1:m7 |
- e4.:sus4 e s4 | % 18
- b1:m7 |
- e4.:sus4 e s8 d8 | % 20
- s4. a2/cs b8:m7 |
- s2 d4/e e | % 22
+ a4. e4./gs s4 | % 7
+ d4./fs e4./gs s8 cs8:m7 | % 8
+ s1 | % 9
+ b2:m7 d/e | % 10
+ a4. e/gs s4 | % 11
+ d4./fs e2/gs cs8:sus4.7 | % 12
+ s2. s8 cs:7 | % 13
+ s1 | % 14
+ b1:m7 | % 15
+ e4.:sus4 e s4 | % 16
+ b1:m7 | % 17
+ e4.:sus4 e s8 d8 | % 18
+ s4. a2/cs b8:m7 | % 19
+ s2 d4/e e | % 20
% Interlude
- a4. cs4.:m7 s4 |
- d4. e4.:sus4 e4 | % 24
- fs4.:m7 e2 d8 |
- s2 d/e | % 26
+ a4. cs4.:m7 s4 | % 21
+ d4. e4.:sus4 e4 | % 22
+ fs4.:m7 e2 d8 | % 23
+ s2 d/e | % 24
% Verse
% Coda (chorus again)
-s1 |
+s1 % Blank bar for coda
+
b2:m7 d4/e e | % 43
a4. e4./gs s4 |
d4./fs e4./gs s8 cs8:m7 | % 45
% Ending
- \repeat volta 2
- {
- a4. cs4.:m7 s4 |
- d4. e4.:sus4 e4 | % 59
- }
- \alternative
- {
- {
- a4. cs2:m7 d8 |
- s2 d/e |
- }
- {
- fs4.:m7 e2 d8 |
- }
- }
+
+ a4. cs4.:m7 s4 |
+ d4. e4.:sus4 e4 | % 59
+
+ a4. cs2:m7 d8 |
+ s2 d/e |
+
+ fs4.:m7 e2 d8 |
s1 |
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \time 4/4
-
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
- \repeat volta 2
- {
- \stemDown c'4. c8 ~ c4 c | %1
- c4. c8 ~ c4 c | % 2
- }
- \alternative
- {
- {
- c4. c8 ~ c4. c8 ~ | % 3
- c4 c c c | % 4
- }
- {
- c4. c8 ~ c4. c8 ~ | % 5
- c4 c c c | % 6
- }
- }
- \bar "||"
+ % Intro
+
+ \stemDown c'4. c8 ~ c4 c | %1
+ c4. c8 ~ c4 c | % 2
+
+ c4. c8 ~ c4. c8 ~ | % 3
+ c4 c c c | % 4
+
+ c4. c8 ~ c4. c8 ~ | % 5
+ c4 c c c | % 6
% Chorus
% Coda (chorus again)
\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #41
- c4 c c c \bar "||" % 41
+ c4 c c c | % 41
c4. c8 ~ c4 c | % 42
c4. c8-> c4 r8 c8 ~ | % 43
c4 c c c | % 44
% Ending
- \repeat volta 2
- {
- \stemDown c4. c8 ~ c4 c | % 56
- c4. c8 ~ c4 c | % 57
- }
- \alternative
- {
- {
- c4. c8 ~ c4. c8 ~ | % 58
- c4 c c c | % 59
- }
- {
- c4._\markup { \italic { rit. } } c8 ~ c4. c8 ~ | % 60
- }
- }
- c1 ^\fermata \bar "|." % 61
+ \stemDown c4. c8 ~ c4 c | % 56
+ c4. c8 ~ c4 c | % 57
+
+ c4. c8 ~ c4. c8 ~ | % 58
+ c4 c c c | % 59
+
+ c4._\markup { \italic { rit. } } c8 ~ c4. c8 ~ | % 60
+
+ c1 ^\fermata | % 61
}
\score
{
<<
- \new ChoirStaff = "Vox"
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = LeadVox { \new Voice = "lead" \LeadXvoxA }
+ \new Voice = "lead" \LeadXvoxA
\new Lyrics \lyricsto "lead" \LeadXvoxATextA
- \new Staff = BgVox { \new Voice = "bg" \BgXvoxA }
+ \new Voice \RhythmB
+ >>
+
+ \new Staff
+ <<
+ \new Voice = "bg" \BgXvoxA
\new Lyrics \lyricsto "bg" \BgXvoxATextA
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new Staff = "riff" \RhythmB
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
- \layout {
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Here I Am To Worship" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "T. Hughes" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
% Song's structure
%
-
Global =
{
\key a \major
- % \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
% Chorus
-% \mark \markup { \override #'(font-family . sans) { \box { B } } }
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
s1*7 | % 15-21
}
\alternative
{
{
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
s1*2 | % 22-23
}
{
%
% Lead vocal
%
-
LeadVox = \relative c''
{
\clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
s2 | % 0
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
+ s1*5 | % 1-5
% Verse
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm = \relative c
{
\override NoteHead #'style = #'slash
Dynamics =
{
-%{
- s1*12 | % 1-12
- s4_\markup { \italic { Add bass, pad } } s2. | % 13
- s1*7 | % 14-20
- s4_\markup { \italic { Add perc, Ac. gtrs. } } s2. | % 21
- s1*28 | % 22-49
- s4_\markup { \italic { Piano only, like intro } } s2. | % 50
- s1*2 | % 51-52
- s4_\markup { \italic { Full band } } s2. | % 53
-%}
s2_\mf | % 0
s1*3 | % 1-3
s4_\markup { \italic { add cymbal colors } } s2. | % 5
\score
{
-%{
- <<
- <<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
-
- \new ChoirStaff = "Rhythm"
- <<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
- >>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
- >>
-%}
<<
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
- \new Staff
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxTextA
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
-% \new Staff
+ \new ChoirStaff
<<
\new ChordNames \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Holy Is The Lord" }
-% subtitle = \markup { \override #'(font-family . sans) \fontsize #3.5 "SA version" }
+% subtitle = \markup { \override #'(font-family . sans) \fontsize #3.5 "" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Blake/Harriton" }
-% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart/Deborah Hammons" }
+% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% A section
\mark \markup { \override #'(font-family . sans) { \box { B } } }
- s1*16 \bar ":|" % 17-32
+ s1*16 \bar ":|." % 17-32
}
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
% A section
Riffs = \relative c'
{
-%{
- \clef G
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-
- % Intro
-
- \tiny
- <ef g,>16 d bf f ~ f4 ~ f4. g16 bf | % 1
- c1 | % 2
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 3
- c2 <ef, bf af> | % 4
-
- s1*9
- s2
-
-\voiceOne
-\tieDown
- <ef g,>16 d bf f ~ f4 ~ f4. g16 bf | % 14
-\tieNeutral
-\oneVoice
- c1 | % 15
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 16
- c2 <ef, bf af> | % 17
-
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 18
- c2 r | % 19
-
- s1*10
-
- \stemUp
- <f a,>16 e c g ~ g4 ~ g4. a16 c | % 31
- \stemNeutral
- d2 r | % 32
- <f a,>16 e c g ~ g4 ~ g4. a16 c | % 33
- d2 r | % 34
-%}
}
%
% Chord names
%
-
Chords = \chordmode
{
% A section
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
-% \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% A section
\score
{
<<
-% \new Staff
- <<
- \new ChordNames \Chords
-%Capo 3 edition
-% \new ChordNames \transpose f d \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
+ \Global % The "roadmap" that everything else depends on
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 3 edition
+% \new ChordNames \transpose f d \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
+
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
subtitle = "as recorded on 'The Harvest'"
composer = "Tom Howard"
arranger = "Transcribed by Shamus Hammons"
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
rightHand = \relative c''
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key bf \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
- \partial 4*1 f4 | % 0
+ \partial 4*1 s4 | % 0
+ s1*4 | % 1-4
+\break % bleh
+
+ s1*4 | % 5-8
+\break % bleh
+
+ s1*4 | % 9-12
+\break % bleh
+
+ s1*3 | % 13-15
+ \partial 4*3 s2. \bar "|." % 16
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Verse
+
+ f4 | % 0
bf4 a8 ( g ) f4 bf | % 1
d,4 ( ef ) f f | % 2
g8 ( a ) bf4 c c | % 3
d2. f,4 | % 4
-\break % bleh
bf4 a8 ( g ) f4 bf | % 5
d,4 ( ef ) f f | % 6
g8 ( a ) bf4 bf a | % 7
bf2. bf8 ( c ) | % 8
-\break % bleh
d4 c d ef | % 9
c4 ( a8 bf ) c4 bf8 ( c ) | % 10
d4 c d ef | % 11
c2. f,4 | % 12
-\break % bleh
bf4 a8 ( g ) f4 bf | % 13
d,4 ( ef ) f f | % 14
g8 ( a ) bf4 bf a | % 15
- \partial 4*3 bf2. \bar "|." % 16
+ bf2. | % 16
}
+
LeadVoxText = \lyricmode
{
Ho -- san -- na, _ loud ho -- san -- _ na, the lit -- _ tle chil -- dren sang;
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
- \partial 4*1 s4 | % 0
+ s4 | % 0
bf1 | % 1
g2:m bf | % 2
ef2 f | % 3
bf1 | % 13
g2:m bf | % 14
ef2 f | % 15
- \partial 4*3 bf2. | % 16
-}
-
-
-%
-% Chord rhythms
-%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
-%Slash = { \override NoteHead #'style = #'slash }
-%Cross = { \override NoteHead #'style = #'cross }
-
-StaffC = \relative c
-{
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
- \override NoteHead #'style = #'slash
-
- % Verse
-
- \partial 4*1 r4 | % 0
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
-
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
-
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
-
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- \partial 4*3 c2. \bar "|." % 16
+ bf2. | % 16
}
{
<<
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Lyrics \lyricsto "lead" \LeadVoxText
- \new Lyrics \lyricsto "lead" \LeadVoxTextB
- \new Lyrics \lyricsto "lead" \LeadVoxTextC
+ \new ChordNames \Chords
>>
- \new ChoirStaff = "Rhythm"
+ \new Staff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \Global % The "roadmap" that everything else depends on
+ \new Voice = "lead" \LeadVox
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ \new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18 % or 16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "I Could Sing Of Your Love Forever" } }
-% composer = \markup { \override #'(font-family . sans) "" }
+ composer = \markup { \override #'(font-family . sans) "Martin Smith" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
tagline = "Engraved by JLH and Lilypond 2.8.2"
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1*4 | % 1-4
}
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 5
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 6
- r8 c' c8 a16 a ~ a g8 g16 ~ g f8. | % 7
- g8 g g f16 a ~ a g8 g16 ~ g f f8 | % 8
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 9
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 10
- r8 c' c c c c c c | % 11
- d8 c c c a4 ( g8 f ) \bar "||" % 12
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
- r4 f8 f f g a c ~ | % 13
- c4 f,8 g ~ g a ~ a4 | % 14
- r4 f8 f f g a c ~ | % 15
- c4 a8 a ~ a g4 ( f8 ) | % 16
- r4 f8 f f g a c ~ | % 17
- c4 f,8 g ~ g a ~ a4 | % 18
- r4 f8 f f g a c ~ | % 19
- c4 a8 a ~ a g4 ( f8 ) | % 20
+ s1*8 | % 13-20
}
\alternative
{
{
- R1 | % 21
- R1 | % 22
- R1 | % 23
- R1 | % 24
+ s1*4 | % 21-24
}
{
- r2 bf16 a8 g16 ~ g f8. | % 25
+ s1 | % 25
}
}
% Bridge
- d8 f4. r2 | % 26
- r4 r8 f d'16 c8 c16 ~ c8 c | % 27
- a4 ( g ) r2 | % 28
- r4 r8 f bf16 a8 g16 ~ g f8. | % 29
- d4 f8 f r f f d' ~ | % 30
- d8 c4 c8 ~ c a c d ~ | % 31
- d8 c4 a8 ( ~ a g4 f8 ) \bar "||" % 32
+ s1*7 \bar "||" % 26-32
% Solo
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
\key g \major
- R1 | % 33
- R1 | % 34
- R1 | % 35
- R1 | % 36
- R1 | % 37
- R1 | % 38
- R1 | % 39
- R1 | % 40
+ s1*8 | % 33-40
% Chorus (redux)
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
- r4 f8 f f g a c ~ | % 41
- c4 f,8 g ~ g a ~ a4 | % 42
- r4 f8 f f g a c ~ | % 43
- c4 a8 a ~ a g4 ( f8 ) | % 44
- r4 f8 f f g a c ~ | % 45
- c4 f,8 g ~ g a ~ a4 | % 46
- r4 f8 f f g a c ~ | % 47
- c4 a8 a ~ a g4 ( f8 ) | % 48
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+
+ s1*8 | % 41-48
}
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+
+ s1*9 \bar "|." % 49-57
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*4 | % 1-4
+
+ % Verse
+
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 5
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 6
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f8. | % 7
+ g8 g g f16 a ~ a g8 g16 ~ g f f8 | % 8
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 9
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 10
+ r8 c' c c c c c c | % 11
+ d8 c c c a4 ( g8 f ) | % 12
+
+ % Chorus
+
+ r4 f8 f f g a c ~ | % 13
+ c4 f,8 g ~ g a ~ a4 | % 14
+ r4 f8 f f g a c ~ | % 15
+ c4 a8 a ~ a g4 ( f8 ) | % 16
+ r4 f8 f f g a c ~ | % 17
+ c4 f,8 g ~ g a ~ a4 | % 18
+ r4 f8 f f g a c ~ | % 19
+ c4 a8 a ~ a g4 ( f8 ) | % 20
+
+ R1 | % 21
+ R1 | % 22
+ R1 | % 23
+ R1 | % 24
+
+ r2 bf16 a8 g16 ~ g f8. | % 25
+
+ % Bridge
+
+ d8 f4. r2 | % 26
+ r4 r8 f d'16 c8 c16 ~ c8 c | % 27
+ a4 ( g ) r2 | % 28
+ r4 r8 f bf16 a8 g16 ~ g f8. | % 29
+ d4 f8 f r f f d' ~ | % 30
+ d8 c4 c8 ~ c a c d ~ | % 31
+ d8 c4 a8 ( ~ a g4 f8 ) | % 32
+
+ % Solo
+
+ R1*8 | % 33-40
+
+ % Chorus (redux)
+
+ r4 f8 f f g a c ~ | % 41
+ c4 f,8 g ~ g a ~ a4 | % 42
+ r4 f8 f f g a c ~ | % 43
+ c4 a8 a ~ a g4 ( f8 ) | % 44
+ r4 f8 f f g a c ~ | % 45
+ c4 f,8 g ~ g a ~ a4 | % 46
+ r4 f8 f f g a c ~ | % 47
+ c4 a8 a ~ a g4 ( f8 ) | % 48
r4 f8 f f g a c ~ | % 49
c4 f,8 g ~ g a ~ a4 | % 50
c4 f,8 g ~ g a ~ a4 | % 54
r4 f8 f f g a c ~ | % 55
c4 a8 a ~ a g4 ( f8 ) ~ | % 56
- f1^\fermata \bar "|." % 57
+ f1^\fermata | % 57
}
+
LeadVoxText = \lyricmode
{
O- ver the moun- _ tains and _ the sea
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- f2.. g8:m11 | % 1
- s1 | % 2
- bf1:9^7 | % 3
- bf2/c c | % 4
- }
+ f2.. g8:m11 | % 1
+ s1 | % 2
+ bf1:9^7 | % 3
+ bf2/c c | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- f1 | % 5
- g1:m11 | % 6
- bf1:9^7 | % 7
- bf4..:/c c16 s2 | % 8
- f1 | % 9
- g1:m11 | % 10
- bf1:9^7 | % 11
- bf2/c c | % 12
+ f1 | % 5
+ g1:m11 | % 6
+ bf1:9^7 | % 7
+ bf4..:/c c16 s2 | % 8
+ f1 | % 9
+ g1:m11 | % 10
+ bf1:9^7 | % 11
+ bf2/c c | % 12
- % Chorus
+ % Chorus
- f2.. g8:m11 | % 13
- s1 | % 14
- bf2..:9^7 bf8/c | % 15
- s2 c | % 16
- f2.. g8:m11 | % 17
- s1 | % 18
- bf2..:9^7 bf8/c | % 19
- s2 c | % 20
- }
- \alternative
- {
- {
- f2.. g8:m11 | % 21
- s1 | % 22
- bf2..:9^7 bf8/c | % 23
- s2 c | % 24
- }
- {
- g1:m11 | % 25
- }
- }
+ f2.. g8:m11 | % 13
+ s1 | % 14
+ bf2..:9^7 bf8/c | % 15
+ s2 c | % 16
+ f2.. g8:m11 | % 17
+ s1 | % 18
+ bf2..:9^7 bf8/c | % 19
+ s2 c | % 20
+
+ f2.. g8:m11 | % 21
+ s1 | % 22
+ bf2..:9^7 bf8/c | % 23
+ s2 c | % 24
+
+ g1:m11 | % 25
% Bridge
% Chorus (redux)
- \repeat volta 2
- {
- f2.. g8:m11 | % 41
- s1 | % 42
- bf2..:maj7 bf8/c | % 43
- s4.. c16 s2 | % 44
- f2.. g8:m11 | % 45
- s1 | % 46
- bf2..:maj7 bf8/c | % 47
- s2 c | % 48
- }
+ f2.. g8:m11 | % 41
+ s1 | % 42
+ bf2..:maj7 bf8/c | % 43
+ s4.. c16 s2 | % 44
+ f2.. g8:m11 | % 45
+ s1 | % 46
+ bf2..:maj7 bf8/c | % 47
+ s2 c | % 48
f2.. g8:m11 | % 49
s1 | % 50
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \tiny
% Intro
- \repeat volta 2
- {
- c4 c c c8 c ~ | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
- }
+ c4 c c c8 c ~ | % 1
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 ~ c8. c16 ~ c4 c | % 5
- c4 ~ c8. c16 ~ c4 c | % 6
- c4 ~ c8. c16 ~ c4 c | % 7
- c4 ~ c8. c16 ~ c4 c | % 8
- c4 ~ c8. c16 ~ c4 c | % 9
- c4 c8. c16 ~ c4 c | % 10
- c4 c c c | % 11
- c8-> c c c c c c c | % 12
+ c4 ~ c8. c16 ~ c4 c | % 5
+ c4 ~ c8. c16 ~ c4 c | % 6
+ c4 ~ c8. c16 ~ c4 c | % 7
+ c4 ~ c8. c16 ~ c4 c | % 8
+ c4 ~ c8. c16 ~ c4 c | % 9
+ c4 c8. c16 ~ c4 c | % 10
+ c4 c c c | % 11
+ c8-> c c c c c c c | % 12
- % Chorus
+ % Chorus
- c4 c c c8 c ~ | % 13
- c4 c c c | % 14
- c4 c c c8 c-> ~ | % 15
- c4 c c c | % 16
- c4 c c c8 c ~ | % 17
- c4 c c c | % 18
- c4 c c c8 c-> ~ | % 19
- c4 c c c | % 20
- }
- \alternative
- {
- {
- c4 c c c8 c ~ | % 21
- c4 c c c | % 22
- c4 c c c8 c ~ | % 23
- c4 c c c | % 24
- }
- {
- c4. c8 ~ c4 c | % 25
- }
- }
+ c4 c c c8 c ~ | % 13
+ c4 c c c | % 14
+ c4 c c c8 c-> ~ | % 15
+ c4 c c c | % 16
+ c4 c c c8 c ~ | % 17
+ c4 c c c | % 18
+ c4 c c c8 c-> ~ | % 19
+ c4 c c c | % 20
+
+ c4 c c c8 c ~ | % 21
+ c4 c c c | % 22
+ c4 c c c8 c ~ | % 23
+ c4 c c c | % 24
+
+ c4. c8 ~ c4 c | % 25
% Bridge
% Chorus (redux)
- \repeat volta 2
- {
- c4 c c c8 c-> ~ | % 41
- c4 c8. c16 ~ c4 c | % 42
- c4 c c c8 c-> ~ | % 43
- c4 c8. c16 ~ c4 c | % 44
- c4 c c c8 c-> ~ | % 45
- c4 c8. c16 ~ c4 c | % 46
- c4 c c c8 c-> ~ | % 47
- c4 c c c | % 48
- }
+ c4 c c c8 c-> ~ | % 41
+ c4 c8. c16 ~ c4 c | % 42
+ c4 c c c8 c-> ~ | % 43
+ c4 c8. c16 ~ c4 c | % 44
+ c4 c c c8 c-> ~ | % 45
+ c4 c8. c16 ~ c4 c | % 46
+ c4 c c c8 c-> ~ | % 47
+ c4 c c c | % 48
c4-> c c c8 c ~ | % 49
c4 c-> c c-> | % 50
c4 c c c | % 54
c4-> c c c | % 55
c2->_\markup { \italic { rit. } } c-> | % 56
- c1^\fermata \bar "|." % 57
+ c1^\fermata | % 57
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\set Voice.autoBeaming = ##f
% \set Staff.instrumentName = #"Rhythm"
\override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \time 4/4
\override NoteHead #'style = #'slash
% Intro
-\version "2.18.1"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
% Let's try a chord dictionary
- subtitle = \markup { \override #'(font-family . sans) { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \center-column { { "B" \chordFlat "maj7" } \fret-diagram-terse #"x;1;3;2;3;x;" } " " \center-column { A7sus4 \fret-diagram-terse #"x;o;2;o;3;x;" } " " \center-column { "F#7#5" \fret-diagram-terse #"2;x;2;3;3;x;" } " " \center-column { "Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } " " \center-column { "C#m11" \fret-diagram-terse #"x;4;4;4;5;4;" } " " \center-column { "F#7#9" \fret-diagram-terse #"2;4;2;3;2;5;" } } }
+ subtitle = \markup {
+ \override #'(font-family . sans) \override #'(baseline-skip . 2) {
+ \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " "
+ \center-column { \concat{"B7" \chordSharp "9"} \fret-diagram-terse #"x;2;1;2;3;x;" } " "
+ \center-column { \concat{"B" \chordFlat "maj7"} \fret-diagram-terse #"x;1;3;2;3;x;" } " "
+ \center-column { "A7sus4" \fret-diagram-terse #"x;o;2;o;3;x;" } " "
+ \center-column { \concat{"F" \chordSharp "7" \chordSharp "5"} \fret-diagram-terse #"2;x;2;3;3;x;" } " "
+ \center-column { \concat{"A" \chordFlat "7" \chordFlat "5"} \fret-diagram-terse #"4;5;4;5;x;x;" } " "
+ \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } " "
+ \center-column { \concat{"C" \chordSharp "m11"} \fret-diagram-terse #"x;4;4;4;5;4;" } " "
+ \center-column { \concat{"F" \chordSharp "7" \chordSharp "9"} \fret-diagram-terse #"2;4;2;3;2;5;" } }
+ }
}
%
% Song's structure
%
-
Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
-%{
- s1^\markup { \italic { Ac. guitar } } | % 1
- s1 | % 2
- s1^\markup { \italic { Guitar II in } } | % 3
- s1 | % 4
- s1^\markup { \italic { Bass in } } | % 5
- s1 | % 6
- s1^\markup { \italic { Drums in } } | % 7
- s1 | % 8
-%}
s1*8 | % 1-8
% Verse
%
% Lead vocal
%
-
LeadVox = \relative c'
{
- \override Staff.TimeSignature #'style = #'()
\clef G
% Intro
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
\score
{
-%{
<<
-% \new ChoirStaff = "Vox"
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
% \new Staff = "riff" \RhythmB
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
- >>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
- >>
-%}
- <<
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
-
-% \new Staff
- <<
\new ChordNames \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
- \new Staff
- <<
- \Global
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- \new Lyrics \lyricsto "lead" \LeadVoxTextB
- \new Lyrics \lyricsto "lead" \LeadVoxTextC
- >>
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "JazzText"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][Nope...]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I See The Lord" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Chris Falson" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
Global =
{
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
% Intro
- s1*4 \bar "||:" % 1-4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
+ s1*4 | % 1-4
% Verse
Riffs = \relative c
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \tiny
r4. c8 ~ c2 | % 1
r4. c8 ~ c2 | % 2
r4. c8 ~ c2 | % 3
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
% \new ChordNames \transpose b g \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
- ragged-last-bottom = ##f
+% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
-% ragged-last = ##t
+ ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Stand Amazed In The Presence" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Charles H. Gabriel" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
- R1 | % 3
- r2 r4 r8 d | % 4
+ s1*4 | % 1-4
}
\repeat volta 3
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- d4 b ( d ) g8 a16 g | % 5
- b4. ( a16 g ) g4 g | % 6
- fs4 fs8 fs g4 a | % 7
- g2. d4 | % 8
- e4. e8 g4 fs8 e | % 9
- d4. ( g8 ) g4 a | % 10
- b4 b8 b a4 a | % 11
- g1 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- b4 b b8 a g4 | % 13
- d'4 d d8 c b4 | % 14
- a4 a a4. b8 | % 15
- c4 b a2 | % 16
- b4 b b8 a g4 | % 17
- d'4 d d8 c b4 | % 18
- a4 b8 ( c ) b4 a | % 19
- \time 2/4 g4 fs \time 4/4 | % 20
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 13-19
+ \time 2/4 s2 \time 4/4 | % 20
}
\alternative
{
{
- g1 | % 21
- r2 r4 r8 d | % 22
+ s1*2 | % 21-22
}
{
- g1 \bar "||" % 23
+ s1 \bar "||" % 23
}
}
% Chorus (redux)
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 \bar "||" % 24-31
+
+ % Outro
+
+ s1*3 \bar "|." % 32-34
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*3 | % 1-3
+ r2 r4 r8 d | % 4
+
+ % Verse
+
+ d4 b ( d ) g8 a16 g | % 5
+ b4. ( a16 g ) g4 g | % 6
+ fs4 fs8 fs g4 a | % 7
+ g2. d4 | % 8
+ e4. e8 g4 fs8 e | % 9
+ d4. ( g8 ) g4 a | % 10
+ b4 b8 b a4 a | % 11
+ g1 | % 12
+
+ % Chorus
+
+ b4 b b8 a g4 | % 13
+ d'4 d d8 c b4 | % 14
+ a4 a a4. b8 | % 15
+ c4 b a2 | % 16
+ b4 b b8 a g4 | % 17
+ d'4 d d8 c b4 | % 18
+ a4 b8 ( c ) b4 a | % 19
+ g4 fs | % 20
+
+ g1 | % 21
+ r2 r4 r8 d | % 22
+
+ g1 | % 23
+
+ % Chorus (redux)
b4 b b8 a g4 | % 24
d'4 d d8 c b4 | % 25
b4 b b8 a g4 | % 28
d'4 d d8 c b4 | % 29
a4 b8 ( c ) b4 a | % 30
- g2 fs \bar "||" % 31
+ g2 fs | % 31
% Outro
g1 | % 32
R1 | % 33
- r1^\fermata \bar "|." % 34
+ r1^\fermata | % 34
}
+
LeadVoxText = \lyricmode
{
I stand a -- _ mazed in the pre- __ _ _ sence
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- g2 s16 a4..:m11 | % 1
- c2:sus2 s16 d8.:sus4 d4 | % 2
- g2 s16 a4..:m11 | % 3
- c2:sus2 s16 d8.:sus4 d4 | % 4
- }
+ g2 s16 a4..:m11 | % 1
+ c2:sus2 s16 d8.:sus4 d4 | % 2
+ g2 s16 a4..:m11 | % 3
+ c2:sus2 s16 d8.:sus4 d4 | % 4
- \repeat volta 3
- {
- % Verse
+ % Verse
- g2 a:m11 | % 5
- g2/b e:m7 | % 6
- d2 c:sus2 | % 7
- g1 | % 8
- c2:sus2 a:m11 | % 9
- g2 e:m7 | % 10
- g2/d d | % 11
- g2 d4:sus4 d | % 12
+ g2 a:m11 | % 5
+ g2/b e:m7 | % 6
+ d2 c:sus2 | % 7
+ g1 | % 8
+ c2:sus2 a:m11 | % 9
+ g2 e:m7 | % 10
+ g2/d d | % 11
+ g2 d4:sus4 d | % 12
- % Chorus
+ % Chorus
- g2 a:m11 | % 13
- g2/b e:m7 | % 14
- a1:m7 | % 15
- d2:sus4 d | % 16
- g2 a:m11 | % 17
- g2/b e:m7 | % 18
- a2:m7 g4/b c:sus2 | % 19
- \time 2/4 g4/d d \time 4/4 | % 20
- }
- \alternative
- {
- {
- g2 a:m11 | % 21
- c2:sus2 d4:sus4 d | % 22
- }
- {
- g2 d4:sus4 d | % 23
- }
- }
+ g2 a:m11 | % 13
+ g2/b e:m7 | % 14
+ a1:m7 | % 15
+ d2:sus4 d | % 16
+ g2 a:m11 | % 17
+ g2/b e:m7 | % 18
+ a2:m7 g4/b c:sus2 | % 19
+ g4/d d | % 20
+
+ g2 a:m11 | % 21
+ c2:sus2 d4:sus4 d | % 22
+
+ g2 d4:sus4 d | % 23
% Chorus (redux)
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- c4 c r16 c c c c4 | % 1
- c4 c r16 c8. c4 | % 2
- c4 c r16 c c c c4 | % 3
- c4 c r16 c8. c4 | % 4
- }
+ c4 c r16 c c c c4 | % 1
+ c4 c r16 c8. c4 | % 2
+ c4 c r16 c c c c4 | % 3
+ c4 c r16 c8. c4 | % 4
- \repeat volta 3
- {
- % Verse
+ % Verse
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
-\break
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+%\break
- % Chorus
+ % Chorus
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- \time 2/4 c4 c \time 4/4 | % 20
- }
- \alternative
- {
- {
- c4 c c c | % 21
- c4 c c c | % 22
- }
- {
- c4 c c c \bar "||" % 23
- }
- }
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c | % 20
+
+ c4 c c c | % 21
+ c4 c c c | % 22
+
+ c4 c c c | % 23
% Chorus (redux)
c4 c c c | % 28
c4 c c c | % 29
c4 c c c | % 30
- c4 c c c \bar "||" % 31
+ c4 c c c | % 31
% Outro
c4 c r16 c c c c4 | % 32
c4 c r16 c8. c4 | % 33
- c1^\fermata \bar "|." % 34
+ c1^\fermata | % 34
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox >> }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Will Never Be (The Same Again)" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Geoff Bullock" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
+ s1*2 | % 1-2
% A section
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) \box { A } }
- r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 3
- b4 a8 a ~ a4 r | % 4
- r8 d,16 d d e fs e ~ e4 r8 a | % 5
- a8 e4 fs8 ~ fs4 r | % 6
- r8 fs16 fs fs fs g8 ~ g4 r8 b | % 7
- b8 a4 a8 ~ a4 r8 fs | % 8
- d4 fs8 fs16 e ~ e4. d16 cs | % 9
+ \mark \markup { \override #'(font-family . sans) \box { A } }
+ s1*7 | % 3-9
}
\alternative
{
{
- d4 cs8 d ~ d4 r | % 10
+ s1 | % 10
}
{
- d4 cs8 d ~ d4 r | % 11
+ s1 | % 11
}
}
% B section
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-%\mark \markup { \override #'(font-family . sans) \box { B } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*7 | % 12-18
+ \time 2/4 s2 \time 4/4 | % 19
+ s2...
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s16 \bar "||" % 20
+
+ % A section
+
+ \mark \markup { \override #'(font-family . sans) \box { C } }
+ s1*8 \bar "||" % 21-28
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #29
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ % Coda
+
+ s1*8 \bar "||" % 29-36
+
+ % Outro
+
+ \key ef \major
+
+ \mark \markup { \override #'(font-family . sans) \box { D } }
+ s1*14 \bar "|." % 37-50
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ s1*2 | % 1-2
+
+ % A section
+
+ r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 3
+ b4 a8 a ~ a4 r | % 4
+ r8 d,16 d d e fs e ~ e4 r8 a | % 5
+ a8 e4 fs8 ~ fs4 r | % 6
+ r8 fs16 fs fs fs g8 ~ g4 r8 b | % 7
+ b8 a4 a8 ~ a4 r8 fs | % 8
+ d4 fs8 fs16 e ~ e4. d16 cs | % 9
+
+ d4 cs8 d ~ d4 r | % 10
+
+ d4 cs8 d ~ d4 r | % 11
+
+ % B section
g8 g4 g8 ~ g4. a8 ~ | % 12
a8 e4 fs8 ~ fs2 | % 13
f8 f16 f ~ f f g8 ~ g8. g16 ~ g4 | % 16
g8 g16 g ~ g f a8 ~ a4 r8 fs | % 17
d8 d16 b' ~ b8 a ~ a4 r8 fs | % 18
- \time 2/4 g8 fs16 g ~ g b8. ( \time 4/4 | % 19
-%\once \override Score.RehearsalMark #'self-alignment-X = #right
-%\mark \markup { \hspace #4.0 \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
-%Argh, needs to be adjusted by hand...!
- a8 ) a2..^\markup { \hspace #9.0 \raise #0.0 \italic { \larger { to Coda } } \hspace #1.0 \musicglyph #"scripts.coda" } \bar "||" % 20
+ g8 fs16 g ~ g b8. ( | % 19
+ a8 ) a2.. | % 20
% A section
-\mark \markup { \override #'(font-family . sans) \box { C } }
r8 fs16 fs fs fs g8 ~ g4 r4 | % 21
r8 g16 g b8 a ~ a a4 r16 fs | % 22
d16 d b d ~ d fs8 e16 ~ e4 r8 a | % 23
fs8 fs g g ~ g4 r8 b ~ | % 25
b8 a4 a8 ~ a4 r8 fs | % 26
d4 fs8 fs16 e ~ e4. d16 cs | % 27
- d4 cs8 d ~ d4 r \bar "||" % 28
+ d4 cs8 d ~ d4 r | % 28
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
-
-% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #29
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % blank bar for coda
% Coda
r8 fs16 fs fs fs g8 ~ g4 r8 b | % 33
b8 a4 a8 ~ a4 r8 fs | % 34
d4 fs8 fs16 e ~ e4. d16 cs | % 35
- d4 cs8 d ~ d4 r \bar "||" % 36
+ d4 cs8 d ~ d4 r | % 36
% Outro
- \key ef \major
-
-\mark \markup { \override #'(font-family . sans) \box { D } }
r8 g16 g g g af8 ~ af4 r8 r16 af | % 37
c4 bf8 bf ~ bf4 r | % 38
r8 ef,16 ef ef f g f ~ f4 r8 bf | % 39
ef4 g8 g16 f ~ f4. ef16 d | % 47
ef2. d4 | % 48
\voiceTwo { ef2 r2 } \oneVoice | % 49
- s1 \bar "|." % 50
+ s1 | % 50
}
+
LeadVoxText = \lyricmode
{
I will ne -- ver be _ the same a -- gain, _
Riffs = \relative c'
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g4. a2 s8 | % 1
% A section
- \repeat volta 2
- {
- d4. g2/d s8 | % 3
- g4/b a8/cs d2 s8 | % 4
- g4.. a16 s2 | % 5
- g8/b a4/cs d4. a4:sus4 | % 6
- d4. e2:m11 s8 | % 7
- g8 a4 d4. d4/fs | % 8
- g4. a2 s8 | % 9
- }
- \alternative
- {
- {
- g4/b a8/cs d4. a4:sus4 | % 10
- }
- {
- g4/b a8/cs d2 s8 | % 11
- }
- }
+ d4. g2/d s8 | % 3
+ g4/b a8/cs d2 s8 | % 4
+ g4.. a16 s2 | % 5
+ g8/b a4/cs d4. a4:sus4 | % 6
+ d4. e2:m11 s8 | % 7
+ g8 a4 d4. d4/fs | % 8
+ g4. a2 s8 | % 9
+
+ g4/b a8/cs d4. a4:sus4 | % 10
+
+ g4/b a8/cs d2 s8 | % 11
% B section
bf4. c2/bf s8 | % 16
a4.:m7 d2/a s8 | % 17
e4.:m11 d2/fs s8 | % 18
- \time 2/4 g2 \time 4/4 | % 19
+ g2 | % 19
a2:sus4 a | % 20
% A section
g4. a2 s8 | % 27
g4/b a8/cs d2 s8 | % 28
-s1
+ s1 % blank for coda
% Coda
af8/c bf4./d ef2 | % 50
}
+
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% A section
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 3
- c4 c8 c ~ c4 c | % 4
- c4 ~ c8. c16 ~ c4 c | % 5
- c8 c4 c8 ~ c4 c | % 6
- c4. c8 ~ c4 c | % 7
- c8 c4 c8 ~ c4 c | % 8
- c4. c8 ~ c4 c | % 9
- }
- \alternative
- {
- {
- c4 c8 c ~ c4 c-> | % 10
- }
- {
- c4 c8 c ~ c4 c | % 11
- }
- }
+ c4. c8 ~ c4 c | % 3
+ c4 c8 c ~ c4 c | % 4
+ c4 ~ c8. c16 ~ c4 c | % 5
+ c8 c4 c8 ~ c4 c | % 6
+ c4. c8 ~ c4 c | % 7
+ c8 c4 c8 ~ c4 c | % 8
+ c4. c8 ~ c4 c | % 9
+
+ c4 c8 c ~ c4 c-> | % 10
+
+ c4 c8 c ~ c4 c | % 11
% B section
c4. c8-> ~ c4 c | % 16
c4. c8 ~ c4 c | % 17
c4.-> c8-> ~ c4 c | % 18
- \time 2/4 c4-> c \time 4/4 | % 19
- c4-> c c c \bar "||" % 20
+ c4-> c | % 19
+ c4-> c c c | % 20
% A section
c4. c8 ~ c4. c8 ~ | % 25
c8 c4 c8 ~ c4 c | % 26
c4. c8 ~ c4 c | % 27
- c4 c8 c ~ c4 c \bar "||" % 28
+ c4 c8 c ~ c4 c | % 28
% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #29
% Coda
c4. c8 ~ c4 c | % 33
c8 c4 c8 ~ c4 c | % 34
c4. c8 ~ c4 c | % 35
- c4 c8 c ~ c4 c \bar "||" % 36
+ c4 c8 c ~ c4 c | % 36
% Outro
c4. c8 ~ c4 c | % 47
c4 c c c-> | % 48
c4. c8 ~ c4 c | % 49
- c8 c4. c2-\fermata \bar "|." % 50
+ c8 c4. c2-\fermata | % 50
}
s4 s \< s2 | % 48
s4_\f s2. | % 49
s8 s_\markup { \italic { rit. } } s2. | % 50
-
-%{
- s4_\markup { \italic { snare pat. } } s2 | % 1
- s4_\markup { \italic { simile } } s2 | % 2
- s2.*19
- s4_\markup { \italic { spacy } } s2 | % 22
- s2.*5
- s4 s \< s \! | % 28
- s2.*22
- s4_\markup { \italic { Last time } } s2 | % 51
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "JazzText"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Will Praise Him Still" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Fernando Ortega" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. John Wierick" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- \time 2/4 s2 \time 4/4 | % 5
- r2 r4 g8 fs | % 6
+ s1*4 | % 1-4
+ \time 2/4 s2 \time 4/4 | % 5
+ s1 | % 6
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
- e4 e d d8 g | % 7
- a4 a b b8 a | % 8
- g4 e d d8 g | % 9
- \time 2/4 a4 a \time 4/4 | % 10
- g2 r4 g8 fs | % 11
-
- e4 e d d8 g | % 12
- a4 a b b8 a | % 13
- g4 e d d8 g | % 14
- \time 2/4 a4 a \time 4/4 | % 15
- g2 r4 b8 d \bar "||" % 16
+ s1*3 | % 7-9
+ \time 2/4 s2 \time 4/4 | % 10
+ s1*4 | % 11-14
+ \time 2/4 s2 \time 4/4 | % 15
+ s1 \bar "||" % 16
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
- <d \hn fs>4 <d \hn fs> <d \hn g>4 b8 ( a16 g ) | % 17
- <a \hn d>4 <a \hn d> <b \hn d> b8 d | % 18
- <e \hn g>4 <e \hn g> <d \hn fs> b8 a | % 19
- \time 2/4 g4 b \time 4/4 | % 20
+ s1*3 | % 17-19
+ \time 2/4 s2 \time 4/4 | % 20
}
\alternative
{
{
- a2 r4 g8 fs \bar "||" % 21
- e4 e d d8 g | % 22
- a4 a b b8 a | % 23
- g4 e d d8 g | % 24
- \time 2/4 a4 a \time 4/4 | % 25
- g2. r4 | % 26
- r2 r4 g8 fs | % 27
+ s1 \bar "||" % 21
+ s1*3 | % 22-24
+ \time 2/4 s2 \time 4/4 | % 25
+ s1*2 | % 26-27
}
{
- a2 r4 e'8 e | % 28
- d4 d d b8 ( a16 g ) | % 29
+ s1*2 | % 28-29
}
}
+ s1*2 | % 30-31
+ \time 2/4 s2 \time 4/4 | % 32
+ s1 \bar "||" % 33
+
+ % Verse
+
+ s1*3 | % 34-36
+ \time 2/4 s2 \time 4/4 | % 37
+ s1*2 | % 38-39
+
+ \repeat volta 2
+ {
+ % Interlude
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*4 | % 40-43
+ }
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*3 | % 44-46
+ \time 2/4 s2 \time 4/4 | % 47
+ s1*4 | % 48-51
+ \time 2/4 s2 \time 4/4 | % 52
+ s1 \bar "||" % 53
+
+ % Verse outro
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*3 | % 54-56
+ \time 2/4 s2 \time 4/4 | % 57
+ s1*2 \bar "|." % 58-59
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ s1*4 | % 1-4
+ s2 | % 5
+ r2 r4 g8 fs | % 6
+
+ % Verse
+
+ e4 e d d8 g | % 7
+ a4 a b b8 a | % 8
+ g4 e d d8 g | % 9
+ a4 a | % 10
+ g2 r4 g8 fs | % 11
+
+ e4 e d d8 g | % 12
+ a4 a b b8 a | % 13
+ g4 e d d8 g | % 14
+ a4 a | % 15
+ g2 r4 b8 d | % 16
+
+ % Chorus
+
+ <d \hn fs>4 <d \hn fs> <d \hn g>4 b8 ( a16 g ) | % 17
+ <a \hn d>4 <a \hn d> <b \hn d> b8 d | % 18
+ <e \hn g>4 <e \hn g> <d \hn fs> b8 a | % 19
+ g4 b | % 20
+
+ a2 r4 g8 fs | % 21
+ e4 e d d8 g | % 22
+ a4 a b b8 a | % 23
+ g4 e d d8 g | % 24
+ a4 a | % 25
+ g2. r4 | % 26
+ r2 r4 g8 fs | % 27
+
+ a2 r4 e'8 e | % 28
+ d4 d d b8 ( a16 g ) | % 29
+
a4 a b b8 d | % 30
e4 e d b8 a | % 31
- \time 2/4 g4 b \time 4/4 | % 32
- a2 r4 g8 fs \bar "||" % 33
+ g4 b | % 32
+ a2 r4 g8 fs | % 33
% Verse
e4 e d d8 g | % 34
a4 a b b8 a | % 35
g4 e d d8 g | % 36
- \time 2/4 a4 a \time 4/4 | % 37
+ a4 a | % 37
g2. r4 | % 38
R1 | % 39
- \repeat volta 2
- {
- % Interlude
-
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ % Interlude
- s1 | % 40
- s1 | % 41
- s1 | % 42
- \voiceOne s2. <e' \hn g>8 <e \hn fs> \oneVoice | % 43
- }
+ s1 | % 40
+ s1 | % 41
+ s1 | % 42
+ \voiceOne s2. <e' \hn g>8 <e \hn fs> \oneVoice | % 43
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
d4 d d b8 ( a16 g ) | % 44
a4 a b b8 d | % 45
e4 e d b8 a | % 46
- \time 2/4 g4 b \time 4/4 | % 47
+ g4 b | % 47
a2 r4 e'8 e | % 48
d4 d d b8 ( a16 g ) | % 49
a4 a b b8 d | % 50
e4 e d b8 a | % 51
- \time 2/4 g4 b \time 4/4 | % 52
- a2 r4 g8 fs \bar "||" % 53
+ g4 b | % 52
+ a2 r4 g8 fs | % 53
% Verse outro
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
e4 e d d8 g | % 54
a4 a b b8 a | % 55
g4 e d d8 g | % 56
- \time 2/4 a4 a \time 4/4 | % 57
+ a4 a | % 57
g1 ~ | % 58
- g1^\fermata \bar "|." % 59
+ g1^\fermata | % 59
}
+
LeadVoxText = \lyricmode
{
When the mor- ning falls on the far- thest hill
Riffs = \relative c'''
{
- \clef G
- \key g \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
-\tiny
+ \tiny
r2. g8 fs | % 1
e4 e d d8 g | % 2
a4 a b b16 c32 b a16 g | % 3
g4 e d d8 g | % 4
- \time 2/4 a4 a \time 4/4 | % 5
+ a4 a | % 5
g1 | % 6
- \repeat volta 2
- {
- % Verse
+ % Verse
- s1 | % 7
- s1 | % 8
- s1 | % 9
- \time 2/4 s2 \time 4/4 | % 10
- s1 | % 11
+ s1 | % 7
+ s1 | % 8
+ s1 | % 9
+ s2 | % 10
+ s1 | % 11
- s1 | % 12
- s1 | % 13
- s1 | % 14
- \time 2/4 s2 \time 4/4 | % 15
- s1 | % 16
+ s1 | % 12
+ s1 | % 13
+ s1 | % 14
+ s2 | % 15
+ s1 | % 16
- % Chorus
+ % Chorus
- s1 | % 17
- s1 | % 18
- s1 | % 19
- \time 2/4 s2 \time 4/4 | % 20
- }
- \alternative
- {
- {
- s1 | % 21
- s1 | % 22
- s1 | % 23
- s1 | % 24
- \time 2/4 s2 \time 4/4 | % 25
- s1 | % 26
- s1 | % 27
- }
- {
- s1 | % 28
- s1 | % 29
- }
- }
+ s1 | % 17
+ s1 | % 18
+ s1 | % 19
+ s2 | % 20
+
+ s1 | % 21
+ s1 | % 22
+ s1 | % 23
+ s1 | % 24
+ s2 | % 25
+ s1 | % 26
+ s1 | % 27
+
+ s1 | % 28
+ s1 | % 29
s1 | % 30
s1 | % 31
- \time 2/4 s2 \time 4/4 | % 32
+ s2 | % 32
s1 | % 33
% Verse
s1 | % 34
s1 | % 35
s1 | % 36
- \time 2/4 s2 \time 4/4 | % 37
+ s2 | % 37
s1 | % 38
s1 | % 39
- \repeat volta 2
- {
- % Interlude
+ % Interlude
- << { \tiny e4 e d d8 g } \\ { \tiny <c, g>2 <b g> } >> | % 40
- << { a'4 a b b8 a } \\ { <a, fs>2 b16 c b a g8 fs } >> | % 41
- << { g'4 e d d8 g } \\ { e,4. g16 a b8 g d b' } >> | % 42
- << { a'4 a b16 c b a s4 } \\ { a,4. g16 fs g4 b8 g } >> | % 43
- }
+ << { \tiny e4 e d d8 g } \\ { \tiny <c, g>2 <b g> } >> | % 40
+ << { a'4 a b b8 a } \\ { <a, fs>2 b16 c b a g8 fs } >> | % 41
+ << { g'4 e d d8 g } \\ { e,4. g16 a b8 g d b' } >> | % 42
+ << { a'4 a b16 c b a s4 } \\ { a,4. g16 fs g4 b8 g } >> | % 43
% Chorus
s1 | % 44
s1 | % 45
s1 | % 46
- \time 2/4 s2 \time 4/4 | % 47
+ s2 | % 47
s1 | % 48
s1 | % 49
s1 | % 50
s1 | % 51
- \time 2/4 s2 \time 4/4 | % 52
+ s2 | % 52
s1 | % 53
% Verse outro
s1 | % 54
s1 | % 55
s1 | % 56
- \time 2/4 s2 \time 4/4 | % 57
+ s2 | % 57
s1 | % 58
- s1 \bar "|." % 59
-\normalsize
+ s1 | % 59
+ \normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 | % 1
c2/g g | % 2
d2/fs e:m | % 3
a2:m g/b | % 4
- \time 2/4 d2 \time 4/4 | % 5
+ d2 | % 5
g1 | % 6
- \repeat volta 2
- {
- % Verse
+ % Verse
- c2 g/b | % 7
- d2 g | % 8
- a2:m g/b | % 9
- \time 2/4 d2 \time 4/4 | % 10
- g1 | % 11
+ c2 g/b | % 7
+ d2 g | % 8
+ a2:m g/b | % 9
+ d2 | % 10
+ g1 | % 11
- c2/g g | % 12
- d2/fs e:m | % 13
- a2:m g/b | % 14
- \time 2/4 d2 \time 4/4 | % 15
- g1 | % 16
+ c2/g g | % 12
+ d2/fs e:m | % 13
+ a2:m g/b | % 14
+ d2 | % 15
+ g1 | % 16
- % Chorus
+ % Chorus
- d2 g | % 17
- d2/fs g | % 18
- e2:m b:m | % 19
- \time 2/4 c \time 4/4 | % 20
- }
- \alternative
- {
- {
- d1 | % 21
- c2 g/b | % 22
- d2 e:m | % 23
- a2:m g/b | % 24
- \time 2/4 d2 \time 4/4 | % 25
- g1 | % 26
- s1 | % 27
- }
- {
- d1 | % 28
- d2 g | % 29
- }
- }
+ d2 g | % 17
+ d2/fs g | % 18
+ e2:m b:m | % 19
+ c | % 20
+
+ d1 | % 21
+ c2 g/b | % 22
+ d2 e:m | % 23
+ a2:m g/b | % 24
+ d2 | % 25
+ g1 | % 26
+ s1 | % 27
+
+ d1 | % 28
+ d2 g | % 29
d2/fs g | % 30
e2:m b:m | % 31
- \time 2/4 c2 \time 4/4 | % 32
+ c2 | % 32
d1 | % 33
% Verse
c2 g/b | % 34
d2 e:m | % 35
a2:m7 g/b | % 36
- \time 2/4 d2 \time 4/4 | % 37
+ d2 | % 37
g1 | % 38
s1 | % 39
- \repeat volta 2
- {
- % Interlude
+ % Interlude
- c2/g g | % 40
- d2/fs g | % 41
- c2/g g | % 42
- d2/fs g | % 43
- }
+ c2/g g | % 40
+ d2/fs g | % 41
+ c2/g g | % 42
+ d2/fs g | % 43
% Chorus
d2 g | % 44
d2:/fs g | % 45
e2:m b:m7 | % 46
- \time 2/4 c2 \time 4/4 | % 47
+ c2 | % 47
d1 | % 48
d2 g | % 49
d2/fs g | % 50
e2:m b:m7 | % 51
- \time 2/4 c2 \time 4/4 | % 52
+ c2 | % 52
d1 | % 53
% Verse outro
c2 g/b | % 54
d2 e:m | % 55
a2:m g/b | % 56
- \time 2/4 d2 \time 4/4 | % 57
+ d2 | % 57
g1 | % 58
s1 | % 59
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 2
c4 c c c | % 3
c4 c c c | % 4
- \time 2/4 c4 c \time 4/4 | % 5
+ c4 c | % 5
c4 c c c | % 6
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- \time 2/4 c4 c \time 4/4 | % 10
- c4 c c c | % 11
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c | % 10
+ c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- \time 2/4 c4 c \time 4/4 | % 15
- c4 c c c | % 16
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c | % 15
+ c4 c c c | % 16
- % Chorus
+ % Chorus
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- \time 2/4 c4 c \time 4/4 | % 20
- }
- \alternative
- {
- {
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- \time 2/4 c4 c \time 4/4 | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- }
- {
- c4 c c c | % 28
- c4 c c c | % 29
- }
- }
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c | % 20
+
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+
+ c4 c c c | % 28
+ c4 c c c | % 29
c4 c c c | % 30
c4 c c c | % 31
- \time 2/4 c4 c \time 4/4 | % 32
+ c4 c | % 32
c4 c c c | % 33
% Verse
c4 c c c | % 34
c4 c c c | % 35
c4 c c c | % 36
- \time 2/4 c4 c \time 4/4 | % 37
+ c4 c | % 37
c4 c c c | % 38
c4 c c c | % 39
- \repeat volta 2
- {
- % Interlude
+ % Interlude
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- }
+ c4 c c c | % 40
+ c4 c c c | % 41
+ c4 c c c | % 42
+ c4 c c c | % 43
% Chorus
c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
- \time 2/4 c4 c \time 4/4 | % 47
+ c4 c | % 47
c4 c c c | % 48
c4 c c c | % 49
c4 c c c | % 50
c4 c c c | % 51
- \time 2/4 c4 c \time 4/4 | % 52
+ c4 c | % 52
c1 | % 53
% Verse outro
c2 c | % 54
c2 c | % 55
c2 c | % 56
- \time 2/4 c4 c \time 4/4 | % 57
+ c4 c | % 57
c1 ~ | % 58
- c1^\fermata \bar "|." % 59
+ c1^\fermata | % 59
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "If We Are The Body" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Casting Crowns" }
-% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
% \key fs \minor
% Transposed edition
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
}
s1 \bar "|." % 74
-
-
-%{
-
-% \once \override TextScript #'padding = #2.0
-% s1*0^\markup { \large \bold { Moderately fast pop } }
-%%Capo 3 version
-%% s1*0^\markup { \large \bold { Moderately fast pop "(*** CAPO 3 ***)" } }
-% s1*13 \bar "||:" % 1-13
-
-%}
}
LeadVox = \relative c'
{
\clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
s1 | % 74
}
+
LeadVoxText = \lyricmode
{
It’s crowd -- ed _ in wor -- ship _ to -- day, _
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
fs1:m7 | % 1
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
% \context Staff << \new Voice = "lead" \LeadVox \new Voice \Riffs >>
% Transposed edition
- \context Staff << \new Voice = "lead" \transpose fs e \LeadVox \new Voice \transpose fs e \Riffs >>
+ \new Voice = "lead" \transpose fs e \LeadVox
+ \new Voice \transpose fs e \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In Christ Alone" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Stuart Townend/Keith Getty" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Intro
s1*0^\markup { \large \bold { Not too fast } }
% Capo 4 version
% s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
-
- s2.*17 \bar "|." % 1-17
-% \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \partial 8*3 s4. | % 0
+ s2.*15 | % 1-15
+ \partial 8*3 s4. \bar "|." % 16
}
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
- r4 r8 a b8. d16 | % 0
+% r4 r8 a b8. d16 | % 0
+ a8 b8. d16 | % 0
d4. a8 b d | % 1
e2 fs8 e16 d | % 2
b8 fs' e4. d8 | % 3
d4. a8 b d | % 13
e2 fs8 e16 d | % 14
b8 fs' e4. d8 | % 15
- d4. r8 r4 | % 16
+% d4. r8 r4 | % 16
+ d4. | % 16
}
LeadVoxText = \lyricmode
Riffs = \relative c''
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
%{
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
- s4. d8 g4/a | % 0
+% s4. d8 g4/a | % 0
+ d8 g4/a | % 0
d2 g4 | % 1
a4:sus4 a b:m | % 2
g4 a4. g8/a | % 3
d4:sus4 d g | % 13
a4:sus4 a b:m | % 14
g4 a4. g8/a | % 15
- d4. s | % 16
+% d4. s | % 16
+ d4. | % 16
}
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
- r4 r8 c c4 | % 0
+% r4 r8 c c4 | % 0
+ c8 c4 | % 0
c4 c c | % 1
c4 c c | % 2
c4 c4. c8 | % 3
c4 c c | % 13
c4 c c | % 14
c4 c4. c8 | % 15
- c4. r | % 16
+% c4. r | % 16
+ c4. | % 16
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
\new Lyrics \lyricsto "lead" \LeadVoxTextD
+ >>
-% \new Staff
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
% \new ChordNames \transpose b g \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
- >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope, it does not]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In The Secret" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "A. Park" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key af \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \small "16th note rock" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \small "16th note rock" }
- R1 | % 1
+ s1 | % 1
\repeat volta 2
{
- r8 c bf16 af8. bf c16 ~ c8 af ~ | % 2
- af4 r ef'8. f16 ~ f8 ef | % 3
+ s1*2 | % 2-3
}
\alternative
{
{
- r8 c bf16 af8. bf f16 ~ f8 af ~ | % 4
- af1 | % 5
+ s1*2 | % 4-5
}
{
- r8 c bf16 af8. bf c16 ~ c8 af ~ | % 6
+ s1 | % 6
}
}
- af1 | % 7
- R1 \bar "||:" % 8
+ s1*2 \bar ".|:-||" % 7-8
\repeat volta 3
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- r16 af af bf ~ bf c8. r16 af af bf ~ bf c8. | % 9
- bf16 ( af8. ) ~ af4 r2 | % 10
- r16 af af bf ~ bf c8. bf f16 ~ f8 bf ( | % 11
- af2 ) r2 | % 12
- r16 af af bf ~ bf c8. r16 af af bf ~ bf c8 df16 ~ | % 13
- df16 c bf af ~ af8. df16 ~ df c bf af ~ af4 | % 14
- r16 af af bf ~ bf c8. bf c16 ~ c8 bf ( | % 15
- af2. ) r4 \bar "||" % 16
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 9-16
% Chorus
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 17
- r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 18
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 19
- <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 20
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 21
- r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 22
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 23
+ s1*7 | % 17-23
}
\alternative
{
{
- <af f' af>1 ) | % 24
- R1 | % 25
+ s1*2 | % 24-25
}
{
- af1^\markup { \hspace #18.0 \raise #1.0 \large \italic { D.S. } } \repeatTie \bar "||" % 26
+ s1^\markup { \hspace #18.0 \raise #1.0 \large \italic { D.S. } } \bar "||" % 26
}
{
- af1 \repeatTie | % 27
+ s1 | % 27
}
}
- R1 | % 28
- R1 \bar "||" % 29
+ s1*2 \bar "||" % 28-29
% Chorus (reprise)
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 | % 30-37
+
+ \repeat volta 2
+ {
+ % Chorus (outro)
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 | % 38-45
+ }
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*4 \bar "|." % 46-49
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1 | % 1
+
+ \repeat volta 2
+ {
+ r8 c bf16 af8. bf c16 ~ c8 af ~ | % 2
+ af4 r ef'8. f16 ~ f8 ef | % 3
+ }
+ \alternative
+ {
+ {
+ r8 c bf16 af8. bf f16 ~ f8 af ~ | % 4
+ af1 | % 5
+ }
+ {
+ r8 c bf16 af8. bf c16 ~ c8 af ~ | % 6
+ }
+ }
+
+ af1 | % 7
+ R1 | % 8
+
+ % Verse
+
+ r16 af af bf ~ bf c8. r16 af af bf ~ bf c8. | % 9
+ bf16 ( af8. ) ~ af4 r2 | % 10
+ r16 af af bf ~ bf c8. bf f16 ~ f8 bf ( | % 11
+ af2 ) r2 | % 12
+ r16 af af bf ~ bf c8. r16 af af bf ~ bf c8 df16 ~ | % 13
+ df16 c bf af ~ af8. df16 ~ df c bf af ~ af4 | % 14
+ r16 af af bf ~ bf c8. bf c16 ~ c8 bf ( | % 15
+ af2. ) r4 \bar "||" % 16
+
+ % Chorus
+
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 17
+ r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 18
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 19
+ <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 20
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 21
+ r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 22
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 23
+
+ <af f' af>1 ) | % 24
+ R1 | % 25
+
+ af1 \repeatTie | % 26
+
+ af1 \repeatTie | % 27
+
+ R1*2 | % 28-29
+
+ % Chorus (reprise)
r8 af af ef' ef8. bf16 ~ bf4 | % 30
r8 af16 af ~ af ef'8. ef df16 ~ df8 c | % 31
r8 <af ef'> <af ef'> <ef' af> <ef g>8. <bf g'>16 ~ <bf g'>4 | % 36
r4 <df f af df>2. | % 37
- \repeat volta 2
- {
- % Chorus (outro)
-
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
+ % Chorus (outro)
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 38
- r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 39
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 40
- <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 41
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 42
- r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 43
- r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 44
- <af f' af>1 ) | % 45
- }
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>4 | % 38
+ r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 39
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 ~ <bf ef g>8 << { \voiceOne <bf ef g> ( | % 40
+ <af f'>1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 41
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r4 | % 42
+ r8 <af c ef>16 <af c ef> ~ <af c ef> <c ef af>8. <df ef af> <df f>16 ~ <df f>8 <c ef af> | % 43
+ r8 <af c ef> <af c ef> <c ef af> <bf ef g>8. <bf ef g>16 r8 <bf ef g> ( | % 44
+ <af f' af>1 ) | % 45
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
- R1 | % 46
- R1 | % 47
- R1 | % 48
- r1-\fermata \bar "|." % 49
+ R1*3 | % 46-48
+ r1-\fermata | % 49
}
+
LeadVoxText = \lyricmode
{
Bah bah dah bah bah _ bah, _ doo doo _ doo
Riffs = \relative c'
{
- \clef G
- \key af \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
%{
\tiny
r2 r8 d f bf | % 1
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 | % 1
- \repeat volta 2
- {
- af2 ef | % 2
- f8.:m ef df8 s2 | % 3
- }
- \alternative
- {
- {
- af2 ef | % 4
- df8. af/c df8 s2 | % 5
- }
- {
- f2:m ef | % 6
- }
- }
+ af2 ef | % 2
+ f8.:m ef df8 s2 | % 3
+
+ af2 ef | % 4
+ df8. af/c df8 s2 | % 5
+
+ f2:m ef | % 6
df8. af/c df8 s2 | % 7
s1 | % 8
% Verse
- \repeat volta 3
- {
- af2 af/c | % 9
- df1 | % 10
- f2:m ef | % 11
- df1 | % 12
- af2 af/c | % 13
- df1 | % 14
- f2:m ef | % 15
- df1 | % 16
+ af2 af/c | % 9
+ df1 | % 10
+ f2:m ef | % 11
+ df1 | % 12
+ af2 af/c | % 13
+ df1 | % 14
+ f2:m ef | % 15
+ df1 | % 16
- % Chorus
+ % Chorus
- af2 ef | % 17
- f8.:m ef df8 s2 | % 18
- af2 ef | % 19
- df8. af/c df8 s2 | % 20
- af2 ef | % 21
- f8.:m ef df8 s2 | % 22
- f2:m ef | % 23
- }
- \alternative
- {
- {
- df8. af/c df8 s2 | % 24
- s1 | % 25
- }
- {
- df8. af/c df8 s2 | % 26
- }
- {
- df8. af/c df8 s2 | % 27
- }
- }
+ af2 ef | % 17
+ f8.:m ef df8 s2 | % 18
+ af2 ef | % 19
+ df8. af/c df8 s2 | % 20
+ af2 ef | % 21
+ f8.:m ef df8 s2 | % 22
+ f2:m ef | % 23
+
+ df8. af/c df8 s2 | % 24
+ s1 | % 25
+
+ df8. af/c df8 s2 | % 26
+
+ df8. af/c df8 s2 | % 27
af1 | % 28
s1 | % 29
f2:m ef | % 36
df8. af/c df af/c df4 | % 37
- \repeat volta 2
- {
- % Chorus (outro)
+ % Chorus (outro)
- af2 ef | % 38
- f8.:m ef df8 s2 | % 39
- af2 ef | % 40
- df8. af/c df8 s2 | % 41
- af2 ef | % 42
- f8.:m ef df8 s2 | % 43
- f2:m ef | % 44
- df8. af/c df8 s2 | % 45
- }
+ af2 ef | % 38
+ f8.:m ef df8 s2 | % 39
+ af2 ef | % 40
+ df8. af/c df8 s2 | % 41
+ af2 ef | % 42
+ f8.:m ef df8 s2 | % 43
+ f2:m ef | % 44
+ df8. af/c df8 s2 | % 45
af2 ef | % 46
f8.:m ef d8 s2 | % 47
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 1
- \repeat volta 2
- {
- c8 c ~ c4 c8 c ~ c4 | % 2
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 3
- }
- \alternative
- {
- {
- c8 c ~ c4 c8 c ~ c4 | % 4
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 5
- }
- {
- c8 c ~ c4 c8 c ~ c4 | % 6
- }
- }
+ c8 c ~ c4 c8 c ~ c4 | % 2
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 3
+
+ c8 c ~ c4 c8 c ~ c4 | % 4
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 5
+
+ c8 c ~ c4 c8 c ~ c4 | % 6
c8. c16 ~ c8 c ~ c4 c | % 7
- c4 c c c \bar "||:" % 8
+ c4 c c c | % 8
% Verse
- \repeat volta 3
- {
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c \bar "||" % 16
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
- % Chorus
+ % Chorus
- c8 c ~ c4 c8 c ~ c4 | % 17
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 18
- c8 c ~ c4 c8 c ~ c4 | % 19
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 20
- c8 c ~ c4 c8 c ~ c4 | % 21
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 22
- c8 c ~ c4 c8 c ~ c4 | % 23
- }
- \alternative
- {
- {
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 24
- c4 c c c | % 25
- }
- {
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 26
- }
- {
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 27
- }
- }
+ c8 c ~ c4 c8 c ~ c4 | % 17
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 18
+ c8 c ~ c4 c8 c ~ c4 | % 19
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 20
+ c8 c ~ c4 c8 c ~ c4 | % 21
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 22
+ c8 c ~ c4 c8 c ~ c4 | % 23
+
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 24
+ c4 c c c | % 25
+
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 26
+
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 27
c1 ~ | % 28
- c1 \bar "||" % 29
+ c1 | % 29
% Chorus (reprise)
c2 c | % 36
c8.-> c16-> ~ c8 c-> ~ c16 c8.-> c4-> | % 37
- \repeat volta 2
- {
- % Chorus (outro)
+ % Chorus (outro)
- c8 c ~ c4 c8 c ~ c4 | % 38
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 39
- c8 c ~ c4 c8 c ~ c4 | % 40
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 41
- c8 c ~ c4 c8 c ~ c4 | % 42
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 43
- c8 c ~ c4 c8 c ~ c4 | % 44
- c8.-> c16-> ~ c8 c-> ~ c4 c | % 45
- }
+ c8 c ~ c4 c8 c ~ c4 | % 38
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 39
+ c8 c ~ c4 c8 c ~ c4 | % 40
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 41
+ c8 c ~ c4 c8 c ~ c4 | % 42
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 43
+ c8 c ~ c4 c8 c ~ c4 | % 44
+ c8.-> c16-> ~ c8 c-> ~ c4 c | % 45
c8 c ~ c4 c8 c ~ c4 | % 46
c8.-> c16-> ~ c8 c-> ~ c4 c | % 47
c8 c ~ c4 c8 c ~ c4 | % 48
- c8.-> c16-> ~ c8 c-> ~ c2-\fermata \bar "|." % 49
+ c8.-> c16-> ~ c8 c-> ~ c2-\fermata | % 49
}
s1*6 | % 31-36
s4_\f s s \< s | % 37
s4_\ff s2. | % 38
-%{
- s1*27 | % 1-27
- s4 s \< s \! s | % 28
- s4_\markup { \italic { add backbeat } } s2. | % 29
- s1*18 | % 30-47
- s4 s \< s \! s | % 48
- s1*8 | % 49-55
- s2 s_\markup { \italic { rit. } } | % 56
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Infant Holy, Infant Lowly" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% \once \override TextScript #'padding = #2.0
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
- \set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
-%\partial 4*1
s4 | % 0
s2.*4 | % 1-4
s2 d8 d | % 5
g8. g16 ~ g4 c8 b | % 36
a8. a16 ~ a4 b8 c | % 37
d4 c b8 a | % 38
- g2 s4 | % 39
+ g2 r4 | % 39
% Solo
- r2. | % 40
- r2. | % 41
- r2. | % 42
- r2. | % 43
- r2. | % 44
- r2. | % 45
- r2. | % 46
+ R2.*7 | % 40-46
r2 g8 fs | % 47
% Refrain
Riffs = \relative c'
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
\tiny
- %\partial 1*4
<b g'>8 <a fs'> | % 0
<g e'>8. <g e'>16 ~ <g e'>4 <c a'>8 <b g'> | % 1
<a fs'>8. <a fs'>16 ~ <a fs'>4 <d b'>8 <c a'> | % 2
{
% Intro
-%\partial 4*1
s4 | % 0
- c2.:5.9 | % 1
- d2.:5.9 | % 2
+ c2.:3.5.9 | % 1
+ d2.:3.5.9 | % 2
e2.:m7 | % 3
- d2.:5.9/fs | % 4
+ d2.:3.5.9/fs | % 4
d2. | % 5
% Verse/Refrain
g2. | % 6
d2. | % 7
- c2:5.9 d4 | % 8
+ c2:3.5.9 d4 | % 8
g2 d4:7sus4 | % 9
g2. | % 10
- d2.:5.9/fs | % 11
+ d2.:3.5.9/fs | % 11
a2:m7 d4 | % 12
g2. | % 13
- c2.:5.9 | % 14
- d2.:5.9 | % 15
+ c2.:3.5.9 | % 14
+ d2.:3.5.9 | % 15
e2.:m7 | % 16
- d2.:5.9/fs | % 17
+ d2.:3.5.9/fs | % 17
a2:m7 g8/d d | % 18
g2. | % 19
% Midtro
- c2.:5.9 | % 20
- d2.:5.9 | % 21
+ c2.:3.5.9 | % 20
+ d2.:3.5.9 | % 21
e2.:m7 | % 22
- d2.:5.9/fs | % 23
+ d2.:3.5.9/fs | % 23
a2:m7 g8/d d | % 24
g2 d4:7sus4 | % 25
g2. | % 26
d2. | % 27
- c2:5.9 d4 | % 28
+ c2:3.5.9 d4 | % 28
g2 d4/fs | % 29
e2:m7 b4:m7 | % 30
a2:m7 d4 | % 31
- c2:5.9/e d4:5.9/fs | % 32
+ c2:3.5.9/e d4:3.5.9/fs | % 32
g2. | % 33
- c2.:5.9 | % 34
- d2.:5.9 | % 35
+ c2.:3.5.9 | % 34
+ d2.:3.5.9 | % 35
e2.:m7 | % 36
- d2.:5.9/fs | % 37
+ d2.:3.5.9/fs | % 37
a2:m7 g8/d d | % 38
g2 d4:7sus4 | % 39
g2. | % 40
d2. | % 41
- c2:5.9 d4 | % 42
+ c2:3.5.9 d4 | % 42
g2 d4/fs | % 43
e2:m7 b4:m7 | % 44
a2:m7 d4 | % 45
- c2:5.9/e d4:5.9/fs | % 46
+ c2:3.5.9/e d4:3.5.9/fs | % 46
g2. | % 47
% Refrain
- c2.:5.9 | % 48
- d2.:5.9 | % 49
- c2.:5.9/e | % 50
+ c2.:3.5.9 | % 48
+ d2.:3.5.9 | % 49
+ c2.:3.5.9/e | % 50
f2.:maj7 | % 51
d2:sus4 b4:m7 | % 52
a2:m7 g8/d d | % 53
% Outro
- c2.:5.9 | % 55
- d2.:5.9 | % 56
- c2.:5.9/e | % 57
- f2:5.9 d4 | % 58
+ c2.:3.5.9 | % 55
+ d2.:3.5.9 | % 56
+ c2.:3.5.9/e | % 57
+ f2:3.5.9 d4 | % 58
a2:m7 g8/d d | % 59
g2. | % 60
}
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
% Intro
- \partial 4*1
s4 | % 0
c4 c c | % 1
c4 c c | % 2
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
% \new ChordNames \transpose b g \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #24
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Jesus, All For Jesus" }
% composer = \markup { \override #'(font-family . sans) "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
(acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
+%
+% Song's structure
+%
+Global =
+{
+ \clef G
+ \key d \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Intro
+
+ \repeat volta 2
+ {
+ s1*2 | % 1-2
+ }
+
+ s1*8 \bar ".|:-||" % 3-10
+
+ % A section
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*5 | % 11-15
+ }
+ \alternative
+ {
+ {
+ s1*3 | % 16-18
+ }
+ {
+ s1 | % 19
+ }
+ }
+
+ s1*2 \bar ".|:-||" % 20-21
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*5 | % 22-26
+ }
+ \alternative
+ {
+ {
+ s1*3 | % 27-29
+ }
+ {
+ s1 % 30
+ }
+ }
+
+ s1*2 \bar "||" % 31-32
+
+ % B section
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*8 \bar "||" % 40
+
+ % A section
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+
+ s1*5 | % 41-45
+ s1 | % 46
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s1*2 \bar "||" % 47-48
+
+ % Midtro
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*8 \bar "||" % 49-56
+
+ % A section
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s1*5 | % 57-61
+ s1*3 \bar "||" % 62-64
+
+ \mark \markup { \override #'(font-family . sans) { \box { G } } }
+ s1*8 \bar "||" % 65-72
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % Coda
+
+%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #73
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1*2 \bar "||" % 73-74
+ s1*7 \bar "|." % 75-81
+}
+
+
% Various melody lines
melodyLineA =
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \repeat volta 2
- {
- R1 | % 1
- R1 | % 2
- }
+ R1*2 | % 1-2
s1*8 | % 3-10
% A section
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ fs4. ( e8 ) fs2 ~ | % 11
+ fs2 fs4 a | % 12
+ b4. ( a8 ) a2 ~ | % 13
+ a2 b4 a | % 14
+ e4. d8 e2 ~ | % 15
- fs4. ( e8 ) fs2 ~ | % 11
- fs2 fs4 a | % 12
- b4. ( a8 ) a2 ~ | % 13
- a2 b4 a | % 14
- e4. d8 e2 ~ | % 15
- }
- \alternative
- {
- {
- e4. e8 fs e d a | % 16
- b1 ( | % 17
- a2 ) r2 | % 18
- }
- {
- e'4. \repeatTie e8 fs e d cs | % 19
- }
- }
+ e4. e8 fs e d a | % 16
+ b1 ( | % 17
+ a2 ) r2 | % 18
+
+ e'4. \repeatTie e8 fs e d cs | % 19
d1 ~ | % 20
d2 r | % 21
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
- <fs \hn d \hn a>4. \melodyLineB % 22-26
- }
- \alternative
- {
- {
- \melodyLineBRptA % 27-29
- }
- {
- <e' \hn cs \hn a>4. \repeatTie \melodyLineBRptB % 30
- }
- }
+ <fs \hn d \hn a>4. \melodyLineB % 22-26
+
+ \melodyLineBRptA % 27-29
+
+ <e' \hn cs \hn a>4. \repeatTie \melodyLineBRptB % 30
<d \hn a \hn fs>1 | % 31
- r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 \bar "||" % 32
+ r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 | % 32
% B section
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
<b \hn g \hn d>4. <a \hn fs \hn d>8 <b \hn g \hn d>2 ~ | % 33
<b \hn g \hn d>4 <a \hn fs \hn d> <b \hn g \hn e>8 ( a ) <a \hn fs \hn d>4 | % 34
<a \hn fs \hn d>4. <fs \hn d \hn a>8 <a \hn fs \hn d>2 ~ | % 35
<b \hn g \hn d>4. <a \hn fs \hn d>8 <b \hn g \hn d>2 ~ | % 37
<b \hn g \hn d>4 <cs \hn a \hn g> <d \hn b \hn g>8 ( <cs \hn a \hn d,> ) <b \hn g \hn d> ( <a \hn fs \hn d> ) | % 38
<a \hn fs \hn d>2. <fs \hn d \hn a>4 | % 39
- <e \hn cs \hn a>1 \bar "||" % 40
+ <e \hn cs \hn a>1 | % 40
% A section
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
\melodyLineC % 41-45
<e \hn cs \hn a>4. \melodyLineBRptB % 46
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
<d \hn a \hn fs>1 ~ | % 47
- <d \hn a \hn fs>2 r \bar "||" % 48
+ <d \hn a \hn fs>2 r | % 48
% Midtro
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
- s1*8 \bar "||" % 49-56
+ s1*8 | % 49-56
% A section
-\mark \markup { \override #'(font-family . sans) { \box { F } } }
-
\melodyLineC % 57-61
- \melodyLineBRptA \bar "||" % 62-64
-
-\mark \markup { \override #'(font-family . sans) { \box { G } } }
+ \melodyLineBRptA | % 62-64
<fs' \hn d \hn a>4. \melodyLineB % 65-69
<e \hn cs \hn a>4. \melodyLineBRptB % 70
<d \hn a \hn fs>1 | % 71
- r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 \bar "||" % 72
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 | % 72
% Coda
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #73
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % blank bar for coda
<d, \hn a \hn fs>1 ~ | % 73
- <d \hn a \hn fs>2 r \bar "||" % 74
- s1*7 \bar "|." % 75-81
+ <d \hn a \hn fs>2 r | % 74
+ s1*7 | % 75-81
}
+
LeadVoxText = \lyricmode
{
Je -- _ sus, _ all for Je -- _ sus, _
%
Riffs = \relative c'
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
\tiny
-
s1*2 | % 1-2
\melodyLineA
d1 ~ | % 9
s1*19 | % 57-74 (+1 for coda)
\melodyLineA
d1^\fermata | % 81
-
\normalsize
}
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- d4. a8/d d2 | % 1
- s1 | % 2
- }
+ d4. a8/d d2 | % 1
+ s1 | % 2
d4. a8/d d2 | % 3
s1 | % 4
% A section
- \repeat volta 2
- {
- d4. a8/d d2 | % 11
- s1 | % 12
- g2/d d | % 13
- s1 | % 14
- a4. a8:sus4 a2 | % 15
- }
- \alternative
- {
- {
- s1 | % 16
- b1:m | % 17
- a1 | % 18
- }
- {
- a1 | % 19
- }
- }
+ d4. a8/d d2 | % 11
+ s1 | % 12
+ g2/d d | % 13
+ s1 | % 14
+ a4. a8:sus4 a2 | % 15
+
+ s1 | % 16
+ b1:m | % 17
+ a1 | % 18
+
+ a1 | % 19
d1 | % 20
s2 g/a | % 21
- \repeat volta 2
- {
- d4. a8/d d2 | % 22
- s1 | % 23
- g2 d | % 24
- s1 | % 25
- a4. a8:sus4 a2 | % 26
- }
- \alternative
- {
- {
- s1 | % 27
- b1:m | % 28
- a1 | % 29
- }
- {
- a1 | % 30
- }
- }
+ d4. a8/d d2 | % 22
+ s1 | % 23
+ g2 d | % 24
+ s1 | % 25
+ a4. a8:sus4 a2 | % 26
+
+ s1 | % 27
+ b1:m | % 28
+ a1 | % 29
+
+ a1 | % 30
d1 | % 31
s1 | % 32
% Coda
-s1
+ s1 % blank bar for coda
d1 | % 73
s2 g:sus2/a | % 74
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- c8. c16 ~ c8 c c4 c | % 1
- c4 c c c | % 2
- }
+ c8. c16 ~ c8 c c4 c | % 1
+ c4 c c c | % 2
c8. c16 ~ c8 c c4 c | % 3
c4 c c c | % 4
% A section
- \repeat volta 2
- {
- c8. c16 ~ c8 c c4 c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c8. c16 ~ c8 c c4 c | % 15
- }
- \alternative
- {
- {
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- }
- {
- c4 c c c | % 19
- }
- }
+ c8. c16 ~ c8 c c4 c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c8. c16 ~ c8 c c4 c | % 15
+
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+
+ c4 c c c | % 19
c4 c c c | % 20
c4 c c c | % 21
- \repeat volta 2
- {
- c8. c16 ~ c8 c c4 c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c8. c16 ~ c8 c c4 c | % 26
- }
- \alternative
- {
- {
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- }
- {
- c4 c c c | % 30
- }
- }
+ c8. c16 ~ c8 c c4 c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c8. c16 ~ c8 c c4 c | % 26
+
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+
+ c4 c c c | % 30
c4 c c c | % 31
- c4 c c c \bar "||" % 32
+ c4 c c c | % 32
% B section
c4 c c c | % 37
c4 c c c | % 38
c4 c c c | % 39
- c4 c c c \bar "||" % 40
+ c4 c c c | % 40
c8. c16 ~ c8 c c4 c | % 41
c4 c c c | % 42
c8. c16 ~ c8 c c4 c | % 45
c4 c c c | % 46
c4 c c c | % 47
- c4 c c c \bar "||" % 48
+ c4 c c c | % 48
c8. c16 ~ c8 c c4 c | % 49
c4 c c c | % 50
c8. c16 ~ c8 c c4 c | % 53
c4 c c c | % 54
c4 c c c | % 55
- c4 c c c \bar "||" % 56
+ c4 c c c | % 56
c8. c16 ~ c8 c c4 c | % 57
c4 c c c | % 58
c8. c16 ~ c8 c c4 c | % 61
c4 c c c | % 62
c4 c c c | % 63
- c4 c c c \bar "||" % 64
+ c4 c c c | % 64
c8. c16 ~ c8 c c4 c | % 65
c4 c c c | % 66
c8. c16 ~ c8 c c4 c | % 69
c4 c c c | % 70
c4 c c c | % 71
- c4 c c c \bar "||" % 72
+ c4 c c c | % 72
% Coda
\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #73
c4 c c c | % 73
- c4 c c c \bar "||" % 74
+ c4 c c c | % 74
c8. c16 ~ c8 c c4 c | % 75
c4 c c c | % 76
c4 c c c | % 78
c8. c16 ~ c8 c c4 c | % 79
c4 c c c | % 80
- c1^\fermata \bar "|." % 81
+ c1^\fermata | % 81
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-staffSize = #20 % or 16 or 18
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Jesus, Draw Me Close" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Rick Founds" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-% \set Score.markFormatter = #format-mark-box-letters
% Intro
-\tiny
- a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 1
- f1 | % 2
- bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 3
- g2. r8 c, | % 4
- d4 d8 [ e ] ~ e4 e8 [ f ] ~ | % 5
- f8 [ a ] ~ a4 g f8 [ f ] ~ | % 6
- f1 ~ | % 7
- f2 r | % 8
-\normalsize
+ s1*8 | % 1-8
% Verses 1-2
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) \box { A } }
-
- a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 9
- f2. r4 | % 10
- bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 11
- g1 | % 12
- a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 13
- f8 [ d ] ~ d4 bf'4 a8 [ a ]( | % 14
- g1 ) ~ | % 15
- g2 r | % 16
- a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 17
- f2. r4 | % 18
- bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 19
- g2. r8 c, | % 20
- d4 d8 [ e ] ~ e4 e8 [ f ] ~ | % 21
- f8 [ a ] ~ a4 g f8 [ f ] ~ | % 22
+ \mark \markup { \override #'(font-family . sans) \box { A } }
+ s1*14 | % 9-22
}
\alternative
{
{
- f1 | % 23
- R1 | % 24
+ s1*2 | % 23-24
}
{
- f1 \repeatTie | % 25
+ s1 | % 25
}
}
- R1 \bar "||" % 26
+ s1 \bar "||" % 26
% Verse 3
\key g \major
-\mark \markup { \override #'(font-family . sans) \box { B } }
+ \mark \markup { \override #'(font-family . sans) \box { B } }
+ s1*21 \bar "|." % 27-47
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ s1*8 | % 1-8
+
+ % Verses 1-2
+
+ a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 9
+ f2. r4 | % 10
+ bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 11
+ g1 | % 12
+ a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 13
+ f8 [ d ] ~ d4 bf'4 a8 [ a ]( | % 14
+ g1 ) ~ | % 15
+ g2 r | % 16
+ a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 17
+ f2. r4 | % 18
+ bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 19
+ g2. r8 c, | % 20
+ d4 d8 [ e ] ~ e4 e8 [ f ] ~ | % 21
+ f8 [ a ] ~ a4 g f8 [ f ] ~ | % 22
+
+ f1 | % 23
+ R1 | % 24
+
+ f1 \repeatTie | % 25
+
+ R1 | % 26
+
+ % Verse 3
b4 g8 [ a ] ~ a4 fs8 [ g ] ~ | % 27
g2. r4 | % 28
r2 r4. d8 | % 42
e4 e8 [ fs ] ~ fs4 fs8 [ g ] ~ | % 43
g8 [ b ] ~ b4 a g8 [ g ] ~ | % 44
-% << { \voiceOne g1 } \context Voice = v { \voiceThree \tiny b4 g8 [ a ] ~ a4 fs8 [ g ] ~ \normalsize } >> \oneVoice | % 45
- << { \voiceOne g1 } \context Voice = v { \voiceThree \tiny b4 g8 [ a ] ~ a4 fs8 [ g ] ~ \normalsize } >> | % 45
-
-%\small
-\context Voice = v { \voiceThree
-\tiny
- g8 [ fs ] ~ fs4 c'8 [ b a g ] | % 46
- g1^\fermata \bar "|." % 47
-\normalsize
-}
+ g1 | % 45
+ s1*2 | % 46-47
}
+
LeadVoxText = \lyricmode
{
- _ _ _ _ _ _ _
- _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
-
Je- sus draw _ me close _
Clo- ser Lord _ to you __ _
Let the world _ a- round _ me _ fade a- way __ _ _
%
% Riff/rhythm figures
%
-
-StaffRiffs = \relative c'
+Riffs = \relative c''
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \key f \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
% Intro
+ \teeny
a4 f8 [ g ] ~ g4 e8 [ f ] ~ | % 1
f1 | % 2
bf4 g8 [ a ] ~ a4 f8 [ g ] ~ | % 3
f8 [ a ] ~ a4 g f8 [ f ] ~ | % 6
f1 ~ | % 7
f2 r | % 8
-\stopStaff
- s1*35 | % 9 - 44
+ s1*36 | % 9-44
-\startStaff
- d4 d e8 [ d ] | % 45
- b4 a2 | % 46
- d4 d e8 [ fs ] | % 47
+ \voiceThree b4 g8 [ a ] ~ a4 fs8 [ g ] ~ | % 45
+ g8 [ fs ] ~ fs4 c'8 [ b a g ] | % 46
+ g1^\fermata | % 47
+ \normalsize
}
-
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
f4. c2/e bf8/d | % 1
% Verses 1-2
- \repeat volta 2
- {
- f4. c2/e bf8/d | % 9
- s4. f2/c s8 | % 10
- bf4. f2/a c8:sus4 | % 11
- s2 c | % 12
- f4. c2/e d8:m | % 13
- s2 bf:sus2 | % 14
- c1:sus4 | % 15
- c1 | % 16
- f4. c2/e bf8/d | % 17
- s4. f/c s4 | % 18
- bf4. f2/a c8:sus4 | % 19
- s2 c | % 20
- bf4./d c2/e d8:m7 | % 21
- s2 c:sus4 | % 22
- }
- \alternative
- {
- {
- f1 | % 23
- bf1/c | % 24
- }
- {
- f1 | % 25
- }
- }
+ f4. c2/e bf8/d | % 9
+ s4. f2/c s8 | % 10
+ bf4. f2/a c8:sus4 | % 11
+ s2 c | % 12
+ f4. c2/e d8:m | % 13
+ s2 bf:sus2 | % 14
+ c1:sus4 | % 15
+ c1 | % 16
+ f4. c2/e bf8/d | % 17
+ s4. f/c s4 | % 18
+ bf4. f2/a c8:sus4 | % 19
+ s2 c | % 20
+ bf4./d c2/e d8:m7 | % 21
+ s2 c:sus4 | % 22
+
+ f1 | % 23
+ bf1/c | % 24
- d2:sus4 d \bar "||" % 26
+ f1 | % 25
+
+ d2:sus4 d | % 26
% Verse 3
g4. d2/fs c8/e | % 45
s2 c:sus2 | % 46
- g1 \bar "|." % 47
+ g1 | % 47
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% Verses 1-2
- \repeat volta 2
- {
- c4. c8 ~ c4. c8 ~ | % 9
- c4. c8 ~ c4 c | % 10
- c4. c8 ~ c4. c8 ~ | % 11
- c4 c c c | % 12
- c4. c8 ~ c4. c8 ~ | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4. c8 ~ c4. c8 ~ | % 17
- c4. c8 ~ c4 c | % 18
- c4. c8 ~ c4. c8 ~ | % 19
- c4 c c c | % 20
- c4. c8 ~ c4. c8 ~ | % 21
- c4 c c c | % 22
- }
- \alternative
- {
- {
- c4 c c c | % 23
- c4 c c c | % 24
- }
- {
- c4 c c c | % 25
- }
- }
+ c4. c8 ~ c4. c8 ~ | % 9
+ c4. c8 ~ c4 c | % 10
+ c4. c8 ~ c4. c8 ~ | % 11
+ c4 c c c | % 12
+ c4. c8 ~ c4. c8 ~ | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4. c8 ~ c4. c8 ~ | % 17
+ c4. c8 ~ c4 c | % 18
+ c4. c8 ~ c4. c8 ~ | % 19
+ c4 c c c | % 20
+ c4. c8 ~ c4. c8 ~ | % 21
+ c4 c c c | % 22
- c4 c \< c c \! \bar "||" % 26
+ c4 c c c | % 23
+ c4 c c c | % 24
+
+ c4 c c c | % 25
+
+ c4 c \< c c \! | % 26
% Verse 3
c4. c8 ~ c4. c8 ~ | % 45
c4 c c-\markup { \italic { rit. } } c | % 46
- c1-\fermata \bar "|." % 47
+ c1-\fermata | % 47
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
-%{
- \new Staff \with
- {
- \remove "Time_signature_engraver"
- \remove "Clef_engraver"
-%Hmm, removing this screws up the formatting...
-% \remove "Key_engraver"
- fontSize = #-3.0
- \override StaffSymbol #'staff-space = #(magstep -3.0)
-% firstClef = ##f
- }
- \StaffRiffs
-%}
-
\new ChoirStaff = "Rhythm"
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
- \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
-staffSize = #18
+staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Jesus Is Just Alright" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Arthur Reynolds" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. The Doobie Brothers" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-\override MultiMeasureRest #'expand-limit = 1
% Intro
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \hspace #0.0 \raise #1.8 \small "Bright rock" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \hspace #0.0 \raise #1.8 \small "Bright rock" }
- R1*4 | % 1-4
+ s1*4 | % 1-4
\repeat volta 2
{
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 5
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 6
+ s1*2 | % 5-6
}
\alternative
{
{
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 7
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 8
+ s1*2 | % 7-8
}
{
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 9
+ s1 | % 9
}
}
- <d \hn b \hn gs>2 r | % 10
- R1 | % 11
-
- s1 | % 12
- s1 | % 13
- s1 | % 14
- s1 \bar "||:" % 15
+ s1*6 \bar ".|:-||" % 10-15
\repeat volta 2
{
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
% Verse
- <a' \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 16
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 17
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 18
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 19
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 20
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 21
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 22
- <d \hn b \hn gs>4 r r2 | % 23
- R1 \bar "||" % 24
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- <a' \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 25
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 26
- <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 27
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 28
- <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 29
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 30
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 | % 31
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s1*9 \bar "||" % 16-24
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*7 | % 25-31
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
}
\alternative
{
{
- r4 <g \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2 | % 32
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a> ( <d \hn b \hn gs> ) <d \hn b \hn gs> | % 33
- R1 | % 34
- r8 e4 ( g8 a2 ) \bar "||" % 35
-
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 36
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 37
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 38
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 39
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 40
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 41
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 42
- <d \hn b \hn gs>2 r4 r8 d | % 43
- g8 a a e g4 ef16 ( d c8 ) | % 44
+ s1*4 \bar "||" % 32-35
+
+ s1*9 | % 36-44
}
{
- r4 <g' \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2-\fermata | % 45
+ s1 | % 45
}
}
\time 3/4
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \small "Moderate jazz waltz" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \small "Moderate jazz waltz" }
+
+ \repeat volta 2
+ {
+ s2.*4 | % 46-49
+ }
+
+ s2.*30 | % 50-79
\repeat volta 2
{
- R2. | % 46
- R2. | % 47
- R2. | % 48
- R2. | % 49
+ s2. | % 80
}
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \small "Guitar solo" \bold "(rpt. 6x)" }
+
+ \repeat volta 6
+ {
+ s2.*4 | % 81-84
+ }
+
+ s2.*2 | % 85-86
+
+%Ugh, only valid in size 18
+%\break
+
+ \time 4/4
+
+ % Intro
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { D } } \small "Bright rock - Guitar solo" \bold "(rpt. 7x)" }
+
+ \repeat volta 7
+ {
+ s1*2 | % 87-88
+ }
+
+ s1*2 \bar "||" % 89-90
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % Coda
+
+\stopStaff s1 \startStaff |
+\set Score.currentBarNumber = #91
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1 \bar "|." % 91
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+\override MultiMeasureRest #'expand-limit = 1
+
+ % Intro
+
+ R1*4 | % 1-4
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 5
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 6
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 7
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 8
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 9
+
+ <d \hn b \hn gs>2 r | % 10
+ R1 | % 11
+
+ s1 | % 12
+ s1 | % 13
+ s1 | % 14
+ s1 | % 15
+
+ % Verse
+
+ <a' \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 16
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 17
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 18
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 19
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 20
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 21
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 22
+ <d \hn b \hn gs>4 r r2 | % 23
+ R1 | % 24
+
+ <a' \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 25
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 26
+ <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 27
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 28
+ <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 29
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 30
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 | % 31
+
+ r4 <g \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2 | % 32
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a> ( <d \hn b \hn gs> ) <d \hn b \hn gs> | % 33
+ R1 | % 34
+ r8 e4 ( g8 a2 ) | % 35
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 36
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 37
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 38
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 39
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 40
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 41
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 42
+ <d \hn b \hn gs>2 r4 r8 d | % 43
+ g8 a a e g4 ef16 ( d c8 ) | % 44
+
+ r4 <g' \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2-\fermata | % 45
+
+ % Bridge
+
+ R2. | % 46
+ R2. | % 47
+ R2. | % 48
+ R2. | % 49
+
e8 e ~ e2 ~ | % 50
e2. | % 51
R2. | % 52
d4 c8 ( a ) ~ a4 ~ | % 78
a2. | % 79
- \repeat volta 2
- {
- R2. | % 80
- }
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \small "Guitar solo" \bold "(rpt. 6x)" }
+ R2. | % 80
- \repeat volta 6
- {
- R2.*4 | % 81
-% R2. | % 82
-% R2. | % 83
-% R2. | % 84
- }
+ R2.*4 | % 81-84
R2. | % 85
R2. | % 86
-%Ugh, only valid in size 18
-\break
-
- \time 4/4
-
% Intro
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { D } } \small "Bright rock - Guitar solo" \bold "(rpt. 7x)" }
-%\once \override Score.RehearsalMark #'self-alignment-X = #left
-%\mark \markup { \override \once #'(font-family . sans) { \box { B } } }
-
- \repeat volta 7
- {
- s1 | % 87
- s1 | % 88
- }
+ s1 | % 87
+ s1 | % 88
s1 | % 89
- s1 \bar "||" % 90
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ s1 | % 90
% Coda
-\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #91
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % blank bar for coda
- r4 g'8 g ~ g2-\fermata \bar "|." % 91
+ r4 g'8 g ~ g2-\fermata | % 91
}
+
LeadVoxText = \lyricmode
{
Do, do, do, do, _ do, do, _ do, do. _
Riffs = \relative c'
{
- \clef G
- \key e \minor
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
\tiny
s1*11 | % 1-11
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1*4 | % 1-4
- \repeat volta 2
- {
- s1 | % 5
- s1 | % 6
- }
- \alternative
- {
- {
- s1 | % 7
- s1 | % 8
- }
- {
- s1 | % 9
- }
- }
+ s1 | % 5
+ s1 | % 6
+
+ s1 | % 7
+ s1 | % 8
+
+ s1 | % 9
e1:7.9+ | % 10
f2:9 e:7.9+ | % 11
s1 | % 14
s1 | % 15
- \repeat volta 2
- {
- % Verse
-
- a4.:m a8:5^3 s2 | % 16
- s2. d4/a | % 17
- a4.:m a8:5^3 s2 | % 18
- s4. e8:7.9+ s2 | % 19
- a4.:m a8:5^3 s2 | % 20
- s2. d4/a | % 21
- a4.:m a8:5^3 s2 | % 22
- e1:7.9+ | % 23
- f2:9 e:7.9+ | % 24
-
- a4.:m a8:5^3 s2 | % 25
- s2. d4/a | % 26
- a4.:m a8:5^3 s2 | % 27
- s4. e8:7.9+ s2 | % 28
- a4.:m a8:5^3 s2 | % 29
- s2. d4/a | % 30
- a4.:m a8:5^3 s2 | % 31
- }
- \alternative
- {
- {
- a4:m c2. | % 32
- a4.:m a8:5^3 s2 | % 33
- e1:7.9+ | % 34
- f2:9 e:7.9+ | % 35
-
- a1:m | % 36
- s2. b4:m7 | % 37
- a1:m7 | % 38
- s2. e4:7.9+ | % 39
- a1:m7 | % 40
- s2. b4:m7 | % 41
- a1:m7 | % 42
- e1:7.9+ | % 43
- f2:9 e:7.9+ | % 44
- }
- {
- a4:m c2. | % 45
- }
- }
+ % Verse
+
+ a4.:m a8:5^3 s2 | % 16
+ s2. d4/a | % 17
+ a4.:m a8:5^3 s2 | % 18
+ s4. e8:7.9+ s2 | % 19
+ a4.:m a8:5^3 s2 | % 20
+ s2. d4/a | % 21
+ a4.:m a8:5^3 s2 | % 22
+ e1:7.9+ | % 23
+ f2:9 e:7.9+ | % 24
+
+ a4.:m a8:5^3 s2 | % 25
+ s2. d4/a | % 26
+ a4.:m a8:5^3 s2 | % 27
+ s4. e8:7.9+ s2 | % 28
+ a4.:m a8:5^3 s2 | % 29
+ s2. d4/a | % 30
+ a4.:m a8:5^3 s2 | % 31
+
+ a4:m c2. | % 32
+ a4.:m a8:5^3 s2 | % 33
+ e1:7.9+ | % 34
+ f2:9 e:7.9+ | % 35
+
+ a1:m | % 36
+ s2. b4:m7 | % 37
+ a1:m7 | % 38
+ s2. e4:7.9+ | % 39
+ a1:m7 | % 40
+ s2. b4:m7 | % 41
+ a1:m7 | % 42
+ e1:7.9+ | % 43
+ f2:9 e:7.9+ | % 44
+
+ a4:m c2. | % 45
% Bridge
- \time 3/4
-
- \repeat volta 2
- {
- a2.:m7 | % 46
- s2. | % 47
- d2. | % 48
- s2. | % 49
- }
+ a2.:m7 | % 46
+ s2. | % 47
+ d2. | % 48
+ s2. | % 49
a2.:m7 | % 50
s2. | % 51
a2.:m7 | % 78
s2. | % 79
- \repeat volta 2
- {
- d2. | % 80
- }
+ d2. | % 80
- \repeat volta 6
- {
- a2.:m7 | % 81
- s2. | % 82
- d2. | % 83
- s2. | % 84
- }
+ a2.:m7 | % 81
+ s2. | % 82
+ d2. | % 83
+ s2. | % 84
a2.:m7 | % 85
s2. | % 86
- \time 4/4
-
% Intro
- \repeat volta 7
- {
- s1 | % 87
- s1 | % 88
- }
+ s1 | % 87
+ s1 | % 88
s1 | % 89
s1 | % 90
% Coda
-s1
+ s1 % blank bar for coda
a4:m c2. | % 91
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\override MultiMeasureRest #'expand-limit = 1
+ \teeny
% Intro
R1*4 | % 1-4
- \repeat volta 2
- {
- r1 | % 5
- r1 | % 6
- }
- \alternative
- {
- {
- r1 | % 7
- r1 | % 8
- }
- {
- r1 | % 9
- }
- }
+ r1 | % 5
+ r1 | % 6
+
+ r1 | % 7
+ r1 | % 8
+
+ r1 | % 9
c4 c r2 | % 10
c4 c c c | % 11
r1 | % 12
r1 | % 13
r1 | % 14
- r1 \bar "||:" % 15
-
- \repeat volta 2
- {
- % Verse
-
- c4 r8 c r c r c | % 16
- r8 c r c r c c r | % 17
- c4 r8 c r c r c | % 18
- r8 c r c ~ c4 c8 r | % 19
- c4 r8 c r c r c | % 20
- r8 c r c r c c r | % 21
- c4 r8 c r c r c | % 22
- c4 c r2 | % 23
- c4 c c c \bar "||" % 24
-
- c4 r8 c r c r c | % 25
- r8 c r c r c c r | % 26
- c4 r8 c r c r c | % 27
- r8 c r c ~ c4 c8 r | % 28
- c4 r8 c r c r c | % 29
- r8 c r c r c c r | % 30
- c4 r8 c r c r c | % 31
- }
- \alternative
- {
- {
- c8 r c c ~ c2 | % 32
- c4 r8 c r c r c | % 33
- c4 c r2 | % 34
- c4 c c c \bar "||" % 35
-
- c8 r r4 r2 | % 36
- r2 r4 c | % 37
- c4 r r2 | % 38
- r2 r4 c | % 39
- c8 r r4 r2 | % 40
- r2 r4 c | % 41
- c4 r r2 | % 42
- c4 c r2 | % 43
- c4 c c c | % 44
- }
- {
- c8 r c c ~ c2-\fermata | % 45
- }
- }
+ r1 | % 15
+
+ % Verse
+
+ c4 r8 c r c r c | % 16
+ r8 c r c r c c r | % 17
+ c4 r8 c r c r c | % 18
+ r8 c r c ~ c4 c8 r | % 19
+ c4 r8 c r c r c | % 20
+ r8 c r c r c c r | % 21
+ c4 r8 c r c r c | % 22
+ c4 c r2 | % 23
+ c4 c c c \bar "||" % 24
+
+ c4 r8 c r c r c | % 25
+ r8 c r c r c c r | % 26
+ c4 r8 c r c r c | % 27
+ r8 c r c ~ c4 c8 r | % 28
+ c4 r8 c r c r c | % 29
+ r8 c r c r c c r | % 30
+ c4 r8 c r c r c | % 31
+
+ c8 r c c ~ c2 | % 32
+ c4 r8 c r c r c | % 33
+ c4 c r2 | % 34
+ c4 c c c | % 35
+
+ c8 r r4 r2 | % 36
+ r2 r4 c | % 37
+ c4 r r2 | % 38
+ r2 r4 c | % 39
+ c8 r r4 r2 | % 40
+ r2 r4 c | % 41
+ c4 r r2 | % 42
+ c4 c r2 | % 43
+ c4 c c c | % 44
+
+ c8 r c c ~ c2-\fermata | % 45
% Bridge
- \time 3/4
-
- \repeat volta 2
- {
- c4 c c | % 46
- c4 c c | % 47
- c4 c c | % 48
- c4 c c | % 49
- }
+ c4 c c | % 46
+ c4 c c | % 47
+ c4 c c | % 48
+ c4 c c | % 49
c4 c c | % 50
c4 c c | % 51
c4 c c | % 78
c4 c c | % 79
- \repeat volta 2
- {
- c8 c r2 | % 80
- }
+ c8 c r2 | % 80
- \repeat volta 6
- {
- c4 c c | % 81
- c4 c c | % 82
- c4 c c | % 83
- c4 c c | % 84
- }
+ c4 c c | % 81
+ c4 c c | % 82
+ c4 c c | % 83
+ c4 c c | % 84
c2. ~ | % 85
c2.-\fermata | % 86
- \time 4/4
-
% Intro
- \repeat volta 7
- {
- r1 | % 87
- r1 | % 88
- }
+ r1 | % 87
+ r1 | % 88
r1 | % 89
r1 | % 90
% Coda
\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #91
- c8 r c c ~ c2-\fermata \bar "|." % 91
+ c8 r c c ~ c2-\fermata | % 91
}
\score
{
<<
+ \Global % The "roadmap": that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Joy To The World / Hark The Herald Angels Sing" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "George Friedrich Handel/Felix Mendelssohn" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart/Craig Harris" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
- s1 | % 6
- s1 | % 7
- s1 \bar "||:" % 8
+ s1*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- d4 cs8. b16 a4. g8 | % 9
- fs4 e d4. a'8 | % 10
- b4. b8 cs4. cs8 | % 11
- d2.. d8 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*4 \bar "||" % 9-12
-\mark \markup { \override #'(font-family . sans) { \box { A5 } } }
-
- d8 ( cs ) b ( a ) a8. ( g16 fs8 ) d' | % 13
- d8 ( cs ) b ( a ) a8. ( g16 fs8 ) fs | % 14
- fs8 fs fs fs16 ( g ) a4. g16 ( fs ) | % 15
- e8 e e e16 ( fs ) g4. fs16 ( e ) | % 16
- d8 ( d'4 ) b8 a8. ( g16 fs8 ) g8 | % 17
-
- \time 2/4 fs4 e \time 4/4 | % 18
-
- \voiceThree d2 \oneVoice s2 | % 19
- s1 | % 20
+ \mark \markup { \override #'(font-family . sans) { \box { A5 } } }
+ s1*5 | % 13-17
+ \time 2/4 s2 \time 4/4 | % 18
+ s1*2 | % 19-20
}
\alternative
{
{
- s1 | % 21
- s1 | % 22
+ s1*2 | % 21-22
}
{
s1 | % 23
\key ef \major
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
- ef'4 d8. c16 bf4. af8 | % 25
- g4 f ef4. bf'8 | % 26
- c4. c8 d4. d8 | % 27
- ef2.. ef8 \bar "||" % 28
+ s1*4 \bar "||" % 25-28
-\mark \markup { \override #'(font-family . sans) { \box { B5 } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B5 } } }
- ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) ef' | % 29
- ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) g | % 30
- g8 g g g16 ( af ) bf4. af16 ( g ) | % 31
- f8 f f f16 ( g ) af4. g16 ( f ) | % 32
- ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 33
- g4 f ef4. g16 ( f ) | % 34
- ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 35
- g2 f \bar "||" % 36
+ s1*8 \bar "||" % 29-36
- \voiceThree ef2 \oneVoice s2 | % 37
- s1 | % 38
- s1 | % 39
- s1 \bar "||" % 40
+ s1*4 \bar "||" % 37-40
\key f \major
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- c4 f f4. e8 | % 41
- f4 a a ( g ) | % 42
- c4 c c4. bf8 | % 43
- a4 g a2 | % 44
- c,4 f f4. e8 | % 45
- f4 a a ( g ) | % 46
- c4 g g4. e8 | % 47
- e4 d c2 \bar "||" % 48
-
-\mark \markup { \override #'(font-family . sans) { \box { C9 } } }
-
- c'4 c c f, | % 49
- bf4 a a ( g ) | % 50
- c4 c c f, | % 51
- bf4 a a ( g ) | % 52
- d'4 d d c | % 53
- bf4 a bf2 | % 54
- g4 a8 ( bf ) c4. f,8 | % 55
- f4 g a2 | % 56
- d4. d8 d4 c | % 57
- bf4 a bf2 | % 58
- g4 a8 ( bf ) c4. f,8 | % 59
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 \bar "||" % 48
+
+ \mark \markup { \override #'(font-family . sans) { \box { C9 } } }
+ s1*11 | % 49-59
}
\alternative
{
{
- \time 2/4 f4 g \time 4/4 | % 60
- f2 s2 | % 61
- s1 | % 62
+ \time 2/4 s2 \time 4/4 | % 60
+ s1*2 | % 61-62
}
{
- f4 g a2 | % 63
+ s1 | % 63
}
}
+ s1*7 \bar "|." % 64-70
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ s1*8 | % 1-8
+
+ % Verse
+
+ d4 cs8. b16 a4. g8 | % 9
+ fs4 e d4. a'8 | % 10
+ b4. b8 cs4. cs8 | % 11
+ d2.. d8 | % 12
+
+ d8 ( cs ) b ( a ) a8. ( g16 fs8 ) d' | % 13
+ d8 ( cs ) b ( a ) a8. ( g16 fs8 ) fs | % 14
+ fs8 fs fs fs16 ( g ) a4. g16 ( fs ) | % 15
+ e8 e e e16 ( fs ) g4. fs16 ( e ) | % 16
+ d8 ( d'4 ) b8 a8. ( g16 fs8 ) g8 | % 17
+
+ fs4 e | % 18
+
+ \voiceThree d2 \oneVoice s2 | % 19
+ s1 | % 20
+
+ s1 | % 21
+ s1 | % 22
+
+ s1 | % 23
+
+ s1 | % 24
+
+ ef'4 d8. c16 bf4. af8 | % 25
+ g4 f ef4. bf'8 | % 26
+ c4. c8 d4. d8 | % 27
+ ef2.. ef8 | % 28
+
+ ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) ef' | % 29
+ ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) g | % 30
+ g8 g g g16 ( af ) bf4. af16 ( g ) | % 31
+ f8 f f f16 ( g ) af4. g16 ( f ) | % 32
+ ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 33
+ g4 f ef4. g16 ( f ) | % 34
+ ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 35
+ g2 f | % 36
+
+ \voiceThree ef2 \oneVoice s2 | % 37
+ s1*3 | % 38-40
+
+ % Verse
+
+ c4 f f4. e8 | % 41
+ f4 a a ( g ) | % 42
+ c4 c c4. bf8 | % 43
+ a4 g a2 | % 44
+ c,4 f f4. e8 | % 45
+ f4 a a ( g ) | % 46
+ c4 g g4. e8 | % 47
+ e4 d c2 | % 48
+
+ c'4 c c f, | % 49
+ bf4 a a ( g ) | % 50
+ c4 c c f, | % 51
+ bf4 a a ( g ) | % 52
+ d'4 d d c | % 53
+ bf4 a bf2 | % 54
+ g4 a8 ( bf ) c4. f,8 | % 55
+ f4 g a2 | % 56
+ d4. d8 d4 c | % 57
+ bf4 a bf2 | % 58
+ g4 a8 ( bf ) c4. f,8 | % 59
+
+ f4 g | % 60
+ f2 s2 | % 61
+ s1 | % 62
+
+ f4 g a2 | % 63
+
d4. d8 d4 c | % 64
bf4 a bf2 | % 65
g4 a8 bf c4. f,8 | % 66
f2 g | % 67
f2 s2 | % 68
- s1 | % 69
- s1 \bar "|." % 70
+ s1*2 | % 69-70
}
+
LeadVoxText = \lyricmode
{
Joy to the world! the Lord is come:
Riffs = \relative c'''
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
\voiceTwo c,4 \oneVoice f f4. e8 | % 68
f4 a a g | % 69
- f1-\fermata \bar "|." % 70
+ f1-\fermata | % 70
\normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- d1:5.9 | % 1
+ d1:3.5.9 | % 1
s1 | % 2
- c1:5.9 | % 3
+ c1:3.5.9 | % 3
s1 | % 4
- d1:5.9 | % 5
+ d1:3.5.9 | % 5
s1 | % 6
- c2..:5.9 s16 g/a | % 7
+ c2..:3.5.9 s16 g/a | % 7
s2 a | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- d4 a8./d g16/d d4. g8 | % 9
- d4/a a d2 | % 10
- g2 a | % 11
- b4:m s16 a8/cs d16 s2 | % 12
+ d4 a8./d g16/d d4. g8 | % 9
+ d4/a a d2 | % 10
+ g2 a | % 11
+ b4:m s16 a8/cs d16 s2 | % 12
- d4 g/d a8./d d16 s4 | % 13
- d4 g/d a8./d d16 s4 | % 14
- d2 s8. d16/fs s4 | % 15
- a2 s8. a16/cs s4 | % 16
- g4/b a/cs d g:maj7 | % 17
+ d4 g/d a8./d d16 s4 | % 13
+ d4 g/d a8./d d16 s4 | % 14
+ d2 s8. d16/fs s4 | % 15
+ a2 s8. a16/cs s4 | % 16
+ g4/b a/cs d g:maj7 | % 17
- \time 2/4 d4/a a \time 4/4 | % 18
+ d4/a a | % 18
- d1:5.9 | % 19
- s1 | % 20
- }
- \alternative
- {
- {
- c2..:5.9 s16 g/a | % 21
- s2 a | % 22
- }
- {
- c2..:5.9 s16 af/bf | % 23
- }
- }
+ d1:3.5.9 | % 19
+ s1 | % 20
+
+ c2..:3.5.9 s16 g/a | % 21
+ s2 a | % 22
+
+ c2..:3.5.9 s16 af/bf | % 23
s2 bf | % 24
ef4 af:maj7 g:m7 c:m7 | % 35
ef2/bf bf | % 36
- ef1:5.9 | % 37
+ ef1:3.5.9 | % 37
s1 | % 38
- df2..:5.9 s16 bf/c | % 39
+ df2..:3.5.9 s16 bf/c | % 39
s2 c | % 40
- \repeat volta 2
- {
- f2 g:m11 | % 41
- f2/a f4/c c | % 42
- f2/a bf | % 43
- f4/c c f2 | % 44
- f2 f/e | % 45
- d2:m7 g:9 | % 46
- a4:m g/b c2 | % 47
- c4/g g c2 | % 48
-
- f2. f4/a | % 49
- bf4 d:m7 f/c c/bf | % 50
- f2/a bf | % 51
- g2:m7 f4/c c | % 52
- bf2. d4:7.9- | % 53
- g4:m d:7.9- g2:m7 | % 54
- c4 c/bf f2/a | % 55
- f4/c c f2 | % 56
- bf2 d:aug/a | % 57
- g4:m7 d:7.9- g2:m7 | % 58
- c2/e f/a | % 59
- }
- \alternative
- {
- {
- \time 2/4 f4/c c \time 4/4 | % 60
- f2 g:m11 | % 61
- f2/a f4/c c | % 62
- }
- {
- f4/c c f2 | % 63
- }
- }
+ f2 g:m11 | % 41
+ f2/a f4/c c | % 42
+ f2/a bf | % 43
+ f4/c c f2 | % 44
+ f2 f/e | % 45
+ d2:m7 g:9 | % 46
+ a4:m g/b c2 | % 47
+ c4/g g c2 | % 48
+
+ f2. f4/a | % 49
+ bf4 d:m7 f/c c/bf | % 50
+ f2/a bf | % 51
+ g2:m7 f4/c c | % 52
+ bf2. d4:7.9- | % 53
+ g4:m d:7.9- g2:m7 | % 54
+ c4 c/bf f2/a | % 55
+ f4/c c f2 | % 56
+ bf2 d:aug/a | % 57
+ g4:m7 d:7.9- g2:m7 | % 58
+ c2/e f/a | % 59
+
+ f4/c c | % 60
+ f2 g:m11 | % 61
+ f2/a f4/c c | % 62
+
+ f4/c c f2 | % 63
bf2 d:aug/a | % 64
g4:m7 d:7.9- g2:m7 | % 65
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c8. c16-> ~ | % 5
c1 | % 6
c4 c c c8. c16-> ~ | % 7
- c4 c c c \bar "||:" % 8
+ c4 c c c | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c8. c16 c4. c8 | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c8.-> c16-^ ~ c c8-^ c16-> ~ c2 \bar "||" % 12
+ c4 c8. c16 c4. c8 | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c8.-> c16-^ ~ c c8-^ c16-> ~ c2 | % 12
- c4 c c8. c16 ~ c4 | % 13
- c4 c c8. c16 ~ c4 | % 14
- c4-^ c-^ r8. c16-> ~ c4 | % 15
- c4-^ c-^ r8. c16-> ~ c4 | % 16
- c4 c c c | % 17
+ c4 c c8. c16 ~ c4 | % 13
+ c4 c c8. c16 ~ c4 | % 14
+ c4-^ c-^ r8. c16-> ~ c4 | % 15
+ c4-^ c-^ r8. c16-> ~ c4 | % 16
+ c4 c c c | % 17
- \time 2/4 c4 c \time 4/4 | % 18
+ c4 c | % 18
- c4 c c c8. c16 ~ | % 19
- c1 | % 20
- }
- \alternative
- {
- {
- c4 c c c8. c16-> ~ | % 21
- c4 c c c | % 22
- }
- {
- c4 c c c8. c16-> ~ | % 23
- }
- }
+ c4 c c c8. c16 ~ | % 19
+ c1 | % 20
+
+ c4 c c c8. c16-> ~ | % 21
+ c4 c c c | % 22
- c4 c c c \bar "||" % 24
+ c4 c c c8. c16-> ~ | % 23
+
+ c4 c c c | % 24
c2.. c8 | % 25
c4 c c c | % 26
c4 c c c | % 27
- c8.-> c16-^ ~ c c8-^ c16-> ~ c2 \bar "||" % 28
+ c8.-> c16-^ ~ c c8-^ c16-> ~ c2 | % 28
c4 c c8. c16 ~ c4 | % 29
c4 c c8. c16 ~ c4 | % 30
c4 c c c | % 33
c4 c c c | % 34
c4 c c c | % 35
- c2 c \bar "||" % 36
+ c2 c | % 36
c4 c c c8. c16 ~ | % 37
c1 | % 38
c4 c c c8. c16 ~ | % 39
- c4 c c c \bar "||" % 40
-
- \repeat volta 2
- {
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
- c4 c c c | % 45
- c4 c c c | % 46
- c4 c c c | % 47
- c4 c c c \bar "||" % 48
-
- c2.-> c4-> | % 49
- c4 c c c | % 50
- c4 c c c | % 51
- c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c4 c c c | % 58
- c4 c c c | % 59
- }
- \alternative
- {
- {
- \time 2/4 c4 c \time 4/4 | % 60
- c4 c c c | % 61
- c4 c c c | % 62
- }
- {
- c4 c c c | % 63
- }
- }
+ c4 c c c | % 40
+
+ c4 c c c | % 41
+ c4 c c c | % 42
+ c4 c c c | % 43
+ c4 c c c | % 44
+ c4 c c c | % 45
+ c4 c c c | % 46
+ c4 c c c | % 47
+ c4 c c c \bar "||" % 48
+
+ c2.-> c4-> | % 49
+ c4 c c c | % 50
+ c4 c c c | % 51
+ c4 c c c | % 52
+ c4 c c c | % 53
+ c4 c c c | % 54
+ c4 c c c | % 55
+ c4 c c c | % 56
+ c4 c c c | % 57
+ c4 c c c | % 58
+ c4 c c c | % 59
+
+ c4 c | % 60
+ c4 c c c | % 61
+ c4 c c c | % 62
+
+ c4 c c c | % 63
c4 c c c | % 64
c4 c c c | % 65
c2 c | % 67
c4 c c c | % 68
c4 c c c | % 69
- c1-\fermata \bar "|." % 70
+ c1-\fermata | % 70
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
% Still need hairpins, directions, dynamics, etc...
-\version "2.18.1"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Lamb of God" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Twila Paris" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
Global =
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Intro
s2. | % 46
}
{
- s2. \bar "||" % 47
+ s2. \bar "|." % 47
}
}
}
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
d,2.^\fermata | % 47
}
+
LeadVoxText = \lyricmode
{
Your on -- ly son, no sin to hide,
%
% Riffs
%
-
Riffs = \relative c'
{
\teeny
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
%
% Chord rhythms
%
-
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
\override Staff.TimeSignature #'style = #'()
- \time 4/4
\override NoteHead #'style = #'slash
-\tiny
+ \teeny
% Intro
s4. s4._\markup { \italic { Band in } } | % 11
s2.*34 | % 12-44 (+1 for blank coda)
s4 s2_\markup { \italic { Rit. last time } } | % 45
-
-%{
- % Intro
- s4_\markup { \italic { Ac. gtr only } } s2. | % 1
-
- s1*3 | % 2-4
-
- s4_\markup { \italic { Band in } } s2. | % 5
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new ChoirStaff
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 3 edition
% \new ChordNames \transpose f d \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
-
- % This doesn't quite do what I want :-P
- system-system-spacing #'padding = #1
- markup-system-spacing #'padding = #4
- score-markup-spacing #'padding = #4
- score-system-spacing #'padding = #4
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Leaning On The Everlasting Arms" }
-% title = \markup { \override #'(font-name . "DomCasual BT")
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
+ s1*2 | % 1-2
}
\repeat volta 2
{
- R1 | % 3
- R1 | % 4
+ s1*2 | % 3-4
}
\repeat volta 2
{
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st X unison } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st X unison } }
- <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 5
- <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 6
- <d \hn b>4 <d \hn b> <g \hn b,>8 <fs \hn a,> <g \hn b,> <a \hn c,> | % 7
- <b \hn d,>8. <b \hn d,>16 ~ <b \hn d,>8 <a \hn d,>8 ~ <a \hn d,>2 | % 8
- <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 9
- <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 10
- <d \hn b>4 <d \hn b> <g \hn c,>8 <fs \hn c> <g \hn c,> <a \hn c,> | % 7
- <b \hn d,>8. <a \hn d,>16 ~ <a \hn d,>8 <g \hn b,> r2 \bar "||" % 12
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 13
- <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a> ~ <e \hn c \hn a>2 | % 14
- <d \hn b>4 <g \hn b,>8 <fs \hn a,> <g \hn b,>4 <a \hn c,> | % 15
- <b \hn cs,>8. <b \hn cs,>16 ~ <b \hn cs,>8 <a \hn d,> ~ <a \hn d,>4 r | % 16
- <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 17
- <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a' \hn c> ~ <e \hn c \hn a' \hn c>2 | % 18
- <d \hn g \hn b>4 <d \hn g \hn b> <g \hn e \hn c>8 <fs \hn d \hn c> <g \hn e \hn c> <a \hn fs \hn c> | % 19
- \time 2/4 <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <g \hn g,> ~ \time 4/4 | % 20
-
- <g \hn g,>4 r r2 | % 21
- R1 | % 22
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 13-19
+ \time 2/4 s2 \time 4/4 | % 20
+ s1*2 | % 21-22
}
\alternative
{
{
- R1 | % 23
- R1 | % 24
+ s1*2 | % 23-24
}
{
- R1 | % 25
+ s1 | % 25
}
}
- R1 | % 26
+ s1 | % 26
\key a \major
\repeat volta 2
{
- R1 | % 27
- R1 | % 28
+ s1*2 | % 27-28
}
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \italic { bass & drums only } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \italic { bass & drums only } }
+
+ s1*4 | % 29-32
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \italic { full band } }
+
+ s1*4 | % 33-36
+
+ \repeat volta 2
+ {
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 | % 37-44
+ }
+
+ s1*4 \bar "|." % 45-48
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ R1*2 | % 1-2
+
+ R1*2 | % 3-4
+
+ % Verse
+
+ <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 5
+ <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 6
+ <d \hn b>4 <d \hn b> <g \hn b,>8 <fs \hn a,> <g \hn b,> <a \hn c,> | % 7
+ <b \hn d,>8. <b \hn d,>16 ~ <b \hn d,>8 <a \hn d,>8 ~ <a \hn d,>2 | % 8
+ <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 9
+ <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 10
+ <d \hn b>4 <d \hn b> <g \hn c,>8 <fs \hn c> <g \hn c,> <a \hn c,> | % 7
+ <b \hn d,>8. <a \hn d,>16 ~ <a \hn d,>8 <g \hn b,> r2 | % 12
+
+ % Chorus
+
+ <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 13
+ <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a> ~ <e \hn c \hn a>2 | % 14
+ <d \hn b>4 <g \hn b,>8 <fs \hn a,> <g \hn b,>4 <a \hn c,> | % 15
+ <b \hn cs,>8. <b \hn cs,>16 ~ <b \hn cs,>8 <a \hn d,> ~ <a \hn d,>4 r | % 16
+ <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 17
+ <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a' \hn c> ~ <e \hn c \hn a' \hn c>2 | % 18
+ <d \hn g \hn b>4 <d \hn g \hn b> <g \hn e \hn c>8 <fs \hn d \hn c> <g \hn e \hn c> <a \hn fs \hn c> | % 19
+ \time 2/4 <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <g \hn g,> ~ \time 4/4 | % 20
+
+ <g \hn g,>4 r r2 | % 21
+ R1 | % 22
+
+ R1*2 | % 23-24
+
+ R1 | % 25
+
+ R1 | % 26
+
+
+ R1*2 | % 27-28
+
+ % Verse
cs4 cs cs8 b a4 | % 29
b4 b b8 a fs4 | % 30
e4 e a8 gs a b | % 31
cs8. cs16 ~ cs8 b ~ b2 | % 32
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \italic { full band } }
-
<cs \hn e,>4 <cs \hn e,> <cs \hn e,>8 <b \hn d,> <a \hn cs,>4 | % 33
<b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn d,> <fs \hn b,>4 | % 34
<e \hn cs>4 <e \hn cs> <a \hn fs \hn d>8 <gs \hn e \hn d> <a \hn fs \hn d> <b \hn gs \hn d> | % 35
<cs \hn a \hn e>8. <b \hn gs \hn e>16 ~ <b \hn gs \hn e>8 <a \hn e \hn cs> r2 | % 36
- \repeat volta 2
- {
- % Chorus
+ % Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
- <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 37
- <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b> ~ <fs \hn d \hn b>2 | % 38
- <e \hn cs>4 <a \hn cs,>8 <gs \hn b,> <a \hn cs,>4 <b \hn d,> | % 39
- <cs \hn ds,>8. <cs \hn ds,>16 ~ <cs \hn ds,>8 <b \hn e,> ~ <b \hn e,>4 r | % 40
- <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 41
- <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b' \hn d> ~ <fs \hn d \hn b' \hn d>2 | % 42
- <e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 43
- <cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 44
- }
+ <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 37
+ <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b> ~ <fs \hn d \hn b>2 | % 38
+ <e \hn cs>4 <a \hn cs,>8 <gs \hn b,> <a \hn cs,>4 <b \hn d,> | % 39
+ <cs \hn ds,>8. <cs \hn ds,>16 ~ <cs \hn ds,>8 <b \hn e,> ~ <b \hn e,>4 r | % 40
+ <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 41
+ <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b' \hn d> ~ <fs \hn d \hn b' \hn d>2 | % 42
+ <e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 43
+ <cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 44
<e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 45
<cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 46
e4 e a8 gs a b | % 47
- cs4 b a2^\fermata \bar "|." % 48
+ cs4 b a2^\fermata | % 48
}
+
LeadVoxText = \lyricmode
{
What a fel -- low -- ship, what a joy di -- vine,
Riffs = \relative c'
{
-%{
- \clef G
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-
- % Intro
-
- \tiny
- <ef g,>16 d bf f ~ f4 ~ f4. g16 bf | % 1
- c1 | % 2
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 3
- c2 <ef, bf af> | % 4
-
- s1*9
- s2
-
-\voiceOne
-\tieDown
- <ef g,>16 d bf f ~ f4 ~ f4. g16 bf | % 14
-\tieNeutral
-\oneVoice
- c1 | % 15
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 16
- c2 <ef, bf af> | % 17
-
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 18
- c2 r | % 19
-
- s1*10
-
- \stemUp
- <f a,>16 e c g ~ g4 ~ g4. a16 c | % 31
- \stemNeutral
- d2 r | % 32
- <f a,>16 e c g ~ g4 ~ g4. a16 c | % 33
- d2 r | % 34
-%}
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- s1 | % 1
- s1 | % 2
- }
+ s1 | % 1
+ s1 | % 2
- \repeat volta 2
- {
- g1:7 | % 3
- g1:7 | % 4
- }
+ g1:7 | % 3
+ g1:7 | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- g2 g/b | % 5
- c2:6 a:m7 | % 6
- g2 e:m7 | % 7
- g2/d d | % 8
- g2 g/b | % 9
- c2:6 a:m7 | % 10
- g2/b c | % 11
- g4/d d g2 \bar "||" % 12
+ g2 g/b | % 5
+ c2:6 a:m7 | % 6
+ g2 e:m7 | % 7
+ g2/d d | % 8
+ g2 g/b | % 9
+ c2:6 a:m7 | % 10
+ g2/b c | % 11
+ g4/d d g2 \bar "||" % 12
- % Chorus
+ % Chorus
- g2 g:7/b | % 13
- c2 a:m7 | % 14
- g2 e:m7 | % 15
- a2:7 d4:sus4 d | % 16
- g2 g:7/b | % 17
- c2 a:m7 | % 18
- g2/b c | % 19
- \time 2/4 g4/d d \time 4/4 | % 20
-
- g1:7 | % 21
- g1:7 | % 22
- }
- \alternative
- {
- {
- g1:7 | % 23
- g1:7 | % 24
- }
- {
- g1:7 | % 25
- }
- }
+ g2 g:7/b | % 13
+ c2 a:m7 | % 14
+ g2 e:m7 | % 15
+ a2:7 d4:sus4 d | % 16
+ g2 g:7/b | % 17
+ c2 a:m7 | % 18
+ g2/b c | % 19
+ g4/d d | % 20
+
+ g1:7 | % 21
+ g1:7 | % 22
+
+ g1:7 | % 23
+ g1:7 | % 24
+
+ g1:7 | % 25
g1:7 | % 26
- \repeat volta 2
- {
- a1:7 | % 27
- a1:7 | % 28
- }
+
+ a1:7 | % 27
+ a1:7 | % 28
% Verse
a2/cs d | % 35
a4/e e a2 | % 36
- \repeat volta 2
- {
- % Chorus
+ % Chorus
- a2 a:7/cs | % 37
- d2 b:m7 | % 38
- a2 fs:m7 | % 39
- b2:7 e4:sus4 e | % 40
- a2 a:7/cs | % 41
- d2 b:m7 | % 42
- a2/cs d | % 43
- a4/e e a2 | % 44
- }
+ a2 a:7/cs | % 37
+ d2 b:m7 | % 38
+ a2 fs:m7 | % 39
+ b2:7 e4:sus4 e | % 40
+ a2 a:7/cs | % 41
+ d2 b:m7 | % 42
+ a2/cs d | % 43
+ a4/e e a2 | % 44
a2/cs d | % 45
a4/e e a2 | % 46
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- R1 | % 1
- R1 | % 2
- }
+ R1 | % 1
+ R1 | % 2
- \repeat volta 2
- {
- c4-> c-> r2 | % 3
- c8-> c-> r4 r2 | % 4
- }
+ c4-> c-> r2 | % 3
+ c8-> c-> r4 r2 | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c-> r \bar "||" % 12
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c-> r | % 12
- % Chorus
+ % Chorus
- c2 c4 c | % 13
- c2 c4 c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c2 c4 c | % 17
- c2 c4 c | % 18
- c4 c c c | % 19
- \time 2/4 c4 c \time 4/4 | % 20
-
- c4-> c-> r2 | % 21
- c8-> c-> r4 r2 | % 22
- }
- \alternative
- {
- {
- c4-> c-> r2 | % 23
- c8-> c-> r4 r2 | % 24
- }
- {
- c4-> c-> r2 | % 25
- }
- }
+ c2 c4 c | % 13
+ c2 c4 c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c2 c4 c | % 17
+ c2 c4 c | % 18
+ c4 c c c | % 19
+ c4 c | % 20
+
+ c4-> c-> r2 | % 21
+ c8-> c-> r4 r2 | % 22
+
+ c4-> c-> r2 | % 23
+ c8-> c-> r4 r2 | % 24
+
+ c4-> c-> r2 | % 25
c8-> c-> r4 r2 | % 26
- \repeat volta 2
- {
- c4-> c-> r2 | % 27
- c8-> c-> r4 r2 | % 28
- }
+ c4-> c-> r2 | % 27
+ c8-> c-> r4 r2 | % 28
% Verse
c4 c c c | % 35
c4 c c c | % 36
- \repeat volta 2
- {
- % Chorus
+ % Chorus
- c2 c4 c | % 37
- c2 c4 c | % 38
- c4 c c c | % 39
- c4 c c c | % 40
- c2 c4 c | % 41
- c2 c4 c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
- }
+ c2 c4 c | % 37
+ c2 c4 c | % 38
+ c4 c c c | % 39
+ c4 c c c | % 40
+ c2 c4 c | % 41
+ c2 c4 c | % 42
+ c4 c c c | % 43
+ c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
c2-> c-> | % 47
- c4-> c-> c2^\fermata \bar "|." % 48
+ c4-> c-> c2^\fermata | % 48
}
s4_\markup { \italic { 1st X bass & drums only } } s2. | % 5
s1*7 | % 6-12
s4_\markup { \italic { full band } } s2. | % 13
-%{
- s4_\markup { \italic { snare pat. } } s2 | % 1
- s4_\markup { \italic { simile } } s2 | % 2
- s2.*19
- s4_\markup { \italic { spacy } } s2 | % 22
- s2.*5
- s4 s \< s \! | % 28
- s2.*22
- s4_\markup { \italic { Last time } } s2 | % 51
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff
- {
- <<
- \new Voice = "lead" \LeadVox
- \new Voice = "riffs" \Riffs
- >>
- }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Linus and Lucy" }
subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "Main Theme" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Vince Guaraldi" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key af \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
LeftHand = \relative c,
{
-% \set Staff.instrument = #"Lead vox"
\clef F
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
+ \numericTimeSignature
\ottava #-1
af8 ef' af af, ef' af4 af,8 ~ |
%
RightHand = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
\clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
+ \numericTimeSignature
r1 |
r1 |
Riffs = \relative c''
{
\clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
-
%{
\tiny
\normalsize
%
Chords = \chordmode
{
-%Bah, can't we set this globally? YES!!!
-% \popChords
-
s4. d8 g4/a | % 0
d2 g4 | % 1
a4:sus4 a b:m | % 2
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
r4 r8 c c4 | % 0
c4 c c | % 1
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Lo! How a Rose E’er Blooming" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "German Carol" }
-% poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "George Atkins" }
-% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Shamus Hammons" }
- tagline = "Engraved by JLH and Lilypond 2.8.8"
+% poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
+% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr." }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
{
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
\voiceOne
c2 c4 c d c | % 1
{
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
\voiceTwo
a2 a4 f f f | % 1
{
\clef F
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
\voiceThree
c2 c4 a bf a | % 1
{
\clef F
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
\voiceFour
f2 f4 f bf f | % 1
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-staffSize = #18 % or 16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
{ \fontsize #3.5 "Lord I Lift Your Name On High" } }
% composer = \markup { \override #'(font-family . sans) "" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart/Shamus Hammons" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c
+Global =
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef F
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \small \italic { Bass line througout } }
-
-\tiny
- g8 [ g ] r a16 [ b ] c8 [ c ] r d16 [ e ] | % 1
- d8 [ d ] r a16 [ b ] c [ c8 c16 ] ~ c [ c b a ] | % 2
- g8 [ g ] r a16 [ b ] c8 [ c ] r d16 [ e ] | % 3
- d8 [ d ] r a16 [ b ] c [ c8 c16 ] ~ c [ c b a ] | % 4
-\normalsize
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \small \italic { Bass line througout } }
+ s1*4 | % 1-4
}
+
\clef G
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
% Verse
- r4 b'8 [ d ] g [ fs16 e ] ~ e8 [ d ] ~ | % 5
- d8 [ d ] ~ d2 r4 | % 6
- r4 b8 [ d ] g [ fs16 e ] ~ e8 [ d ] | % 7
- e8 ([ d ]) d2 r4 | % 8
- r4 b8 [ d ] g [ fs16 e ] ~ e8 [ d ] ~ | % 9
- d8 [ d ] ~ d2 r4 | % 10
- r4 b8 [ d ] g [ fs16 e ] ~ e8 [ d ] | % 11
- e8 ([ d ]) d2 r4 \bar"||" % 12
-
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar"||" % 5-12
% Chorus
- r8 b' b [ b ] c4 b8 [ g16 a ] | % 13
- r4 d c4. b16 [ b ] | % 14
- r4 b8 [ b16 c (] ~ c8 [ b ]) a [ g16 a ] | % 15
- r4 d c4. b16 [ b ] | % 16
- r4 b8 [ b16 c (] ~ c8 [ b ]) a8 [ g16 a ] ~ | % 17
- a4 a8 [ a16 b (] ~ b8 [ a ]) g8 [ fs16 g ] ~ | % 18
- g4 e8 [ g ] a [ g16 fs ] ~ fs8 [ g ] ~ | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 13-19
}
\alternative
{
{
- g8 [ g ] ~ g2. | % 20
- R1 | % 21
+ s1*2 | % 20-21
}
{
- g8 \repeatTie [ g ] ~ g2. | % 22
+ s1 | % 22
}
}
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ % Chorus (redux)
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 | % 23-30
+
+ % Tag
+
+ s1*4 \bar "|." % 31-34
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c
+{
+ \set Voice.autoBeaming = ##f
+
+ % Intro
+
+ s1*4 | % 1-4
+
+ % Verse
+
+ r4 b'8 [ d ] g [ fs16 e ] ~ e8 [ d ] ~ | % 5
+ d8 [ d ] ~ d2 r4 | % 6
+ r4 b8 [ d ] g [ fs16 e ] ~ e8 [ d ] | % 7
+ e8 ([ d ]) d2 r4 | % 8
+ r4 b8 [ d ] g [ fs16 e ] ~ e8 [ d ] ~ | % 9
+ d8 [ d ] ~ d2 r4 | % 10
+ r4 b8 [ d ] g [ fs16 e ] ~ e8 [ d ] | % 11
+ e8 ([ d ]) d2 r4 | % 12
+
+ % Chorus
+
+ r8 b' b [ b ] c4 b8 [ g16 a ] | % 13
+ r4 d c4. b16 [ b ] | % 14
+ r4 b8 [ b16 c (] ~ c8 [ b ]) a [ g16 a ] | % 15
+ r4 d c4. b16 [ b ] | % 16
+ r4 b8 [ b16 c (] ~ c8 [ b ]) a8 [ g16 a ] ~ | % 17
+ a4 a8 [ a16 b (] ~ b8 [ a ]) g8 [ fs16 g ] ~ | % 18
+ g4 e8 [ g ] a [ g16 fs ] ~ fs8 [ g ] ~ | % 19
+
+ g8 [ g ] ~ g2. | % 20
+ R1 | % 21
+
+ g8 \repeatTie [ g ] ~ g2. | % 22
% Chorus (redux)
r4 e8 [ g ] a [ g16 fs ] ~ fs8 [ g ] ~ | % 31
g8 [ g ] ~ g2. | % 32
r4 e8 [ g ] a [ g16 fs ] ~ fs8 [ g ] ~ | % 33
- g8 [ g ] ~ g2.-\fermata \bar "|." % 34
+ g8 [ g ] ~ g2.-\fermata | % 34
}
+
LeadVoxText = \lyricmode
{
- _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _ _ _ _
-
Lord I lift your name _ on _ high _
Lord I love to sing _ your prai- _ ses
I'm so glad you're in _ my _ life _
%
-% Chord names
+% Riffs
%
+Riffs = \relative c
+{
+ \set Voice.autoBeaming = ##f
+
+ \tiny
+ g8 [ g ] r a16 [ b ] c8 [ c ] r d16 [ e ] | % 1
+ d8 [ d ] r a16 [ b ] c [ c8 c16 ] ~ c [ c b a ] | % 2
+ g8 [ g ] r a16 [ b ] c8 [ c ] r d16 [ e ] | % 3
+ d8 [ d ] r a16 [ b ] c [ c8 c16 ] ~ c [ c b a ] | % 4
+ \normalsize
+}
+
+%
+% Chord names
+%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g2 c | % 1
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 31
c4 c c c | % 32
c4 c c_\markup { \italic { rit. } } c | % 33
- c1-\fermata \bar "|." % 34
+ c1-\fermata | % 34
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+% Chart needs to be added
+
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "Lord You Have My Heart" } }
% composer = \markup { \override #'(font-family . sans) "" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 \bar "||:" % 4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
- R1 | % 5
- R1 | % 6
- R1 | % 7
- R1 | % 8
+ s1*4 | % 5-8
}
\repeat volta 2
{
% Verse
-
- R1 | % 9
- R1 | % 10
- R1 | % 11
- R1 | % 12
- R1 | % 13
- R1 | % 14
- R1 | % 15
- R1 | % 16
-
- R1 | % 17
- R1 | % 18
- R1 | % 19
- R1 | % 20
- R1 | % 21
- R1 | % 22
- R1 | % 23
- R1 | % 24
+
+ s1*16 | % 9-24
% Chorus
- R1 \bar "||" % 25
- R1 | % 26
- R1 | % 27
- R1 | % 28
- R1 | % 29
- R1 | % 30
- R1 | % 31
- R1 | % 32
- R1 | % 33
- R1 | % 34
- R1 | % 35
+ s1 \bar "||" % 25
+ s1*10 | % 26-35
}
\alternative
{
{
- R1 | % 36
- R1 | % 37
- R1 \bar "||" % 38
-
- R1 | % 39
- R1 | % 40
- R1 | % 41
- R1 | % 42
+ s1*3 \bar "||" % 36-38
+
+ s1*4 | % 39-42
}
{
- R1 | % 43
+ s1 | % 43
}
}
- R1 | % 44
- R1 | % 45
- R1 | % 46
- R1 | % 47
- R1 | % 48
- R1 \bar "||" % 49
+ s1*6 \bar "||" % 44-49
- R1 | % 50
- R1 | % 51
- R1 | % 52
- R1 \bar "||" % 53
+ s1*4 \bar "||" % 50-53
- R1 | % 54
- R1 | % 55
- R1 | % 56
- R1 \bar "||:" % 57
+ s1*4 \bar ".|:-||" % 54-57
\repeat volta 2
{
- R1 | % 58
- R1 | % 59
- R1 | % 60
+ s1*3 | % 58-60
}
\alternative
{
{
- R1 | % 61
+ s1 | % 61
}
{
- R1 | % 62
+ s1 | % 62
}
}
\repeat volta 2
{
- R1 | % 63
- R1 | % 64
- R1 | % 65
- R1 | % 66
+ s1*4 | % 63-66
}
+ s1*7 \bar "|." % 67-73
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ R1 | % 1
+ R1 | % 2
+ R1 | % 3
+ R1 | % 4
+
+ R1 | % 5
+ R1 | % 6
+ R1 | % 7
+ R1 | % 8
+
+ % Verse
+
+ c1 | % 9
+ R1 | % 10
+ R1 | % 11
+ R1 | % 12
+ R1 | % 13
+ R1 | % 14
+ R1 | % 15
+ R1 | % 16
+
+ R1 | % 17
+ R1 | % 18
+ R1 | % 19
+ R1 | % 20
+ R1 | % 21
+ R1 | % 22
+ R1 | % 23
+ R1 | % 24
+
+ % Chorus
+
+ R1 | % 25
+ R1 | % 26
+ R1 | % 27
+ R1 | % 28
+ R1 | % 29
+ R1 | % 30
+ R1 | % 31
+ R1 | % 32
+ R1 | % 33
+ R1 | % 34
+ R1 | % 35
+
+ R1 | % 36
+ R1 | % 37
+ R1 | % 38
+
+ R1 | % 39
+ R1 | % 40
+ R1 | % 41
+ R1 | % 42
+
+ R1 | % 43
+
+ R1 | % 44
+ R1 | % 45
+ R1 | % 46
+ R1 | % 47
+ R1 | % 48
+ R1 | % 49
+
+ R1 | % 50
+ R1 | % 51
+ R1 | % 52
+ R1 | % 53
+
+ R1 | % 54
+ R1 | % 55
+ R1 | % 56
+ R1 | % 57
+
+ R1 | % 58
+ R1 | % 59
+ R1 | % 60
+
+ R1 | % 61
+
+ R1 | % 62
+
+ R1 | % 63
+ R1 | % 64
+ R1 | % 65
+ R1 | % 66
+
R1 | % 67
R1 | % 68
R1 | % 69
R1 | % 70
R1 | % 71
R1 | % 72
- r1^\fermata \bar "|." % 73
+ r1^\fermata | % 73
}
+
LeadVoxText = \lyricmode
{
Lord, you have my heart and I will search for yours,
- Je- sus take my life and lead me on.
+ Je -- sus take my life and lead me on.
Lord, you have my heart and I will search for yours,
- Let me be to you a sa- cri- fice.
+ Let me be to you a sa -- cri -- fice.
And I will praise you Lord
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
| % 1
| % 3
| % 4
- \repeat volta 2
- {
- | % 5
- | % 6
- | % 7
- | % 8
- }
-
- \repeat volta 2
- {
- % Verse
-
- | % 9
- | % 10
- | % 11
- | % 12
- | % 13
- | % 14
- | % 15
- | % 16
-
- | % 17
- | % 18
- | % 19
- | % 20
- | % 21
- | % 22
- | % 23
- | % 24
-
- % Chorus
-
- | % 25
- | % 26
- | % 27
- | % 28
- | % 29
- | % 30
- | % 31
- | % 32
- | % 33
- | % 34
- | % 35
- }
- \alternative
- {
- {
- | % 36
- | % 37
- | % 38
-
- | % 39
- | % 40
- | % 41
- | % 42
- }
- {
- | % 43
- }
- }
-
- | % 44
+ | % 5
+ | % 6
+ | % 7
+ | % 8
+
+ % Verse
+
+ | % 9
+ | % 10
+ | % 11
+ | % 12
+ | % 13
+ | % 14
+ | % 15
+ | % 16
+
+ | % 17
+ | % 18
+ | % 19
+ | % 20
+ | % 21
+ | % 22
+ | % 23
+ | % 24
+
+ % Chorus
+
+ | % 25
+ | % 26
+ | % 27
+ | % 28
+ | % 29
+ | % 30
+ | % 31
+ | % 32
+ | % 33
+ | % 34
+ | % 35
+
+ | % 36
+ | % 37
+ | % 38
+
+ | % 39
+ | % 40
+ | % 41
+ | % 42
+
+ | % 43
+
+ | % 44
| % 45
| % 46
| % 47
| % 56
| % 57
- \repeat volta 2
- {
- | % 58
- | % 59
- | % 60
- }
- \alternative
- {
- {
- | % 61
- }
- {
- | % 62
- }
- }
- \repeat volta 2
- {
- | % 63
- | % 64
- | % 65
- | % 66
- }
+ | % 58
+ | % 59
+ | % 60
+
+ | % 61
+
+ | % 62
+
+ | % 63
+ | % 64
+ | % 65
+ | % 66
| % 67
| % 68
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 1
c4 c c c | % 2
c4 c c c | % 3
- c4 c c c \bar "||:" % 4
-
- \repeat volta 2
- {
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- }
-
- \repeat volta 2
- {
- % Verse
-
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
-
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
-
- % Chorus
-
- c4 c c c \bar "||" % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c c | % 35
- }
- \alternative
- {
- {
- c4 c c c | % 36
- c4 c c c | % 37
- c4 c c c \bar "||" % 38
-
- c4 c c c | % 39
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- }
- {
- c4 c c c | % 43
- }
- }
+ c4 c c c | % 4
+
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+
+ % Verse
+
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+
+ % Chorus
+
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+
+ c4 c c c | % 36
+ c4 c c c | % 37
+ c4 c c c | % 38
+
+ c4 c c c | % 39
+ c4 c c c | % 40
+ c4 c c c | % 41
+ c4 c c c | % 42
+
+ c4 c c c | % 43
c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
c4 c c c | % 47
c4 c c c | % 48
- c4 c c c \bar "||" % 49
+ c4 c c c | % 49
c4 c c c | % 50
c4 c c c | % 51
c4 c c c | % 52
- c4 c c c \bar "||" % 53
+ c4 c c c | % 53
c4 c c c | % 54
c4 c c c | % 55
c4 c c c | % 56
- c4 c c c \bar "||:" % 57
+ c4 c c c | % 57
- \repeat volta 2
- {
- c4 c c c | % 58
- c4 c c c | % 59
- c4 c c c | % 60
- }
- \alternative
- {
- {
- c4 c c c | % 61
- }
- {
- c4 c c c | % 62
- }
- }
- \repeat volta 2
- {
- c4 c c c | % 63
- c4 c c c | % 64
- c4 c c c | % 65
- c4 c c c | % 66
- }
+ c4 c c c | % 58
+ c4 c c c | % 59
+ c4 c c c | % 60
+
+ c4 c c c | % 61
+
+ c4 c c c | % 62
+
+ c4 c c c | % 63
+ c4 c c c | % 64
+ c4 c c c | % 65
+ c4 c c c | % 66
c4 c c c | % 67
c4 c c c | % 68
c4 c c c | % 70
c4 c c c | % 71
c4 c c c | % 72
- c1^\fermata \bar "|." % 73
+ c1^\fermata | % 73
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
-% \new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+% This is missing everything from the chart
+
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "More Love, More Power" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Del Hierro" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.6"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
+ s1*4 | % 1-4
}
\repeat volta 2
{
% Verse
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
+ s1*8 \bar "||" % 5-12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c \bar "||" % 20
+ s1*8 \bar "||" % 13-20
% Chorus
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c c | % 35
+ s1*15 | % 21-35
}
\alternative
{
{
- c4 c c c | % 36
- c4 c c c | % 37
- c4 c c c | % 38
- c4 c c c | % 39
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
+ s1*9 | % 36-44
}
{
- c4 c c c | % 45
+ s1 | % 45
}
}
\repeat volta 4
{
- c4 c c c | % 46
- c4 c c c | % 47
+ s1*2 | % 46-47
}
\alternative
{
{
- c4 c c c | % 48
- c4 c c c | % 49
+ s1*2 | % 48-49
}
{
- c4 c c c | % 50
- c4 c c c | % 51
+ s1*2 | % 50-51
}
}
\repeat volta 2
{
- c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c4 c c c | % 58
- c4 c c c | % 59
- c4 c c c | % 60
- c4 c c c | % 61
- c4 c c c | % 62
- c4 c c c | % 63
- c4 c c c | % 64
- c4 c c c | % 65
+ s1*14 | % 52-65
}
\alternative
{
{
- c4 c c c | % 66
- c4 c c c | % 67
+ s1*2 | % 66-67
}
{
- c4 c c c | % 68
+ s1 | % 68
}
}
- c4 c c c | % 69
+ s1 | % 69
\repeat volta 2
{
- c4 c c c | % 70
- c4 c c c | % 71
- c4 c c c | % 72
- c4 c c c | % 73
+ s1*4 | % 70-73
}
- c1^\fermata \bar "|." % 74
+ s1 \bar "|." % 74
%}
}
-LeadVoxText = \lyricmode
-{
- More love, more po- wer
- more of you in my life
- More love, more po- wer
- more of you in my life
-
- And I will wor- ship you with all of my heart
-}
-
%
-% Chord names
+% Lead vocal
%
-
-Chords = \chordmode
+LeadVox = \relative c'
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
\repeat volta 2
c4 c c c | % 73
}
- c1 | % 74
+ c1^\fermata | % 74
+}
+
+
+LeadVoxText = \lyricmode
+{
+ More love, more po- wer
+ more of you in my life
+ More love, more po- wer
+ more of you in my life
+
+ And I will wor- ship you with all of my heart
}
%
-% Chord rhythms
+% Chord names
%
+Chords = \chordmode
+{
+ % Intro
+
+ c4 c c c | % 1
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
+
+ % Verse
+
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+
+ % Chorus
+
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+
+ c4 c c c | % 36
+ c4 c c c | % 37
+ c4 c c c | % 38
+ c4 c c c | % 39
+ c4 c c c | % 40
+ c4 c c c | % 41
+ c4 c c c | % 42
+ c4 c c c | % 43
+ c4 c c c | % 44
+
+ c4 c c c | % 45
+
+ c4 c c c | % 46
+ c4 c c c | % 47
+
+ c4 c c c | % 48
+ c4 c c c | % 49
+
+ c4 c c c | % 50
+ c4 c c c | % 51
+
+ c4 c c c | % 52
+ c4 c c c | % 53
+ c4 c c c | % 54
+ c4 c c c | % 55
+ c4 c c c | % 56
+ c4 c c c | % 57
+ c4 c c c | % 58
+ c4 c c c | % 59
+ c4 c c c | % 60
+ c4 c c c | % 61
+ c4 c c c | % 62
+ c4 c c c | % 63
+ c4 c c c | % 64
+ c4 c c c | % 65
+
+ c4 c c c | % 66
+ c4 c c c | % 67
+
+ c4 c c c | % 68
+
+ c4 c c c | % 69
+
+ c4 c c c | % 70
+ c4 c c c | % 71
+ c4 c c c | % 72
+ c4 c c c | % 73
+
+ c1 | % 74
+}
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
+%
+% Chord rhythms
+%
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
- }
-
- \repeat volta 2
- {
- % Verse
-
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
-
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c \bar "||" % 20
+ c4 c c c | % 1
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
- % Chorus
+ % Verse
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c c | % 35
- }
- \alternative
- {
- {
- c4 c c c | % 36
- c4 c c c | % 37
- c4 c c c | % 38
- c4 c c c | % 39
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
- }
- {
- c4 c c c | % 45
- }
- }
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
- \repeat volta 4
- {
- c4 c c c | % 46
- c4 c c c | % 47
- }
- \alternative
- {
- {
- c4 c c c | % 48
- c4 c c c | % 49
- }
- {
- c4 c c c | % 50
- c4 c c c | % 51
- }
- }
+ % Chorus
- \repeat volta 2
- {
- c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c4 c c c | % 58
- c4 c c c | % 59
- c4 c c c | % 60
- c4 c c c | % 61
- c4 c c c | % 62
- c4 c c c | % 63
- c4 c c c | % 64
- c4 c c c | % 65
- }
- \alternative
- {
- {
- c4 c c c | % 66
- c4 c c c | % 67
- }
- {
- c4 c c c | % 68
- }
- }
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+
+ c4 c c c | % 36
+ c4 c c c | % 37
+ c4 c c c | % 38
+ c4 c c c | % 39
+ c4 c c c | % 40
+ c4 c c c | % 41
+ c4 c c c | % 42
+ c4 c c c | % 43
+ c4 c c c | % 44
+
+ c4 c c c | % 45
+
+ c4 c c c | % 46
+ c4 c c c | % 47
+
+ c4 c c c | % 48
+ c4 c c c | % 49
+
+ c4 c c c | % 50
+ c4 c c c | % 51
+
+ c4 c c c | % 52
+ c4 c c c | % 53
+ c4 c c c | % 54
+ c4 c c c | % 55
+ c4 c c c | % 56
+ c4 c c c | % 57
+ c4 c c c | % 58
+ c4 c c c | % 59
+ c4 c c c | % 60
+ c4 c c c | % 61
+ c4 c c c | % 62
+ c4 c c c | % 63
+ c4 c c c | % 64
+ c4 c c c | % 65
+
+ c4 c c c | % 66
+ c4 c c c | % 67
+
+ c4 c c c | % 68
c4 c c c | % 69
- \repeat volta 2
- {
- c4 c c c | % 70
- c4 c c c | % 71
- c4 c c c | % 72
- c4 c c c | % 73
- }
+ c4 c c c | % 70
+ c4 c c c | % 71
+ c4 c c c | % 72
+ c4 c c c | % 73
- c1^\fermata \bar "|." % 74
+ c1^\fermata | % 74
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Mourning Into Dancing" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Tommy Walker" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
%
Global =
{
+ \clef F
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\once \override TextScript #'padding = #2.0
% Intro
-%\clef f
-% s1*3
-% s2.
-%\clef g
- s1*4 \bar "||:" % 1-4
+ s1*3
+ s2. \clef G s4 \bar ".|:-||" % 1-4
\repeat volta 2
{
\mark \markup { \override #'(font-family . sans) { \box { C } } }
- s1*8 \bar "||:" % 31-38
+ s1*8 \bar ".|:-||" % 31-38
\repeat volta 2
{
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef F
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
s1 | % 1
s1 | % 2
s1 | % 3
- s2. \clef G e8 g | % 4
+ s2. e8 g | % 4
% Verse
Riffs = \relative c
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
+ <<
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ >>
+
+ \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
% \new ChordNames \transpose b g \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
- \new Voice = "lead" \LeadVox
- \new Voice \Riffs
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "My Redeemer Lives" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Reuben Morgan" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Drippin’ Soul" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
+ s1*2 | % 1-2
}
\repeat volta 3
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- r4 gs gs4. fs8 | % 3
- fs8 e cs e ~ e4 r | % 4
- r4 gs gs4. fs8 | % 5
- fs8 e cs e ~ e e fs gs ~ ( | % 6
- gs2 ~ gs4. ~ gs16 fs | % 7
- e4 ) r r8 a a a ( | % 8
- gs4 ) r r2 | % 9
- R1 | % 10
- r4 gs gs4. fs8 | % 11
- fs8 e cs e ~ e4 r | % 12
- r4 gs gs4. fs8 | % 13
- fs8 e cs e ~ e e fs gs ~ ( | % 14
- gs2 ~ gs4. ~ gs16 fs | % 15
- e4 ) r r8 a a a ( | % 16
- gs4 ) r r2 | % 17
- R1 \bar "||" % 18
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*16 \bar "||" % 3-18
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- r4 fs fs e8 fs ~ | % 19
- fs8 gs4. r2 | % 20
- r8 e a4 a r8 a8 | % 21
- a8 gs a8 b ~ b r gs b \bar "||" % 22
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*4 \bar "||" % 19-22
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- b2 gs4. e8 ~ | % 23
- e4 r r gs8 b | % 24
- b2 gs4. a16 ( gs | % 25
- fs4 ) r r gs8 b | % 26
- b2 gs4. e8 ~ | % 27
- e4 r r gs8 b | % 28
+ s1*6 | % 23-28
}
\alternative
{
{
- b2 gs4. a16 ( gs | % 29
- fs2. ) r4 | % 30
+ s1*2 | % 29-30
}
{
- b2 gs4. a16 ( gs | % 31
- fs2. ) r4^\markup { \hspace #0.0 \raise #0.6 { D.S. } } \bar "||" % 32
+ s1 | % 31
+ s2. s4^\markup { \hspace #0.0 \raise #0.6 { D.S. } } \bar "||" % 32
}
{
- b2 gs4. a16 ( gs | % 33
- fs2. ) r4 | % 34
+ s1*2 | % 33-34
}
}
- r1-\fermata \bar "|." % 35
+ s1 \bar "|." % 35
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ R1 | % 1
+ R1 | % 2
+
+ % Verse
+
+ r4 gs gs4. fs8 | % 3
+ fs8 e cs e ~ e4 r | % 4
+ r4 gs gs4. fs8 | % 5
+ fs8 e cs e ~ e e fs gs ~ ( | % 6
+ gs2 ~ gs4. ~ gs16 fs | % 7
+ e4 ) r r8 a a a ( | % 8
+ gs4 ) r r2 | % 9
+ R1 | % 10
+ r4 gs gs4. fs8 | % 11
+ fs8 e cs e ~ e4 r | % 12
+ r4 gs gs4. fs8 | % 13
+ fs8 e cs e ~ e e fs gs ~ ( | % 14
+ gs2 ~ gs4. ~ gs16 fs | % 15
+ e4 ) r r8 a a a ( | % 16
+ gs4 ) r r2 | % 17
+ R1 | % 18
+
+ % Prechorus
+
+ r4 fs fs e8 fs ~ | % 19
+ fs8 gs4. r2 | % 20
+ r8 e a4 a r8 a8 | % 21
+ a8 gs a8 b ~ b r gs b | % 22
+
+ % Chorus
+
+ b2 gs4. e8 ~ | % 23
+ e4 r r gs8 b | % 24
+ b2 gs4. a16 ( gs | % 25
+ fs4 ) r r gs8 b | % 26
+ b2 gs4. e8 ~ | % 27
+ e4 r r gs8 b | % 28
+
+ b2 gs4. a16 ( gs | % 29
+ fs2. ) r4 | % 30
+
+ b2 gs4. a16 ( gs | % 31
+ fs2. ) r4 | % 32
+
+ b2 gs4. a16 ( gs | % 33
+ fs2. ) r4 | % 34
+
+ r1-\fermata | % 35
}
+
LeadVoxText = \lyricmode
{
I know he res -- cued my soul, __ _
%
% Riff/rhythm figures
%
-
Riffs = \relative c''
{
- \clef G
- \key e \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
%{
%
% Chord names
%
-
Chords = \chordmode
{
-%Needed???
- \override SeparatingGroupSpanner #'padding = #'2.0
-% Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- e1:7 | % 1
- a1:7 | % 2
- }
-
- \repeat volta 3
- {
- % Verse
-
- e1:7 | % 3
- a1 | % 4
- e1:7 | % 5
- a1 | % 6
- e1:7 | % 7
- a1:7 | % 8
- e1:7 | % 9
- a1:7 | % 10
- e1:7 | % 11
- a1 | % 12
- e1:7 | % 13
- a1 | % 14
- e1:7 | % 15
- a1:7 | % 16
- e1:7 | % 17
- a1:7 | % 18
-
- % Prechorus
-
- b1:sus4 | % 19
- s1 | % 20
- a1 | % 21
- a1/b | % 22
-
- % Chorus
-
- e1 | % 23
- a1 | % 24
- cs1:m7 | % 25
- b1:sus4 | % 26
- e1 | % 27
- a1 | % 28
- }
- \alternative
- {
- {
- cs1:m7 | % 29
- b1:sus4 | % 30
- }
- {
- cs1:m7 | % 31
- b1:sus4 | % 32
- }
- {
- cs1:m7 | % 33
- b1:sus4 | % 34
- }
- }
+ e1:7 | % 1
+ a1:7 | % 2
+
+ % Verse
+
+ e1:7 | % 3
+ a1 | % 4
+ e1:7 | % 5
+ a1 | % 6
+ e1:7 | % 7
+ a1:7 | % 8
+ e1:7 | % 9
+ a1:7 | % 10
+ e1:7 | % 11
+ a1 | % 12
+ e1:7 | % 13
+ a1 | % 14
+ e1:7 | % 15
+ a1:7 | % 16
+ e1:7 | % 17
+ a1:7 | % 18
+
+ % Prechorus
+
+ b1:sus4 | % 19
+ s1 | % 20
+ a1 | % 21
+ a1/b | % 22
+
+ % Chorus
+
+ e1 | % 23
+ a1 | % 24
+ cs1:m7 | % 25
+ b1:sus4 | % 26
+ e1 | % 27
+ a1 | % 28
+
+ cs1:m7 | % 29
+ b1:sus4 | % 30
+
+ cs1:m7 | % 31
+ b1:sus4 | % 32
+
+ cs1:m7 | % 33
+ b1:sus4 | % 34
e1:^3 | % 35
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- c4 c c c | % 1
- c4 c c c | % 2
- }
-
- \repeat volta 3
- {
- % Verse
-
- c4 c c c | % 3
- c4 c c c | % 4
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c \bar "||" % 18
-
- % Prechorus
-
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c | % 21
- c4 c c c \bar "||" % 22
-
- % Chorus
-
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- }
- \alternative
- {
- {
- c4 c c c | % 29
- c4 c c c | % 30
- }
- {
- c4 c c c | % 31
- c4 c c c | % 32
- }
- {
- c4 c c c | % 33
- c4 c c c | % 34
- }
- }
-
- c1-\fermata \bar "|." % 35
+ c4 c c c | % 1
+ c4 c c c | % 2
+
+ % Verse
+
+ c4 c c c | % 3
+ c4 c c c | % 4
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+
+ % Prechorus
+
+ c4 c c c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
+ c4 c c c | % 22
+
+ % Chorus
+
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+
+ c4 c c c | % 29
+ c4 c c c | % 30
+
+ c4 c c c | % 31
+ c4 c c c | % 32
+
+ c4 c c c | % 33
+ c4 c c c | % 34
+
+ c1-\fermata | % 35
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"\r
+\version "2.19.0"\r
\include "pop-chords.ly"\r
\include "english.ly"\r
\r
-% Good sizes are 16, 18, & 20\r
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)\r
staffSize = #20\r
#(set-default-paper-size "letter")\r
#(set-global-staff-size staffSize)\r
\r
\header\r
{\r
-%Let's bump up the title size and switch to the chord font. :-)\r
-\r
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "No Higher Calling" }\r
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }\r
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }\r
- tagline = "Engraved by JLH and Lilypond 2.8.8"\r
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))\r
}\r
\r
\r
%\r
-% Lead vocal\r
+% Song's structure\r
%\r
-\r
-LeadVox = \relative c'\r
+Global =\r
{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrumentName = #"Lead vox"\r
\clef G\r
\key bf \major\r
- \override Staff.TimeSignature #'style = #'()\r
+ \numericTimeSignature\r
\time 4/4\r
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
\r
\repeat volta 2\r
{\r
% Intro\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { \small "Light half-time feel" }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #left\r
+ \mark \markup { \small "Light half-time feel" }\r
\r
- s1 | % 1\r
- s1 | % 2\r
- s1 | % 3\r
- s1 | % 4\r
+ s1*4 | % 1-4\r
}\r
\r
% Verse\r
\r
-\mark \markup { \override #'(font-family . sans) { \box { A } } }\r
-\r
- f2. d8 f | % 5\r
- a2 bf4. g8 ~ | % 6\r
- g2. f8 ef | % 7\r
- d2 c4. ( d8 ) | % 8\r
- d2 r4 d8 f | % 9\r
- a2 bf4. g8 ~ | % 10\r
- g2. g4 | % 11\r
- gf2 f4. f8 ~ | % 12\r
- f2. f4 | % 13\r
- gf2 af4. ( bf8 ) | % 14\r
- bf1 ~ | % 15\r
- bf2 r | % 16\r
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }\r
+ s1*12 | % 5-16\r
\r
\repeat volta 2\r
{\r
% Verse\r
\r
-\mark \markup { \override #'(font-family . sans) { \box { B } } }\r
-\r
- f2. d8 f | % 17\r
- a2 bf4. g8 ~ | % 18\r
- g2. f8 ef | % 19\r
- d2 c4. ( d8 ) | % 20\r
- d2 r4 d8 f | % 21\r
- a2 bf4. g8 ~ | % 22\r
- g2. g4 | % 23\r
- gf2 f4. f8 ~ | % 24\r
- f2. f4 | % 25\r
- gf2 af4. ( bf8 ) | % 26\r
- bf1 ~ | % 27\r
- bf2. <bf d,>8 <a c,> \bar "||" % 28\r
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }\r
+ s1*12 \bar "||" % 17-28\r
\r
% Chorus\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }\r
-\r
- <g bf,>2. <a c,>8 <bf d,> | % 29\r
- <bf d,>4. ( <a c,>8 ) <a c,>2 | % 30\r
- <a c,>2. <bf d,>8 <c f,> | % 31\r
- <c f,>4. ( <bf d,>8 ) <bf d,>4 <bf d,>8 <a c,> | % 32\r
- <g bf,>2. <g bf,>4 | % 33\r
- <g bf,>4 <f a,>8 <f a,> ~ <f a,> <ef g,>4 <f bf,>8 ~ | % 34\r
- <f bf,>1 | % 35\r
- r2 r4 <f d>8 <g ef> | % 36\r
- <g ef>2. <a c,>8 <bf d,> | % 37\r
- <bf d,>4. <a c,>8 ~ <a c,>4. <a c,>8 | % 38\r
- <a c,>2. <bf d,>8 <c ef,> | % 39\r
- <c ef,>4. <bf d,>8 ~ <bf d,>4 bf | % 40\r
- bf2. bf4 | % 41\r
- bf4 a8 g ~ g a ~ a4 | % 42\r
-\once \override Score.RehearsalMark #'self-alignment-X = #right\r
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #left\r
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }\r
+\r
+ s1*14 | % 29-42\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #right\r
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }\r
}\r
\alternative\r
{\r
{\r
- \voiceTwo\r
- bf1 | % 43\r
- \oneVoice\r
- s1 | % 44\r
- s1 | % 45\r
- s1 | % 46\r
+ s1*4 | % 43-46\r
}\r
{\r
- bf1 | % 47\r
+ s1 | % 47\r
}\r
}\r
\r
- r2 r4 <f d>8 <g ef> \bar "||" % 48\r
+ s1 \bar "||" % 48\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #right\r
-\mark \markup { \italic { D.S. al Coda } }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #right\r
+ \mark \markup { \italic { D.S. al Coda } }\r
\r
% Coda\r
\r
-\stopStaff s1 \startStaff |\r
+\stopStaff s1 \startStaff\r
\set Score.currentBarNumber = #49\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #left\r
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }\r
+\r
+ s1*9 \bar "|." % 49-57\r
+}\r
+\r
+\r
+%\r
+% Lead vocal\r
+%\r
+LeadVox = \relative c'\r
+{\r
+ % Intro\r
+\r
+ s1 | % 1\r
+ s1 | % 2\r
+ s1 | % 3\r
+ s1 | % 4\r
+\r
+ % Verse\r
+\r
+ f2. d8 f | % 5\r
+ a2 bf4. g8 ~ | % 6\r
+ g2. f8 ef | % 7\r
+ d2 c4. ( d8 ) | % 8\r
+ d2 r4 d8 f | % 9\r
+ a2 bf4. g8 ~ | % 10\r
+ g2. g4 | % 11\r
+ gf2 f4. f8 ~ | % 12\r
+ f2. f4 | % 13\r
+ gf2 af4. ( bf8 ) | % 14\r
+ bf1 ~ | % 15\r
+ bf2 r | % 16\r
+\r
+ % Verse\r
+\r
+ f2. d8 f | % 17\r
+ a2 bf4. g8 ~ | % 18\r
+ g2. f8 ef | % 19\r
+ d2 c4. ( d8 ) | % 20\r
+ d2 r4 d8 f | % 21\r
+ a2 bf4. g8 ~ | % 22\r
+ g2. g4 | % 23\r
+ gf2 f4. f8 ~ | % 24\r
+ f2. f4 | % 25\r
+ gf2 af4. ( bf8 ) | % 26\r
+ bf1 ~ | % 27\r
+ bf2. <bf d,>8 <a c,> \bar "||" % 28\r
+\r
+ % Chorus\r
+\r
+ <g bf,>2. <a c,>8 <bf d,> | % 29\r
+ <bf d,>4. ( <a c,>8 ) <a c,>2 | % 30\r
+ <a c,>2. <bf d,>8 <c f,> | % 31\r
+ <c f,>4. ( <bf d,>8 ) <bf d,>4 <bf d,>8 <a c,> | % 32\r
+ <g bf,>2. <g bf,>4 | % 33\r
+ <g bf,>4 <f a,>8 <f a,> ~ <f a,> <ef g,>4 <f bf,>8 ~ | % 34\r
+ <f bf,>1 | % 35\r
+ r2 r4 <f d>8 <g ef> | % 36\r
+ <g ef>2. <a c,>8 <bf d,> | % 37\r
+ <bf d,>4. <a c,>8 ~ <a c,>4. <a c,>8 | % 38\r
+ <a c,>2. <bf d,>8 <c ef,> | % 39\r
+ <c ef,>4. <bf d,>8 ~ <bf d,>4 bf | % 40\r
+ bf2. bf4 | % 41\r
+ bf4 a8 g ~ g a ~ a4 | % 42\r
+\r
+ \voiceTwo bf1 \oneVoice | % 43\r
+ s1*3 | % 44-46\r
+\r
+ bf1 | % 47\r
+\r
+ r2 r4 <f d>8 <g ef> | % 48\r
+\r
+ % Coda\r
+\r
+ s1 % extra bar for coda\r
\r
bf2 s | % 49\r
- s1 | % 50\r
- s1 | % 51\r
- s1 | % 52\r
- s1 | % 53\r
- s1 | % 54\r
- s1 | % 55\r
- s1 | % 56\r
- s1 \bar "|." % 57\r
+ s1*8 | % 50-57\r
}\r
\r
+\r
LeadVoxText = \lyricmode\r
{\r
Down at your feet, O Lord, _\r
\r
Riffs = \relative c'\r
{\r
- \clef G\r
- \key bf \major\r
- \override Staff.TimeSignature #'style = #'()\r
- \time 4/4\r
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
-\r
\tiny\r
r2 r8 d f bf | % 1\r
bf4. af8 ~ af4. af8 | % 2\r
\r
s1*38 | % 5-42\r
\r
- \voiceOne\r
- r2 r8 d f bf | % 43\r
- \oneVoice\r
+ \voiceOne r2 r8 d f bf \oneVoice | % 43\r
bf4. af8 ~ af4. af8 | % 44\r
af4. g8 ~ g4. f8 | % 45\r
f1 | % 46\r
bf4. af8 ~ af4. af8 | % 54\r
af4. g8 ~ g4. f8 | % 55\r
f1 | % 56\r
- r1-\fermata \bar "|." % 57\r
+ r1-\fermata | % 57\r
}\r
\r
\r
%\r
% Chord names\r
%\r
-\r
Chords = \chordmode\r
{\r
-%Bah, can't we set this globally?\r
-% \popChords\r
-\r
- \repeat volta 2\r
- {\r
- % Intro\r
+ % Intro\r
\r
- bf1 | % 1\r
- af4.:6.9 af8:sus2 s2 | % 2\r
- af4./ef ef8 s2 | % 3\r
- f2:sus4 f | % 4\r
- }\r
+ bf1 | % 1\r
+ af4.:6.9 af8:sus2 s2 | % 2\r
+ af4./ef ef8 s2 | % 3\r
+ f2:sus4 f | % 4\r
\r
% Verse\r
\r
bf1:sus2 | % 15\r
bf2 ef/f | % 16\r
\r
- \repeat volta 2\r
- {\r
- % Verse\r
-\r
- bf1 | % 17\r
- f2/d bf/d | % 18\r
- ef1 | % 19\r
- bf2/f f | % 20\r
- bf1 | % 21\r
- f2/g g:m7 | % 22\r
- ef1 | % 23\r
- ef2:m af:sus2 | % 24\r
- bf1 | % 25\r
- gf2:6 af:sus2 | % 26\r
- bf1 | % 27\r
- bf1:sus2/d | % 28\r
-\r
- % Chorus\r
+ % Verse\r
\r
- ef1 | % 29\r
- g2:m7 f | % 30\r
- d1:m7 | % 31\r
- f2/g g:m7 | % 32\r
- c1:m7 | % 33\r
- ef2/f f | % 34\r
- bf1 | % 35\r
- bf1/d | % 36\r
- ef1 | % 37\r
- g2:m7 f | % 38\r
- d1:7/fs | % 39\r
- c2:m/g g:m7 | % 40\r
- ef1 | % 41\r
- bf4./f ef4/f f4. | % 42\r
- }\r
- \alternative\r
- {\r
- {\r
- bf1 | % 43\r
- af4.:6.9 af8:sus2 s2 | % 44\r
- af4./ef ef8 s2 | % 45\r
- f2:sus4 f | % 46\r
- }\r
- {\r
- bf1 | % 47\r
- }\r
- }\r
+ bf1 | % 17\r
+ f2/d bf/d | % 18\r
+ ef1 | % 19\r
+ bf2/f f | % 20\r
+ bf1 | % 21\r
+ f2/g g:m7 | % 22\r
+ ef1 | % 23\r
+ ef2:m af:sus2 | % 24\r
+ bf1 | % 25\r
+ gf2:6 af:sus2 | % 26\r
+ bf1 | % 27\r
+ bf1:sus2/d | % 28\r
+\r
+ % Chorus\r
+\r
+ ef1 | % 29\r
+ g2:m7 f | % 30\r
+ d1:m7 | % 31\r
+ f2/g g:m7 | % 32\r
+ c1:m7 | % 33\r
+ ef2/f f | % 34\r
+ bf1 | % 35\r
+ bf1/d | % 36\r
+ ef1 | % 37\r
+ g2:m7 f | % 38\r
+ d1:7/fs | % 39\r
+ c2:m/g g:m7 | % 40\r
+ ef1 | % 41\r
+ bf4./f ef4/f f4. | % 42\r
+\r
+ bf1 | % 43\r
+ af4.:6.9 af8:sus2 s2 | % 44\r
+ af4./ef ef8 s2 | % 45\r
+ f2:sus4 f | % 46\r
+\r
+ bf1 | % 47\r
\r
bf1:sus2/d | % 48\r
\r
%\r
% Chord rhythms\r
%\r
-\r
-% Use a RhythmicStaff on the chords instead of this?\r
-% It almost works, but not quite. Doesn't collapse chords above to single notes...\r
-\r
StaffC = \relative c\r
{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrumentName = #"Rhythm"\r
- \override Staff.TimeSignature #'style = #'()\r
- \time 4/4\r
+ \numericTimeSignature\r
\override NoteHead #'style = #'slash\r
+ \teeny\r
\r
- \repeat volta 2\r
- {\r
- % Intro\r
+ % Intro\r
\r
- c4 c c c | % 1\r
- c4. c8 ~ c2 | % 2\r
- c4. c8 ~ c2 | % 3\r
- c4 c c c | % 4\r
- }\r
+ c4 c c c | % 1\r
+ c4. c8 ~ c2 | % 2\r
+ c4. c8 ~ c2 | % 3\r
+ c4 c c c | % 4\r
\r
% Verse\r
\r
c4 c c c | % 15\r
c4 c c c | % 16\r
\r
- \repeat volta 2\r
- {\r
- % Verse\r
-\r
- c4 c c c | % 17\r
- c4 c c c | % 18\r
- c4 c c c | % 19\r
- c4 c c c | % 20\r
- c4 c c c | % 21\r
- c4 c c c | % 22\r
- c4 c c c | % 23\r
- c4 c c c | % 24\r
- c4 c c c | % 25\r
- c4 c c c | % 26\r
- c4 c c c | % 27\r
- c4 c c c \bar "||" % 28\r
-\r
- % Chorus\r
-\r
- c4 c c c | % 29\r
- c4 c c c | % 30\r
- c4 c c c | % 31\r
- c4 c c c | % 32\r
- c4 c c c | % 33\r
- c4 c c c | % 34\r
- c4 c c c | % 35\r
- c4 c c c | % 36\r
- c4 c c c | % 37\r
- c4 c c c | % 38\r
- c4 c c c | % 39\r
- c4 c c c | % 40\r
- c4 c c c | % 41\r
- c4. c8 ~ c c4. | % 42\r
- }\r
- \alternative\r
- {\r
- {\r
- c4 c c c | % 43\r
- c4. c8 ~ c2 | % 44\r
- c4. c8 ~ c2 | % 45\r
- c4 c c c | % 46\r
- }\r
- {\r
- c4 c c c | % 47\r
- }\r
- }\r
+ % Verse\r
\r
- c4 c c c \bar "||" % 48\r
+ c4 c c c | % 17\r
+ c4 c c c | % 18\r
+ c4 c c c | % 19\r
+ c4 c c c | % 20\r
+ c4 c c c | % 21\r
+ c4 c c c | % 22\r
+ c4 c c c | % 23\r
+ c4 c c c | % 24\r
+ c4 c c c | % 25\r
+ c4 c c c | % 26\r
+ c4 c c c | % 27\r
+ c4 c c c \bar "||" % 28\r
+\r
+ % Chorus\r
+\r
+ c4 c c c | % 29\r
+ c4 c c c | % 30\r
+ c4 c c c | % 31\r
+ c4 c c c | % 32\r
+ c4 c c c | % 33\r
+ c4 c c c | % 34\r
+ c4 c c c | % 35\r
+ c4 c c c | % 36\r
+ c4 c c c | % 37\r
+ c4 c c c | % 38\r
+ c4 c c c | % 39\r
+ c4 c c c | % 40\r
+ c4 c c c | % 41\r
+ c4. c8 ~ c c4. | % 42\r
+\r
+ c4 c c c | % 43\r
+ c4. c8 ~ c2 | % 44\r
+ c4. c8 ~ c2 | % 45\r
+ c4 c c c | % 46\r
+\r
+ c4 c c c | % 47\r
+\r
+ c4 c c c | % 48\r
\r
% Coda\r
\r
\stopStaff s1 \startStaff |\r
-\set Score.currentBarNumber = #49\r
\r
c4 c c c | % 49\r
c4. c8 ~ c2 | % 50\r
c4. c8 ~ c2 | % 54\r
c4. c8 ~ c2 | % 55\r
c4 c c c | % 56\r
- c1-\fermata \bar "|." % 57\r
+ c1-\fermata | % 57\r
}\r
\r
\r
\score\r
{\r
<<\r
+ \Global % The "roadmap" that everything else depends on\r
+\r
+ \context Staff\r
<<\r
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }\r
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }\r
+ \new Voice = "lead" \LeadVox\r
+ \new Voice = "riffs" \Riffs\r
\new Lyrics \lyricsto "lead" \LeadVoxText\r
>>\r
\r
- \new ChoirStaff = "Rhythm"\r
+ \new ChoirStaff\r
<<\r
- \new ChordNames = "chords" \Chords\r
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>\r
+ \new ChordNames \Chords\r
+ \new RhythmicStaff << \StaffC \Dynamics >>\r
>>\r
\r
\set Score.skipBars = ##t\r
\set Score.melismaBusyProperties = #'()\r
>>\r
-\r
- \layout\r
- {\r
-% \context { \Staff \RemoveEmptyStaves }\r
-% ragged-last-bottom = ##t\r
- ragged-last = ##t\r
- }\r
}\r
\r
\r
\paper\r
{\r
- #(define fonts (make-pango-font-tree\r
- "Times New Roman"\r
- "DomCasual BT"\r
- "Luxi Mono"\r
- (/ staffSize 20)))\r
-\r
-% top-margin = -0.25 \in\r
+ #(define fonts (make-pango-font-tree\r
+ "Times New Roman"\r
+ "LilyJAZZText"\r
+ "Luxi Mono"\r
+ (/ staffSize 20)))\r
+\r
+% Don't spread staves vertically across last page (default: t)\r
+% ragged-last-bottom = ##f\r
+% Don't spread staves vertically across the page (default: f)\r
+% ragged-bottom = ##t\r
+% Allow partial line for last stave (default: f)\r
+ ragged-last = ##t\r
+\r
+% To find out what's eating the space at the top...\r
+% annotate-spacing = ##t\r
}\r
+\r
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Nothing But The Blood" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro/midtro
- R1^\markup { \hspace #0.0 \raise #1.0 { Moderate folk-rock } } | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1^\markup { \hspace #0.0 \raise #1.0 { Moderate folk-rock } } | % 1
+ s1*3 \bar ".|:-||" % 2-4
\repeat volta 3
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- f4 f f g | % 5
- a4 c a2 | % 6
- f8 [ f f g ] a4 a | % 7
- g4. ( f8 ) f4 r | % 8
- f4 f f g | % 9
- a4 c a2 | % 10
- f8 [ f f g ] a4 a | % 11
- g4. ( f8 ) f4 r \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
-% Bah, some ppl don't like syncopation
-%{
- c'4. a8 ~ a g4 a8 ~ | % 13
- a4 c8 [ a ] ~ a4 r | % 14
- g4. g8 ~ g8 f4 g8 ~ | % 15
- g8 g4 a8 ( \stemUp c4 ) \stemNeutral r | % 16
- c4. a8 ~ a g4 a8 ~ | % 17
- a8 c4 a8 ~ a4 r | % 18
- f8 [ f f g ] a4 a | % 19
- g4. ( f8 ) f4 r | % 20
-%}
-% Straight as a stretched out wire... :-(
- c'2 a4 g | % 13
- a4 c a r | % 14
- g2 g4 f | % 15
- g4 g a ( \stemUp c ) \stemNeutral | % 16
- c2 a4 g | % 17
- a4 c a r | % 18
- f8 [ f f g ] a4 a | % 19
-% g4. ( f8 ) f4 r | % 20
- g2.. ( f8 ) | % 20
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*8 | % 13-20
}
\alternative
{
{
- f4 r r2 | % 21
- R1 | % 22
- R1 | % 23
- R1 | % 24
+ s1*4 | % 21-24
}
{
- f4 r r2 | % 25
+ s1 | % 25
}
}
- R1 | % 26
+ s1 | % 26
% Outro
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- f8 [ f f g ] a4 a | % 27
- g4. ( f8 ) f4 r | % 28
- f8 [ f f g ] a4 a | % 29
- g4. ( f8 ) f4 r | % 30
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*4 | % 27-30
}
% Ending
- R1 | % 31
- R1 \bar "|." % 32
+ s1*2 \bar "|." % 31-32
}
-% This isn't the hymnal melody, but I like it. So there! :-P
-LeadVoxAlt = \relative c''
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
- \clef G
- \key f \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
- \repeat volta 3
- {
- % Intro/midtro
+ % Intro/midtro
- R1^\markup { Moderate folk-rock } | % 1
- R1 | % 2
- R1 | % 3
- R1 \bar "||" % 4
+ R1*4 | % 1-4
- % Verse
+ % Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
- c4 a8 [ a ] ~ a4 g8 [ a ] ~ | % 5
- a4 c8 [ c ] ~ c2 | % 6
- f,8 [ f f g ] a4 f | % 7
- g4. a8 ~ a4 r | % 8
- c4 a8 [ a ] ~ a4 g8 [ a ] ~ | % 9
- a4 c8 [ c ] ~ c2 | % 10
- f,8 [ f f g ] a4 f | % 11
- g4. f8 ~ f4 r \bar "||" % 12
+ f4 f f g | % 5
+ a4 c a2 | % 6
+ f8 [ f f g ] a4 a | % 7
+ g4. ( f8 ) f4 r | % 8
+ f4 f f g | % 9
+ a4 c a2 | % 10
+ f8 [ f f g ] a4 a | % 11
+ g4. ( f8 ) f4 r \bar "||" % 12
- % Chorus
+ % Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
- c'4. a8 ~ a g4 a8 ~ | % 13
- a4 c8 [ c ] ~ c4 r | % 14
- d4. f8 ~ f8 d4 d8 ~ | % 15
- d8 c4 c8 ~ c4 r | % 16
- c4. a8 ~ a g4 a8 ~ | % 17
- a8 c4 c8 ~ c4 r | % 18
- f,8 [ f f g ] a4 f | % 19
- g4. f8 ~ f4 r | % 20
- }
+ c'2 a4 g | % 13
+ a4 c a r | % 14
+ g2 g4 f | % 15
+ g4 g a ( \stemUp c ) \stemNeutral | % 16
+ c2 a4 g | % 17
+ a4 c a r | % 18
+ f8 [ f f g ] a4 a | % 19
+ g2.. ( f8 ) | % 20
- % Outro
+ f4 r r2 | % 21
+ R1 | % 22
+ R1 | % 23
+ R1 | % 24
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ f4 r r2 | % 25
- f8 [ f f g ] a4 f | % 21
- g4. a8 ~ a4 r | % 22
- f8 [ f f g ] a4 f | % 23
- g4. f8 ~ f4 r | % 24
- }
+ R1 | % 26
+
+ % Outro
+
+ f8 [ f f g ] a4 a | % 27
+ g4. ( f8 ) f4 r | % 28
+ f8 [ f f g ] a4 a | % 29
+ g4. ( f8 ) f4 r | % 30
% Ending
- R1 | % 25
- R1 \bar "|." % 26
+ R1 | % 31
+ R1 | % 32
}
+
LeadVoxText = \lyricmode
{
What can wash a- way my sin?
What can make me whole a- gain?
No- thing but the blood of Je- _ sus.
-% Bah, some ppl don't like syncopation...
-%{
- Oh, pre- _ cious is _ the flow _
- That makes _ me white _ as snow; _
- No o- _ ther fount _ I know, _
- No- thing but the blood of Je- _ sus.
-%}
-% Straight as a stretched out wire... :-(
Oh, pre- cious is the flow
That makes me white as snow; _
No o- ther fount I know,
This is all _ my right- _ eous- _ ness,
}
+
%
% Chord names
%
-
Chords = \chordmode
{
% Intro/midtro
f4./a bf2:sus2 s8 | % 3
c4.:^3 d2:m7 s8 | % 4
- \repeat volta 3
- {
- % Verse
+ % Verse
- f4./a bf2:sus2 s8 | % 5
- c4.:^3 d2:m7 s8 | % 6
- f4./a bf2:sus2 s8 | % 7
- c4.:^3 d2:m7 s8 | % 8
- f4./a bf2:sus2 s8 | % 9
- c4.:^3 d2:m7 s8 | % 10
- f4./a bf2:sus2 s8 | % 11
- c4.:^3 d2:m7 s8 | % 12
+ f4./a bf2:sus2 s8 | % 5
+ c4.:^3 d2:m7 s8 | % 6
+ f4./a bf2:sus2 s8 | % 7
+ c4.:^3 d2:m7 s8 | % 8
+ f4./a bf2:sus2 s8 | % 9
+ c4.:^3 d2:m7 s8 | % 10
+ f4./a bf2:sus2 s8 | % 11
+ c4.:^3 d2:m7 s8 | % 12
- % Chorus
+ % Chorus
- f4. c2 s8 | % 13
- d4.:m7 f2 s8 | % 14
- bf4. f2/a s8 | % 15
- bf2 c | % 16
- f4./a bf2 s8 | % 17
- c4.:^3 d2:m7 s8 | % 18
- f4./a bf2 s8 | % 19
- c1:^3 | % 20
- }
- \alternative
- {
- {
- f4./a bf2:sus2 s8 | % 21
- c4.:^3 d2:m7 s8 | % 22
- f4./a bf2:sus2 s8 | % 23
- c4.:^3 d2:m7 s8 | % 24
- }
- {
- f4./a bf2:sus2 s8 | % 25
- }
- }
+ f4. c2 s8 | % 13
+ d4.:m7 f2 s8 | % 14
+ bf4. f2/a s8 | % 15
+ bf2 c | % 16
+ f4./a bf2 s8 | % 17
+ c4.:^3 d2:m7 s8 | % 18
+ f4./a bf2 s8 | % 19
+ c1:^3 | % 20
+
+ f4./a bf2:sus2 s8 | % 21
+ c4.:^3 d2:m7 s8 | % 22
+ f4./a bf2:sus2 s8 | % 23
+ c4.:^3 d2:m7 s8 | % 24
+
+ f4./a bf2:sus2 s8 | % 25
c4.:^3 d2:m7 s8 | % 26
% Outro
- \repeat volta 2
- {
- f4./a bf2:sus2 s8 | % 27
- c4.:^3 d2:m7 s8 | % 28
- f4./a bf2:sus2 s8 | % 29
- c4.:^3 d2:m7 s8 | % 30
- }
+ f4./a bf2:sus2 s8 | % 27
+ c4.:^3 d2:m7 s8 | % 28
+ f4./a bf2:sus2 s8 | % 29
+ c4.:^3 d2:m7 s8 | % 30
% Ending
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro/midtro
c4. c8 ~ c4 c | % 3
c4. c8 ~ c4 c | % 4
- \repeat volta 3
- {
- % Verse
+ % Verse
- c4. c8 ~ c4 c | % 5
- c4. c8 ~ c4 c | % 6
- c4. c8 ~ c4 c | % 7
- c4. c8 ~ c4 c | % 8
- c4. c8 ~ c4 c | % 9
- c4. c8 ~ c4 c | % 10
- c4. c8 ~ c4 c | % 11
- c4. c8 ~ c4 c | % 12
+ c4. c8 ~ c4 c | % 5
+ c4. c8 ~ c4 c | % 6
+ c4. c8 ~ c4 c | % 7
+ c4. c8 ~ c4 c | % 8
+ c4. c8 ~ c4 c | % 9
+ c4. c8 ~ c4 c | % 10
+ c4. c8 ~ c4 c | % 11
+ c4. c8 ~ c4 c | % 12
- % Chorus
+ % Chorus
- c4. c8 ~ c4 c | % 13
- c4. c8 ~ c4 c | % 14
- c4. c8 ~ c4 c | % 15
- c4 c c c | % 16
- c4. c8 ~ c4 c | % 17
- c4. c8 ~ c4 c | % 18
- c4. c8 ~ c4 c | % 19
- c4 c c c | % 20
- }
- \alternative
- {
- {
- c4. c8 ~ c4 c | % 21
- c4. c8 ~ c4 c | % 22
- c4. c8 ~ c4 c | % 23
- c4. c8 ~ c4 c | % 24
- }
- {
- c4. c8 ~ c4 c | % 25
- }
- }
+ c4. c8 ~ c4 c | % 13
+ c4. c8 ~ c4 c | % 14
+ c4. c8 ~ c4 c | % 15
+ c4 c c c | % 16
+ c4. c8 ~ c4 c | % 17
+ c4. c8 ~ c4 c | % 18
+ c4. c8 ~ c4 c | % 19
+ c4 c c c | % 20
+
+ c4. c8 ~ c4 c | % 21
+ c4. c8 ~ c4 c | % 22
+ c4. c8 ~ c4 c | % 23
+ c4. c8 ~ c4 c | % 24
+
+ c4. c8 ~ c4 c | % 25
c4. c8 ~ c4 c | % 26
% Outro
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 27
- c4. c8 ~ c4 c | % 28
- c4. c8 ~ c4 c | % 29
- c4. c8 ~ c4 c | % 30
- }
+ c4. c8 ~ c4 c | % 27
+ c4. c8 ~ c4 c | % 28
+ c4. c8 ~ c4 c | % 29
+ c4. c8 ~ c4 c | % 30
% Ending
c4._\markup { \italic { on cue } } c8 ~ c4 c | % 31
- c4. c8 ~ c2^\fermata \bar "|." % 32
+ c4. c8 ~ c2^\fermata | % 32
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Come, All Ye Faithful" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
- tagline = "Engraved by JLH and Lilypond 2.8.6"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\partial 4*1 s4 \bar "||" % 0
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s2. f4 \bar "||" % 4
+ s1*4 \bar "||" % 1-4
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*21 \bar "||" % 5-25
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*14 | % 26-39
+
+%\break %Bah, only valid for size 16!!!
+
+ s1*6 \bar "||" % 40-45
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*25 \bar "|." % 46-70
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s4 | % 0
+ s1*3 | % 1-3
+ s2. f4 | % 4
+
+ % Verse
f2 c4 f | % 5
g2 c, | % 6
e2 f4 ( bf ) | % 22
a2 ( g4. ) f8 | % 23
f1 ~ | % 24
- f1 \bar "||" % 25
+ f1 | % 25
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
f2 c4 f | % 26
g2 c, | % 27
a'4 g a bf | % 28
f4 e f g | % 38
f2 c4 a' | % 39
-\break %Bah, only valid for size 16!!!
+%\break %Bah, only valid for size 16!!!
a4 g a bf | % 40
a2 g4 a | % 41
bf a g f | % 42
e2 f4 ( bf ) | % 43
a2 ( g4. ) f8 | % 44
- f1 \bar "||" % 45
+ f1 | % 45
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
f2 c4 f | % 46
g2 c, | % 47
a'4 g a bf | % 48
e2 f4 ( bf ) | % 67
a1-> ( | % 68
g2. ) ~ g8 f | % 69
- f1^\fermata \bar "|." % 70
+ f1^\fermata | % 70
}
+
LeadVoxText = \lyricmode
{
O come, all ye fai -- thful,
Riffs = \relative c''
{
- \clef G
- \key f \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
- \partial 4*1 a4 | % 0
+ a4 | % 0
bf4-> a-> g-> f-> | % 1
e2 f4 bf | % 2
a2 g4. f8 | % 3
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \partial 4*1 d4:7/fs | % 0
+ d4:7/fs | % 0
g4:m f/a g:m/bf g:7/b | % 1
c4 c/bf f/a bf:m/df | % 2
f2/c g4:m7/c c:9 | % 3
% Verse
- f1:5.9 | % 5
+ f1:3.5.9 | % 5
g2:m7 c:sus4.7 | % 6
f4 c/e f c:7/g | % 7
f2/a g4:m7/c a:aug7/cs | % 8
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \partial 4*1 c4 \bar "||" % 0
+ c4 | % 0
c4 c c c | % 1
c4 c c c | % 2
c4 c c c | % 3
- c4 c c c \bar "||" % 4
+ c4 c c c | % 4
% Verse
c4 c c c | % 22
c4 c c c | % 23
c4 c c c | % 24
- c4 c c c \bar "||" % 25
+ c4 c c c | % 25
% Verse
c4 c c c | % 42
c4 c c c | % 43
c4 c c c | % 44
- c4 c c c \bar "||" % 45
+ c4 c c c | % 45
% Verse
c4 c c c | % 67
c4 c c c | % 68
c4 c c c | % 69
- c1^\fermata \bar "|." % 70
+ c1^\fermata | % 70
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
-% \new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Come, O Come, Emmanuel" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Thomas Helmore" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
s1^\markup { \hspace #0.0 \raise #1.0 { Half time feel } } | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
- s1 | % 6
- s1 | % 7
- s2. e4 | % 8
+ s1*7 | % 2-8
\repeat volta 3
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- g4 b b b | % 9
- a4 ( c b ) a | % 10
- g2. a4 | % 11
- b4 g e g | % 12
- a4 ( fs e ) d | % 13
- e2. a4 | % 14
- a4 e e fs | % 15
- g2 ( fs4 ) e | % 16
- d2. g4 | % 17
- a4 b b b | % 18
- a4 ( c b ) a | % 19
- g2. d'4 \bar "||" % 20
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*12 \bar "||" % 9-20
% Chorus
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- d2. b4 | % 21
- b2. b4 | % 22
- a4 ( c b ) a | % 23
- g2. a4 | % 24
- b4 g e g | % 25
- a4 ( fs e ) d | % 26
-\break % Bleh.
+ s1*6 | % 21-26
}
\alternative
{
{
- e1 | % 27
- s1 | % 28
- s1 | % 29
- s2. e4 | % 30
+ s1*4 | % 27-30
}
{
- e1 | % 31
- s1 | % 32
- s1 | % 33
- s2.^\markup { \hspace #5.0 \raise #1.0 { D.S. } } \stemUp d'4 \stemNeutral \bar "||" % 34
+ s1*3 | % 31-33
+ s2. s4^\markup { \hspace #0.0 \raise #0.6 { D.S. } } \bar "||" % 34
}
{
- e,1 | % 35
+ s1 | % 35
}
}
- s2. a4 \bar "||" % 36
+ s1 \bar "||" % 36
+
+ s1*3 \bar "|." % 37-39
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s1*7 | % 1-7
+ s2. e4 | % 8
+
+ % Verse
+
+ g4 b b b | % 9
+ a4 ( c b ) a | % 10
+ g2. a4 | % 11
+ b4 g e g | % 12
+ a4 ( fs e ) d | % 13
+ e2. a4 | % 14
+ a4 e e fs | % 15
+ g2 ( fs4 ) e | % 16
+ d2. g4 | % 17
+ a4 b b b | % 18
+ a4 ( c b ) a | % 19
+ g2. d'4 | % 20
+
+ % Chorus
+
+ d2. b4 | % 21
+ b2. b4 | % 22
+ a4 ( c b ) a | % 23
+ g2. a4 | % 24
+ b4 g e g | % 25
+ a4 ( fs e ) d | % 26
+
+ e1 | % 27
+ s1 | % 28
+ s1 | % 29
+ s2. e4 | % 30
+
+ e1 | % 31
+ s1 | % 32
+ s1 | % 33
+ s2. \stemUp d'4 \stemNeutral | % 34
+
+ e,1 | % 35
+
+ s2. a4 | % 36
b4 g e g | % 37
a4 ( fs e ) d | % 38
- e1^\fermata \bar "|." % 39
+ e1^\fermata | % 39
}
+
LeadVoxText = \lyricmode
{
O come, O come, Em -- ma -- _ _ nu -- el,
Riffs = \relative c''
{
- \clef G
- \key e \minor
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
<a fs e d>2. s4 | % 36
\normalsize
-%{
- % Intro
-
- \tiny
- \repeat "percent" 3 % 1 - 6
- {
- << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
- << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
- }
- << s2. \\ { \tiny d2 c4 } >> | % 7
- << s2. \\ { \tiny bf2. } >> | % 8
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
- \oneVoice
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
- \oneVoice
-
- \key g \major
-
- \voiceOne
- \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
- \oneVoice
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
- \oneVoice
- \normalsize
-%}
}
+
RiffsBass = \relative c
{
\clef F
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 | % 1
s2.. b8:m11 | % 7
s1 | % 8
- \repeat volta 3
- {
- % Verse
-
- e1:m7 | % 9
- a1:m9 | % 10
- e1:m7 | % 11
- c1:maj7 | % 12
- a2:m7 b:m7 | % 13
- e1:m7 | % 14
- a1:m9 | % 15
- e2:m7 d4/c c | % 16
- b1:m7 | % 17
- g2:maj7 e:m7 | % 18
- a2:m7 c:maj7/d | % 19
- g2:sus2 g | % 20
-
- % Chorus
-
- d2. e4:m7 | % 21
- b1:m7 | % 22
- a2:m7 b:7.9-.13- | % 23
- e2.:m7 d4 | % 24
- c2:maj7 a:m7 | % 25
- fs:m7.5- b:m7 | % 26
- }
- \alternative
- {
- {
- s1 | % 27
- s1 | % 28
- s2.. b8:m11 | % 29
- s1 | % 30
- }
- {
- s1 | % 31
- s1 | % 32
- s2.. b8:m11 | % 33
- s1 | % 34
- }
- {
- s2.. b8:m11 | % 35
- }
- }
+ % Verse
+
+ e1:m7 | % 9
+ a1:m9 | % 10
+ e1:m7 | % 11
+ c1:maj7 | % 12
+ a2:m7 b:m7 | % 13
+ e1:m7 | % 14
+ a1:m9 | % 15
+ e2:m7 d4/c c | % 16
+ b1:m7 | % 17
+ g2:maj7 e:m7 | % 18
+ a2:m7 c:maj7/d | % 19
+ g2:sus2 g | % 20
+
+ % Chorus
+
+ d2. e4:m7 | % 21
+ b1:m7 | % 22
+ a2:m7 b:7.9-.13- | % 23
+ e2.:m7 d4 | % 24
+ c2:maj7 a:m7 | % 25
+ fs:m7.5- b:m7 | % 26
+
+ s1 | % 27
+ s1 | % 28
+ s2.. b8:m11 | % 29
+ s1 | % 30
+
+ s1 | % 31
+ s1 | % 32
+ s2.. b8:m11 | % 33
+ s1 | % 34
+
+ s2.. b8:m11 | % 35
s1 | % 36
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
r2.. c8 ~ | % 7
c1 | % 8
- \repeat volta 3
- {
- % Verse
+ % Verse
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c \bar "||" % 20
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
- % Chorus
+ % Chorus
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- }
- \alternative
- {
- {
- r1 | % 27
- r1 | % 28
- r2.. c8 ~ | % 29
- c1 | % 30
- }
- {
- r1 | % 31
- r1 | % 32
- r2.. c8 ~ | % 33
- c8 c c c c c c c | % 34
- }
- {
- r2.. c8 ~ | % 35
- }
- }
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
- c1 \bar "||" % 36
+ r1 | % 27
+ r1 | % 28
+ r2.. c8 ~ | % 29
+ c1 | % 30
+
+ r1 | % 31
+ r1 | % 32
+ r2.. c8 ~ | % 33
+ c8 c c c c c c c | % 34
+
+ r2.. c8 ~ | % 35
+
+ c1 | % 36
c2 c | % 37
c2 c | % 38
- c1^\fermata \bar "|." % 39
+ c1^\fermata | % 39
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
\new Staff = leadStaffBass { \new Voice = "leadbass" \RiffsBass }
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\layout
{
\context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
}
}
-% Alternate score (for dorks)
-%{
- <<
- \new ChoirStaff = "Rhythm"
- <<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
- >>
-
- <<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
- \new Lyrics \lyricsto "lead" \LeadVoxText
- \new Lyrics \lyricsto "lead" \LeadVoxTextB
- >>
-
- <<
- \new Staff = leadStaffBass { \new Voice = "leadbass" \RiffsBass }
- >>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
- >>
-
- \layout
- {
- \context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
- }
-%}
-
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+ ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #18
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O For A Thousand Tongues" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Twila Paris" }
+% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s2. | % 1
- s2. | % 2
- s2. | % 3
- s2. | % 4
- s2. | % 5
- s2. | % 6
- s2. | % 7
- r2 c4 \bar "||:" % 8
+ s2.*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- f8 f g4 g | % 9
- a8 g f4 g | % 10
- a8 a bf4 a | % 11
- g4. r8 c4 | % 12
- c8 a a4 f | % 13
- f8 d d4 f8 ( d ) | % 14
- c8 f f4 g | % 15
-
- \voiceTwo f2. | % 16
- s2. | % 17
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*9 | % 9-17
}
\alternative
{
{
- s2. | % 18
- r2 c4 | % 19
+ s2.*2 | % 18-19
}
{
s2. | % 20
}
}
- r2 c4 \oneVoice \bar "||" % 21
+ s2. \bar "||" % 21
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s2.*7 \bar "||" % 22-28
+
+ s2.*2 | % 29-30
+
+ \key g \major
+
+ s2.*2 \bar "||" % 31-32
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*7 \bar "||" % 22-28
+
+ % Ending
+
+ s2.^\markup { \hspace #0.0 \raise #3.0 \italic { Play figure throughout D } } | % 40
+ s2.*3 | % 41-43
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s2.*8 | % 44-51
+ }
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s2.*7 | % 1-7
+ r2 c4 | % 8
+
+ % Verse
+
+ f8 f g4 g | % 9
+ a8 g f4 g | % 10
+ a8 a bf4 a | % 11
+ g4. r8 c4 | % 12
+ c8 a a4 f | % 13
+ f8 d d4 f8 ( d ) | % 14
+ c8 f f4 g | % 15
+
+ \voiceTwo f2. | % 16
+ s2. | % 17
+
+ s2. | % 18
+ r2 c4 | % 19
+
+ s2. | % 20
+
+ r2 c4 \oneVoice | % 21
+
+ % Verse
f8 f g4 g | % 22
a8 g f4 g | % 23
g4. r8 c4 | % 25
c8 a a4 f | % 26
f8 d d4 f8 ( d ) | % 27
- c8 f f4 g \bar "||" % 28
+ c8 f f4 g | % 28
\voiceTwo f2. | % 29
s2. | % 30
- \key g \major
-
s2. | % 31
- r2 d4 \oneVoice \bar "||" % 32
+ r2 d4 \oneVoice | % 32
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
g8 g a4 a | % 22
b8 a g4 a | % 23
b8 b c4 b | % 24
a4. r8 d4 | % 25
d8 b b4 g | % 26
g8 e e4 g8 ( e ) | % 27
- d8 g g4 a \bar "||" % 28
+ d8 g g4 a | % 28
% Ending
- \voiceTwo g2.^\markup { \hspace #0.0 \raise #3.0 \italic { Play figure throughout D } } | % 40
+ \voiceTwo g2. | % 40
s2. | % 41
s2. | % 42
r2 d4 \oneVoice | % 43
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
- g8 g16 a ( ~ a4. g8 ) | % 44
- g2 r4 | % 45
- r4 a4. g8 | % 46
- g2 d4 | % 47
- g8 g16 a ( ~ a4. g8 ) | % 48
- g2 r4 | % 49
- r4 a4. b8 | % 50
- g2^\fermata d4 | % 51
- }
+ g8 g16 a ( ~ a4. g8 ) | % 44
+ g2 r4 | % 45
+ r4 a4. g8 | % 46
+ g2 d4 | % 47
+ g8 g16 a ( ~ a4. g8 ) | % 48
+ g2 r4 | % 49
+ r4 a4. b8 | % 50
+ g2^\fermata d4 | % 51
}
+
LeadVoxText = \lyricmode
{
O for a thou- sand tongues to sing
Riffs = \relative c''
{
- \clef G
- \key f \major
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
f2. | % 1
d2.:m9 | % 7
bf2. | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- f4 c2/e | % 9
- d8:m c bf2 | % 10
- f4/c bf/c f/c | % 11
- c2 c4/e | % 12
- f2 f4/a | % 13
- bf2 g4:m7 | % 14
- f4/c bf/c c | % 15
+ f4 c2/e | % 9
+ d8:m c bf2 | % 10
+ f4/c bf/c f/c | % 11
+ c2 c4/e | % 12
+ f2 f4/a | % 13
+ bf2 g4:m7 | % 14
+ f4/c bf/c c | % 15
- f2. | % 16
- bf2. | % 17
- }
- \alternative
- {
- {
- f2. | % 18
- bf2. | % 19
- }
- {
- d2.:m9 | % 20
- }
- }
+ f2. | % 16
+ bf2. | % 17
+
+ f2. | % 18
+ bf2. | % 19
+
+ d2.:m9 | % 20
bf2. | % 21
e2.:m9 | % 42
c2. | % 43
- \repeat volta 2
- {
- g2. | % 44
- c2. | % 45
- g2. | % 46
- c2. | % 47
- g2. | % 48
- c2. | % 49
- e2.:m9 | % 50
- c2. | % 51
- }
+ g2. | % 44
+ c2. | % 45
+ g2. | % 46
+ c2. | % 47
+ g2. | % 48
+ c2. | % 49
+ e2.:m9 | % 50
+ c2. | % 51
}
+
%
% Alternate chord changes (2nd verse)
%
ChordsSup = \chordmode
{
-%Bah, can't we set this globally?
- \popChords
-
% Intro
s2.*8 | % 1-8
c2:sus4 c4 | % 12
}
+
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c | % 5
c4 c c | % 6
c4 c c | % 7
- c4 c c \bar "||:" % 8
+ c4 c c | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c2 | % 9
- c8 c c4 c | % 10
- c4 c c | % 11
- c4 c c-> | % 12
- c4 c c | % 13
- c4 c c | % 14
- c4 c c | % 15
+ c4 c2 | % 9
+ c8 c c4 c | % 10
+ c4 c c | % 11
+ c4 c c-> | % 12
+ c4 c c | % 13
+ c4 c c | % 14
+ c4 c c | % 15
- c4 c c | % 16
- c4 c c | % 17
- }
- \alternative
- {
- {
- c4 c c | % 18
- c4 c c | % 19
- }
- {
- c4 c c | % 20
- }
- }
+ c4 c c | % 16
+ c4 c c | % 17
+
+ c4 c c | % 18
+ c4 c c | % 19
+
+ c4 c c | % 20
- c4 c c \bar "||" % 21
+ c4 c c | % 21
% Verse
c2 c4-> | % 25
c4-> c-> c | % 26
c4 c c | % 27
- c4 c c \bar "||" % 28
+ c4 c c | % 28
c4 c c | % 29
c4 c c | % 30
c4 c c | % 31
- c4 c c \bar "||" % 32
+ c4 c c | % 32
% Verse
c4 c c | % 36
c4 c c | % 37
c4 c c | % 38
- c4 c c \bar "||" % 39
+ c4 c c | % 39
% Ending
c4 c c | % 42
c4 c c | % 43
- \repeat volta 2
- {
- c4 c c | % 44
- c4 c c | % 45
- c4 c c | % 46
- c4 c c | % 47
- c4 c c | % 48
- c4 c c | % 49
- c4 c c | % 50
- c4^\fermata c c | % 51
- }
+ c4 c c | % 44
+ c4 c c | % 45
+ c4 c c | % 46
+ c4 c c | % 47
+ c4 c c | % 48
+ c4 c c | % 49
+ c4 c c | % 50
+ c4^\fermata c c | % 51
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new ChordNames = "chords2" \ChordsSup
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new ChordNames \ChordsSup
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Holy Night" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key bf \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% \once \override TextScript #'padding = #2.0
% Intro
- s1*2 \bar "||:" % 1-2
+ s1*2 \bar ".|:-||" % 1-2
\repeat volta 2
{
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
Riffs = \relative c
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
s1*4 | % 5-8
s2 | % 9
s1*18 | % 10-27
- \times 2/3 { r8 f bf c bf f ~ f f bf c bf f' ~ } | % 28
+ \times 2/3 { r8 f, bf c bf f ~ f f bf c bf f' ~ } | % 28
\times 2/3 { f8 f, bf c bf f ~ f f bf c bf f' } | % 29
\normalsize
}
{
% Intro
- bf1:5.9 | % 1
+ bf1:3.5.9 | % 1
s1 | % 2
% Verse
- bf1:5.9 | % 3
- ef2:5.9 | % 4
- bf1:5.9 | % 5
+ bf1:3.5.9 | % 3
+ ef2:3.5.9 | % 4
+ bf1:3.5.9 | % 5
s2 ef4/f f:7 | % 6
- bf1:5.9 | % 7
- bf1:5.9 | % 8
- ef4:5.9 ef/f | % 9
+ bf1:3.5.9 | % 7
+ bf1:3.5.9 | % 8
+ ef4:3.5.9 ef/f | % 9
g1:m11 | % 10
d2:m7 g4:m9 a:7.9- | % 11
d1:m7 | % 12
g1:m11 | % 20
bf2/f f/ef | % 21
- bf2/d ef:5.9 | % 22
+ bf2/d ef:3.5.9 | % 22
bf2/f ef4/f f:7 | % 23
- bf1:5.9 | % 24
+ bf1:3.5.9 | % 24
f2 f/ef | % 25
- bf2/d ef:5.9 | % 26
+ bf2/d ef:3.5.9 | % 26
bf2/f ef/f | % 27
- bf1:5.9 | % 28
+ bf1:3.5.9 | % 28
s1 | % 29
- bf1:5.9 | % 30
+ bf1:3.5.9 | % 30
% Coda
s1 % Placeholder for blank measure between end and Coda
f2 f/ef | % 31
- bf2/d ef:5.9 | % 32
+ bf2/d ef:3.5.9 | % 32
bf/f ef/f | % 33
- bf1:5.9 | % 34
- ef1:5.9 | % 35
- bf1:5.9 | % 36
- ef1:5.9 | % 37
- bf1:5.9 | % 38
+ bf1:3.5.9 | % 34
+ ef1:3.5.9 | % 35
+ bf1:3.5.9 | % 36
+ ef1:3.5.9 | % 37
+ bf1:3.5.9 | % 38
}
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
+%Not small enough... (?)
\teeny
% \magnify #0.3
% Coda
- s1 % Placeholder for blank measure between end and Coda
+\stopStaff s1 \startStaff % Placeholder for blank measure between end and Coda
c4 c c c | % 31
c4 c c2 | % 32
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Little Town Of Bethlehem" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Lewis H. Redner" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
- tagline = "Engraved by JLH and Lilypond 2.8.8"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \partial 4*1 a4 | % 0
+ \partial 4*1 s4 | % 0
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- a4 a af a | % 1
- c4 bf d, g | % 2
- f4 e8 ( f ) g4 c, | % 3
- a'2. a4 | % 4
- a4 a d c | % 5
- c4 bf d, g | % 6
- f4 e8 ( f ) a4 g | % 7
- f2. a4 \bar "||" % 8
-
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- a4 a g f | % 9
- e2 e4 e | % 10
- d4 e f g | % 11
- a2. a4 | % 12
- a4 a af a | % 13
- c4 bf d, d' | % 14
- c4 f, a4. g8 | % 15
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 1-8
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 9-15
}
\alternative
{
{
- f2. a4 | % 16
+ s1 | % 16
}
{
- f1^\fermata \bar "|." % 17
+ s1 \bar "|." % 17
}
}
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ a4 | % 0
+
+ a4 a af a | % 1
+ c4 bf d, g | % 2
+ f4 e8 ( f ) g4 c, | % 3
+ a'2. a4 | % 4
+ a4 a d c | % 5
+ c4 bf d, g | % 6
+ f4 e8 ( f ) a4 g | % 7
+ f2. a4 | % 8
+
+ a4 a g f | % 9
+ e2 e4 e | % 10
+ d4 e f g | % 11
+ a2. a4 | % 12
+ a4 a af a | % 13
+ c4 bf d, d' | % 14
+ c4 f, a4. g8 | % 15
+
+ f2. a4 | % 16
+
+ f1^\fermata | % 17
+}
+
+
LeadVoxText = \lyricmode
{
O lit -- tle town of Beth -- le -- hem, how still we _ see thee lie!
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
- \partial 4*1 s4 | % 0
-
- \repeat volta 2
- {
- f2 f4:dim7 f | % 1
- bf2:5.9 g:m7 | % 2
- f2/c g4:m7/c c:7.9- | % 3
- f1:maj7 | % 4
- f2/ef d:7 | % 5
- g2.:m bf4:m6 | % 6
- f2/c g4:m7/c c:7.9- | % 7
- f2:sus4 f | % 8
-
- f2 g4:dim7 gs:dim7 | % 9
- a1 | % 10
- d4:m a:7/e f:6 g:m/bf | % 11
- a2:sus4 a | % 12
- f2 f4:dim7 f | % 13
- bf2:5.9 g:7/b | % 14
- f2/c g4:m/c c:7.9- | % 15
- }
- \alternative
- {
- {
- f2:sus4 f | % 16
- }
- {
- f2:sus4 f | % 17
- }
- }
+ s4 | % 0
+
+ f2 f4:dim7 f | % 1
+ bf2:3.5.9 g:m7 | % 2
+ f2/c g4:m7/c c:7.9- | % 3
+ f1:maj7 | % 4
+ f2/ef d:7 | % 5
+ g2.:m bf4:m6 | % 6
+ f2/c g4:m7/c c:7.9- | % 7
+ f2:sus4 f | % 8
+
+ f2 g4:dim7 gs:dim7 | % 9
+ a1 | % 10
+ d4:m a:7/e f:6 g:m/bf | % 11
+ a2:sus4 a | % 12
+ f2 f4:dim7 f | % 13
+ bf2:3.5.9 g:7/b | % 14
+ f2/c g4:m/c c:7.9- | % 15
+
+ f2:sus4 f | % 16
+
+ f2:sus4 f | % 17
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \partial 4*1 s4 | % 0
+ s4 | % 0
- \repeat volta 2
- {
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c \bar "||" % 8
-
- c4 c-> c-> c-> | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- }
- \alternative
- {
- {
- c4 c c c | % 16
- }
- {
- c2 c^\fermata \bar "|." % 17
- }
- }
+ c4 c c c | % 1
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+
+ c4 c-> c-> c-> | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+
+ c4 c c c | % 16
+
+ c2 c^\fermata | % 17
}
s4_\markup { \dynamic mf \italic { band in } } s2. | % 8
s1*6
s4_\markup { \italic { rit. 2nd X } } s2. | % 15
-
-%{
- \override TextScript #'extra-offset = #'( 0.0 . -1.0 )
-
- \partial 4*1 s4_\f | % 0
- s4_\markup { \italic { full band, snare } } s2. | % 1
- s1*2
- s4 s \> s s \! | % 4
- s4_\markup { \dynamic mf \italic { piano only } } s2. | % 5
- s1*11
- s4_\markup { \dynamic mp \italic { bass in, cym } } s2. | % 17
- s1*2
- s4 s \< s s_\f | % 20
- s1*2
- s2 s_\markup { \italic { dr. fill } } | % 23
- s4_\markup { \italic { dr. groove, s-stick 2&4 } } s2. | % 24
- s1*13
- s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 38
- s1*2
- s4 s \< s s_\f | % 41
- s4_\markup { \italic { backbeat } } s2. | % 42
- s1*2
- s2 s_\markup { \italic { dr. fill } } | % 45
- s4_\markup { \italic { Majestic, slower w/snare } } s2. | % 46
- s1*11
- s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 58
- s1*2
- s4 s \< s_\markup { \hspace #0.0 \raise #-2.0 \italic { dr.fill } } s_\f | % 61
- s4_\markup { \italic { backbeat } } s2. | % 62
- s1*6
- s4_\markup { \italic { rit. } } s2. | % 69
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
-% \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
-%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
-
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "One Small Child" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "D. Meece" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
-% Useful tweak abbreviations (hn = harmony note)
-
-hn = #(define-music-function (parser location arg) (ly:music?)
-;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
-
- (set! (ly:music-property arg 'tweaks)
- (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
-
%
% Song's structure
Global =
{
\key d \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-% \once \override TextScript #'padding = #2.0
-% s1*0^\markup { \large \bold { Samba } }
-% Capo 4 version
-% s1*0^\markup { \hspace #0.0 \raise #2.0 \bigger \bold { "Moderate pop (*** CAPO 4 ***)" } }
-
% Intro
s1*4 \bar "||" % 1-4
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark \markup { { To Coda } \hspace #0.5 \musicglyph #"scripts.coda" }
- s1 \bar "||:" % 14
+ s1 \bar ".|:-||" % 14
\repeat volta 2
{
\time 6/4 s1. | % 32
}
{
- s1. \bar "||" % 33
+ \time 6/4 s1. \bar "||" % 33
}
}
+ \time 4/4
\once \override Score.RehearsalMark #'self-alignment-X = #right
\mark \markup { \hspace #0.0 \raise #1.0 \italic { D.C. al Coda } }
% blank measure between last measure and coda
% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
- \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break
+ \stopStaff s1 \startStaff
% \break % Meh
\set Score.currentBarNumber = #34
\once \override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
- \time 4/4 s1*5 \bar "|." % 34-38
+ s1*5 \bar "|." % 34-38
}
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
s1*4 | % 1-4
Riffs = \relative c'''
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
\teeny
-% \magnify #0.3
% Intro
% Coda
- s1 % For blank measure
+\stopStaff s1 \startStaff % For blank measure
c4 c c c | % 34
c4 c c2-\fermata | % 35
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
<<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #18
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Open The Eyes Of My Heart" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
- \set Score.markFormatter = #format-mark-box-letters
% Intro
- r1^\markup { Mid-tempo rock } | % 1
- r1 | % 2
- r1 | % 3
- r1 | % 4
+ s1^\markup { Mid-tempo rock } | % 1
+ s1*3 | % 2-4
% Verse
\repeat volta 2
{
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
- gs8 [ b b b ] ~ b [ gs b b ] ~ | % 5
- b8 [ gs ] ~ gs4 r2 | % 6
- gs8 [ b b b ] ~ b [ gs b b ] ~ | % 7
- b4 r \times 2/3 { gs4 fs e } | % 8
- fs4. e8 ~ e2 | % 9
- r2 \times 2/3 { gs4 fs e } | % 10
- fs4. e8 ~ e2 | % 11
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ s1*7 | % 5-11
}
\alternative
{
{
- r1 | % 12
+ s1 | % 12
}
{
- r4. e8 gs4 b | % 13
+ s1 | % 13
}
}
\repeat volta 3
{
-% \mark #2
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- b4 b8 [ b ] ~ b4 cs8 [ cs ] ~ | % 14
- cs4 r4 r2 | % 15
- cs8 [ b b b ] cs [ b gs gs ] ~ | % 16
- gs [ fs ] ~ fs4 r2 | % 17
- gs8. [ b16 ] ~ b8 [ b ] b [ gs b cs ] ~ | % 18
- cs4 r8 gs gs4 b | % 19
- cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 20
- gs8 [ fs ] ~ fs4 r2 | % 21
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*8 | % 14-21
}
\alternative
{
{
- r1 \bar "||" % 22
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. } }
+ s1 \bar "||" % 22
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. } }
}
{
- r4. e8 gs4 b | % 23
+ s1 | % 23
}
{
- r1 | % 24
+ s1 | % 24
}
}
\repeat volta 2
{
-% \mark #3
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 25
- gs8 [ fs ] ( e4 ) ~ e2 | % 26
- cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 27
- gs8 [ fs ] ( e4 ) ~ e2 | % 28
- cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 29
- gs8 [ fs ] ( e4 ) \times 2/3 { gs fs e } | % 30
- fs4. e8 ~ e2 ~ | % 31
- e2. r4 | % 32
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 | % 25-32
}
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \set Voice.autoBeaming = ##f
+
+ % Intro
+
+ r1*4 | % 1-4
+
+ % Verse
+
+ gs8 [ b b b ] ~ b [ gs b b ] ~ | % 5
+ b8 [ gs ] ~ gs4 r2 | % 6
+ gs8 [ b b b ] ~ b [ gs b b ] ~ | % 7
+ b4 r \times 2/3 { gs4 fs e } | % 8
+ fs4. e8 ~ e2 | % 9
+ r2 \times 2/3 { gs4 fs e } | % 10
+ fs4. e8 ~ e2 | % 11
+
+ r1 | % 12
+
+ r4. e8 gs4 b | % 13
+
+ % Chorus
+
+ b4 b8 [ b ] ~ b4 cs8 [ cs ] ~ | % 14
+ cs4 r4 r2 | % 15
+ cs8 [ b b b ] cs [ b gs gs ] ~ | % 16
+ gs [ fs ] ~ fs4 r2 | % 17
+ gs8. [ b16 ] ~ b8 [ b ] b [ gs b cs ] ~ | % 18
+ cs4 r8 gs gs4 b | % 19
+ cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 20
+ gs8 [ fs ] ~ fs4 r2 | % 21
+
+ r1 | % 22
+
+ r4. e8 gs4 b | % 23
+
+ r1 | % 24
+
+ % Outro
+
+ cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 25
+ gs8 [ fs ] ( e4 ) ~ e2 | % 26
+ cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 27
+ gs8 [ fs ] ( e4 ) ~ e2 | % 28
+ cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 29
+ gs8 [ fs ] ( e4 ) \times 2/3 { gs fs e } | % 30
+ fs4. e8 ~ e2 ~ | % 31
+ e2. r4 | % 32
+}
+
+
LeadVoxText = \lyricmode
{
O -- pen the eyes _ of my heart _ Lord _
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-
% Intro
e1:sus2 | % 1
% Verse
- \repeat volta 2
- {
- e1:sus2 | % 5
- s1 | % 6
- b1:sus2/ds | % 7
- r1 | % 8
- a1:sus2/cs | % 9
- a1 | % 10
- a4.:6/e e8 s2 | % 11
- }
- \alternative
- {
- {
- a1/b | % 12
- }
- {
- e1 | % 13
- }
- }
+ e1:sus2 | % 5
+ s1 | % 6
+ b1:sus2/ds | % 7
+ r1 | % 8
+ a1:sus2/cs | % 9
+ a1 | % 10
+ a4.:6/e e8 s2 | % 11
+
+ a1/b | % 12
+
+ e1 | % 13
% Chorus
- \repeat volta 3
- {
- b1 | % 14
- cs1:m | % 15
- a2.. b8:sus4 | % 16
- s2 b | % 17
- gs1:m | % 18
- cs1:m | % 19
- fs2..:m a8/b | % 20
- s2.. a8/b | % 21
- }
- \alternative
- {
- {
- s1 \bar "||" % 22
- }
- {
- a1/b | % 23
- }
- {
- a1/b | % 24
- }
- }
+ b1 | % 14
+ cs1:m | % 15
+ a2.. b8:sus4 | % 16
+ s2 b | % 17
+ gs1:m | % 18
+ cs1:m | % 19
+ fs2..:m a8/b | % 20
+ s2.. a8/b | % 21
+
+ s1 | % 22
+
+ a1/b | % 23
+
+ a1/b | % 24
% Outro
- \repeat volta 2
- {
- e1:sus2 | % 25
- s1 | % 26
- b1:sus2/ds | % 27
- s1 | % 28
- a1:sus2/cs | % 29
- fs2:m a/b | % 30
- a4.:6/e e8 s2 | % 31
- a1/b | % 32
- }
+ e1:sus2 | % 25
+ s1 | % 26
+ b1:sus2/ds | % 27
+ s1 | % 28
+ a1:sus2/cs | % 29
+ fs2:m a/b | % 30
+ a4.:6/e e8 s2 | % 31
+ a1/b | % 32
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% Verse
- \repeat volta 2
- {
- c1-\markup { \dynamic mf \italic { Colors 1st time, sidestick on DS } } | % 5
- c1 | % 6
- c1 | % 7
- c1 | % 8
- c1 | % 9
- c1 | % 10
- c4. c8 ~ c2 | % 11
- }
- \alternative
- {
- {
- c1 | % 12
- }
- {
-% c4-> \f c-> \< r2-\markup { \italic { dr. fill } } \ff | % 13
- << { \voiceOne c4_> c_> r2_\markup { \italic { dr. fill } } }
- \new Voice = "v" { \voiceTwo s4 \f s s4. \< s8 \ff } >>
+ c1-\markup { \dynamic mf \italic { Colors 1st time, sidestick on DS } } | % 5
+ c1 | % 6
+ c1 | % 7
+ c1 | % 8
+ c1 | % 9
+ c1 | % 10
+ c4. c8 ~ c2 | % 11
-%{
- r2 r4 r8 << { \voiceOne <b' gs> ~ } \new Voice = "v" { \voiceTwo fs8 ~ } >> | % 12
- << { \voiceOne <b gs>1 ~ } \context Voice = v { \voiceTwo fs2 ~ fs4. f8 ~ } >> | % 13
- << { \voiceOne <b gs>2 } \context Voice = v { \voiceTwo f2 } >> \oneVoice r2 | % 14
-%}
+ c1 | % 12
- }
- }
+ << { \voiceOne c4_> c_> r2_\markup { \italic { dr. fill } } }
+ \new Voice = "v" { \voiceTwo s4 \f s s4. \< s8 \ff } >>
% Chorus
- \repeat volta 3
- {
- c4._\markup { \italic { Rock 4 } } c8 ~ c2 | % 14
- c4. c8 ~ c2 | % 15
- c4. c8 ~ c4. c8 ~ | % 16
- c2 c4_\markup { \italic { dr. fill } } c | % 17
- c4. c8 ~ c2 | % 18
- c4. c8 ~ c2 | % 19
- c4. c8 ~ c4. c8 ~ | % 20
- c4 c c c8 [ c ] ~ | % 21
- }
- \alternative
- {
- {
- c1 | % 22
- }
- {
- c4_> c_> r2_\markup { \italic { dr. fill } } | % 23
- }
- {
-% << c1 \\ { s4 \> s2 s4 \! } >> | % 24
- << { \voiceOne c1 } \context Voice = v { \voiceTwo s4 \> s2 s4 \! } >> | % 24
- }
- }
+ c4._\markup { \italic { Rock 4 } } c8 ~ c2 | % 14
+ c4. c8 ~ c2 | % 15
+ c4. c8 ~ c4. c8 ~ | % 16
+ c2 c4_\markup { \italic { dr. fill } } c | % 17
+ c4. c8 ~ c2 | % 18
+ c4. c8 ~ c2 | % 19
+ c4. c8 ~ c4. c8 ~ | % 20
+ c4 c c c8 [ c ] ~ | % 21
+
+ c1 | % 22
+
+ c4_> c_> r2_\markup { \italic { dr. fill } } | % 23
+
+ << { \voiceOne c1 } \context Voice = v { \voiceTwo s4 \> s2 s4 \! } >> | % 24
% Outro
- \repeat volta 2
- {
- c1_\markup { \dynamic mf \italic { Floating } } | % 25
- c1 | % 26
- c1 | % 27
- c1 | % 28
- c1 | % 29
- c2 c | % 30
- c4. c8^\fermata _\markup { \italic { Last time } } ~ c2 | % 31
- c1 | % 32
- }
+ c1_\markup { \dynamic mf \italic { Floating } } | % 25
+ c1 | % 26
+ c1 | % 27
+ c1 | % 28
+ c1 | % 29
+ c2 c | % 30
+ c4. c8^\fermata _\markup { \italic { Last time } } ~ c2 | % 31
+ c1 | % 32
}
\score
{
<<
-% \new ChoirStaff = "Vox"
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
- \layout
- {
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\clef G
\key a \major
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1^\markup { \italic { perc. } } \bar "||" % 1
+ s1^\markup { \italic { perc. } } \bar "||" % 1
+ s1*8 \bar ".|:-||" % 2-9
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 10-17
- R1 | % 2
- R1 | % 3
- R1 | % 4
- R1 | % 5
- R1 | % 6
- R1 | % 7
- R1 | % 8
- r2 r4 r8 cs \bar "||:" % 9
+ \mark \markup { \override #'(font-family . sans) { \box { A9 } } }
+ s1*8 \bar "||" % 18-25
+
+ % Prechorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { A17 } } }
+ s1*4 \bar "||" % 26-29
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*12 \bar "||" % 30-41
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \key c \major
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 \bar "||" % 42-49
+
+ \mark \markup { \override #'(font-family . sans) { \box { C9 } } }
+ s1*8 \bar "||" % 50-57
+
+ % Prechorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { C17 } } }
+ s1*4 \bar "||" % 58-61
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*10 \bar "||" % 62-71
+
+ % Bridge
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*12 \bar "||" % 72-83
+
+ % Prechorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s1*5 | % 84-88
+
+ \repeat volta 4
+ {
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { G } } }
+ s1*7 | % 89-95
+ }
+ \alternative
+ {
+ {
+ s1 | % 96
+ }
+ {
+ s1 | % 97
+ }
+ }
+
+ % Outro
+
+ \mark \markup { \override #'(font-family . sans) { \box { H } } }
+
+ \repeat volta 2
+ {
+ s1*4 | % 98-101
+ }
+
+ s1 \bar "|." % 102
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ R1*8 | % 1-8
+ r2 r4 r8 cs | % 9
+
+ % Verse
e8 e4 e8 ~ e4. cs8 | % 10
e8 e4 e8 ~ e cs4 a8 ~ | % 11
cs4 cs8 cs ~ cs4 r8 a | % 14
b8 b4 b8 ~ b gs4 gs8 | % 15
a4. a8 ~ a4 fs8 fs ~ | % 16
- fs2 r4 r8 cs'8 \bar "||" % 17
-
-\mark \markup { \override #'(font-family . sans) { \box { A9 } } }
+ fs2 r4 r8 cs'8 | % 17
e8 e4 e8 ~ e4. cs8 | % 18
e8 e4 e8 ~ e cs4 a8 ~ | % 19
cs4 cs8 cs ~ cs4 r8 a | % 22
b8 b4 b8 ~ b gs4 r8 | % 23
a4 a8 a8 ~ a4 fs8 fs ~ | % 24
- fs2 r4 r8 g \bar "||" % 25
+ fs2 r4 r8 g | % 25
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { A17 } } }
-
d'4 ( c8 ) c ~ c r4 b8 | % 26
a8 a4 b8 ~ b8 r4 g8 | % 27
d'4 ( c8 ) c ~ c r4 b8 | % 28
- d8 d4 e8 ~ e4 d8 d \bar "||" % 29
+ d8 d4 e8 ~ e4 d8 d | % 29
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
r4 fs8 fs ~ fs4 fs | % 30
fs4 d8 d4. r8 a | % 31
d4 d8 d ~ d4 r8 a | % 32
b1 | % 38
R1 | % 39
R1 | % 40
- r2 r4 r8 e \bar "||" % 41
+ r2 r4 r8 e | % 41
% Verse
- \key c \major
-
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
g8 g4 g8 ~ g4. e8 | % 42
g8 g4 g8 ~ g e4 c8 ~ | % 43
c4 r r2 | % 44
e4 e8 e ~ e4 r8 c | % 46
d8 d4 d8 ~ d b4 b8 | % 47
c4 c8 c8 ~ c8 g ( a ) a ~ | % 48
- a2 r4 r8 e'8 \bar "||" % 49
-
-\mark \markup { \override #'(font-family . sans) { \box { C9 } } }
+ a2 r4 r8 e'8 | % 49
g8 g4 g8 ~ g4. e8 | % 50
g8 g4 g8 ~ g d'4. ~ | % 51
e4 e8 e ~ e4 r8 c | % 54
d8 d4 d8 ~ d b4 b8 | % 55
c4 c8 c8 ~ c8 g ( a ) a ~ | % 56
- a2 r4 bf \bar "||" % 57
+ a2 r4 bf | % 57
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { C17 } } }
-
f'4 ( ef8 ) ef ~ ef r4 d8 | % 58
c8 c4 d8 ~ d8 r4 bf8 | % 59
f'4 ( ef8 ) ef ~ ef r4 d8 | % 60
- f8 f4 g8 ~ g4 f8 f \bar "||" % 61
+ f8 f4 g8 ~ g4 f8 f | % 61
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
\voiceOne r4 a8 a ~ a4 a \oneVoice | % 62
a4 f8 f4. r8 c | % 63
f4 f8 \tieUp f ~ f4 r8 c | % 64
e8 ) e4 \slurNeutral c8 ~ c r g' f ( | % 68
d4 ) d8 d ~ d4 c8 d ~ | % 69
d1 | % 70
- R1 \bar "||" % 71
+ R1 | % 71
% Bridge
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
r4 \voiceOne d8 d ~ d f4 f8 | % 72
\oneVoice r4 \voiceOne d8 f ~ f a4 a8 ~ | % 73
a2 \oneVoice r4. \voiceOne a,8 | % 74
f4 \oneVoice r4 r2 | % 80
\voiceOne a4. g8 ~ g f4 f8 ~ | % 81
f4 \oneVoice r r d8 e8 ~ | % 82
- e2. r8 d \bar "||" % 83
+ e2. r8 d | % 83
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { F } } }
-
f4 ( ef8 ) ef ~ ( ef d ) d ( c ) | % 84
c8 c4 c8 ~ c8 r4 d8 | % 85
f4. \tieUp ef8 ~ ef d4 ef8 ~ | % 86
ef8 \tieNeutral r f4 g8 f4 f8 ( ~ | % 87
f8 d16 c d8 f ~ f <a \hn f>4 <b \hn g>8 | % 88
- \repeat volta 4
- {
- % Chorus
-
-\mark \markup { \override #'(font-family . sans) { \box { G } } }
+ % Chorus
-% a2. ) r4 | % 89
<< { \voiceOne <a \hn f>2. ) r4 } \context Voice = "v2" { \voiceTwo r4 a8 a ~ a4 a } >> \oneVoice | % 89
a4 f8 f4. r8 c | % 90
f4 f8 f ~ f4 r8 c | % 91
r4 f8 g8 ~ g4 a | % 93
a4 f8 f4 r8 a \slurUp g ( | % 94
e8 ) \slurNeutral e4 c8 ~ c r g' f ( | % 95
- }
- \alternative
- {
- {
- d4 ) d8 d ~ d4 c8 d | % 96
- }
- {
- d4 d8 d ~ d4 c8 d | % 97
- }
- }
- % Outro
+ d4 ) d8 d ~ d4 c8 d | % 96
-\mark \markup { \override #'(font-family . sans) { \box { H } } }
+ d4 d8 d ~ d4 c8 d | % 97
- \repeat volta 2
- {
- R1 | % 98
- R1 | % 99
- R1 | % 100
- R1 | % 101
- }
+ % Outro
+
+ R1 | % 98
+ R1 | % 99
+ R1 | % 100
+ R1 | % 101
- r1^\fermata \bar "|." % 102
+ r1^\fermata | % 102
}
_ what life’s _ a -- bout
%{
-I take each breath as if it is my first
-I hold it there, so deep inside me
-'Til I'm about to burst
-I speak each word as if it is Your name
-I move my lips ... I see the whisper
-Stir the gentle flame
-
-Your heart beats and so does mine
-Your love moves
-And I know I'm alive
-
-You are my oxygen
-I breathe You in
-I breathe You out
-You are my oxygen
-You are my love
-You are what life's about
-
-I take each breath as if it is my last
-You never know what came so slowly
-Could leave us, oh, so fast
-I take each step as if it is to You
-I hear Your voice
-I feel Your presence
-In everything I do
-
-My soul sleeps, Your love revives
-Our hearts meet
-And I know I'm alive
-
-The air is think, the flower sweet
-The shadow comes down
-Tonight the moon is at my feet
-And I breathe You in
-I breathe You in to me
-
-I'm nobody without You
+I take each breath as if it is my first
+I hold it there, so deep inside me
+'Til I'm about to burst
+I speak each word as if it is Your name
+I move my lips ... I see the whisper
+Stir the gentle flame
+
+Your heart beats and so does mine
+Your love moves
+And I know I'm alive
+
+You are my oxygen
+I breathe You in
+I breathe You out
+You are my oxygen
+You are my love
+You are what life's about
+
+I take each breath as if it is my last
+You never know what came so slowly
+Could leave us, oh, so fast
+I take each step as if it is to You
+I hear Your voice
+I feel Your presence
+In everything I do
+
+My soul sleeps, Your love revives
+Our hearts meet
+And I know I'm alive
+
+The air is think, the flower sweet
+The shadow comes down
+Tonight the moon is at my feet
+And I breathe You in
+I breathe You in to me
+
+I'm nobody without You
If You were not here what would I do
%}
}
%
% Harmonies
%
-
BGVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"BG vox"
- \override Staff.TimeSignature #'style = #'()
- \clef G
- \key a \major
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
- s1 \bar "||" % 1
+ s1 | % 1
s1 | % 2
s1 | % 3
s1 | % 6
s1 | % 7
s1 | % 8
- s1 \bar "||:" % 9
+ s1 | % 9
% Verse
s1 | % 14
s1 | % 15
s1 | % 16
- s1 \bar "||" % 17
+ s1 | % 17
s1 | % 18
s1 | % 19
s1 | % 22
s1 | % 23
s1 | % 24
- s1 \bar "||" % 25
+ s1 | % 25
% Prechorus
s1 | % 26
s1 | % 27
s1 | % 28
- s1 \bar "||" % 29
+ s1 | % 29
% Chorus
s1 | % 38
s1 | % 39
s1 | % 40
- s1 \bar "||" % 41
+ s1 | % 41
% Verse
- \key c \major
-
s1 | % 42
s1 | % 43
s1 | % 44
s1 | % 46
s1 | % 47
s1 | % 48
- s1 \bar "||" % 49
+ s1 | % 49
s1 | % 50
s1 | % 51
s1 | % 54
s1 | % 55
s1 | % 56
- s1 \bar "||" % 57
+ s1 | % 57
% Prechorus
s1 | % 58
s1 | % 59
s1 | % 60
- s1 \bar "||" % 61
+ s1 | % 61
% Chorus
\oneVoice
\normalsize
s1 | % 70
- s1 \bar "||" % 71
+ s1 | % 71
% Bridge
d4 \oneVoice s4 s2 | % 80
\voiceTwo f4. e8 ~ e d4 c8 ~ | % 81
c4 \oneVoice s s2 | % 82
- s1 \bar "||" % 83
+ s1 | % 83
\normalsize
% Prechorus
\normalsize
s1 | % 88
- \repeat volta 4
- {
- s4 \context Voice = "v2" { <\hn f \hn c>8 <\hn e \hn c> ~ <\hn e \hn c>4 <\hn e \hn c> } | % 89
+ s4 \context Voice = "v2" { <\hn f \hn c>8 <\hn e \hn c> ~ <\hn e \hn c>4 <\hn e \hn c> } | % 89
\tiny
\voiceTwo
- <f c>4 <d bf>8 <d bf> ( ~ <d bf>2 | % 90
- <c a>1 ) | % 91
- s1 | % 92
- s4 <d bf>8 <e c> ~ <e c>4 <f c> | % 93
- <f c>4 <c a>8 <d bf> ( ~ <d bf>2 | % 94
- <c a>1 ) | % 95
+ <f c>4 <d bf>8 <d bf> ( ~ <d bf>2 | % 90
+ <c a>1 ) | % 91
+ s1 | % 92
+ s4 <d bf>8 <e c> ~ <e c>4 <f c> | % 93
+ <f c>4 <c a>8 <d bf> ( ~ <d bf>2 | % 94
+ <c a>1 ) | % 95
\oneVoice
\normalsize
- }
- \alternative
- {
- {
- s1 | % 96
- }
- {
- s1 | % 97
- }
- }
- \repeat volta 2
- {
- s1 | % 98
- s1 | % 99
- s1 | % 100
- s1 | % 101
- }
+ s1 | % 96
- s1 \bar "|." % 102
+ s1 | % 97
+
+ s1 | % 98
+ s1 | % 99
+ s1 | % 100
+ s1 | % 101
+
+ s1 | % 102
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 | % 1
% Chorus
- \repeat volta 4
- {
- d4.:m7 c s4 | % 30
- bf1:maj7 | % 31
- f1 | % 32
- c4. a:m7 s4 | % 33
- bf4. c s4 | % 34
- f4. bf s4 | % 35
- c4. a:m7 s4 | % 36
- }
- \alternative
- {
- {
- bf1 | % 70
- }
- {
- bf1 | % 71
- }
- }
+ d4.:m7 c s4 | % 30
+ bf1:maj7 | % 31
+ f1 | % 32
+ c4. a:m7 s4 | % 33
+ bf4. c s4 | % 34
+ f4. bf s4 | % 35
+ c4. a:m7 s4 | % 36
+
+ bf1 | % 70
+
+ bf1 | % 71
% Outro
- \repeat volta 2
- {
- d1:m7 | % 72
- s1 | % 73
- s1 | % 74
- s1 | % 75
- }
+ d1:m7 | % 72
+ s1 | % 73
+ s1 | % 74
+ s1 | % 75
d1:m7 | % 76
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
% Intro
- c1:16 \p \< \bar "||" % 1
+ c1:16 \p \< | % 1
c4. \mf c8 ~ c4. c8 ~ | % 2
c1 | % 3
c4. c8 ~ c4. c8 ~ | % 6
c1 | % 7
c4. c8 ~ c4. c8 ~ | % 8
- c1 \bar "||:" % 9
+ c1 | % 9
% Verse
c4 c c c | % 14
c4 c c c | % 15
c4. c8 ~ c4. c8 ~ | % 16
- c4 c c c \bar "||" % 17
+ c4 c c c | % 17
c4 c c c | % 18
c4 c c c | % 19
c4 c c c | % 22
c4 c c c | % 23
c4. c8 ~ c4. c8 ~ | % 24
- c4 c c c \bar "||" % 25
+ c4 c c c | % 25
% Prechorus
c4 c c c | % 26
c4 c c c | % 27
c4 c c c | % 28
- c4 c c c \bar "||" % 29
+ c4 c c c | % 29
% Chorus
c4. c8 ~ c4. c8 ~ | % 38
c4 c c c | % 39
c4. c8 ~ c4. c8 ~ | % 40
- c1 \bar "||" % 41
+ c1 | % 41
% Verse
c4 c c c | % 46
c4 c c c | % 47
c4. c8 ~ c4. c8 ~ | % 48
- c4 c c c \bar "||" % 49
+ c4 c c c | % 49
c4 c c c | % 50
c4 c c c | % 51
c4 c c c | % 54
c4 c c c | % 55
c4. c8 ~ c4. c8 ~ | % 56
- c4 c c c \bar "||" % 57
+ c4 c c c | % 57
% Prechorus
c4 c c c | % 58
c4 c c c | % 59
c4 c c c | % 60
- c4 c c c \bar "||" % 61
+ c4 c c c | % 61
% Chorus
c4 c c c | % 69
c1 ~ | % 70
- c1 \bar "||" % 71
+ c1 | % 71
% Bridge
c4 r8 c ~ c4 c | % 80
c4. c8 ~ c c ~ c4 | % 81
c1 | % 82
- c1 \bar "||" % 83
+ c1 | % 83
% Prechorus
% Chorus
- \repeat volta 4
- {
- c4._\markup { \dynamic f \italic { ad lib throughout } } c8 ~ c2 | % 89
- c4. c8 ~ c2 | % 90
- c4. c8 ~ c2 | % 91
- c4. c8 ~ c2 | % 92
- c4. c8 ~ c2 | % 93
- c4. c8 ~ c2 | % 94
- c4. c8 ~ c2 | % 95
- }
- \alternative
- {
- {
- c4 c c c | % 96
- }
- {
- c4 \> c c c \! | % 97
- }
- }
+ c4._\markup { \dynamic f \italic { ad lib throughout } } c8 ~ c2 | % 89
+ c4. c8 ~ c2 | % 90
+ c4. c8 ~ c2 | % 91
+ c4. c8 ~ c2 | % 92
+ c4. c8 ~ c2 | % 93
+ c4. c8 ~ c2 | % 94
+ c4. c8 ~ c2 | % 95
+
+ c4 c c c | % 96
+
+ c4 \> c c c \! | % 97
% Outro
- \repeat volta 2
- {
- c4 c c c | % 98
- c4 c c c | % 99
- c4 c c c | % 100
- c4 c c c | % 101
- }
+ c4 c c c | % 98
+ c4 c c c | % 99
+ c4 c c c | % 100
+ c4 c c c | % 101
- c1^\fermata \bar "|." % 102
+ c1^\fermata | % 102
}
\score
{
<<
-% \new ChoirStaff = "Vox"
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "harmony" \BGVox >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "harmony" \BGVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "v2" \LeadVoxTextB
\new Lyrics \lyricsto "v3" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
-% \new Staff = "riff" \RhythmB
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
- \layout
- {
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-staffSize = #16 % or 18
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "Refiner's Fire" } }
% composer = \markup { \override #'(font-family . sans) "" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 \bar "||:" % 4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- gs4 b8 fs ~ fs4 gs | % 5
- e2 e8 fs gs a | % 6
- a2. r8 e | % 7
- e4 ds e fs | % 8
- gs4 b8 fs ~ fs4 gs | % 9
- e2 e8 fs gs a | % 10
- a1 | % 11
- gs4. ( fs8 ) fs2 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- gs2 a4 gs8 fs8 ~ | % 13
- fs2 r | % 14
- gs4 b a gs8 fs ~ | % 15
- fs2 r4 e8 b' | % 16
- b1 | % 17
- b8 ( fs ) fs4 r2 | % 18
- b8 ( a ) gs a ~ a e ( fs ) gs ~ | % 19
- gs8 fs4. r8 e e b' | % 20
- b1 | % 21
- b8 ( fs ) fs4 r2 | % 22
- b8 ( a ) gs a ~ a e ( fs ) gs ~ | % 23
- gs4 a8 gs ~ gs fs4. | % 24
- a8 gs fs e ~ e ds4. | % 25
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*13 | % 13-25
}
\alternative
{
{
- e1 | % 26
- R1 | % 27
- R1 | % 28
- R1 | % 29
+ s1*4 | % 26-29
}
{
- e1 \bar "||" % 30
+ s1 \bar "||" % 30
}
}
% Outro
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*6 \bar "|." % 31-36
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ R1*4 | % 1-4
+
+ % Verse
+
+ gs4 b8 fs ~ fs4 gs | % 5
+ e2 e8 fs gs a | % 6
+ a2. r8 e | % 7
+ e4 ds e fs | % 8
+ gs4 b8 fs ~ fs4 gs | % 9
+ e2 e8 fs gs a | % 10
+ a1 | % 11
+ gs4. ( fs8 ) fs2 | % 12
+
+ % Chorus
+
+ gs2 a4 gs8 fs8 ~ | % 13
+ fs2 r | % 14
+ gs4 b a gs8 fs ~ | % 15
+ fs2 r4 e8 b' | % 16
+ b1 | % 17
+ b8 ( fs ) fs4 r2 | % 18
+ b8 ( a ) gs a ~ a e ( fs ) gs ~ | % 19
+ gs8 fs4. r8 e e b' | % 20
+ b1 | % 21
+ b8 ( fs ) fs4 r2 | % 22
+ b8 ( a ) gs a ~ a e ( fs ) gs ~ | % 23
+ gs4 a8 gs ~ gs fs4. | % 24
+ a8 gs fs e ~ e ds4. | % 25
+
+ e1 | % 26
+ R1 | % 27
+ R1 | % 28
+ R1 | % 29
+
+ e1 | % 30
+
+ % Outro
a8 gs fs e ~ e ds4. | % 31
e2 r2 | % 32
a8 gs fs e ~ e ds4. | % 33
e2 r2 | % 34
R1 | % 35
- r1^\fermata \bar "|." % 36
+ r1^\fermata | % 36
}
+
LeadVoxText = \lyricmode
{
Pu- ri- fy _ my heart, let me be as gold
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
e4. e8:sus4 s2 | % 1
e4. e8:sus4 s2 | % 3
e1 | % 4
- \repeat volta 2
- {
- % Verse
-
- e4. b8/ds s2 | % 5
- cs1:m | % 6
- fs1:m7 | % 7
- e4/b b a/b b | % 8
- e4. b8/ds s2 | % 9
- cs1:m | % 10
- fs1:m7 | % 11
- e4./b b8 s2 | % 12
-
- % Chorus
-
- e2 a4. b8 | % 13
- s1 | % 14
- e2 a4. b8 | % 15
- s1 | % 16
- e1 | % 17
- b1 | % 18
- e4./gs a2 e8/b | % 19
- s8 b2.. | % 20
- e1 | % 21
- b1 | % 22
- e4./gs a2 e8/b | % 23
- s4. b2 s8 | % 24
- fs4.:m b4:sus4 b4. | % 25
- }
- \alternative
- {
- {
- e4. e8:sus4 s2 | % 26
- e4. e8:sus4 s2 | % 27
- e4. e8:sus4 s2 | % 28
- e1 | % 29
- }
- {
- cs1:m | % 30
- }
- }
+ % Verse
+
+ e4. b8/ds s2 | % 5
+ cs1:m | % 6
+ fs1:m7 | % 7
+ e4/b b a/b b | % 8
+ e4. b8/ds s2 | % 9
+ cs1:m | % 10
+ fs1:m7 | % 11
+ e4./b b8 s2 | % 12
+
+ % Chorus
+
+ e2 a4. b8 | % 13
+ s1 | % 14
+ e2 a4. b8 | % 15
+ s1 | % 16
+ e1 | % 17
+ b1 | % 18
+ e4./gs a2 e8/b | % 19
+ s8 b2.. | % 20
+ e1 | % 21
+ b1 | % 22
+ e4./gs a2 e8/b | % 23
+ s4. b2 s8 | % 24
+ fs4.:m b4:sus4 b4. | % 25
+
+ e4. e8:sus4 s2 | % 26
+ e4. e8:sus4 s2 | % 27
+ e4. e8:sus4 s2 | % 28
+ e1 | % 29
+
+ cs1:m | % 30
% Outro
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
% Intro
c4. c8 ~ c4 c | % 1
c4. c8 ~ c4 c | % 2
c4. c8 ~ c4 c | % 3
- c1 \bar "||:" % 4
-
- \repeat volta 2
- {
- % Verse
-
- c4. c8 ~ c4 c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4. c8 ~ c4 c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4. c8 ~ c4 c \bar "||" % 12
-
- % Chorus
-
- c4 c c4. c8 ~ | % 13
- c4 c c c | % 14
- c4 c c4. c8 ~ | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4. c8 ~ c4. c8 ~ | % 19
- c8 c4. ~ c4 c | % 20
- c4 c c c | % 21
- c4 c c c | % 22
- c4. c8 ~ c4. c8 ~ | % 23
- c4. c8 ~ c4 c | % 24
- c4. c8 ~ c c4. | % 25
- }
- \alternative
- {
- {
- c4. c8 ~ c4 c | % 26
- c4. c8 ~ c4 c | % 27
- c4. c8 ~ c4 c | % 28
- c1 | % 29
- }
- {
- c4 c c c | % 30
- }
- }
+ c1 | % 4
+
+ % Verse
+
+ c4. c8 ~ c4 c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4. c8 ~ c4 c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4. c8 ~ c4 c | % 12
+
+ % Chorus
+
+ c4 c c4. c8 ~ | % 13
+ c4 c c c | % 14
+ c4 c c4. c8 ~ | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4. c8 ~ c4. c8 ~ | % 19
+ c8 c4. ~ c4 c | % 20
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4. c8 ~ c4. c8 ~ | % 23
+ c4. c8 ~ c4 c | % 24
+ c4. c8 ~ c c4. | % 25
+
+ c4. c8 ~ c4 c | % 26
+ c4. c8 ~ c4 c | % 27
+ c4. c8 ~ c4 c | % 28
+ c1 | % 29
+
+ c4 c c c | % 30
% Outro
c4. c8 ~ c c4. | % 33
c4. c8 ~ c2 | % 34
c4. c8_\markup { \italic { rit. } } ~ c2 | % 35
- c1^\fermata \bar "|." % 36
+ c1^\fermata | % 36
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Search My Heart" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Hillsong United" }
-% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global = \transpose c g
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% \once \override TextScript #'padding = #2.0
% Outro
\mark \markup { \override #'(font-family . sans) { \box { H } } }
- s1*5 \bar "|." %
+ s1*5 \bar "|." %
}
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\override MultiMeasureRest #'expand-limit = 1
e4 r r c | % 15
g'4. g8 ~ g ( d ) d4 ~ | % 16
d4 r c8 d4 c8 | % 17
- f4. f8 ~ f ( e ) e4 ~ | % 18
+ f4. f8 ~ f ( e ) e4 | % 18
% A section
g'4. g8 ~ g ( d ) d4 ~ | % 36
% d4 r << { c8 d4 c8 } \context Voice = vb { \voiceTwo \teeny c8 c d c \normalsize } >> | % 37
d4 r << { \stemDown \teeny c8 c d c \normalsize \stemNeutral } \context Voice = vb { \voiceTwo \stemUp c8 d4 c8 \stemNeutral } >> | % 37
- f4. f8 ~ f ( e ) e4 ~ | % 38
+ f4. f8 ~ f ( e ) e4 | % 38
% C section
- r1 | %
- r1 | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r1 | %
- r1 | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e e16 ( f e4 ) | %
- r1 | %
- r1 | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e e16 ( f e4 ) | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
+ r1 | %
+ r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r1 | %
+ r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e e16 ( f e4 ) | %
+ r1 | %
+ r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e e16 ( f e4 ) | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
% B section
e4 r r c | % 35
g'4. g8 ~ g ( d ) d4 ~ | % 36
d4 r c8 d4 c8 | % 37
- f4. f8 ~ f ( e ) e4 ~ | % 38
+ f4. f8 ~ f ( e ) e4 | % 38
% C section
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e e16 ( f e4 ) | %
- r1 | %
- r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e e16 ( f e4 ) | %
+ r1 | %
+ r1 | %
% Outro
- r1 | %
- e4. d8 ~ d4 e ~ | %
- e2 r4 c | %
- e4. d8 ~ d4 c ~ | %
- c1-\fermata | %
+ r1 | %
+ e4. d8 ~ d4 e ~ | %
+ e2 r4 c | %
+ e4. d8 ~ d4 c ~ | %
+ c1-\fermata | %
}
Riffs = \relative c'
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\override MultiMeasureRest #'expand-limit = 1
-
-%Not small enough...
\teeny
-% \magnify #0.3
% Intro
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \transpose c g \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \transpose c g \LeadVox
\new Voice \transpose c g \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextC
\new Lyrics \lyricsto "lead" \LeadVoxTextD
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \transpose c g \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Shout To The Lord" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Darlene Zschech" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "Arr. Ed Smart" }
{
% \key bf \major
\key g \major % New key!
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
%nowok \transpose bf g
\context Staff
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/8
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
\repeat volta 4
{
- r2. | % 1
+ s2. | % 1
+ }
+ \alternative
+ {
+ {
+ s2. | % 2
+ }
+ {
+ s2. | % 3
+ }
+ }
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*9 | % 4-12
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \italic \smaller { (1st X unison) } }
+ s2.*7 | % 13-19
}
\alternative
{
{
- r2. | % 2
+ s2.*2 | % 20-21
}
{
- r4. r8 g a | % 3
+ s2. | % 22
}
}
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*9 \bar "||" % 23-31
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s2.*9 | % 32-40
+
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
- b4 d,8 a'4 fs8 | % 4
- g4. r8 g g | % 5
- b4 d,8 a'4 fs8 | % 6
- g4. r8 g a | % 7
- b4 d,8 a'4 fs8 | % 8
- g4. r8 g g | % 9
- b4 d,8 a'4 fs8 | % 10
- a16 ( g ) ~ g4 ~ g4. | % 11
- r2. | % 12
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \italic \smaller { (1st X unison) } }
- <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 13
- <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 14
- <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 15
- <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 16
- <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 17
- <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 18
- <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s2.*7 | % 41-47
}
\alternative
{
{
- <g \hn d>2. | % 20
- r2 g8 a | % 21
+ s2. | % 48
}
{
- g2. | % 22
+ s2. | % 49
}
}
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2. \bar "||" % 50
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s2.*9 | % 51-59
+
+ \repeat volta 2
+ {
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { G } } \italic \smaller { (1st X kids, 2nd X all) } }
+ s2.*8 | % 60-67
+ }
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { H } } }
+ s2.*8 | % 68-75
+ }
+
+ s2.*6 \bar "|." % 76-81
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ r2. | % 1
+
+ r2. | % 2
+
+ r4. r8 g a | % 3
+
+ b4 d,8 a'4 fs8 | % 4
+ g4. r8 g g | % 5
+ b4 d,8 a'4 fs8 | % 6
+ g4. r8 g a | % 7
+ b4 d,8 a'4 fs8 | % 8
+ g4. r8 g g | % 9
+ b4 d,8 a'4 fs8 | % 10
+ a16 ( g ) ~ g4 ~ g4. | % 11
+ r2. | % 12
+
+ <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 13
+ <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 14
+ <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 15
+ <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 16
+ <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 17
+ <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 18
+ <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 19
+
+ <g \hn d>2. | % 20
+ r2 g8 a | % 21
+
+ g2. | % 22
+
<d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 23
<c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 24
<d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 25
<c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 28
<c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 29
<g \hn d>2. | % 30
- r2. \bar "||" % 31
+ r2. | % 31
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
<b \hn e,>8 <b \hn e,> <b \hn e,> <b \hn e,> ( <a \hn d,> ) r | % 32
<g \hn c,>8 <g \hn c,> <a \hn d,> <e \hn c>4. | % 33
<b' \hn e,>8 <b \hn e,> <b \hn e,> <b \hn e,> <a \hn d,> <g \hn b,> | % 34
<d \hn a \hn fs>2. ~ | % 39
<d \hn a \hn fs>4. r8 g, g | % 40
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
- <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 41
- <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 42
- <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 43
- <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 44
- <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 45
- <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 46
- <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 47
- }
- \alternative
- {
- {
- <g \hn d>4. r8 g g | % 48
- }
- {
- <g \hn d>2. | % 49
- }
- }
+ <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 41
+ <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 42
+ <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 43
+ <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 44
+ <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 45
+ <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 46
+ <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 47
+
+ <g \hn d>4. r8 g g | % 48
- r2 g8 a \bar "||" % 50
+ <g \hn d>2. | % 49
+
+ r2 g8 a | % 50
-\mark \markup { \override #'(font-family . sans) { \box { F } } }
b4 d,8 a'4 fs8 | % 51
g4. r8 g g | % 52
b4 d,8 a'4 fs8 | % 53
a16 ( g ) ~ g4 ~ g4. | % 58
r2. | % 59
- \repeat volta 2
- {
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { G } } \italic \smaller { (1st X kids, 2nd X all) } }
- d'4. d4 g,8 | % 60
- c8 c b a4. | % 61
- d4. d4 g,8 | % 62
- c8 c b a4. | % 63
- d4. d4 g,8 | % 64
- c8 c b a4. | % 65
- c4 b8 a16 g8. g8 | % 66
- g2. | % 67
- }
-
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { H } } }
- <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 68
- <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 69
- <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 70
- <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 71
- <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 72
- <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 73
- <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 74
- <g \hn d>2. | % 75
- }
+ d'4. d4 g,8 | % 60
+ c8 c b a4. | % 61
+ d4. d4 g,8 | % 62
+ c8 c b a4. | % 63
+ d4. d4 g,8 | % 64
+ c8 c b a4. | % 65
+ c4 b8 a16 g8. g8 | % 66
+ g2. | % 67
+
+ <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 68
+ <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 69
+ <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 70
+ <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 71
+ <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 72
+ <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 73
+ <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 74
+ <g \hn d>2. | % 75
<c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 76
<g \hn d>2. | % 77
<c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 78
<g \hn d>2. | % 79
c4 b8 a16 g8. g8 | % 80
- g2.-\fermata \bar "|." % 81
+ g2.-\fermata | % 81
}
+
LeadVoxText = \lyricmode
{
Men of faith, rise up and sing
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
+ g2.:5^3 | % 1
- \repeat volta 4
- {
- g2.:5^3 | % 1
- }
- \alternative
- {
- {
- s4. g:sus4 | % 2
- }
- {
- g2.:5^3 | % 3
- }
- }
+ s4. g:sus4 | % 2
- \repeat volta 2
- {
- g4. d | % 4
- c2. | % 5
- g4. d | % 6
- c2. | % 7
- g4. d | % 8
- c2. | % 9
- g4. d | % 10
- c2.:sus2 | % 11
- s2. \bar "||" % 12
-
- g2. | % 13
- c4. d | % 14
- g2. | % 15
- c4. d | % 16
- g2. | % 17
- c4. d | % 18
- c4. d:sus4 | % 19
- }
- \alternative
- {
- {
- g2. | % 20
- s2. | % 21
- }
- {
- g2. | % 22
- }
- }
+ g2.:5^3 | % 3
+
+ g4. d | % 4
+ c2. | % 5
+ g4. d | % 6
+ c2. | % 7
+ g4. d | % 8
+ c2. | % 9
+ g4. d | % 10
+ c2.:sus2 | % 11
+ s2. | % 12
+
+ g2. | % 13
+ c4. d | % 14
+ g2. | % 15
+ c4. d | % 16
+ g2. | % 17
+ c4. d | % 18
+ c4. d:sus4 | % 19
+
+ g2. | % 20
+ s2. | % 21
+
+ g2. | % 22
g2. | % 23
c4. d | % 24
d2. | % 39
d2.:sus4 | % 40
- \repeat volta 2
- {
- g2. | % 41
- c4. d | % 42
- g2. | % 43
- c4. d | % 44
- e2.:m7 | % 45
- c4. d | % 46
- c4. d:sus4 | % 47
- }
- \alternative
- {
- {
- g2. | % 48
- }
- {
- g2. | % 49
- }
- }
+ g2. | % 41
+ c4. d | % 42
+ g2. | % 43
+ c4. d | % 44
+ e2.:m7 | % 45
+ c4. d | % 46
+ c4. d:sus4 | % 47
+
+ g2. | % 48
+
+ g2. | % 49
s2. | % 50
c2.:sus2 | % 58
s2. | % 59
- \repeat volta 2
- {
- g2. | % 60
- c4. d | % 61
- g2. | % 62
- c4. d | % 63
- g2. | % 64
- c4. d | % 65
- c4. d:sus4 | % 66
- g2. | % 67
- }
-
- \repeat volta 2
- {
- g2. | % 68
- c4. d | % 69
- g2. | % 70
- c4. d | % 71
- e2.:m7 | % 72
- c4. d | % 73
- c4. d:sus4 | % 74
- g2. | % 75
- }
+ g2. | % 60
+ c4. d | % 61
+ g2. | % 62
+ c4. d | % 63
+ g2. | % 64
+ c4. d | % 65
+ c4. d:sus4 | % 66
+ g2. | % 67
+
+ g2. | % 68
+ c4. d | % 69
+ g2. | % 70
+ c4. d | % 71
+ e2.:m7 | % 72
+ c4. d | % 73
+ c4. d:sus4 | % 74
+ g2. | % 75
c4. d:sus4 | % 76
g2. | % 77
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
%Slash = { \override NoteHead #'style = #'slash }
%Cross = { \override NoteHead #'style = #'cross }
StaffC = \relative c
{
- \override Staff.TimeSignature #'style = #'()
- \time 6/8
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
- \repeat volta 4
- {
- c8-> c c c-> c c | % 1
- }
- \alternative
- {
- {
- c8-> c c c-> c c | % 2
- }
- {
- c2.-> | % 3
- }
- }
+ c8-> c c c-> c c | % 1
- \repeat volta 2
- {
- c8 c c c c c | % 4
- c8 c c c c c | % 5
- c8 c c c c c | % 6
- c8 c c c c c | % 7
- c8 c c c c c | % 8
- c8 c c c c c | % 9
- c8 c c c c c | % 10
- c8 c c c c c | % 11
- c8 c c c c c | % 12
-
- c8 c c c c c | % 13
- c8 c c c c c | % 14
- c8 c c c c c | % 15
- c8 c c c c c | % 16
- c8 c c c c c | % 17
- c8 c c c c c | % 18
- c8 c c c c c | % 19
- }
- \alternative
- {
- {
- g2. ~ | % 20
- g2. | % 21
- }
- {
- c8 c c c c c | % 22
- }
- }
+ c8-> c c c-> c c | % 2
+
+ c2.-> | % 3
+
+ c8 c c c c c | % 4
+ c8 c c c c c | % 5
+ c8 c c c c c | % 6
+ c8 c c c c c | % 7
+ c8 c c c c c | % 8
+ c8 c c c c c | % 9
+ c8 c c c c c | % 10
+ c8 c c c c c | % 11
+ c8 c c c c c | % 12
+
+ c8 c c c c c | % 13
+ c8 c c c c c | % 14
+ c8 c c c c c | % 15
+ c8 c c c c c | % 16
+ c8 c c c c c | % 17
+ c8 c c c c c | % 18
+ c8 c c c c c | % 19
+
+ g2. ~ | % 20
+ g2. | % 21
+
+ c8 c c c c c | % 22
c8 c c c c c | % 23
c8 c c c c c | % 24
c8 c c c c c | % 28
c8 c c c c c | % 29
c8 c c c c c | % 30
- c8 c c c c c \bar "||" % 31
+ c8 c c c c c | % 31
c8 c c c c c | % 32
c8 c c c c c | % 33
c8 c c c c c | % 39
c8 c c c c c | % 40
- \repeat volta 2
- {
- c8 c c c c c | % 41
- c8 c c c c c | % 42
- c8 c c c c c | % 43
- c8 c c c c c | % 44
- c8 c c c c c | % 45
- c8 c c c c c | % 46
- c8 c c c c c | % 47
- }
- \alternative
- {
- {
- c8 c c c c c | % 48
- }
- {
- c2. ~ | % 49
- }
- }
+ c8 c c c c c | % 41
+ c8 c c c c c | % 42
+ c8 c c c c c | % 43
+ c8 c c c c c | % 44
+ c8 c c c c c | % 45
+ c8 c c c c c | % 46
+ c8 c c c c c | % 47
+
+ c8 c c c c c | % 48
+
+ c2. ~ | % 49
- c2. \bar "||" % 50
+ c2. | % 50
c8 c c c c c | % 51
c8 c c c c c | % 52
c8 c c c c c | % 58
c8 c c c c c | % 59
- \repeat volta 2
- {
- c8 c c c c c | % 60
- c8 c c c c c | % 61
- c8 c c c c c | % 62
- c8 c c c c c | % 63
- c8 c c c c c | % 64
- c8 c c c c c | % 65
- c8 c c c c c | % 66
- c8 c c c c c | % 67
- }
-
- \repeat volta 2
- {
- c8 c c c c c | % 68
- c8 c c c c c | % 69
- c8 c c c c c | % 70
- c8 c c c c c | % 71
- c8 c c c c c | % 72
- c8 c c c c c | % 73
- c8 c c c c c | % 74
- c8 c c c c c | % 75
- }
+ c8 c c c c c | % 60
+ c8 c c c c c | % 61
+ c8 c c c c c | % 62
+ c8 c c c c c | % 63
+ c8 c c c c c | % 64
+ c8 c c c c c | % 65
+ c8 c c c c c | % 66
+ c8 c c c c c | % 67
+
+ c8 c c c c c | % 68
+ c8 c c c c c | % 69
+ c8 c c c c c | % 70
+ c8 c c c c c | % 71
+ c8 c c c c c | % 72
+ c8 c c c c c | % 73
+ c8 c c c c c | % 74
+ c8 c c c c c | % 75
c8 c c c c c | % 76
c8 c c c c c | % 77
c8 c c c c c | % 78
c8 c c c c c | % 79
c8 c c c c c | % 80
- c2.-\fermata \bar "|." % 81
+ c2.-\fermata | % 81
}
s2.*6 | % 61-66
s8 \< s s2 | % 67
s8_\ff s s2 | % 68
-%{
- s4_\markup { \italic { snare on 4, bass 8th notes } } s2. | % 1
- s1*26 | % 2-27
- s2 s4 \< s | % 28
- s4_\f s_\markup { \hspace #0.0 \raise #-2.0 \italic { snare 2 & 4 } } s2 | % 29
- s1*8 | % 30-37
- s2 s4 \< s \! | % 38
- s1 | % 39
- s2. s8 \> s \! | % 40
- s4_\markup { \hspace #0.0 \raise #-2.0 \italic { bass 8th notes, band builds each repeat } } s2. | % 41
- s1*8 | % 42-49
- s4 \< s2. | % 50
- s4_\f s2. | % 51
- s1*5 | % 52-56
- s4_\markup { \hspace #0.0 \raise #-2.0 \italic { rit. last time } } s2. | % 57
- s2 s4 \< s \! | % 58
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Show Me Your Glory" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Third Day" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
LeadVox = \relative c''
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
r1 | % 1
r1 | % 2
r1 | % 3
r1-\fermata | % 40
}
+
LeadVoxText = \lyricmode
{
Caught a glimpse of your splen -- dor
Riffs = \relative c'
{
- \clef G
- \override NoteHead #'style = #'cross
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
%{
\tiny
%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-\teeny
+ \teeny
c4 c c c | % 1
c4 c c8. c16 ~ c8 c ~ | % 2
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+ \context Staff
<<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
- <<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "Show Me Your Ways, O Lord" } }
composer = \markup { \override #'(font-family . sans) "Ed Smart" }
-% arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+% arranger = \markup { \override #'(font-family . sans) "arr." }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1 | % 1
- R1 | % 2
- R1 | % 3
- r2 r4. d8 \bar "||:" % 4
-
- % Verse
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- d4 d8 e ~ e4 e8 g ~ | % 5
- g8 fs e fs ~ fs2 | % 6
- r4 b,8 cs d4 fs8 e ~ | % 7
- e2. r8 d | % 8
- d4 d8 e ~ e e e g ~ | % 9
- g8 fs e fs ~ fs2 | % 10
- r4 b,8 cs d4 e8 fs ~ | % 11
- fs8 g fs e ~ e2 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { A9 } } }
-
- r4 b'8 b b4 b8 a ~ | % 13
- a4 a8 fs ~ fs4. d8 | % 14
- b'8 b b b ~ b b4 as8 ~ | % 15
- as8 as4 b8 ~ b cs ~ cs4 \bar "||" % 16
+ \mark \markup { \override #'(font-family . sans) { \box { A9 } } }
+ s1*4 \bar "||" % 13-16
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- d8 d d cs ~ cs4 a16 ( fs ) b8 ~ | % 17
- b2 r | % 18
- d4. cs8 ~ cs4 a16 ( fs ) b8 ~ | % 19
- b2 r | % 20
- b8 b b b as b cs d ~ | % 21
- d4. e8 ( ~ e d ) cs cs ~ | % 22
- cs8 b ~ b2 d8 b ~ | % 23
- b8 a8 ~ a2 fs8 fs ( ~ | % 24
- fs8 g ) ~ g2. ~ | % 25
- g4. g8 g fs d d ~ | % 26
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*10 | % 17-26
}
\alternative
{
{
- d2 r | % 27
- R1 | % 28
- R1 | % 29
- r2 r4. d8 | % 30
+ s1*4 | % 27-30
}
{
- d2 \repeatTie r | % 31
+ s1 | % 31
}
}
-
+
+ % Bridge
+
+ s1*7 \bar "||" % 32-38
+
+ % Prechorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*4 \bar "||" % 39-42
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*14 \bar "||" % 43-56
+
+ % Ending
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*5 \bar "|." % 57-61
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ R1*3 | % 1-3
+ r2 r4. d8 | % 4
+
+ % Verse
+
+ d4 d8 e ~ e4 e8 g ~ | % 5
+ g8 fs e fs ~ fs2 | % 6
+ r4 b,8 cs d4 fs8 e ~ | % 7
+ e2. r8 d | % 8
+ d4 d8 e ~ e e e g ~ | % 9
+ g8 fs e fs ~ fs2 | % 10
+ r4 b,8 cs d4 e8 fs ~ | % 11
+ fs8 g fs e ~ e2 \bar "||" % 12
+
+ % Prechorus
+
+ r4 b'8 b b4 b8 a ~ | % 13
+ a4 a8 fs ~ fs4. d8 | % 14
+ b'8 b b b ~ b b4 as8 ~ | % 15
+ as8 as4 b8 ~ b cs ~ cs4 \bar "||" % 16
+
+ % Chorus
+
+ d8 d d cs ~ cs4 a16 ( fs ) b8 ~ | % 17
+ b2 r | % 18
+ d4. cs8 ~ cs4 a16 ( fs ) b8 ~ | % 19
+ b2 r | % 20
+ b8 b b b as b cs d ~ | % 21
+ d4. e8 ( ~ e d ) cs cs ~ | % 22
+ cs8 b ~ b2 d8 b ~ | % 23
+ b8 a8 ~ a2 fs8 fs ( ~ | % 24
+ fs8 g ) ~ g2. ~ | % 25
+ g4. g8 g fs d d ~ | % 26
+
+ d2 r | % 27
+ R1 | % 28
+ R1 | % 29
+ r2 r4. d8 | % 30
+
+ d2 \repeatTie r | % 31
+
% Bridge
r2 g8 fs d d ~ | % 32
<< { \voiceTwo r2 g8 fs d d ~ } \context Voice = vb { \voiceOne fs8 d ~ d2. } >> | % 36
\oneVoice
d4 r r2 | % 37
- R1 \bar "||" % 38
-
-%{
- << { gs,8 b e gs, b e a, b ds a b ds }
- \context Voice = vb { \stemUp gs2 fs4 b \stemNeutral } >> | % 8
-
- r2 fs8 g a d ~ | % 33
- d8 c b c ~ c b a a ~ | % 34
- a2. d,16 e fs8 ~ | % 35
- fs8 d ~ d2. | % 36
-%}
+ R1 | % 38
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
r4 b'8 b b4 b8 a ~ | % 39
a8 a4 fs8 ~ fs4. d8 | % 40
b'8 b b b b4 b8 as ~ | % 41
- as8 as4 b8 ~ b cs ~ cs4 \bar "||" % 42
+ as8 as4 b8 ~ b cs ~ cs4 | % 42
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
d8 d d cs ~ cs4 a16 ( fs ) b8 ~ | % 43
b2 r | % 44
d4. cs8 ~ cs4 a16 ( fs ) b8 ~ | % 45
cs8 b4. ~ b4 d8 b ~ | % 53
b8 a4. ~ a4 fs8 fs ( ~ | % 54
fs8 g8 ) ~ g2. ~ | % 55
- g4. g8 g fs d d ~ \bar "||" % 56
+ g4. g8 g fs d d ~ | % 56
% Ending
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
d4 r r2 | % 57
r2 g8 fs d d ~ | % 58
d4 r r2 | % 59
r2 g8 fs d4 | % 60
- d1^\fermata \bar "|." % 61
+ d1^\fermata | % 61
}
+
LeadVoxText = \lyricmode
{
To you O Lord, _ I lift _ up my soul _
For you are my God _
You are my God _
You are my God
-
-%{
-To you, Oh Lord, I lift up my soul
-For in you I trust
-In all your ways you are faithful and true
-So to you I give all my hope
-You Oh Lord are truly good
-And you are the one that I desire
-
-Show me your ways, Oh Lord
-Teach me your paths
-Guide me in the light of your truth
-Lord, and teach me
-Oh teach me
-My Lord
-For you are my God
-
-My eyes will ever look to you Lord
-For in you I trust
-And I will never be ashamed
-For its you that's giving me hope
-You Oh Lord are truly good
-And you are the one that I desire
-
-Show me your ways, Oh Lord
-Teach me your paths
-Guide me in the light of your truth
-Lord, and teach me
-Oh teach me
-My Lord
-For you are my God
-
-You are my God (You are my God and my Savior)
-You are my God (You are my God)
-You are my God
-
-You Oh Lord are truly good
-Please guide me in the way that you desire
-
-Show me your ways, Oh Lord
-Teach me your paths
-Guide me in the light of your truth
-
-Lord, and teach me
-
-Please teach me
-Oh teach me
-My Lord
-For you are my God
-You are my God
-You are my God
-%}
}
LeadVoxTextB = \lyricmode
You are my _ God _
}
+
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
d2.. a8:m11 | % 1
% Verse
- \repeat volta 2
- {
- % Verse
+ d4. a2:m11 g8 | % 5
+ s4. d s4 | % 6
+ g2.. a8:sus4 | % 7
+ s2 a | % 8
+ b4.:m7 a2:11^9.7 g8 | % 9
+ s4. d s4 | % 10
+ g2.. d8/a | % 11
+ s4. a s4 | % 12
- d4. a2:m11 g8 | % 5
- s4. d s4 | % 6
- g2.. a8:sus4 | % 7
- s2 a | % 8
- b4.:m7 a2:11^9.7 g8 | % 9
- s4. d s4 | % 10
- g2.. d8/a | % 11
- s4. a s4 | % 12
+ % Prechorus
- % Prechorus
+ g2.. d8/fs | % 13
+ s1 | % 14
+ g2..:maj7 fs8:7 | % 15
+ s1 | % 16
- g2.. d8/fs | % 13
- s1 | % 14
- g2..:maj7 fs8:7 | % 15
- s1 | % 16
+ % Chorus
- % Chorus
+ b4.:m7 a2:11^9.7 g8 | % 17
+ s1 | % 18
+ b4.:m7 fs2:m7 g8 | % 19
+ s1 | % 20
+ g2:maj7 fs4.:7 b8:m7 | % 21
+ s4. a2 g8:sus2 | % 22
+ s2.. d8/fs | % 23
+ s2.. a8:m11 | % 24
+ s1 | % 25
+ c1:sus2 | % 26
+
+ d2.. a8:m11 | % 27
+ s2 c:sus2 | % 28
+ d2.. a8:m11 | % 29
+ s2 c:sus2 | % 30
+
+ d2.. a8:m11 | % 31
- b4.:m7 a2:11^9.7 g8 | % 17
- s1 | % 18
- b4.:m7 fs2:m7 g8 | % 19
- s1 | % 20
- g2:maj7 fs4.:7 b8:m7 | % 21
- s4. a2 g8:sus2 | % 22
- s2.. d8/fs | % 23
- s2.. a8:m11 | % 24
- s1 | % 25
- c1:sus2 | % 26
- }
- \alternative
- {
- {
- d2.. a8:m11 | % 27
- s2 c:sus2 | % 28
- d2.. a8:m11 | % 29
- s2 c:sus2 | % 30
- }
- {
- d2.. a8:m11 | % 31
- }
- }
-
% Bridge
s2 c:sus2 | % 32
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
% Intro
c4_\mf c c r8 c ~ | % 1
c4 c c c | % 2
c4 c c r8 c ~ | % 3
- c4 c c c \bar "||:" % 4
+ c4 c c c | % 4
% Verse
- \repeat volta 2
- {
- % Verse
+ c4._\markup { \italic { piano/vocal, shaker 1st time } } c8 ~ c4. c8 ~ | % 5
+ c4. c8 ~ c4 c | % 6
+ c4 c c r8 c ~ | % 7
+ c4 c c c | % 8
+ c4. c8 ~ c4. c8 ~ | % 9
+ c4. c8 ~ c4 c | % 10
+ c4 c c r8 c ~ | % 11
+ c4. c8 ~ c4 c | % 12
- c4._\markup { \italic { piano/vocal, shaker 1st time } } c8 ~ c4. c8 ~ | % 5
- c4. c8 ~ c4 c | % 6
- c4 c c r8 c ~ | % 7
- c4 c c c | % 8
- c4. c8 ~ c4. c8 ~ | % 9
- c4. c8 ~ c4 c | % 10
- c4 c c r8 c ~ | % 11
- c4. c8 ~ c4 c \bar "||" % 12
+ % Prechorus
- % Prechorus
+ c4 c c r8 c ~ | % 13
+ c4 c c c | % 14
+ c4 c c r8 c ~ | % 15
+ c8 c4 << { c8 ~ c c ~ c4 } \context Voice = vc { s8 s16 \< s4. s16 \! } >> | % 16
- c4 c c r8 c ~ | % 13
- c4 c c c | % 14
- c4 c c r8 c ~ | % 15
- c8 c4 << { c8 ~ c c ~ c4 } \context Voice = vc { s8 s16 \< s4. s16 \! } >> \bar "||" % 16
+ % Chorus
- % Chorus
+ c4._\markup { \dynamic f \italic { bass in } } c8 ~ c4. c8 ~ | % 17
+ c4 c c c | % 18
+ c4. c8 ~ c4. c8 ~ | % 19
+ c4 c c c | % 20
+ c4 c c r8 c ~ | % 21
+ c4. c8 ~ c4. c8 ~ | % 22
+ c4 c c r8 c ~ | % 23
+ c4 c c r8 c ~ | % 24
+ c4 c c c | % 25
+ c4 c c << c \context Voice = vc { s16 \< s s s \! } >> | % 26
+
+ c4_\markup { \italic { band in w/conga } } c c r8 c ~ | % 27
+ c4 c c c | % 28
+ c4 c c r8 c ~ | % 29
+ c4 c c c | % 30
+
+ c4_\ff c c r8 c ~ | % 31
- c4._\markup { \dynamic f \italic { bass in } } c8 ~ c4. c8 ~ | % 17
- c4 c c c | % 18
- c4. c8 ~ c4. c8 ~ | % 19
- c4 c c c | % 20
- c4 c c r8 c ~ | % 21
- c4. c8 ~ c4. c8 ~ | % 22
- c4 c c r8 c ~ | % 23
- c4 c c r8 c ~ | % 24
- c4 c c c | % 25
- c4 c c << c \context Voice = vc { s16 \< s s s \! } >> | % 26
- }
- \alternative
- {
- {
- c4_\markup { \italic { band in w/conga } } c c r8 c ~ | % 27
- c4 c c c | % 28
- c4 c c r8 c ~ | % 29
- c4 c c c | % 30
- }
- {
- c4_\ff c c r8 c ~ | % 31
- }
- }
-
% Bridge
c4 c c c | % 32
c4 c c r8 c ~ | % 35
c4 c c c | % 36
c4 c c r8 c ~ | % 37
- c4 c c c \bar "||" % 38
+ c4 c c c | % 38
% Prechorus
c4 c c r8 c ~ | % 39
c4 c c c | % 40
c4 c c r8 c ~ | % 41
- c8 c4 c8 ~ c c ~ c4 \bar "||" % 42
+ c8 c4 c8 ~ c c ~ c4 | % 42
% Chorus
c4 c c r8 c ~ | % 53
c4 c c r8 c ~ | % 54
c4 c c c | % 55
- c1 \bar "||" % 56
+ c1 | % 56
% Ending
c4 c c c | % 58
c4 c c r8 c ~ | % 59
c4_\markup { \italic { rit. } } c c c | % 60
- c1^\fermata \bar "|." % 61
+ c1^\fermata | % 61
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "vb" \LeadDescant
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Silent Night" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Franz Gruber" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.8"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key bf \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- r2. | % 1
- r2. | % 2
- r2. | % 3
- r2. | % 4
+ s2.*4 | % 1-4
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- f4. ( g8 ) f4 | % 5
- d2. | % 6
- f4. ( g8 ) f4 | % 7
- d2. | % 8
- c'2 c4 | % 9
- a2. | % 10
- bf2 bf4 | % 11
- f2. \bar "||" % 12
-
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- g2 g4 | % 13
- bf4. ( a8 ) g4 | % 14
- f4. g8 f4 | % 15
- d2. | % 16
- g2 g4 | % 17
- bf4. ( a8 ) g4 | % 18
- f4. g8 f4 | % 19
- d2. \bar "||" % 20
-
- c'2 c4 | % 21
- ef4. c8 a4 | % 22
- bf2. ( | % 23
- d2. ) | % 24
- bf4 ( f ) d | % 25
- f4. ef8 c4 | % 26
- bf2. ~ | % 27
- bf2. | % 28
-
- r2. | % 29
- r2. | % 30
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*8 \bar "||" % 5-12
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s2.*8 \bar "||" % 13-20
+ s2.*10 | % 21-30
}
- r2.^\fermata \bar "|." % 31
+ s2. \bar "|." % 31
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ r2.*4 | % 1-4
+
+ % Verse
+
+ f4. ( g8 ) f4 | % 5
+ d2. | % 6
+ f4. ( g8 ) f4 | % 7
+ d2. | % 8
+ c'2 c4 | % 9
+ a2. | % 10
+ bf2 bf4 | % 11
+ f2. | % 12
+
+ g2 g4 | % 13
+ bf4. ( a8 ) g4 | % 14
+ f4. g8 f4 | % 15
+ d2. | % 16
+ g2 g4 | % 17
+ bf4. ( a8 ) g4 | % 18
+ f4. g8 f4 | % 19
+ d2. | % 20
+
+ c'2 c4 | % 21
+ ef4. c8 a4 | % 22
+ bf2. ( | % 23
+ d2. ) | % 24
+ bf4 ( f ) d | % 25
+ f4. ef8 c4 | % 26
+ bf2. ~ | % 27
+ bf2. | % 28
+
+ r2. | % 29
+ r2. | % 30
+
+ r2.^\fermata | % 31
+}
+
+
LeadVoxText = \lyricmode
{
Si -- _ lent night, ho -- _ ly night,
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
bf2.:sus2 | % 1
bf2.:sus2 | % 3
ef2.:maj9 | % 4
- \repeat volta 2
- {
- % Verse
-
- bf2.:sus2 | % 5
- ef2.:maj9 | % 6
- bf2.:sus2 | % 7
- bf2. | % 8
- c2.:m11 | % 9
- f2.:7 | % 10
- bf2. | % 11
- f2.:m7/bf | % 12
- ef2.:maj7 | % 13
- c2.:m11 | % 14
- d2.:m7 | % 15
- g2.:m11 | % 16
- ef2.:maj7 | % 17
- c2.:m11 | % 18
- d2.:m7 | % 19
- g2.:m11 | % 20
- af2.:5.9 | % 21
- ef2/f f4:7 | % 22
- g2.:m7 | % 23
- c2.:sus2/e | % 24
- bf2./f | % 25
- ef2./f | % 26
- bf2.:sus2 | % 27
- ef2.:maj9 | % 28
- bf2.:sus2 | % 29
- ef2.:maj9 | % 30
- }
+ % Verse
+
+ bf2.:sus2 | % 5
+ ef2.:maj9 | % 6
+ bf2.:sus2 | % 7
+ bf2. | % 8
+ c2.:m11 | % 9
+ f2.:7 | % 10
+ bf2. | % 11
+ f2.:m7/bf | % 12
+
+ ef2.:maj7 | % 13
+ c2.:m11 | % 14
+ d2.:m7 | % 15
+ g2.:m11 | % 16
+ ef2.:maj7 | % 17
+ c2.:m11 | % 18
+ d2.:m7 | % 19
+ g2.:m11 | % 20
+
+ af2.:3.5.9 | % 21
+ ef2/f f4:7 | % 22
+ g2.:m7 | % 23
+ c2.:sus2/e | % 24
+ bf2./f | % 25
+ ef2./f | % 26
+ bf2.:sus2 | % 27
+ ef2.:maj9 | % 28
+
+ bf2.:sus2 | % 29
+ ef2.:maj9 | % 30
bf2.:sus2 | % 31
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c | % 3
c4 c c | % 4
- \repeat volta 2
- {
- % Verse
-
- c4 c c | % 5
- c4 c c | % 6
- c4 c c | % 7
- c4 c c | % 8
- c4 c c | % 9
- c4 c c | % 10
- c4 c c | % 11
- c4 c c | % 12
- c4 c c | % 13
- c4 c c | % 14
- c4 c c | % 15
- c4 c c | % 16
- c4 c c | % 17
- c4 c c | % 18
- c4 c c | % 19
- c4 c c | % 20
- c4 c c | % 21
- c4 c c | % 22
- c4 c c | % 23
- c4 c c | % 24
- c4 c c | % 25
- c4 c c | % 26
- c4 c c | % 27
- c4 c c | % 28
- c4 c c | % 29
- c4 c c | % 30
- }
-
- c2.^\fermata \bar "|." % 31
+ % Verse
+
+ c4 c c | % 5
+ c4 c c | % 6
+ c4 c c | % 7
+ c4 c c | % 8
+ c4 c c | % 9
+ c4 c c | % 10
+ c4 c c | % 11
+ c4 c c | % 12
+
+ c4 c c | % 13
+ c4 c c | % 14
+ c4 c c | % 15
+ c4 c c | % 16
+ c4 c c | % 17
+ c4 c c | % 18
+ c4 c c | % 19
+ c4 c c | % 20
+
+ c4 c c | % 21
+ c4 c c | % 22
+ c4 c c | % 23
+ c4 c c | % 24
+ c4 c c | % 25
+ c4 c c | % 26
+ c4 c c | % 27
+ c4 c c | % 28
+
+ c4 c c | % 29
+ c4 c c | % 30
+
+ c2.^\fermata | % 31
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
-% \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+ ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
%
-% Lead vocal
+% Song's structure
%
+Global =
+{
+% \clef G
+ \key bf \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Verse
+
+ s1*16 \bar "||" % 1-16
+ s1 \bar "|." % 17
+}
+
+%
+% Lead vocal
+%
LeadVox = \relative c'
{
\set Staff.instrumentName = #"Sop."
\clef G
- \key bf \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
% Verse
d2 c4 bf | % 13
a4 g f bf | % 14
f2 f | % 15
- f1 \bar "||" % 16
- g2 f \bar "|." % 17
+ f1 | % 16
+ g2 f | % 17
}
+
AltoVox = \relative c'
{
\set Staff.instrumentName = #"Alto"
\clef G
- \key bf \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
% Verse
d2 ef4 f | % 13
f4 ef d ef | % 14
d2 ef | % 15
- d1 \bar "||" % 16
- ef2 d \bar "|." % 17
+ d1 | % 16
+ ef2 d | % 17
}
+
TenorVox = \relative c
{
\set Staff.instrumentName = #"Tenor"
\clef F
- \key bf \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
% Verse
bf4 ( g ) a bf | % 13
bf4 bf bf bf | % 14
bf2 a | % 15
- bf1 \bar "||" % 16
- bf2 bf \bar "|." % 17
+ bf1 | % 16
+ bf2 bf | % 17
}
+
BassVox = \relative c
{
\set Staff.instrumentName = #"Bass"
\clef F
- \key bf \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
% Verse
bf,2 c4 d | % 13
ef4 ef f g | % 14
f2 f | % 15
- bf,1 \bar "||" % 16
- ef2 bf \bar "|." % 17
-}
-
-
-Riffs = \relative c'
-{
- \teeny
+ bf,1 | % 16
+ ef2 bf | % 17
}
\score
{
<<
- \new ChoirStaff = "Rhythm"
+% \Global % The "roadmap" that everything else depends on
+
+ \new ChoirStaff
<<
- \new Staff = UpperStaffA { \new Voice = "lead" \LeadVox }
+ \new Staff << \Global \new Voice = "lead" \LeadVox >>
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
\new Lyrics \lyricsto "lead" \LeadVoxTextD
\new Lyrics \lyricsto "lead" \LeadVoxTextE
- \new Staff = UpperStaffB { \new Voice = "alto" \AltoVox }
- \new Staff = LowerStaffA { \new Voice = "tenor" \TenorVox }
- \new Staff = LowerStaffB { \new Voice = "bass" \BassVox }
+ \new Staff << \Global \new Voice = "alto" \AltoVox >>
+ \new Staff << \Global \new Voice = "tenor" \TenorVox >>
+ \new Staff << \Global \new Voice = "bass" \BassVox >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Spirit of the Living God" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.6"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 \bar "||:" % 4
+ s1*4 \bar ".|:-||" % 4
\repeat volta 3
{
% A section
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- a4. a8 a4 a | % 5
- g4 a bf2 | % 6
- a4. f8 f4 g | % 7
- a1 | % 8
-
- a4. a8 a4 a | % 9
- g4 a bf2 | % 10
- a4. f8 f4 g | % 11
- f1 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% B section
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- bf2 bf | % 13
- a2 a | % 14
- b2 b | % 15
- c2 c4 ( bf ) \bar "||" % 16
+ s1*4 \bar "||" % 13-16
% A section
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- a4. a8 a4 a | % 17
- g4 a bf2 | % 18
- a4. f8 f4 g | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*3 | % 17-19
}
\alternative
{
{
- f1 | % 20
+ s1 | % 20
}
{
- f1^\markup { \hspace #8.0 \raise #1.0 \bold { D.S. } } \bar "||" % 21
+ s1^\markup { \hspace #8.0 \raise #1.0 \bold { D.S. } } \bar "||" % 21
}
{
- f1^\fermata \bar "|." % 22
+ s1 \bar "|." % 22
}
}
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ R1*4 | % 1-4
+
+ % A section
+
+ a4. a8 a4 a | % 5
+ g4 a bf2 | % 6
+ a4. f8 f4 g | % 7
+ a1 | % 8
+
+ a4. a8 a4 a | % 9
+ g4 a bf2 | % 10
+ a4. f8 f4 g | % 11
+ f1 | % 12
+
+ % B section
+
+ bf2 bf | % 13
+ a2 a | % 14
+ b2 b | % 15
+ c2 c4 ( bf ) | % 16
+
+ % A section
+
+ a4. a8 a4 a | % 17
+ g4 a bf2 | % 18
+ a4. f8 f4 g | % 19
+
+ f1 | % 20
+
+ f1 | % 21
+
+ f1^\fermata | % 22
+}
+
+
LeadVoxText = \lyricmode
{
Spi- rit of the li- ving God
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
f2 f4:maj7 f:7 | % 1
f2/c bf4/c c | % 3
f2 bf/c | % 4
- \repeat volta 3
- {
- % A section
+ % A section
- f2 f4:maj7 f:7 | % 5
- bf4:6 d:7/a g2:m7 | % 6
- f2/c bf4/c c | % 7
- f2 bf/c | % 8
+ f2 f4:maj7 f:7 | % 5
+ bf4:6 d:7/a g2:m7 | % 6
+ f2/c bf4/c c | % 7
+ f2 bf/c | % 8
- f2 f4:maj7 f:7 | % 9
- bf4:6 d:7/a g2:m7 | % 10
- f2/c bf4/c c | % 11
- f2 f:7 | % 12
+ f2 f4:maj7 f:7 | % 9
+ bf4:6 d:7/a g2:m7 | % 10
+ f2/c bf4/c c | % 11
+ f2 f:7 | % 12
- % B section
+ % B section
- bf2 g:m7 | % 13
- f1 | % 14
- g1:7 | % 15
- c4 bf:sus2/d c2:7/e | % 16
+ bf2 g:m7 | % 13
+ f1 | % 14
+ g1:7 | % 15
+ c4 bf:sus2/d c2:7/e | % 16
- % A section
+ % A section
- f2 f4:maj7 f:7 | % 17
- bf4:6 d:7/a g2:m7.5- | % 18
- f2/c bf4/c c | % 19
- }
- \alternative
- {
- {
- f2 bf/c | % 20
- }
- {
- f2 f:7 | % 21
- }
- {
- f1 | % 22
- }
- }
+ f2 f4:maj7 f:7 | % 17
+ bf4:6 d:7/a g2:m7.5- | % 18
+ f2/c bf4/c c | % 19
+
+ f2 bf/c | % 20
+
+ f2 f:7 | % 21
+
+ f1 | % 22
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 1
c4 c c c | % 2
c4 c c c | % 3
- c4 c c c \bar "||:" % 4
+ c4 c c c | % 4
- \repeat volta 3
- {
- % A section
+ % A section
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
- % B section
+ % B section
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c \bar "||" % 16
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
- % A section
+ % A section
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- }
- \alternative
- {
- {
- c4 c c c | % 20
- }
- {
- c4 c c c | % 21
- }
- {
- c1^\fermata \bar "|." % 22
- }
- }
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+
+ c4 c c c | % 20
+
+ c4 c c c | % 21
+
+ c1^\fermata | % 22
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
\repeat volta 2
{
% Intro
- r1 | % 1
- r1 | % 2
+ s1*2 | % 1-2
}
\alternative
{
{
- r1 | % 3
- r1 | % 4
+ s1*2 | % 3-4
}
{
- r1 | % 5
+ s1 | % 5
}
}
- r2 ef4 f \bar "||" % 6
+
+ s1 \bar "||" % 6
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- g4 g8 g g4 f8 f ~ | % 7
- f8 ef4 bf8 ef4 f8 ef | % 8
- g2 ( f4. ) ef8 ~ | % 9
- ef4 r d ef | % 10
- f4 f8 f f4 f8 f ~ | % 11
- f bf,4 bf8 ef4 f8 ef | % 12
- g2 ( f4. ) ef8 ~ | % 13
- ef4 r ef f | % 14
- g8 g g g ~ g f4 f8 ~ | % 15
- f8 ef ~ ef4 ef f | % 16
- g2 bf4. af8 ~ | % 17
- af2 r4 c | % 18
- bf2 ( g4 ef ) | % 19
- g2 ( f4. ) ef8 ~ | % 20
- ef1 | % 21
- r2 ef4 f \bar "||:" % 22
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*16 \bar ".|:-||" % 7-22
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- g4 g8 g g4 f8 f ~ | % 23
- f8 ef4 bf8 ef4 f8 ef | % 24
- g2 ( f4.) ef8 ~ | % 25
- ef4 r d ef | % 26
- f4 f8 f f4 f8 f ~ | % 27
- f bf,4 bf8 ef4 f8 ef | % 28
- g2 ( f4. ) ef8 ~ | % 29
- ef4 r ef f | % 30
- g8 g g g ~ g f4 f8 ~ | % 31
- f8 ef ~ ef4 ef f | % 32
- g2 bf4. af8 ~ | % 33
- af2 r4 c | % 34
- bf2 ( g4 ef ) | % 35
- g2 ( f4. ) ef8 ~ | % 36
- ef1 | % 37
- r2 ef4 bf' \bar "||" % 38
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*16 \bar "||" % 23-38
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- bf2 ( ~ bf8 f4 ) f8 ~ | % 39
- f2 ef4 bf' | % 40
- bf2 ( ~ bf8 g4 ) g8 ~ | % 41
- g2 ef4 bf' | % 42
- c2 ( ~ c8 bf4 ) af8 ~ | % 43
- af2 f4 c' | % 44
- d2 ( c4. ) bf8 ~ | % 45
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*7 | % 39-45
}
\alternative
{
{
- bf4 r ef, f | % 46
+ s1 | % 46
}
{
- bf4 r f g \bar "||" % 47
+ s1 \bar "||" % 47
}
}
\key f \major
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*12 | % 48-59
+
+ \repeat volta 2
+ {
+ s1*4 | % 60-63
+ }
+
+ s1*5 \bar "|." % 64-68
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \repeat volta 2
+ {
+ % Intro
+
+ r1*2 | % 1-2
+ }
+ \alternative
+ {
+ {
+ r1*2 | % 3-4
+ }
+ {
+ r1 | % 5
+ }
+ }
+ r2 ef4 f | % 6
+
+ % Verse
+
+ g4 g8 g g4 f8 f ~ | % 7
+ f8 ef4 bf8 ef4 f8 ef | % 8
+ g2 ( f4. ) ef8 ~ | % 9
+ ef4 r d ef | % 10
+ f4 f8 f f4 f8 f ~ | % 11
+ f bf,4 bf8 ef4 f8 ef | % 12
+ g2 ( f4. ) ef8 ~ | % 13
+ ef4 r ef f | % 14
+ g8 g g g ~ g f4 f8 ~ | % 15
+ f8 ef ~ ef4 ef f | % 16
+ g2 bf4. af8 ~ | % 17
+ af2 r4 c | % 18
+ bf2 ( g4 ef ) | % 19
+ g2 ( f4. ) ef8 ~ | % 20
+ ef1 | % 21
+ r2 ef4 f | % 22
+
+ % Verse
+
+ g4 g8 g g4 f8 f ~ | % 23
+ f8 ef4 bf8 ef4 f8 ef | % 24
+ g2 ( f4.) ef8 ~ | % 25
+ ef4 r d ef | % 26
+ f4 f8 f f4 f8 f ~ | % 27
+ f bf,4 bf8 ef4 f8 ef | % 28
+ g2 ( f4. ) ef8 ~ | % 29
+ ef4 r ef f | % 30
+ g8 g g g ~ g f4 f8 ~ | % 31
+ f8 ef ~ ef4 ef f | % 32
+ g2 bf4. af8 ~ | % 33
+ af2 r4 c | % 34
+ bf2 ( g4 ef ) | % 35
+ g2 ( f4. ) ef8 ~ | % 36
+ ef1 | % 37
+ r2 ef4 bf' | % 38
+
+ % Chorus
+
+ bf2 ( ~ bf8 f4 ) f8 ~ | % 39
+ f2 ef4 bf' | % 40
+ bf2 ( ~ bf8 g4 ) g8 ~ | % 41
+ g2 ef4 bf' | % 42
+ c2 ( ~ c8 bf4 ) af8 ~ | % 43
+ af2 f4 c' | % 44
+ d2 ( c4. ) bf8 ~ | % 45
+
+ bf4 r ef, f | % 46
+
+ bf4 r f g | % 47
+
+ % Verse
a4 a8 a a4 g8 g ~ | % 48
g8 f4 c8 f4 g8 f | % 49
a2 c4. bf8 ~ | % 58
bf2 r4 d4 | % 59
- \repeat volta 2
- {
- c2 ( a4 f ) | % 60
- a2 ( g4. ) f8 ~ | % 61
- f1 | % 62
- r2 r4 d' | % 63
- }
+ c2 ( a4 f ) | % 60
+ a2 ( g4. ) f8 ~ | % 61
+ f1 | % 62
+ r2 r4 d' | % 63
c2 ( a4 f ) | % 64
a2 ( g4. ) f8 ~ | % 65
f1 | % 66
r1 | % 67
- r1 \bar "|." % 68
+ r1 | % 68
}
+
LeadVoxText = \lyricmode
{
I will stand in the con -- gre -- ga -- _ tion
%
% Chord names
%
-
Chords = \chordmode
{
-% Do we need this anymore???
-% \override SeparatingGroupSpanner #'padding = #'2.0
-%Bah, can't we set this globally?
-% \popChords
+ % Intro
- \repeat volta 2
- {
- % Intro
+ df2./ef s8 af8/ef | % 1
+ s1 | % 2
+
+ ef1 | % 3
+ s1 | % 4
+
+ ef2. s8 af8/bf | % 5
- df2./ef s8 af8/ef | % 1
- s1 | % 2
- }
- \alternative
- {
- {
- ef1 | % 3
- s1 | % 4
- }
- {
- ef2. s8 af8/bf | % 5
- }
- }
s1 | % 6
% Verse
ef2. s8 af/bf | % 21
s1 | % 22
- \repeat volta 2
- {
- % Verse
-
- ef1 | % 23
- s2 af/ef | % 24
- ef1 | % 25
- s1 | % 26
- bf1 | % 27
- s1 | % 28
- ef1 | % 29
- s2 af/bf | % 30
- ef1 | % 31
- s1 | % 32
- ef2./g s8 af | % 33
- s1 | % 34
- ef1/bf | % 35
- af2/bf bf | % 36
- ef2 s8 f4:m7 ef8/g | % 37
- s1 | % 38
-
- % Chorus
+ % Verse
- bf1 | % 29
- s1 | % 30
- ef1 | % 31
- s1 | % 32
- f1:7 | % 33
- s1 | % 34
- bf2:7 af4./c bf8/d | % 35
- }
- \alternative
- {
- {
- s1 | % 36
- }
- {
- s2 bf/c | % 37
- }
- }
+ ef1 | % 23
+ s2 af/ef | % 24
+ ef1 | % 25
+ s1 | % 26
+ bf1 | % 27
+ s1 | % 28
+ ef1 | % 29
+ s2 af/bf | % 30
+ ef1 | % 31
+ s1 | % 32
+ ef2./g s8 af | % 33
+ s1 | % 34
+ ef1/bf | % 35
+ af2/bf bf | % 36
+ ef2 s8 f4:m7 ef8/g | % 37
+ s1 | % 38
+
+ % Chorus
+
+ bf1 | % 29
+ s1 | % 30
+ ef1 | % 31
+ s1 | % 32
+ f1:7 | % 33
+ s1 | % 34
+ bf2:7 af4./c bf8/d | % 35
+
+ s1 | % 36
+
+ s2 bf/c | % 37
% Verse
f2./a s8 bf | % 48
s1 | % 49
- \repeat volta 2
- {
- f1/c | % 50
- bf2/c c | % 51
- d2.:m7 s8 bf | % 52
- s1 | % 53
- }
+ f1/c | % 50
+ bf2/c c | % 51
+ d2.:m7 s8 bf | % 52
+ s1 | % 53
f1/c | % 54
bf2/d c/e | % 55
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
%Slash = { \override NoteHead #'style = #'slash }
%Cross = { \override NoteHead #'style = #'cross }
StaffC = \relative c
{
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
\teeny
- \repeat volta 2
- {
- % Intro
- c4 c c r8 c ~ | % 1
- c4 c c c | % 2
- }
- \alternative
- {
- {
- c4 c c c | % 3
- c4 c c c | % 4
- }
- {
- c4 c c r8 c ~ | % 5
- }
- }
- c4 c c c \bar "||" % 6
+ % Intro
+
+ c4 c c r8 c ~ | % 1
+ c4 c c c | % 2
+
+ c4 c c c | % 3
+ c4 c c c | % 4
+
+ c4 c c r8 c ~ | % 5
+
+ c4 c c c | % 6
% Verse
c4 c c c | % 19
c4 c c c | % 20
c4 c c r8 c ~ | % 21
- c4 c c c \bar "||:" % 22
+ c4 c c c | % 22
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c r8 c ~ | % 33
- c4 c c c | % 34
- c4 c c c | % 35
- c4 c c c | % 36
- c4 c r8 c4 c8 ~ | % 37
- c4 c c c \bar "||" % 38
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c r8 c ~ | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+ c4 c c c | % 36
+ c4 c r8 c4 c8 ~ | % 37
+ c4 c c c | % 38
- % Chorus
+ % Chorus
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c4. c8 ~ | % 35
- }
- \alternative
- {
- {
- c4 c c c | % 36
- }
- {
- c4 c c c | % 37
- }
- }
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c4. c8 ~ | % 35
+
+ c4 c c c | % 36
+
+ c4 c c c | % 37
% Verse
c4 c c r8 c ~ | % 48
c4 c c c | % 49
- \repeat volta 2
- {
- c4 c c c | % 50
- c4 c c c | % 51
- c4 c c r8 c ~ | % 52
- c4 c c c | % 53
- }
+ c4 c c c | % 50
+ c4 c c c | % 51
+ c4 c c r8 c ~ | % 52
+ c4 c c c | % 53
c4 c c c | % 54
c2 c | % 55
c4 c c r8 c ~ | % 56
c4 c c c | % 57
- c4-^ c-^ r2 \bar "|." % 58
+ c4-^ c-^ r2 | % 58
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new ChoirStaff = "Rhythm"
- <<
- \new ChordNames = "chords" \Chords
-% Capo 3 Edition
-% \new ChordNames = "chords" \transpose ef c \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
\new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+% Capo 3 Edition
+% \new ChordNames \transpose ef c \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Take My Life And Let It Be Consecrated" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.6"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key ef \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
+ s1*4 | % 1-4
% Verse
\repeat volta 3
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*9 | % 5-13
- ef4 ef ef8 ( bf ) ef ( g ) | % 5
- bf4 af g2 | % 6
- g4 g g8 ( f ) af ( f ) | % 7
- ef4 d8 ( f ) ef2 | % 8
- g4 g f f8 ( g ) | % 9
- af4 bf af ( g ) | % 10
- bf4 bf c bf | % 11
- bf8 ( af ) af ( g ) g4 ( f ) | % 12
- ef4 f g af8 ( f ) | % 13
+ \time 2/4 s2 \time 4/4 | % 14
- \time 2/4
-
- ef4 d | % 14
-
- \time 4/4
-
-\voiceTwo
- ef1 | % 15
-\oneVoice
- s1 | % 16
+ s1*2 | % 15-16
}
\alternative
{
{
- s1 | % 17
- s1 | % 18
+ s1*2 | % 17-18
}
{
s1 | % 19
\key f \major
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*15 \bar "|." % 21-35
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s1*4 | % 1-4
+
+ % Verse
+
+ ef4 ef ef8 ( bf ) ef ( g ) | % 5
+ bf4 af g2 | % 6
+ g4 g g8 ( f ) af ( f ) | % 7
+ ef4 d8 ( f ) ef2 | % 8
+ g4 g f f8 ( g ) | % 9
+ af4 bf af ( g ) | % 10
+ bf4 bf c bf | % 11
+ bf8 ( af ) af ( g ) g4 ( f ) | % 12
+ ef4 f g af8 ( f ) | % 13
+ ef4 d | % 14
+ \voiceTwo ef1 \oneVoice | % 15
+ s1 | % 16
+
+ s1 | % 17
+ s1 | % 18
+
+ s1 | % 19
+
+ s1 | % 20
f4 f f8 ( c ) f ( a ) | % 21
c4 bf a2 | % 22
s1 | % 32
s1 | % 33
s1 | % 34
- r1^\fermata \bar "|." % 35
+ r1^\fermata | % 35
}
+
LeadVoxText = \lyricmode
{
Take my life _ and _ let it be
Riffs = \relative c'
{
- \clef G
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
% Verse
- \repeat volta 4
- {
- ef2 f:m11 | % 5
- af2:sus2 ef | % 6
- c2:m7 af:sus2 | % 7
- ef4/bf bf ef2 | % 8
- c2:m7 bf:11^9.7 | % 9
- f2:m11 af4/ef ef | % 10
- ef2/g af4 ef/g | % 11
- f2:m11 ef4/bf bf | % 12
- af4/c bf/d ef af:sus2 | % 13
-
- \time 2/4
+ ef2 f:m11 | % 5
+ af2:sus2 ef | % 6
+ c2:m7 af:sus2 | % 7
+ ef4/bf bf ef2 | % 8
+ c2:m7 bf:11^9.7 | % 9
+ f2:m11 af4/ef ef | % 10
+ ef2/g af4 ef/g | % 11
+ f2:m11 ef4/bf bf | % 12
+ af4/c bf/d ef af:sus2 | % 13
+ ef4/bf bf | % 14
+ c1:m11 | % 15
+ af1:sus2 | % 16
- ef4/bf bf | % 14
+ c1:m11 | % 17
+ af2 bf:sus4.7 | % 18
- \time 4/4
-
- c1:m11 | % 15
- af1:sus2 | % 16
- }
- \alternative
- {
- {
- c1:m11 | % 17
- af2 bf:sus4.7 | % 18
- }
- {
- c1:m11 | % 19
- }
- }
+ c1:m11 | % 19
af2:sus2 g:m11 | % 20
bf1:sus2 | % 32
f1 | % 33
bf1:sus2 | % 34
- f | % 35
+ f1 | % 35
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% Verse
- \repeat volta 3
- {
- c4_\markup { \italic { piano 1st X } } c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
+ c4_\markup { \italic { piano 1st X } } c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c | % 14
+ c4_\markup { \italic { band in 1st X } } c c c | % 15
+ c4 c c c | % 16
- \time 2/4
+ c4 c c c | % 17
+ c4 c c c | % 18
- c4 c | % 14
+ c4 c c c | % 19
- \time 4/4
-
- c4_\markup { \italic { band in 1st X } } c c c | % 15
- c4 c c c | % 16
- }
- \alternative
- {
- {
- c4 c c c | % 17
- c4 c c c | % 18
- }
- {
- c4 c c c | % 19
- }
- }
-
- c4 c c \< c \! \bar "||" % 20
+ c4 c c \< c \! | % 20
c4_\markup { \italic { snare } } c c c | % 21
c4 c c c | % 22
c4 c c c | % 32
c4 c c c | % 33
c4 c c_\markup { \italic { rit. } } c | % 34
- c1^\fermata \bar "|." % 35
+ c1^\fermata | % 35
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff
- {
- <<
- \new Voice = "lead" \LeadVox
- \new Voice = "riffs" \Riffs
- >>
- }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
- title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O For A Thousand Tongues" }
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "A Template" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
- arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Some One" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s2. | % 1
- s2. | % 2
- s2. | % 3
- s2. | % 4
- s2. | % 5
- s2. | % 6
- s2. | % 7
- r2 c4 \bar "||:" % 8
+ s2.*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- f8 f g4 g | % 9
- a8 g f4 g | % 10
- a8 a bf4 a | % 11
- g4. r8 c4 | % 12
- c8 a a4 f | % 13
- f8 d d4 f8 ( d ) | % 14
- c8 f f4 g | % 15
-
- \voiceTwo f2. | % 16
- s2. | % 17
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*9 | % 9-17
}
\alternative
{
{
- s2. | % 18
- r2 c4 | % 19
+ s2.*2 | % 18-19
}
{
s2. | % 20
}
}
- r2 c4 \oneVoice \bar "||" % 21
+ s2. \bar "||" % 21
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s2.*7 \bar "||" % 22-28
+ s2.*2 | % 29-30
+
+ \key g \major
+
+ s2.*2 \oneVoice \bar "||" % 31-32
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*7 \bar "||" % 22-28
+
+ % Ending
+
+ s2.^\markup { \hspace #0.0 \raise #3.0 \italic { Play figure throughout D } } | % 40
+ s2.*3 | % 41-43
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s2.*8 | % 44-51
+ }
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s2.*7 | % 1-7
+ r2 c4 | % 8
+
+ % Verse
+
+ f8 f g4 g | % 9
+ a8 g f4 g | % 10
+ a8 a bf4 a | % 11
+ g4. r8 c4 | % 12
+ c8 a a4 f | % 13
+ f8 d d4 f8 ( d ) | % 14
+ c8 f f4 g | % 15
+
+ \voiceTwo f2. | % 16
+ s2. | % 17
+
+ s2. | % 18
+ r2 c4 | % 19
+
+ s2. | % 20
+
+ r2 c4 \oneVoice | % 21
+
+ % Verse
f8 f g4 g | % 22
a8 g f4 g | % 23
g4. r8 c4 | % 25
c8 a a4 f | % 26
f8 d d4 f8 ( d ) | % 27
- c8 f f4 g \bar "||" % 28
+ c8 f f4 g | % 28
\voiceTwo f2. | % 29
s2. | % 30
- \key g \major
-
s2. | % 31
- r2 d4 \oneVoice \bar "||" % 32
+ r2 d4 | % 32
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
g8 g a4 a | % 22
b8 a g4 a | % 23
b8 b c4 b | % 24
a4. r8 d4 | % 25
d8 b b4 g | % 26
g8 e e4 g8 ( e ) | % 27
- d8 g g4 a \bar "||" % 28
+ d8 g g4 a | % 28
% Ending
- \voiceTwo g2.^\markup { \hspace #0.0 \raise #3.0 \italic { Play figure throughout D } } | % 40
+ \voiceTwo g2. | % 40
s2. | % 41
s2. | % 42
r2 d4 \oneVoice | % 43
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
- g8 g16 a ( ~ a4. g8 ) | % 44
- g2 r4 | % 45
- r4 a4. g8 | % 46
- g2 d4 | % 47
- g8 g16 a ( ~ a4. g8 ) | % 48
- g2 r4 | % 49
- r4 a4. b8 | % 50
- g2^\fermata d4 | % 51
- }
+ g8 g16 a ( ~ a4. g8 ) | % 44
+ g2 r4 | % 45
+ r4 a4. g8 | % 46
+ g2 d4 | % 47
+ g8 g16 a ( ~ a4. g8 ) | % 48
+ g2 r4 | % 49
+ r4 a4. b8 | % 50
+ g2^\fermata d4 | % 51
}
+
LeadVoxText = \lyricmode
{
O for a thou -- sand tongues to sing
Riffs = \relative c''
{
- \clef G
- \key f \major
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
f2. | % 1
d2.:m9 | % 7
bf2. | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- f4 c2/e | % 9
- d8:m c bf2 | % 10
- f4/c bf/c f/c | % 11
- c2 c4/e | % 12
- f2 f4/a | % 13
- bf2 g4:m7 | % 14
- f4/c bf/c c | % 15
+ f4 c2/e | % 9
+ d8:m c bf2 | % 10
+ f4/c bf/c f/c | % 11
+ c2 c4/e | % 12
+ f2 f4/a | % 13
+ bf2 g4:m7 | % 14
+ f4/c bf/c c | % 15
- f2. | % 16
- bf2. | % 17
- }
- \alternative
- {
- {
- f2. | % 18
- bf2. | % 19
- }
- {
- d2.:m9 | % 20
- }
- }
+ f2. | % 16
+ bf2. | % 17
+
+ f2. | % 18
+ bf2. | % 19
+
+ d2.:m9 | % 20
bf2. | % 21
e2.:m9 | % 42
c2. | % 43
- \repeat volta 2
- {
- g2. | % 44
- c2. | % 45
- g2. | % 46
- c2. | % 47
- g2. | % 48
- c2. | % 49
- e2.:m9 | % 50
- c2. | % 51
- }
+ g2. | % 44
+ c2. | % 45
+ g2. | % 46
+ c2. | % 47
+ g2. | % 48
+ c2. | % 49
+ e2.:m9 | % 50
+ c2. | % 51
}
+
%
% Alternate chord changes (2nd verse)
%
ChordsSup = \chordmode
{
-%Bah, can't we set this globally?
- \popChords
-
% Intro
s2.*8 | % 1-8
c2:sus4 c4 | % 12
}
+
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c | % 5
c4 c c | % 6
c4 c c | % 7
- c4 c c \bar "||:" % 8
+ c4 c c | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c2 | % 9
- c8 c c4 c | % 10
- c4 c c | % 11
- c4 c c-> | % 12
- c4 c c | % 13
- c4 c c | % 14
- c4 c c | % 15
+ c4 c2 | % 9
+ c8 c c4 c | % 10
+ c4 c c | % 11
+ c4 c c-> | % 12
+ c4 c c | % 13
+ c4 c c | % 14
+ c4 c c | % 15
- c4 c c | % 16
- c4 c c | % 17
- }
- \alternative
- {
- {
- c4 c c | % 18
- c4 c c | % 19
- }
- {
- c4 c c | % 20
- }
- }
+ c4 c c | % 16
+ c4 c c | % 17
+
+ c4 c c | % 18
+ c4 c c | % 19
+
+ c4 c c | % 20
- c4 c c \bar "||" % 21
+ c4 c c | % 21
% Verse
c2 c4-> | % 25
c4-> c-> c | % 26
c4 c c | % 27
- c4 c c \bar "||" % 28
+ c4 c c | % 28
c4 c c | % 29
c4 c c | % 30
c4 c c | % 31
- c4 c c \bar "||" % 32
+ c4 c c | % 32
% Verse
c4 c c | % 36
c4 c c | % 37
c4 c c | % 38
- c4 c c \bar "||" % 39
+ c4 c c | % 39
% Ending
c4 c c | % 42
c4 c c | % 43
- \repeat volta 2
- {
- c4 c c | % 44
- c4 c c | % 45
- c4 c c | % 46
- c4 c c | % 47
- c4 c c | % 48
- c4 c c | % 49
- c4 c c | % 50
- c4^\fermata c c | % 51
- }
+ c4 c c | % 44
+ c4 c c | % 45
+ c4 c c | % 46
+ c4 c c | % 47
+ c4 c c | % 48
+ c4 c c | % 49
+ c4 c c | % 50
+ c4^\fermata c c | % 51
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new ChordNames = "chords2" \ChordsSup
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new ChordNames \ChordsSup
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-% Still need hairpins, directions, dynamics, etc...
-
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20, 24
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The Apostle’s Creed" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Ed Smart" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
Global =
{
\key bf \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
- \clef G
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
- r1 | % 1
- r1 | % 2
- r1 | % 3
- r1 | % 4
+ r1*4 | % 1-4
% Part I
f1-\fermata | % 45
}
+
LeadVoxText = \lyricmode
{
We be -- lieve _ in God, _
%
% Riffs
%
-
Riffs = \relative c''
{
%{
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
%
% Chord rhythms
%
-
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-\tiny
+ \teeny
% Intro
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new ChoirStaff
- <<
- \new ChordNames \Chords
-% C edition
-% \new ChordNames \transpose bf c \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
% C edition
% \new Voice = "lead" \transpose bf c' \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+% C edition
+% \new ChordNames \transpose bf c \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
{
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The Church’s One Foundation" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Samuel S. Wesley/Samuel J. Stone" }
- arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Hammons/Dannemiller" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons/S. Dannemiller" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
- \partial 4*1 fs4 | % 0
+ \partial 4*1 s4 | % 0
+ s1*15 | % 1-15
+ \partial 4*3 s2. \bar "|." % 16
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Verse
+
+ fs4 | % 0
fs4 fs g fs | % 1
fs2 e4 d | % 2
d4 b' a g | % 3
fs4 fs g fs | % 13
fs2 e4 d | % 14
d4 e d cs | % 15
- \partial 4*3 d2. \bar "|." % 16
+ d2. | % 16
}
+
LeadVoxText = \lyricmode
{
The Church -- ’s one foun -- da -- tion is Je -- sus Christ her Lord,
%
% Chord names
%
-
Chords = \chordmode
{
- \override SeparatingGroupSpanner #'padding = #'2.0
-%Bah, can't we set this globally?
-% \popChords
-
- \partial 4*1 s4 | % 0
+ s4 | % 0
d2 g4 d | % 1
d2 g | % 2
e2:m7 a:7 | % 3
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
%Slash = { \override NoteHead #'style = #'slash }
%Cross = { \override NoteHead #'style = #'cross }
StaffC = \relative c
{
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Verse
- \partial 4*1 r4 | % 0
+ r4 | % 0
c4 c c c | % 1
c4 c c c | % 2
c4 c c c | % 3
c4 c c c | % 13
c4 c c c | % 14
c4 c c c | % 15
- c2. \bar "|." % 16
+ c2. | % 16
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
\new Lyrics \lyricsto "lead" \LeadVoxTextD
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The First Noel" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "English Carol" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.6"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\partial 4*1 s4 \bar "||" % 0
- s2. | % 1
- s2. | % 2
- s2. | % 3
- s2. | % 4
+ s2.*4 | % 1-4
\repeat volta 3
{
- s2. | % 5
- s2. | % 6
- s2. | % 7
-\break % Bleah
- s2 fs8 e \bar "||" % 8
+ s2.*4 \bar "||" % 5-8
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- d4. ( e8 ) fs ( g ) | % 9
- a2 b8 ( cs ) | % 10
- d4 cs b | % 11
- a2 b8 cs | % 12
- d4 ( cs ) b | % 13
- a4 ( b ) cs | % 14
- d4 ( a ) g | % 15
- fs2 fs8 ( e ) | % 16
-
-\mark \markup { \override #'(font-family . sans) { \box { A9 } } }
-
- d4. ( e8 ) fs ( g ) | % 17
- a2 b8 ( cs ) | % 18
- d4 ( cs ) b | % 19
- a2 b8 ( cs ) | % 20
- d4 cs b | % 21
- a4 ( b ) cs | % 22
- d4 ( a ) g | % 23
- fs2 fs8 ( e ) \bar "||" % 24
-\break % bah, only valid for size 18
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*8 | % 9-16
+
+ \mark \markup { \override #'(font-family . sans) { \box { A9 } } }
+ s2.*8 \bar "||" % 17-24
+%\break % bah, only valid for size 18
% Chorus
-%\mark \markup { \override #'(font-family . sans) { \box { B } } }
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- d4. ( e8 ) fs ( g ) | % 25
- a2 d8 ( cs ) | % 26
- b2 b4 | % 27
- a2. | % 28
- d4 cs b | % 29
- a4 ( b ) cs | % 30
+ s2.*6 | % 25-30
}
\alternative
{
{
- d4 ( a ) g | % 31
- d2. | % 32
+ s2.*2 | % 31-32
}
{
- d'4 ( a ) g | % 33
- fs2^\markup { \hspace #3.0 \raise #1.0 { D.S. } } fs8 ( e ) \bar "||" % 34
+ s2. | % 33
+ s2^\markup { \hspace #3.0 \raise #1.0 { D.S. } } s4 \bar "||" % 34
}
{
- d'4 ( a ) g | % 35
- d2. | % 36
+ s2.*2 | % 35-36
}
}
- s2. | % 37
- s2. | % 38
- s2. | % 39
- s2. \bar "|." % 40
+ s2.*4 \bar "|." % 37-40
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s4 | % 0
+ s2.*4 | % 1-4
+
+ s2. | % 5
+ s2. | % 6
+ s2. | % 7
+ s2 fs8 e | % 8
+
+ % Verse
+
+ d4. ( e8 ) fs ( g ) | % 9
+ a2 b8 ( cs ) | % 10
+ d4 cs b | % 11
+ a2 b8 cs | % 12
+ d4 ( cs ) b | % 13
+ a4 ( b ) cs | % 14
+ d4 ( a ) g | % 15
+ fs2 fs8 ( e ) | % 16
+
+ d4. ( e8 ) fs ( g ) | % 17
+ a2 b8 ( cs ) | % 18
+ d4 ( cs ) b | % 19
+ a2 b8 ( cs ) | % 20
+ d4 cs b | % 21
+ a4 ( b ) cs | % 22
+ d4 ( a ) g | % 23
+ fs2 fs8 ( e ) | % 24
+
+ % Chorus
+
+ d4. ( e8 ) fs ( g ) | % 25
+ a2 d8 ( cs ) | % 26
+ b2 b4 | % 27
+ a2. | % 28
+ d4 cs b | % 29
+ a4 ( b ) cs | % 30
+
+ d4 ( a ) g | % 31
+ d2. | % 32
+
+ d'4 ( a ) g | % 33
+ fs2 fs8 ( e ) | % 34
+
+ d'4 ( a ) g | % 35
+ d2. | % 36
+
+ s2.*4 \bar "|." % 37-40
+}
+
+
LeadVoxText = \lyricmode
{
The _ first _ no -- _ el the _ an -- gel did say
Riffs = \relative c'
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
- \partial 4*1 fs8 e | % 0
+ fs8 e | % 0
d4. e8 fs g | % 1
a2 d8 cs | % 2
b2 b4 | % 3
d4 a g | % 7
fs2 s4 | % 8
- s2.*28
+ s2.*28 | % 9-36
- d'4 cs b | %
- a4 b cs | %
- d4 a g | %
- fs2.^\fermata | %
+ d'4 cs b | % 37
+ a4 b cs | % 38
+ d4 a g | % 39
+ fs2.^\fermata | % 40
\normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \partial 4*1 d4/a | % 0
+ d4/a | % 0
d2.:9^7 | % 1
a2.:9^7 | % 2
g2.:9^7 | % 3
d2 a4:9^7/cs | % 4
- \repeat volta 3
- {
- % Verse
-
- g4:6/b a:11^9.7 g | % 5
- d4:sus2 g fs:m | % 6
- e2:m7 a4:sus4.7 | % 7
- d2 d4/a | % 8
-
- d2.:9^7 | % 9
- fs2.:m7 | % 10
- g2.:maj7 | % 11
- d2.:9^7/fs | % 12
- g2.:maj9 | % 13
- d2./fs | % 14
- e2.:m7 | % 15
- a4:13 b:m a/cs | % 16
-
- d2.:9^7 | % 17
- a2.:sus2/cs | % 18
- g2./b | % 19
- d2./a | % 20
- g2.:maj9 | % 21
- d2.:9^7/fs | % 22
- e2:m7 a4:sus4.7 | % 23
- d4 a:13 a:7 | % 24
-
- % Chorus
-
- d2.:9^7 | % 25
- a2:9^7 d4:9^7/fs | % 26
- g2. | % 27
- d2 a4:sus2/cs | % 28
- g4:6/b a:11^9.7 g | % 29
- d4:sus2/fs g fs:m | % 30
- }
- \alternative
- {
- {
- e2:m7 a4:sus4.7 | % 31
- d2 d4/cs | % 32
- }
- {
- e2:m7 a4:sus4.7 | % 33
- d2 d4/a | % 34
- }
- {
- e2:m7 a4:sus4.7 | % 35
- d2 d4/cs | % 36
- }
- }
+ % Verse
+
+ g4:6/b a:11^9.7 g | % 5
+ d4:sus2 g fs:m | % 6
+ e2:m7 a4:sus4.7 | % 7
+ d2 d4/a | % 8
+
+ d2.:9^7 | % 9
+ fs2.:m7 | % 10
+ g2.:maj7 | % 11
+ d2.:9^7/fs | % 12
+ g2.:maj9 | % 13
+ d2./fs | % 14
+ e2.:m7 | % 15
+ a4:13 b:m a/cs | % 16
+
+ d2.:9^7 | % 17
+ a2.:sus2/cs | % 18
+ g2./b | % 19
+ d2./a | % 20
+ g2.:maj9 | % 21
+ d2.:9^7/fs | % 22
+ e2:m7 a4:sus4.7 | % 23
+ d4 a:13 a:7 | % 24
+
+ % Chorus
+
+ d2.:9^7 | % 25
+ a2:9^7 d4:9^7/fs | % 26
+ g2. | % 27
+ d2 a4:sus2/cs | % 28
+ g4:6/b a:11^9.7 g | % 29
+ d4:sus2/fs g fs:m | % 30
+
+ e2:m7 a4:sus4.7 | % 31
+ d2 d4/cs | % 32
+
+ e2:m7 a4:sus4.7 | % 33
+ d2 d4/a | % 34
+
+ e2:m7 a4:sus4.7 | % 35
+ d2 d4/cs | % 36
g4:6/b a:11^9.7 g | % 37
d4:sus2/fs g fs:m | % 38
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \partial 4*1 c4 \bar "||" % 0
+ c4 | % 0
c4 c c | % 1
c4 c c | % 2
c4 c c | % 3
c4 c c | % 4
- \repeat volta 3
- {
- % Verse
-
- c4 c c | % 5
- c4 c c | % 6
- c4 c c | % 7
- c4 c c \bar "||" % 8
-
- c4 c c | % 9
- c4 c c | % 10
- c4 c c | % 11
- c4 c c | % 12
- c4 c c | % 13
- c4 c c | % 14
- c4 c c | % 15
- c4 c c | % 16
-
- c4 c c | % 17
- c4 c c | % 18
- c4 c c | % 19
- c4 c c | % 20
- c4 c c | % 21
- c4 c c | % 22
- c4 c c | % 23
- c4 c c \bar "||" % 24
-
- % Chorus
-
- c4 c c | % 25
- c4 c c | % 26
- c4 c c | % 27
- c4 c c | % 28
- c4 c c | % 29
- c4 c c | % 30
- }
- \alternative
- {
- {
- c4 c c | % 31
- c4 c c | % 32
- }
- {
- c4 c c | % 33
- c4 c c | % 34
- }
- {
- c4 c c | % 35
- c4 c c | % 36
- }
- }
+ % Verse
+
+ c4 c c | % 5
+ c4 c c | % 6
+ c4 c c | % 7
+ c4 c c | % 8
+
+ c4 c c | % 9
+ c4 c c | % 10
+ c4 c c | % 11
+ c4 c c | % 12
+ c4 c c | % 13
+ c4 c c | % 14
+ c4 c c | % 15
+ c4 c c | % 16
+
+ c4 c c | % 17
+ c4 c c | % 18
+ c4 c c | % 19
+ c4 c c | % 20
+ c4 c c | % 21
+ c4 c c | % 22
+ c4 c c | % 23
+ c4 c c | % 24
+
+ % Chorus
+
+ c4 c c | % 25
+ c4 c c | % 26
+ c4 c c | % 27
+ c4 c c | % 28
+ c4 c c | % 29
+ c4 c c | % 30
+
+ c4 c c | % 31
+ c4 c c | % 32
+
+ c4 c c | % 33
+ c4 c c | % 34
+
+ c4 c c | % 35
+ c4 c c | % 36
c4 c c | % 37
c4 c c | % 38
c4 c c | % 39
- c2.^\fermata \bar "|." % 40
+ c2.^\fermata | % 40
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+ ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
% Still needs hairpins/etc
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "The Heart Of Worship" } }
composer = \markup { \override #'(font-family . sans) "Michael W. Smith" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- r8^\markup { \hspace #0.0 \raise #1.5 { 8th note ballad } } \tiny a a a a d, d b' ~ | % 1
- b8 a4 fs8 ~ fs e4 d16 d | % 2
- fs8 fs16 g ~ g8 fs ~ fs2 | % 3
- fs8 fs16 g ~ g8 fs ~ fs e4. ~ | % 4
- e1 \normalsize \bar "||:" % 5
+ s8^\markup { \hspace #0.0 \raise #1.5 { 8th note ballad } } s2.. | % 1
+ s1*4 \normalsize \bar ".|:-||" % 2-5
\repeat volta 2
{
% Verse
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st time piano } }
-
- r4. a16 a a8 d,4 e8 ~ | % 6
- e2 fs8 e e d16 d ~ | % 7
- d4. a'16 a a8 d,4 e8 ~ | % 8
- e2 r | % 9
- r4. a16 a a8 d,4 e8 ~ | % 10
- e2 fs8 e e d16 d ~ | % 11
- d4. a'16 a a8 d,4 e8 ~ | % 12
- e2 r \bar "||" % 13
-
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st time piano } }
+
+ s1*8 \bar "||" % 6-13
+
% Prechorus
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" \italic { band in } }
-
- r8 g g g fs e d e ~ | % 14
- e4. e16 d fs8 e d b | % 15
- r8 g' g g fs e d e ~ | % 16
- e2 r | % 17
- r8 g g g fs e d e ~ | % 18
- e4. e16 d fs8 e d b | % 19
- r8 g' g g a fs b fs16 e ~ | % 20
- e2 r \bar "||" % 21
-
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" \italic { band in } }
+
+ s1*8 \bar "||" % 14-21
+
% Chorus
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \italic { snare } }
-
- r8 a a a a d, d b' ~ | % 22
- b8 a4 fs8 ~ fs e r d16 d | % 23
- fs8 fs16 g ~ g8 fs ~ fs2 | % 24
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 25
- r8 a' a a a d, d b' ~ | % 26
- b8 a4 fs8 ~ fs e r d16 d | % 27
- fs8 fs16 g ~ g8 fs ~ fs2 | % 28
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \italic { snare } }
+
+ s1*7 | % 22-28
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
}
\alternative
{
{
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 29
- d2 r | % 30
- R1 | % 31
+ s1*3 | % 29-31
}
{
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ \bar "||" % 32
+ s1 \bar "||" % 32
}
}
% Solo
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { D } } \italic { solo } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { D } } \italic { solo } }
- d2 r | % 33
-%blegh
-\break
- R1 | % 34
- R1 | % 35
- R1 | % 36
- R1 | % 37
- R1 | % 38
- R1 | % 39
- R1 \bar "||" % 40
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ s1*8 \bar "||" % 33-40
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
% Coda
\stopStaff s1 \startStaff
\set Score.currentBarNumber = #41
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1 \bar "||" % 41
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*13 \bar "|." % 42-54
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ s1*5 | % 1-5
+
+ % Verse
+
+ r4. a16 a a8 d,4 e8 ~ | % 6
+ e2 fs8 e e d16 d ~ | % 7
+ d4. a'16 a a8 d,4 e8 ~ | % 8
+ e2 r | % 9
+ r4. a16 a a8 d,4 e8 ~ | % 10
+ e2 fs8 e e d16 d ~ | % 11
+ d4. a'16 a a8 d,4 e8 ~ | % 12
+ e2 r | % 13
+
+ % Prechorus
+
+ r8 g g g fs e d e ~ | % 14
+ e4. e16 d fs8 e d b | % 15
+ r8 g' g g fs e d e ~ | % 16
+ e2 r | % 17
+ r8 g g g fs e d e ~ | % 18
+ e4. e16 d fs8 e d b | % 19
+ r8 g' g g a fs b fs16 e ~ | % 20
+ e2 r | % 21
+
+ % Chorus
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 \bar "||" % 41
+ r8 a a a a d, d b' ~ | % 22
+ b8 a4 fs8 ~ fs e r d16 d | % 23
+ fs8 fs16 g ~ g8 fs ~ fs2 | % 24
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 25
+ r8 a' a a a d, d b' ~ | % 26
+ b8 a4 fs8 ~ fs e r d16 d | % 27
+ fs8 fs16 g ~ g8 fs ~ fs2 | % 28
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 29
+ d2 r | % 30
+ R1 | % 31
+
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 32
+
+ % Solo
+
+ d2 r | % 33
+ R1*7 | % 33-40
+
+ % Coda
+
+ s1 % blank bar for coda
+
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 41
r8 a' a a a d, d b' ~ | % 42
b8 a4 fs8 ~ fs e r d16 d | % 43
fs8 fs16 g ~ g8 fs ~ fs2 | % 50
fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 53
- d1^\fermata \bar "|." % 54
+ d1^\fermata | % 54
}
+
LeadVoxText = \lyricmode
{
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
-
When the mu- sic fades _ all is stripped a- way _
And I simp- ly come _
Long- ing just to bring _ some- thing that's of worth _
LeadVoxTextB = \lyricmode
{
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
-
King of end- less worth _ no one could ex- press _
How much you de- serve _
Though I'm weak and poor _ all I have is yours _
%
-% Chord names
+% Riffs
%
+Riffs = \relative c''
+{
+ % Intro
+
+ \tiny
+ r8 a a a a d, d b' ~ | % 1
+ b8 a4 fs8 ~ fs e4 d16 d | % 2
+ fs8 fs16 g ~ g8 fs ~ fs2 | % 3
+ fs8 fs16 g ~ g8 fs ~ fs e4. ~ | % 4
+ e1 | % 5
+ \normalsize
+}
+
+%
+% Chord names
+%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
d1 | % 1
g4. a:sus4 s4 | % 4
a1 | % 5
- \repeat volta 2
- {
- % Verse
-
- d1 | % 6
- a1 | % 7
- e1:m7 | % 8
- a2:sus4 a | % 9
- d1 | % 10
- a1:sus2/cs | % 11
- e1:m7 | % 12
- a2:sus4 a | % 13
-
- % Prechorus
-
- e2:m7 d:sus2/fs | % 14
- a2:sus4 d/fs | % 15
- e2:m7 d:sus2/fs | % 16
- a2:sus4 a | % 17
- e2:m7 d:sus2/fs | % 18
- a2:sus4 d/fs | % 19
- e2:m7 d:sus2/fs | % 20
- a2:sus4 a | % 21
-
- % Chorus
-
- d1 | % 22
- a1:sus2/cs | % 23
- e4.:m7 d:sus2/fs s4 | % 24
- g4. a:sus4 a4 | % 25
- d1 | % 26
- a1:sus2/cs | % 27
- e4.:m7 d:sus2/fs s4 | % 28
- }
- \alternative
- {
- {
- g4. a:sus4 a4 | % 29
- d1 | % 30
- a2:sus4 a | % 31
- }
- {
- g4. a:sus4 a4 | % 32
- }
- }
+ % Verse
+
+ d1 | % 6
+ a1 | % 7
+ e1:m7 | % 8
+ a2:sus4 a | % 9
+ d1 | % 10
+ a1:sus2/cs | % 11
+ e1:m7 | % 12
+ a2:sus4 a | % 13
+
+ % Prechorus
+
+ e2:m7 d:sus2/fs | % 14
+ a2:sus4 d/fs | % 15
+ e2:m7 d:sus2/fs | % 16
+ a2:sus4 a | % 17
+ e2:m7 d:sus2/fs | % 18
+ a2:sus4 d/fs | % 19
+ e2:m7 d:sus2/fs | % 20
+ a2:sus4 a | % 21
+
+ % Chorus
+
+ d1 | % 22
+ a1:sus2/cs | % 23
+ e4.:m7 d:sus2/fs s4 | % 24
+ g4. a:sus4 a4 | % 25
+ d1 | % 26
+ a1:sus2/cs | % 27
+ e4.:m7 d:sus2/fs s4 | % 28
+
+ g4. a:sus4 a4 | % 29
+ d1 | % 30
+ a2:sus4 a | % 31
+
+ g4. a:sus4 a4 | % 32
% Solo
% Coda
-s1
+ s1 % blank bar for coda
g4. a:sus4 a4 | % 41
d1 | % 42
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4.-> c8-> ~ c2 | % 4
c1 | % 5
- \repeat volta 2
- {
- % Verse
-
- c4-\mp c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c \bar "||" % 13
-
- % Prechorus
-
- c4-\mf c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c \bar "||" % 21
-
- % Chorus
-
- c4-\f c c c | % 22
- c4 c c c | % 23
- c4.-> c8-> ~ c4 c | % 24
- c4.-> c8-> ~ c4 c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4.-> c8-> ~ c4 c | % 28
- }
- \alternative
- {
- {
- c4.-> c8-> ~ c4 c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- }
- {
- c4.-> c8-> ~ c4 c \bar "||" % 32
- }
- }
+ % Verse
+
+ c4-\mp c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+
+ % Prechorus
+
+ c4-\mf c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
+
+ % Chorus
+
+ c4-\f c c c | % 22
+ c4 c c c | % 23
+ c4.-> c8-> ~ c4 c | % 24
+ c4.-> c8-> ~ c4 c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4.-> c8-> ~ c4 c | % 28
+
+ c4.-> c8-> ~ c4 c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+
+ c4.-> c8-> ~ c4 c | % 32
% Solo
% Coda
\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #41
- c4.-> c8-> ~ c4 c \bar "||" % 41
+ c4.-> c8-> ~ c4 c | % 41
c4 c c c | % 42
c4 c c c | % 43
c4.-> c8-> ~ c4 c | % 44
c4.-> c8-> ~ c4 c | % 51
c4.-> c8-> ~ c4 c | % 52
c4.-> c8->_\markup { \italic { rit. } } ~ c4 c | % 53
- c1^\fermata \bar "|." % 54
+ c1^\fermata | % 54
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
% Still need hairpins, directions, dynamics, etc...
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #24
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The Lord’s Prayer" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Lenny LeBlanc" }
+% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
\key bf \major
%New key!
% \key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
- \clef G
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
r1 | % 1
%
% Riffs
%
-
Riffs = \relative c''
{
%{
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
%
% Chord rhythms
%
-
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-\tiny
+ \teeny
% Intro
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new ChoirStaff
- <<
- \new ChordNames \Chords
-% C edition
-% \new ChordNames \transpose bf c \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
% C edition
% \new Voice = "lead" \transpose bf c' \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+% C edition
+% \new ChordNames \transpose bf c \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "There’s A Sweet, Sweet Spirit" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Doris Akers" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
Global =
{
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
LeadVox = \relative c'
{
- \clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Lead in
r2 b4 c | % 1
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Lead in
s1 | % 1
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Lead in
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
- \context Staff << \new Voice = "lead" \LeadVox \new Voice \Riffs >>
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "There Is A Rock" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Tommy Walker" }
-% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
s1*4 | % 1-4
r1-\fermata | % 62
}
+
LeadVoxText = \lyricmode
{
_ Light of the world, _ light of all truth,
Riffs = \relative c'
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
c4 c c c8. c16 ~ | % 54
c4 c c c | % 55
- c4 c c c8. c16 ~ | % 56
+ c4 c c c8. c16 \laissezVibrer | % 56
- c4 c c c8. c16 ~ | % 57
+ c4 c c c | % 57
% Outro
Dynamics =
{
-%{
- s4_\markup { \italic { snare pat. } } s2 | % 1
- s4_\markup { \italic { simile } } s2 | % 2
- s2.*19
- s4_\markup { \italic { spacey } } s2 | % 22
- s2.*5
- s4 s \< s \! | % 28
- s2.*22
- s4_\markup { \italic { Last time } } s2 | % 51
-%}
s1*40 | % 1-40
s4_\markup { \bold { Guitar solo } } s2. | % 41
s1*3 | % 42-44
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
%
-% Lead vocal
+% Song's structure
%
+Global =
+{
+ \key ef \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Verse
+
+ \partial 4*1 s4 | % 0
+ s1*15 | % 1-15
+ \partial 4*3 s2. \bar "|." % 16
+}
+
+%
+% Lead vocal
+%
LeadVox = \relative c'
{
\set Staff.instrumentName = #"Sop."
\clef G
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
- \partial 4 ef8 f | % 0
+ ef8 f | % 0
g4 bf g f | % 1
ef2. f8 g | % 2
af4 c bf g | % 3
bf4 g g f8 ef | % 13
g4 f ef bf | % 14
ef8 f g4 bf f8 ( g ) | % 15
-% \partial 2.
- ef2. \bar "|." % 16
+ ef2. | % 16
}
+
AltoVox = \relative c'
{
\set Staff.instrumentName = #"Alto"
\clef G
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
- \partial 4 ef4 | % 0
+ ef4 | % 0
ef4 ef ef d | % 1
ef2. ef4 | % 2
f4 f f ef | % 3
ef4 ef d d8 ( ef ) | % 13
b4 d c bf | % 14
ef4 ef ef d8 ~ d | % 15
-% \partial 2.
ef2. | % 16
}
+
TenorVox = \relative c'
{
\set Staff.instrumentName = #"Tenor"
\clef F
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
- \partial 4 g8 af | % 0
+ g8 af | % 0
bf4 bf bf af | % 1
g2. c4 | % 2
c4 af f g8 af | % 3
g4 bf g g8 ~ g | % 13
g4 g g f | % 14
g8 af bf4 bf af8 ( bf ) | % 15
-% \partial 2.
g2. | % 16
}
+
BassVox = \relative c
{
\set Staff.instrumentName = #"Bass"
\clef F
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-%\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Verse
- \partial 4 ef4 | % 0
+ ef4 | % 0
ef4 g, bf bf | % 1
c2. af'8 g | % 2
f4 ef d ef | % 3
ef4 ef b c8 ~ c | % 13
g4 b c d | % 14
ef4 ef g, bf8 ~ bf | % 15
-% \partial 2.
ef2. | % 16
}
+
LeadVoxText = \lyricmode
{
This _ is my Fa -- ther’s world,
\score
{
<<
-% \new ChoirStaff = "Rhythm"
-% <<
-% \new ChordNames = "chords" \Chords
-% \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
-% >>
-
- \new ChoirStaff = "Vox"
+ \new ChoirStaff
<<
- \new Staff = UpperStaffA { \new Voice = "lead" \LeadVox }
+ \new Staff << \Global \new Voice = "lead" \LeadVox >>
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
- \new Staff = UpperStaffB { \new Voice = "alto" \AltoVox }
- \new Staff = LowerStaffA { \new Voice = "tenor" \TenorVox }
- \new Staff = LowerStaffB { \new Voice = "bass" \BassVox }
+ \new Staff << \Global \new Voice = "alto" \AltoVox >>
+ \new Staff << \Global \new Voice = "tenor" \TenorVox >>
+ \new Staff << \Global \new Voice = "bass" \BassVox >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- page-top-space = 0
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "This Little Light Of Mine" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Group" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Group" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
- s1*4 | % 1-4
-
- r1 | % 5
- r1 | % 6
- r1 | % 7
- r1 | % 8
+ s1*8 | % 1-8
b8 cs16 b e fs8 e16 ~ e4 r | % 9
gs8 gs 16 gs gs fs8 e16 ~ e4 r | % 10
r1 | % 30
}
+
LeadVoxText = \lyricmode
{
This lit -- tle light of mine, _
Riffs = \relative c'
{
- \clef G
\override NoteHead #'style = #'cross
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\stemDown e8[ r e] r e[ r e] r | % 1
e8[ r e] r e[ r e] r \stemNeutral | % 2
<< \override NoteHead #'style = #'cross { r8 b'[ r b] r b[ r b] } \\ \override NoteHead #'style = #'cross { e,8[ r e] r e[ r e] r } >> | % 3
- << { r8 b'[ r b] r b[ r b] } \\ { e,8[ r e] r e[ r e] r } >> | % 4
+
+ \repeat "percent" 5
+ { << { r8 b'[ r b] r b[ r b] } \\ { e,8[ r e] r e[ r e] r } >> } | % 4-8
\normalsize
}
{
s1*4 | % 1-4
- e2 r8 cs:m d4 | % 5
- e2 r8 g a4 | % 6
- e2 r8 cs:m d4 | % 7
+ e2 s8 cs:m d4 | % 5
+ e2 s8 g a4 | % 6
+ e2 s8 cs:m d4 | % 7
e1 | % 8
e1 | % 9
e2/b b | % 25
e1 | % 26
- e2 r8 cs:m d4 | % 27
- e2 r8 g a4 | % 28
- e2 r8 cs:m d4 | % 29
+ e2 s8 cs:m d4 | % 27
+ e2 s8 g a4 | % 28
+ e2 s8 cs:m d4 | % 29
e1 | % 30
}
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
s1*4 | % 1-4
s1 | % 2
s4_\markup { \italic { add clap } } s2. | % 3
s1 | % 4
- s4_\markup { \italic { w/stomp & clap } } s2. | % 5
+ s4_\markup { \italic { band in } } s2. | % 5
}
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+% \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
\new Staff
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- page-top-space = 0
}
+
-\version "2.18.2"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #23
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Wait By The Water" }
subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "Honoring The MoRanch Professional Women’s Group" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Helen Currie Foster" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
\once \override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup { \override #'(font-family . sans) { \box { A } } }
-% \once \override TextScript #'padding = #2.0
s2.*0^\markup { \large \italic { Refrain } }
-% Capo 4 version
-% s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
% Refrain
\mark \markup { \override #'(font-family . sans) { \box { B } } }
s2.*0^\markup { \large \italic { Verse } }
s2.*16 \bar ":|." % 16-32
-
-%{
- s1*4 | % 15-18
-
- s1*2 | % 19-20
- }
- \alternative
- {
- {
- s1 | % 21
- }
- {
- s1 | % 22
- }
- }
-
- \repeat volta 2
- {
- \mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- s1*0^\markup { \large \bold \italic { Solos } }
- s1*2 | % 23-24
- }
-
- % Coda
-
- s2. s4^\markup { \large \bold \italic { Free Time } } | % 39
- s1*3 \bar ":||" % 40-42
-%}
}
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Refrain
e4 g4. d8 | % 1
bf4 c d | % 15
c2. | % 16
-
% Verse
g'4 c c | % 17
Riffs = \relative c
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
% \tiny
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
\teeny
-% \magnify #0.3
+
% Refrain
| % 1
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"\r
+\version "2.19.0"\r
\include "pop-chords.ly"\r
\include "english.ly"\r
\r
-% Good sizes are 16, 18, & 20\r
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)\r
staffSize = #18\r
#(set-default-paper-size "letter")\r
#(set-global-staff-size staffSize)\r
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Are An Offering" }\r
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Dwight Liles" }\r
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Shamus Hammons" }\r
- tagline = "Engraved by JLH and Lilypond 2.8.6"\r
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))\r
}\r
\r
\r
%\r
-% Lead vocal\r
+% Song's structure\r
%\r
-\r
-LeadVox = \relative c'\r
+Global =\r
{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrumentName = #"Lead vox"\r
- \override Staff.TimeSignature #'style = #'()\r
+ \numericTimeSignature\r
\clef G\r
\key c \major\r
\time 4/4\r
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
\r
% Intro\r
\r
- R1^\markup { Moderately slow ballad } | % 1\r
- R1 | % 2\r
- R1 | % 3\r
- r2 r8 c c d | % 4\r
+ s1^\markup { Moderately slow ballad } | % 1\r
+ s1*3 \bar ".|:-||" % 2-4\r
\r
% A section\r
\r
\repeat volta 2\r
{\r
-%\mark \markup { \override #'(font-family . sans) { \box { A } } }\r
-\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #left\r
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }\r
\r
- e16 ( d ) c8 ~ c4 r8 c e f | % 5\r
- g2 r8 c, e g | % 6\r
- a4. b16 c g4 \times 2/3 { e8 f g } | % 7\r
+ s1*3 | % 5-7\r
}\r
\alternative\r
{\r
{\r
- f16 e d8 ~ d4 r8 c c d | % 8\r
+ s1 | % 8\r
}\r
{\r
- f16 e d8 ~ d2 r4 | % 9\r
+ s1 | % 9\r
}\r
}\r
\r
{\r
% B section\r
\r
-\mark \markup { \override #'(font-family . sans) { \box { B } } }\r
-\r
- g4. f16 g e2 | % 10\r
- a4. g16 a f4. r8 | % 11\r
- b4. a16 b c8 b a b | % 12\r
- c4. b8 g4 r8 a | % 13\r
- bf4. a8 f2 | % 14\r
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }\r
+ s1*5 | % 10-14\r
}\r
\alternative\r
{\r
{\r
\time 2/4\r
- r8 c8 c d^\markup { \hspace #-1.8 \raise #1.5 \bold "D.S." } \bar "||" % 15\r
+ s4. s8^\markup { \hspace #-1.8 \raise #1.5 \bold "D.S." } \bar "||" % 15\r
\time 4/4\r
}\r
{\r
- \time 2/4 r8 c8 c d \bar "||" \time 4/4 % 16\r
+ \time 2/4 s2 \bar "||" \time 4/4 % 16\r
}\r
}\r
\r
% A section\r
\r
-\mark \markup { \override #'(font-family . sans) { \box { C } } }\r
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }\r
+ s1*4 | % 17-20\r
+\r
+ % Ending\r
+\r
+ s1*3 \bar "|." % 21-23\r
+}\r
+\r
+\r
+%\r
+% Lead vocal\r
+%\r
+LeadVox = \relative c'\r
+{\r
+ % Intro\r
+\r
+ R1*3 | % 1-3\r
+ r2 r8 c c d | % 4\r
+\r
+ % A section\r
+\r
+ e16 ( d ) c8 ~ c4 r8 c e f | % 5\r
+ g2 r8 c, e g | % 6\r
+ a4. b16 c g4 \times 2/3 { e8 f g } | % 7\r
+\r
+ f16 e d8 ~ d4 r8 c c d | % 8\r
+\r
+ f16 e d8 ~ d2 r4 | % 9\r
+\r
+ % B section\r
+\r
+ g4. f16 g e2 | % 10\r
+ a4. g16 a f4. r8 | % 11\r
+ b4. a16 b c8 b a b | % 12\r
+ c4. b8 g4 r8 a | % 13\r
+ bf4. a8 f2 | % 14\r
+\r
+ r8 c8 c d | % 15\r
+\r
+ r8 c8 c d | % 16\r
+\r
+ % A section\r
\r
e16 ( d ) c8 ~ c4 r8 c e f | % 17\r
g2 r8 c, e g | % 18\r
\r
e16 d c8 ~ c2. ~ | % 21\r
c2 r | % 22\r
- r1^\fermata \bar "|." % 23\r
+ r1^\fermata | % 23\r
}\r
\r
\r
%\r
% Chord names\r
%\r
-\r
Chords = \chordmode\r
{\r
-%Bah, can't we set this globally?\r
-% \popChords\r
-\r
% Intro\r
\r
c2 d:m7 | % 1\r
\r
% A section\r
\r
- \repeat volta 2\r
- {\r
- c2 d:m7 | % 5\r
- c1/e | % 6\r
- f2 c | % 7\r
- }\r
- \alternative\r
- {\r
- {\r
- bf2 g | % 8\r
- }\r
- {\r
- bf2 g4:sus4.7 g | % 9\r
- }\r
- }\r
+ c2 d:m7 | % 5\r
+ c1/e | % 6\r
+ f2 c | % 7\r
\r
- \repeat volta 2\r
- {\r
- % B section\r
+ bf2 g | % 8\r
\r
- e2:m7 a:m7 | % 10\r
- d2:m7 g | % 11\r
- e2:7 a:m | % 12\r
- f2 c | % 13\r
- bf2 d:m7/g | % 14\r
- }\r
- \alternative\r
- {\r
- {\r
- \time 2/4 g2 \time 4/4 | % 15\r
- }\r
- {\r
- \time 2/4 g2 \time 4/4 | % 16\r
- }\r
- }\r
+ bf2 g4:sus4.7 g | % 9\r
+\r
+ % B section\r
+\r
+ e2:m7 a:m7 | % 10\r
+ d2:m7 g | % 11\r
+ e2:7 a:m | % 12\r
+ f2 c | % 13\r
+ bf2 d:m7/g | % 14\r
+\r
+ g2 | % 15\r
+\r
+ g2 | % 16\r
\r
% A section\r
\r
%\r
% Chord rhythms\r
%\r
-\r
-% Use a RhythmicStaff on the chords instead of this?\r
-% It almost works, but not quite. Doesn't collapse chords above to single notes...\r
-\r
StaffC = \relative c\r
{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrumentName = #"Rhythm"\r
- \override Staff.TimeSignature #'style = #'()\r
- \time 4/4\r
+ \numericTimeSignature\r
\override NoteHead #'style = #'slash\r
+ \teeny\r
\r
% Intro\r
\r
\r
% A section\r
\r
- \repeat volta 2\r
- {\r
- c4 c c c | % 5\r
- c4 c c c | % 6\r
- c4 c c c | % 7\r
- }\r
- \alternative\r
- {\r
- {\r
- c4 c c c | % 8\r
- }\r
- {\r
- c4 c c c | % 9\r
- }\r
- }\r
+ c4 c c c | % 5\r
+ c4 c c c | % 6\r
+ c4 c c c | % 7\r
\r
- \repeat volta 2\r
- {\r
- % B section\r
+ c4 c c c | % 8\r
\r
- c4 c c c | % 10\r
- c4 c c c | % 11\r
- c4 c c c | % 12\r
- c4 c c c | % 13\r
- c4 c c c | % 14\r
- }\r
- \alternative\r
- {\r
- {\r
- \time 2/4 c2 \time 4/4 \bar "||" % 15\r
- }\r
- {\r
- \time 2/4 c2 \time 4/4 \bar "||" % 16\r
- }\r
- }\r
+ c4 c c c | % 9\r
+\r
+ % B section\r
+\r
+ c4 c c c | % 10\r
+ c4 c c c | % 11\r
+ c4 c c c | % 12\r
+ c4 c c c | % 13\r
+ c4 c c c | % 14\r
+\r
+ c2 | % 15\r
+\r
+ c2 | % 16\r
\r
% A section\r
\r
\r
c4 c c c | % 21\r
c4 c c c | % 22\r
- c1^\fermata \bar "|." % 23\r
+ c1^\fermata | % 23\r
}\r
\r
\r
\score\r
{\r
<<\r
-% \new ChoirStaff = "Vox"\r
+ \Global % The "roadmap" that everything else depends on\r
+\r
+ \context Staff\r
<<\r
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }\r
+ \new Voice = "lead" \LeadVox\r
\new Lyrics \lyricsto "lead" \LeadVoxText\r
\new Lyrics \lyricsto "lead" \LeadVoxTextB\r
>>\r
\r
- \new ChoirStaff = "Rhythm"\r
+ \new ChoirStaff\r
<<\r
- \new ChordNames = "chords" \Chords\r
- \new RhythmicStaff = "chordRhythm" \StaffC\r
+ \new ChordNames \Chords\r
+ \new RhythmicStaff \StaffC\r
>>\r
\r
\set Score.skipBars = ##t\r
\set Score.melismaBusyProperties = #'()\r
>>\r
- \layout\r
- {\r
-% ragged-last-bottom = ##t\r
-% ragged-last = ##t\r
- }\r
}\r
\r
\r
\paper\r
{\r
- #(define fonts (make-pango-font-tree\r
- "Times New Roman"\r
- "DomCasual BT"\r
- "Luxi Mono"\r
- (/ staffSize 20)))\r
+ #(define fonts (make-pango-font-tree\r
+ "Times New Roman"\r
+ "LilyJAZZText"\r
+ "Luxi Mono"\r
+ (/ staffSize 20)))\r
+\r
+% Don't spread staves vertically across last page (default: t)\r
+% ragged-last-bottom = ##f\r
+% Don't spread staves vertically across the page (default: f)\r
+% ragged-bottom = ##t\r
+% Allow partial line for last stave (default: f)\r
+% ragged-last = ##t\r
+\r
+% To find out what's eating the space at the top...\r
+% annotate-spacing = ##t\r
}\r
+\r
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Are One In The Spirit" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\once \override TextScript #'padding = #2.0
% Intro
s1*4 \bar "||" % 1-4
- s1*4 \bar "||:" % 5-8
+ s1*4 \bar ".|:-||" % 5-8
\repeat volta 3
{
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
r1 | % 1
We will work with each oth -- er,
We will work side by side.
And we’ll guard each one’s dig -- ni -- ty
- And save _ each one’s pride.
+ And save _ each one’s pride.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
We will walk with each oth -- er,
We will walk hand in hand.
And to -- ge -- ther we’ll spread the news
- that God is in our land.
+ that God is in our land.
}
Riffs = \relative c
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
% \tiny
% Verse
- e4.:m9 a8:5.9 s2 | % 23
+ e4.:m9 a8:3.5.9 s2 | % 23
e4.:m9 a8:9 s2 | % 24
% Coda
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
\teeny
-% \magnify #0.3
+
% Intro
| % 1
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Are One In The Spirit" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
\once \override TextScript #'padding = #2.0
% Intro
s1*4 \bar "||" % 1-4
- s1*4 \bar "||:" % 5-8
+ s1*4 \bar ".|:-||" % 5-8
\repeat volta 2
{
-% \mark \markup { \override #'(font-family . sans) { \box { A } } }
\once \override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
%bleh
\break
-s2. s4^\markup { \large \bold \italic { Free Time } } | % 39
+ s2. s4^\markup { \large \bold \italic { Free Time } } | % 39
s1*3 \bar "|." % 40-42
}
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
r1 | % 1
Riffs = \relative c
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
% \tiny
% Verse
- e4.:sus4.7 a8:5.9 s2 | % 23
+ e4.:sus4.7 a8:3.5.9 s2 | % 23
e4.:m9 a8:9 s2 | % 24
e4.:m9 a8:9 s2 | % 25
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
\teeny
-% \magnify #0.3
+
% Intro
| % 1
% \new Staff
<<
\new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
>>
\new Staff
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
-% \new Voice \Riffs
-% \new Lyrics \lyricsto "lead" \LeadVoxText
>>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.19.48"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Fall Down" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "C. Tomlin" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
%
% Song's structure
%
-
Global =
{
\key a \major
- % \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
LeadVox = \relative c'
{
- \clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
R1 | % 1
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm = \relative c
{
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
\score
{
-%{
- <<
- <<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
-
- \new ChoirStaff = "Rhythm"
- <<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
- >>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
- >>
-%}
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxTextA
>>
-% \new Staff
+ \new ChoirStaff
<<
\new ChordNames \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope... :-/]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Three Kings" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "John H. Hopkins, Jr." }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.6"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
{
% Interlude
-\mark \markup { \override #'(font-family . sans) { \box { 1 } } }
-
- s2. | % 3
- r2. | % 4
- r2. | % 5
- r2. | % 6
- r2. | % 7
- r2. | % 8
- r2. | % 9
- r2. \bar "||" % 10
+ \mark \markup { \override #'(font-family . sans) { \box { 1 } } }
+ s2.*8 \bar "||" % 3-10
-\break %bleh, only valid for size 16
+%\break %bleh, only valid for size 16
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*8 \bar "||" % 11-18
- b2 a4 | % 11
- g2 e4 | % 12
- fs4 g fs | % 13
- e2. | % 14
- b'2 a4 | % 15
- g2 e4 | % 16
- fs4 ( g ) fs | % 17
- e2. \bar "||" % 18
+ s2.*2 | % 19-20
- g2 g4 | % 19
- a2 a4 | % 20
+%\break %bleh, only valid for size 16
-\break %bleh, only valid for size 16
-
- b2 b4 | % 21
- d4 ( c ) b | % 22
- a4 b a | % 23
- g2 fs4 | % 24
- e2. | % 25
- fs2. ( | % 26
- a2. ) \bar "||" % 27
+ s2.*7 \bar "||" % 21-27
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
- g2 g4 | % 28
- g2 d4 | % 29
+ s2.*2 | % 28-29
-\break %bleh, only valid for size 16
+%\break %bleh, only valid for size 16
- g2 e4 | % 30
- g2 r4 | % 31
- g2 g4 | % 32
- g2 d4 | % 33
- g2 e4 | % 34
- g2. | % 35
- g2 g4 | % 36
- a2 b4 | % 37
- c2 b4 | % 38
- a2 b4 | % 39
+ s2.*10 | % 30-39
-\break %bleh, only valid for size 16
+%\break %bleh, only valid for size 16
- g2 g4 | % 40
- g2 d4 | % 41
+ s2.*2 | % 40-41
}
\alternative
{
{
- g2 e4 | % 42
- g2. | % 43
+ s2.*2 | % 42-43
}
{
- g2. | % 44
+ s2. | % 44
}
}
- e2. | % 45
+ s2. | % 45
% Outro
\repeat volta 2
{
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*4 | % 46-49
+ }
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2. \bar "|." % 50
+}
- g2. | % 46
- r2. | % 47
- r2. | % 48
- r2. | % 49
- }
- r2.-\fermata \bar "|." % 50
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ s2.*2 | % 1-2
+
+ % Interlude
+
+ s2. | % 3
+ r2.*7 | % 4-10
+
+ % Verse
+
+ b2 a4 | % 11
+ g2 e4 | % 12
+ fs4 g fs | % 13
+ e2. | % 14
+ b'2 a4 | % 15
+ g2 e4 | % 16
+ fs4 ( g ) fs | % 17
+ e2. | % 18
+
+ g2 g4 | % 19
+ a2 a4 | % 20
+
+ b2 b4 | % 21
+ d4 ( c ) b | % 22
+ a4 b a | % 23
+ g2 fs4 | % 24
+ e2. | % 25
+ fs2. ( | % 26
+ a2. ) | % 27
+
+ % Chorus
+
+ g2 g4 | % 28
+ g2 d4 | % 29
+
+ g2 e4 | % 30
+ g2 r4 | % 31
+ g2 g4 | % 32
+ g2 d4 | % 33
+ g2 e4 | % 34
+ g2. | % 35
+ g2 g4 | % 36
+ a2 b4 | % 37
+ c2 b4 | % 38
+ a2 b4 | % 39
+
+ g2 g4 | % 40
+ g2 d4 | % 41
+
+ g2 e4 | % 42
+ g2. | % 43
+
+ g2. | % 44
+
+ e2. | % 45
+
+ % Outro
+
+ g2. | % 46
+ r2. | % 47
+ r2. | % 48
+ r2. | % 49
+
+ r2.-\fermata | % 50
}
+
LeadVoxText = \lyricmode
{
We three kings of O -- ri -- ent are
Riffs = \relative c''
{
- \clef G
- \key e \minor
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s2. | % 1
s2. | % 2
- \repeat volta 3
- {
- s8 e2:m7 s8 | % 3
- a2.:m9 | % 4
- s8 e2:m7 s8 | % 5
- c4.:9 b:7.5+.9- | % 6
- s8 e2:m7 s8 | % 7
- a2.:m9 | % 8
- s8 e2:m7 s8 | % 9
- c4.:9 b:7.5+.9- | % 10
-
- e2.:m7 | % 11
- c2.:maj7 | % 12
- b2.:7.5+.9- | % 13
- e2.:m7 | % 14
- c2.:maj7 | % 15
- a2.:m7 | % 16
- b2.:7.5+.9- | % 17
- e4.:m7 d/fs | % 18
-
- g2. | % 19
- d2. | % 20
- c2.:maj7 | % 21
- b2:m7 e4:m7 | % 22
- a2.:m7 | % 23
- b2.:7.5+.9- | % 24
- e2.:m7 | % 25
- d2. | % 26
- d2.:7 | % 27
-
- g2. | % 28
- s2. | % 29
- c2.:maj7 | % 30
- g2. | % 31
- s2. | % 32
- s2. | % 33
- c2.:maj7 | % 34
- g4. d/fs | % 35
- e2.:m7 | % 36
- b4.:m7 e:m7 | % 37
- a2.:m7 | % 38
- b2.:7.5+.9- | % 39
- c2.:maj7 | % 40
- b2.:m7 | % 41
- }
- \alternative
- {
- {
- a2.:m7 | % 42
- g4. g/fs | % 43
- }
- {
- a2.:m7 | % 44
- }
- }
+ s8 e2:m7 s8 | % 3
+ a2.:m9 | % 4
+ s8 e2:m7 s8 | % 5
+ c4.:9 b:7.5+.9- | % 6
+ s8 e2:m7 s8 | % 7
+ a2.:m9 | % 8
+ s8 e2:m7 s8 | % 9
+ c4.:9 b:7.5+.9- | % 10
+
+ e2.:m7 | % 11
+ c2.:maj7 | % 12
+ b2.:7.5+.9- | % 13
+ e2.:m7 | % 14
+ c2.:maj7 | % 15
+ a2.:m7 | % 16
+ b2.:7.5+.9- | % 17
+ e4.:m7 d/fs | % 18
+
+ g2. | % 19
+ d2. | % 20
+ c2.:maj7 | % 21
+ b2:m7 e4:m7 | % 22
+ a2.:m7 | % 23
+ b2.:7.5+.9- | % 24
+ e2.:m7 | % 25
+ d2. | % 26
+ d2.:7 | % 27
+
+ g2. | % 28
+ s2. | % 29
+ c2.:maj7 | % 30
+ g2. | % 31
+ s2. | % 32
+ s2. | % 33
+ c2.:maj7 | % 34
+ g4. d/fs | % 35
+ e2.:m7 | % 36
+ b4.:m7 e:m7 | % 37
+ a2.:m7 | % 38
+ b2.:7.5+.9- | % 39
+ c2.:maj7 | % 40
+ b2.:m7 | % 41
+
+ a2.:m7 | % 42
+ g4. g/fs | % 43
+
+ a2.:m7 | % 44
a2.:m7/d | % 45
- \repeat volta 2
- {
- s8 g2 s8 | % 46
- c2.:maj7 | % 47
- s8 g2 s8 | % 48
- c2.:maj7 | % 49
- }
+ s8 g2 s8 | % 46
+ c2.:maj7 | % 47
+ s8 g2 s8 | % 48
+ c2.:maj7 | % 49
g2. | % 50
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
r2. | % 1
r2. | % 2
- \repeat volta 3
- {
- r8 c4.-> c4-^ | % 3
- c2. | % 4
- r8 c4.-> c4-^ | % 5
- c4. c | % 6
- r8 c4.-> c4-^ | % 7
- c2. | % 8
- r8 c4.-> c4-^ | % 9
- c4. c \bar "||" % 10
-
- c2. | % 11
- c2. | % 12
- c2. | % 13
- c2. | % 14
- c2. | % 15
- c2. | % 16
- c2. | % 17
- c4. c \bar "||" % 18
-
- c2. | % 19
- c2. | % 20
- c2. | % 21
- c2 c4 | % 22
- c2. | % 23
- c2. | % 24
- c2. | % 25
- c2.-> | % 26
- c4 c c \bar "||" % 27
-
- c4 c c | % 28
- c4 c c | % 29
- c4 c c | % 30
- c4 c c | % 31
- c4 c c | % 32
- c4 c c | % 33
- c4 c c | % 34
- c4. c | % 35
- c4 c c | % 36
- c4. c | % 37
- c4 c c | % 38
- c4 c c | % 39
- c4 c c | % 40
- c4 c c | % 41
- }
- \alternative
- {
- {
- c4 c c | % 42
- c4. c | % 43
- }
- {
- c4 c c | % 44
- }
- }
+ r8 c4.-> c4-^ | % 3
+ c2. | % 4
+ r8 c4.-> c4-^ | % 5
+ c4. c | % 6
+ r8 c4.-> c4-^ | % 7
+ c2. | % 8
+ r8 c4.-> c4-^ | % 9
+ c4. c | % 10
+
+ c2. | % 11
+ c2. | % 12
+ c2. | % 13
+ c2. | % 14
+ c2. | % 15
+ c2. | % 16
+ c2. | % 17
+ c4. c | % 18
+
+ c2. | % 19
+ c2. | % 20
+ c2. | % 21
+ c2 c4 | % 22
+ c2. | % 23
+ c2. | % 24
+ c2. | % 25
+ c2.-> | % 26
+ c4 c c | % 27
+
+ c4 c c | % 28
+ c4 c c | % 29
+ c4 c c | % 30
+ c4 c c | % 31
+ c4 c c | % 32
+ c4 c c | % 33
+ c4 c c | % 34
+ c4. c | % 35
+ c4 c c | % 36
+ c4. c | % 37
+ c4 c c | % 38
+ c4 c c | % 39
+ c4 c c | % 40
+ c4 c c | % 41
+
+ c4 c c | % 42
+ c4. c | % 43
+
+ c4 c c | % 44
c4 c c | % 45
- \repeat volta 2
- {
- r8 c4.-> c4-^ | % 46
- c2. | % 47
- r8 c4.-> c4-^ | % 48
- c2. | % 49
- }
- c2.-\fermata \bar "|." % 50
+ r8 c4.-> c4-^ | % 46
+ c2. | % 47
+ r8 c4.-> c4-^ | % 48
+ c2. | % 49
+
+ c2.-\fermata | % 50
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "We Will Glorify" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Twila Paris" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
% Intro
\partial 4*1 s4 | % 0
-% \once \override TextScript #'padding = #2.0
-% s1*0^\markup { \large \bold { Moderately fast pop } }
-%%Capo 3 version
-%% s1*0^\markup { \large \bold { Moderately fast pop "(*** CAPO 3 ***)" } }
-% s1*13 \bar "||:" % 1-13
- \repeat volta 3
+ \repeat volta 4
{
% Verse
s2. | % 8
}
{
- s2. | % 9
+ s2. \bar "||" % 9
}
}
%
LeadVox = \relative c''
{
- \clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
s4 | % 0
e2.-\fermata | % 24
}
+
LeadVoxText = \lyricmode
{
glor -- i -- fy the King of Kings,
%
Riffs = \relative c'
{
-
% Intro
\tiny
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
d4/fs | % 0
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-staffSize = #18 % or 16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "We Will Worship The Lamb Of Glory" } }
% composer = \markup { \override #'(font-family . sans) "" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1^\markup { 8th note ballad } | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1^\markup { 8th note ballad } | % 1
+ s1*3 \bar ".|:-||" % 2-4
% Verse
\repeat volta 2
{
-%\mark \markup { \override #'(font-family . sans) { \box { A } } }
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
- r4 a8 a a g f g ~ | % 5
- g4 f8 a ~ a g4. | % 6
- r4 a8 a a g f g ~ | % 7
- g4 a8 g ~ g4 r | % 8
- r4 a8 a a g f g ~ | % 9
- g4 a8 g ( ~ g f ) d4 | % 10
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*6 | % 5-10
}
\alternative
{
{
- r4 f8 f g a g f ~ | % 11
- f2 r | % 12
+ s1*2 | % 11-12
}
{
- r4 f8 f g a g f | % 13
- r8 c' c c c bf a c ~ | % 14
+ s1*2 | % 13-14
}
}
\repeat volta 3
{
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- c8 c c bf ~ bf c d c | % 15
- r8 c c c c bf a c ~ | % 16
- c8 c c c bf c d c | % 17
- r8 c c c c bf a d ~ | % 18
- d8 c bf c ~ c bf a bf ~ | % 19
- bf8 a g f ~ f g a bf ~ | % 20
- bf8 a g f f g e f ~ | % 21
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 15-21
}
\alternative
{
{
- f2 r | % 22
- << R1 \\ { s2. s4^\markup { \bold \italic { D.S. } } } >> \bar "||" % 23
+ s1 | % 22
+ s2. s4^\markup { \hspace #-1.8 \raise #0.2 \bold "D.S." } \bar "||" % 23
% R1^\markup { \bold \italic { D.S. } } \bar "||" % 23
%\once \override Score.RehearsalMark #'self-alignment-X = #right
%\mark \markup { \italic { D.S. } }
}
{
- r8 c' c c c bf a c ~ | % 24
+ s1 | % 24
}
{
- f,2 \repeatTie r8 g a bf ~ | % 25
+ s1 | % 25
}
}
% Outro
+ s1*3 \bar "||" % 26-28
+ s1*5 \bar "|." % 29-33
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ R1*4 | % 1-4
+
+ % Verse
+
+ r4 a8 a a g f g ~ | % 5
+ g4 f8 a ~ a g4. | % 6
+ r4 a8 a a g f g ~ | % 7
+ g4 a8 g ~ g4 r | % 8
+ r4 a8 a a g f g ~ | % 9
+ g4 a8 g ( ~ g f ) d4 | % 10
+
+ r4 f8 f g a g f ~ | % 11
+ f2 r | % 12
+
+ r4 f8 f g a g f | % 13
+ r8 c' c c c bf a c ~ | % 14
+
+ % Chorus
+
+ c8 c c bf ~ bf c d c | % 15
+ r8 c c c c bf a c ~ | % 16
+ c8 c c c bf c d c | % 17
+ r8 c c c c bf a d ~ | % 18
+ d8 c bf c ~ c bf a bf ~ | % 19
+ bf8 a g f ~ f g a bf ~ | % 20
+ bf8 a g f f g e f ~ | % 21
+
+ f2 r | % 22
+ R1 | % 23
+
+ r8 c' c c c bf a c \laissezVibrer | % 24
+
+ f,2 \repeatTie r8 g a bf ~ | % 25
+
+ % Outro
+
bf8 a g f f g e f ~ | % 26
f2 r8 g a bf ~ | % 27
- bf8 a g f f g e4 \bar "||" % 28
+ bf8 a g f f g e4 | % 28
f4 r r2 | % 29
R1 | % 30
R1 | % 31
R1 | % 32
- r1^\fermata \bar "|." % 33
+ r1^\fermata | % 33
}
+
LeadVoxText = \lyricmode
{
We will wor- ship the lamb _ of glo- _ ry
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
f2.. c8/f | % 1
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4-\markup { \small \italic { sidestick } } c c c8 c ~ | % 1
c4 c c c | % 2
c4 c c c | % 3
- c4 c c c \bar "||:" % 4
+ c4 c c c | % 4
% Verse
- \repeat volta 2
- {
- c4_\mf c c c8 c ~ | % 5
- c4 c c c | % 6
- c4 c c c8 c ~ | % 7
- c4 c c c | % 8
- c4 c c c8 c ~ | % 9
- c4 c c c | % 10
- }
- \alternative
- {
- {
- c4 c c c8 c ~ | % 11
- c4 c8 c ~ c4 c | % 12
- }
- {
- c4 c c c8 c ~ | % 13
- c8 c c c c c c c ~ | % 14
- }
- }
+ c4_\mf c c c8 c ~ | % 5
+ c4 c c c | % 6
+ c4 c c c8 c ~ | % 7
+ c4 c c c | % 8
+ c4 c c c8 c ~ | % 9
+ c4 c c c | % 10
+
+ c4 c c c8 c ~ | % 11
+ c4 c8 c ~ c4 c | % 12
+
+ c4 c c c8 c ~ | % 13
+ c8 c c c c c c c ~ | % 14
% Chorus
- \repeat volta 3
- {
- c4_\markup { \italic { snare } } c8 c ~ c4 c8 c ~ | % 15
- c8 c c c c c c c ~ | % 16
- c4 c8 c ~ c4 c8 c ~ | % 17
- c8 c c c c c c c ~ | % 18
- c4 c8 c ~ c4 c8 c ~ | % 19
- c4 c8 c ~ c4 c8 c ~ | % 20
- c4 c8 c ~ c4 c | % 21
- }
- \alternative
- {
- {
- c4 c c c8 c ~ | % 22
- c4 c c c | % 23
- }
- {
- c8 c c c c c c c | % 24 (repeat tie on the last c
- }
- {
- c4. c8 ~ c4 c8 c ~ | % 25
- }
- }
+ c4_\markup { \italic { snare } } c8 c ~ c4 c8 c ~ | % 15
+ c8 c c c c c c c ~ | % 16
+ c4 c8 c ~ c4 c8 c ~ | % 17
+ c8 c c c c c c c ~ | % 18
+ c4 c8 c ~ c4 c8 c ~ | % 19
+ c4 c8 c ~ c4 c8 c ~ | % 20
+ c4 c8 c ~ c4 c | % 21
+
+ c4 c c c8 c ~ | % 22
+ c4 c c c | % 23
+
+ c8 c c c c c c c | % 24 (repeat tie on the last c
+
+ c4. c8 ~ c4 c8 c ~ | % 25
% Outro
c4 c c c | % 30
c4 c c c | % 31
c4 c c c | % 32
- c1^\fermata \bar "|." % 33
+ c1^\fermata | % 33
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #24
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "What Child Is This, Who, Laid to Rest?" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Shamus Hammons" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key a \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\partial 4*1 s4 | % 0
- s2. | % 1
- s2. | % 2
- s2. | % 3
- s2. | % 4
- s2. | % 5
- s2. | % 6
- s2. | % 7
- s2 a4 \bar "||:" % 8
+ s2.*8 \bar ".|:-||" % 1-8
\break % bah
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- c2 d4 | % 9
- e4. ( fs8 ) e4 | % 10
- d2 b4 | % 11
- g4. ( a8 ) b4 | % 12
- c2 a4 | % 13
- a4. ( gs8 ) a4 | % 14
- b2 ( gs4 ) | % 15
- e2 b'4 | % 16
-
- c2 d4 | % 17
- e4. ( fs8 ) e4 | % 18
- d2 b4 | % 19
- g4. ( a8 ) b4 | % 20
- c4. ( b8 ) a4 | % 21
- gs4. ( fs8 ) gs4 | % 22
- a2. | % 23
- a2. \bar "||" % 24
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*16 \bar "||" % 9-24
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- g'2. | % 25
- g4. ( fs8 ) e4 | % 26
- d2 b4 | % 27
- g4. ( a8 ) b4 | % 28
- c2 a4 | % 29
- a4. ( gs8 ) a4 | % 30
- b2 gs4 | % 31
- e2. | % 32
-
- g'2. | % 33
- g4. ( fs8 ) e4 | % 34
- d2 b4 | % 35
- g4. ( a8 ) b4 | % 36
- c4. ( b8 ) a4 | % 37
- gs4. ( fs8 ) gs4 | % 38
- a2. | % 39
- a2 s4 \bar "||" % 40
-
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s2.*16 \bar "||" % 25-40
s2. | % 41
}
\alternative
{
{
- s2. | % 42
- s2. | % 43
- s2 a4 | % 44
+ s2.*3 | % 42-44
}
{
s2. | % 45
}
}
+ s2.*2 \bar "|." % 46-47
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ s4 | % 0
+ s2.*7 | % 1-7
+ s2 a4 | % 8
+
+ % Verse
+
+ c2 d4 | % 9
+ e4. ( fs8 ) e4 | % 10
+ d2 b4 | % 11
+ g4. ( a8 ) b4 | % 12
+ c2 a4 | % 13
+ a4. ( gs8 ) a4 | % 14
+ b2 ( gs4 ) | % 15
+ e2 b'4 | % 16
+
+ c2 d4 | % 17
+ e4. ( fs8 ) e4 | % 18
+ d2 b4 | % 19
+ g4. ( a8 ) b4 | % 20
+ c4. ( b8 ) a4 | % 21
+ gs4. ( fs8 ) gs4 | % 22
+ a2. | % 23
+ a2. \bar "||" % 24
+
+ % Chorus
+
+ g'2. | % 25
+ g4. ( fs8 ) e4 | % 26
+ d2 b4 | % 27
+ g4. ( a8 ) b4 | % 28
+ c2 a4 | % 29
+ a4. ( gs8 ) a4 | % 30
+ b2 gs4 | % 31
+ e2. | % 32
+
+ g'2. | % 33
+ g4. ( fs8 ) e4 | % 34
+ d2 b4 | % 35
+ g4. ( a8 ) b4 | % 36
+ c4. ( b8 ) a4 | % 37
+ gs4. ( fs8 ) gs4 | % 38
+ a2. | % 39
+ a2 s4 | % 40
+
+ s2. | % 41
+
+ s2. | % 42
+ s2. | % 43
+ s2 a4 | % 44
+
+ s2. | % 45
+
s2. | % 46
- s2. \bar "|." % 47
+ s2. | % 47
}
+
LeadVoxText = \lyricmode
{
What child is this, _ who, laid to rest, _
Riffs = \relative c''
{
- \clef G
- \key a \minor
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
- \partial 4*1 a4 | % 0
+ a4 | % 0
<< { \tiny c2 d4 } \\ { \tiny a,2 b4 } >> | % 1
<< { e'4. fs8 e4 } \\ { c,2. } >> | % 2
<< { d'2 b4 } \\ { g,2. } >> | % 3
<< { \tiny gs'4. fs8 gs4 } \\ { \tiny e,2. } >> | % 45
<< { a'2. } \\ { a,2. } >> | % 46
- << { <a' cs>2.-\fermata } \\ { a,2. } >> \bar "|." % 47
+ << { <a' cs>2.-\fermata } \\ { a,2. } >> | % 47
\normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \partial 4*1 s4 | % 0
+ s4 | % 0
a2.:m | % 1
c2. | % 2
g2. | % 3
a2.:m | % 7
s2. | % 8
- \repeat volta 3
- {
- % Verse
-
- a2.:m | % 9
- c2. | % 10
- g2. | % 11
- g2./b | % 12
- a2.:m | % 13
- f2. | % 14
- e2. | % 15
- s2. | % 16
-
- a2.:m | % 17
- c2. | % 18
- g2. | % 19
- g2./b | % 20
- a2.:m | % 21
- e2. | % 22
- a2.:m | % 23
- s2. | % 24
-
- % Chorus
-
- c2. | % 25
- c2. | % 26
- g2. | % 27
- g2./b | % 28
- a2.:m | % 29
- f2. | % 30
- e2. | % 31
- s2. | % 32
-
- c2. | % 33
- c2. | % 34
- g2. | % 35
- g2./b | % 36
- a2.:m | % 37
- e2. | % 38
- a2.:m | % 39
- s2. | % 40
-
- a2.:m | % 41
- }
- \alternative
- {
- {
- e2. | % 42
- a2.:m | % 43
- s2. | % 44
- }
- {
- e2. | % 45
- }
- }
+ % Verse
+
+ a2.:m | % 9
+ c2. | % 10
+ g2. | % 11
+ g2./b | % 12
+ a2.:m | % 13
+ f2. | % 14
+ e2. | % 15
+ s2. | % 16
+
+ a2.:m | % 17
+ c2. | % 18
+ g2. | % 19
+ g2./b | % 20
+ a2.:m | % 21
+ e2. | % 22
+ a2.:m | % 23
+ s2. | % 24
+
+ % Chorus
+
+ c2. | % 25
+ c2. | % 26
+ g2. | % 27
+ g2./b | % 28
+ a2.:m | % 29
+ f2. | % 30
+ e2. | % 31
+ s2. | % 32
+
+ c2. | % 33
+ c2. | % 34
+ g2. | % 35
+ g2./b | % 36
+ a2.:m | % 37
+ e2. | % 38
+ a2.:m | % 39
+ s2. | % 40
+
+ a2.:m | % 41
+
+ e2. | % 42
+ a2.:m | % 43
+ s2. | % 44
+
+ e2. | % 45
a2.:m | % 46
a2. | % 47
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \partial 4*1 s4 | % 0
+ s4 | % 0
c4 c c | % 1
c4 c c | % 2
c4 c c | % 3
c4 c c | % 5
c4 c c | % 6
c4 c c | % 7
- c4 c c \bar "||:" % 8
-
- \repeat volta 3
- {
- % Verse
-
- c4 c c | % 9
- c4 c c | % 10
- c4 c c | % 11
- c4 c c | % 12
- c4 c c | % 13
- c4 c c | % 14
- c4 c c | % 15
- c4 c c | % 16
-
- c4 c c | % 17
- c4 c c | % 18
- c4 c c | % 19
- c4 c c | % 20
- c4 c c | % 21
- c4 c c | % 22
- c4 c c | % 23
- c4 c c \bar "||" % 24
-
- % Chorus
-
- c4 c c | % 25
- c4 c c | % 26
- c4 c c | % 27
- c4 c c | % 28
- c4 c c | % 29
- c4 c c | % 30
- c4 c c | % 31
- c4 c c | % 32
-
- c4 c c | % 33
- c4 c c | % 34
- c4 c c | % 35
- c4 c c | % 36
- c4 c c | % 37
- c4 c c | % 38
- c4 c c | % 39
- c4 c c \bar "||" % 40
-
- c4 c c | % 41
- }
- \alternative
- {
- {
- c4 c c | % 42
- c4 c c | % 43
- c4 c c | % 44
- }
- {
- c4 c c | % 45
- }
- }
+ c4 c c | % 8
+
+ % Verse
+
+ c4 c c | % 9
+ c4 c c | % 10
+ c4 c c | % 11
+ c4 c c | % 12
+ c4 c c | % 13
+ c4 c c | % 14
+ c4 c c | % 15
+ c4 c c | % 16
+
+ c4 c c | % 17
+ c4 c c | % 18
+ c4 c c | % 19
+ c4 c c | % 20
+ c4 c c | % 21
+ c4 c c | % 22
+ c4 c c | % 23
+ c4 c c | % 24
+
+ % Chorus
+
+ c4 c c | % 25
+ c4 c c | % 26
+ c4 c c | % 27
+ c4 c c | % 28
+ c4 c c | % 29
+ c4 c c | % 30
+ c4 c c | % 31
+ c4 c c | % 32
+
+ c4 c c | % 33
+ c4 c c | % 34
+ c4 c c | % 35
+ c4 c c | % 36
+ c4 c c | % 37
+ c4 c c | % 38
+ c4 c c | % 39
+ c4 c c | % 40
+
+ c4 c c | % 41
+
+ c4 c c | % 42
+ c4 c c | % 43
+ c4 c c | % 44
+
+ c4 c c | % 45
c4 c c | % 46
- c2.-\fermata \bar "|." % 47
+ c2.-\fermata | % 47
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \transpose a e \LeadVox \new Voice = "riffs" \transpose a e \Riffs >> }
+ \new Voice = "lead" \transpose a e \LeadVox
+ \new Voice = "riffs" \transpose a e \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \transpose a e \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \transpose a e \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Who Am I" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Mark Hall" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " }
Global =
{
\key b \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 2/2
% Intro
%
LeadVox = \relative c''
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
- \clef G
-%Hm. Needed anymore?
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
s1*8 | % 1-8
% Coda
- \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break
+s1 % Extra bar for coda
r2 r8 b as b ~ | % 71
b1 ~ | % 72
r2 r8 b as b ~ | % 76
b1 | % 77
- r2 r8 b as b ~ ( | % 78
+ r2 r8 b as b ( | % 78
cs16 ds cs4. ~ cs8 b4. ~ | % 79
b4 as gs8 fs4. ) | % 80
r1 | % 81
r8 ds'4 cs8 ~ cs b4 b8 ~ | % 85
b8 ds4 cs8 ~ cs b4 b8 ~ | % 86
b4 r r2 | % 87
- r4 fs8 b ~ b b4 b8 ~ ( | % 88
+ r4 fs8 b ~ b b4 b8 ( | % 88
cs16 ds cs8 ~ cs2 b4 ~ | % 89
b2 ) r8 b gs cs ~ ( | % 90
cs8 b ~ b2 ) r4 | % 91
r1-\fermata | % 98
}
+
LeadVoxText = \lyricmode
{
Who am I, _ that the lord of all _ the earth _
Riffs = \relative c''
{
- \clef G
-%Hm. Needed anymore?
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
b2.. e8:sus2 | % 1
% Coda
- \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break
+s1 % Extra bar for coda
e2 fs | % 71
gs1:m7 | % 72
s1 | % 97
- e1:5.9 | % 98
+ e1:3.5.9 | % 98
}
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
-% \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
\score
{
<<
- \Global % The "roadmap" that everything else depends on
-% \transpose b g \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
+% \transpose b g \Global % The "roadmap" that everything else depends on
\context Staff
<<
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Wonderful, Merciful Savior" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Dawn Rodgers/Eric Wyse" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s2. | % 1
- s2. | % 2
- s2. | % 3
- s2. | % 4
- s2. | % 5
- s2. | % 6
- s2. | % 7
- s2. \bar "||:" % 8
-%\break % bleah
+ s2.*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \italic \smaller { 1st X piano only, unison } }
- <e \hn c>4. <e \hn c>8 <e \hn c>4 | % 9
- <f \hn d>4. <e \hn c>8 <d \hn b>4 | % 10
- <e \hn c>2. | % 11
- <c \hn g>2. | % 12
- <g' \hn e \hn b>4 <g \hn e \hn b> <g \hn e \hn b> | % 13
- <a \hn f \hn c>4 <g \hn e \hn c> <f \hn d \hn a>8 ( <g \hn c,> ) | % 14
- <g \hn d \hn c>2. ~ | % 15
- <g \hn d \hn b>2. | % 16
- <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 17
- <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn b> | % 18
- <a \hn f \hn c>2. | % 19
- <c, \hn a>2 r4 | % 20
- <e \hn c>4 <f \hn d> <g \hn d> | % 21
- <b, \hn g>2 <c \hn a>4 | % 22
- <c \hn a>2. | % 23
- << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 24
- <g \hn e \hn c>4 <f \hn d \hn c> <e \hn c \hn g> | % 25
- <e \hn b \hn g>2 <d \hn b>4 | % 26
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \italic \smaller { 1st X piano only, unison } }
+ s2.*18 | % 9-26
}
\alternative
{
{
- c2. | % 27
- s2. | % 28
- s2. | % 29
- s2. | % 30
+ s2.*4 | % 27-30
}
{
-\set Score.repeatCommands = #'((volta "2.–3.") end-repeat) % That's an ndash in there...
- c2. | % 31
-\set Score.repeatCommands = #'((volta #f))
+ \set Score.repeatCommands = #'((volta "2.–3.") end-repeat) % That's an ndash in there...
+ s2. | % 31
+ \set Score.repeatCommands = #'((volta #f))
}
}
- r2. \bar "||" % 32
+ s2. \bar "||" % 32
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s2.*18 | % 33-50
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
+ s2.*4 \bar ":|." % 51-54
+
+%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\break % Meh
+\stopStaff s2. \startStaff
+\set Score.currentBarNumber = #55
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ % Coda
+
+ s2.*2 \bar "||" % 55-56
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*27 \bar "|." % 57-83
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s2.*8 | % 1-8
+
+ % Verse
+
+ <e \hn c>4. <e \hn c>8 <e \hn c>4 | % 9
+ <f \hn d>4. <e \hn c>8 <d \hn b>4 | % 10
+ <e \hn c>2. | % 11
+ <c \hn g>2. | % 12
+ <g' \hn e \hn b>4 <g \hn e \hn b> <g \hn e \hn b> | % 13
+ <a \hn f \hn c>4 <g \hn e \hn c> <f \hn d \hn a>8 ( <g \hn c,> ) | % 14
+ <g \hn d \hn c>2. ~ | % 15
+ <g \hn d \hn b>2. | % 16
+ <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 17
+ <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn b> | % 18
+ <a \hn f \hn c>2. | % 19
+ <c, \hn a>2 r4 | % 20
+ <e \hn c>4 <f \hn d> <g \hn d> | % 21
+ <b, \hn g>2 <c \hn a>4 | % 22
+ <c \hn a>2. | % 23
+ << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 24
+ <g \hn e \hn c>4 <f \hn d \hn c> <e \hn c \hn g> | % 25
+ <e \hn b \hn g>2 <d \hn b>4 | % 26
+
+ c2. | % 27
+ s2. | % 28
+ s2. | % 29
+ s2. | % 30
+
+ c2. | % 31
+
+ r2. | % 32
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
<c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 33
<c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 34
<a \hn f \hn c>2. ( | % 35
<< { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 48
<g \hn e \hn c>4 <f \hn d> <e \hn c> | % 49
<e \hn b>4 <d \hn b>2 | % 50
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
+
c2. | % 51
s2. | % 52
s2. | % 53
- s2. \bar ":|" % 54
+ s2. | % 54
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-%\break % Meh
-\stopStaff s2. \startStaff
-\set Score.currentBarNumber = #55
+s2.
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
% Coda
c2. ~ | % 55
- c2. \bar "||" % 56
+ c2. | % 56
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
<c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 57
<c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 58
<a \hn f \hn c>2. ( | % 59
s2. | % 80
s2. | % 81
s2. | % 82
- s2. \bar "|." % 83
+ s2. | % 83
}
+
LeadVoxText = \lyricmode
{
Won -- der -- ful, mer -- ci -- ful sav -- ior,
Riffs = \relative c''
{
- \clef G
- \key c \major
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s2. | % 1
c2. | % 5
d2.:m/c | % 6
c2. | % 7
- d2.:m/c \bar "||:" % 8
-
- \repeat volta 2
- {
- % Verse
-
- c2. | % 9
- d2.:m/c | % 10
- c2. | % 11
- s2. | % 12
- e2.:m | % 13
- f2. | % 14
- g2.:sus4 | % 15
- g2. | % 16
- a2.:m | % 17
- s2. | % 18
- f2. | % 19
- s2. | % 20
- c2. | % 21
- g2. | % 22
- a2.:m | % 23
- f2. | % 24
- c2./g | % 25
- g2.:6 | % 26
- }
- \alternative
- {
- {
- c2. | % 27
- d2.:m/c | % 28
- c2. | % 29
- d2.:m/c | % 30
- }
- {
- c2. | % 31
- }
- }
-
- c2./b \bar "||" % 32
+ d2.:m/c | % 8
+
+ % Verse
+
+ c2. | % 9
+ d2.:m/c | % 10
+ c2. | % 11
+ s2. | % 12
+ e2.:m | % 13
+ f2. | % 14
+ g2.:sus4 | % 15
+ g2. | % 16
+ a2.:m | % 17
+ s2. | % 18
+ f2. | % 19
+ s2. | % 20
+ c2. | % 21
+ g2. | % 22
+ a2.:m | % 23
+ f2. | % 24
+ c2./g | % 25
+ g2.:6 | % 26
+
+ c2. | % 27
+ d2.:m/c | % 28
+ c2. | % 29
+ d2.:m/c | % 30
+
+ c2. | % 31
+
+ c2./b | % 32
% Chorus
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c | % 5
c4 c c | % 6
c4 c c | % 7
- c4 c c \bar "||:" % 8
-
- \repeat volta 2
- {
- % Verse
-
- c4 c c | % 9
- c4 c c | % 10
- c4 c c | % 11
- c4 c c | % 12
- c4 c c | % 13
- c4 c c | % 14
- c4 c c | % 15
- c4 c c | % 16
- c4 c c | % 17
- c4 c c | % 18
- c4 c c | % 19
- c4 c c | % 20
- c4 c c | % 21
- c4 c c | % 22
- c4 c c | % 23
- c4 c c | % 24
- c4 c c | % 25
- c4 c c | % 26
- }
- \alternative
- {
- {
- c4 c c | % 27
- c4 c c | % 28
- c4 c c | % 29
- c4 c c | % 30
- }
- {
- c4 c c | % 31
- }
- }
-
- c4 c c \bar "||" % 32
+ c4 c c | % 8
+
+ % Verse
+
+ c4 c c | % 9
+ c4 c c | % 10
+ c4 c c | % 11
+ c4 c c | % 12
+ c4 c c | % 13
+ c4 c c | % 14
+ c4 c c | % 15
+ c4 c c | % 16
+ c4 c c | % 17
+ c4 c c | % 18
+ c4 c c | % 19
+ c4 c c | % 20
+ c4 c c | % 21
+ c4 c c | % 22
+ c4 c c | % 23
+ c4 c c | % 24
+ c4 c c | % 25
+ c4 c c | % 26
+
+ c4 c c | % 27
+ c4 c c | % 28
+ c4 c c | % 29
+ c4 c c | % 30
+
+ c4 c c | % 31
+
+ c4 c c | % 32
% Chorus
c4 c c | % 51
c4 c c | % 52
c4 c c | % 53
- c4 c c \bar ":|" % 54
+ c4 c c | % 54
%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
\stopStaff s2. \startStaff
-\set Score.currentBarNumber = #55
-
-%\once \override Score.RehearsalMark #'self-alignment-X = #left
-%\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
% Coda
c4 c c | % 55
- c4 c c \bar "||" % 56
+ c4 c c | % 56
c4-> r2 | % 57
r2. | % 58
c4 c c | % 80
c4 c c | % 81
c4 c c | % 82
- c2.-\fermata \bar "|." % 83
+ c2.-\fermata | % 83
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Word Of God, Speak" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
% Song's structure
%
-
Global =
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
- \clef G
- \key c \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
r1 | % 1
d8 c ~ c2.-\fermata | % 53
}
+
LeadVoxText = \lyricmode
{
I'm find -- ing my -- self _ _ at a loss _ for words _
Riffs = \relative c''
{
-%{
- \clef G
- \key c \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
- % Intro
-
-\tiny
- r8 g16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 1
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 2
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 3
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 4
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 5
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 6
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 7
- \voiceOne <g' d c g>1 \oneVoice | % 8
-
- \repeat volta 2
- {
- % Verse
-
- s1 | % 9
- s1 | % 10
- s1 | % 11
- s1 | % 12
- s1 | % 13
- s1 | % 14
- s1 | % 15
- s1 | % 16
-
- % Chorus
-
- s1 | % 17
- s1 | % 18
- s1 | % 19
- s1 | % 20
- s1 | % 21
- s1 | % 22
- s1 | % 23
- \time 2/4 s2 \time 4/4 | % 24
- \voiceOne r8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ \oneVoice | % 25
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 26
- }
- \alternative
- {
- {
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 27
- \voiceOne <g' d c g>1 \oneVoice | % 28
- }
- {
- d8 \repeatTie g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 29
- }
- }
-
- c8 bf16 f ~ f2. | % 30
- c'8 bf16 f ~ f4 ~ f8. af16 ~ af bf8. | % 31
- c1 | % 32
- \voiceOne d2 e \oneVoice | % 33
-
- % Verse
-
- s1 | % 34
- s1 | % 35
- s1 | % 36
- s1 | % 37
- s1 | % 38
- s1 | % 39
- s1 | % 40
- s1 | % 41
-
- % Chorus
-
- s1 | % 42
- s1 | % 43
- s1 | % 44
- s1 | % 45
- s1 | % 46
- s1 | % 47
- s1 | % 48
- s1 | % 49
-
- % Outro
-
- \voiceOne r8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ \oneVoice | % 50
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 51
- e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 52
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 53
- e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 54
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 55
- e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 56
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 cs8. ~ | % 57
- <d a fs d>1^\fermata | % 59
-\normalsize
-%}
}
%
% Chord names
%
-
Chords = \chordmode
{
% Intro
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
\score
{
-%{
- <<
- <<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
- \new Lyrics \lyricsto "lead" \LeadVoxText
- >>
-
- \new ChoirStaff = "Rhythm"
- <<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
- >>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
- >>
-%}
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
- \new Staff
+ \context Staff
<<
- \Global
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
-% \new Staff
+ \new ChoirStaff
<<
\new ChordNames \Chords
\new RhythmicStaff << \Rhythm \Dynamics >>
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
- ragged-last = ##t
+% ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope... :-/]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Worthy Of My Praise" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "David Ruis" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1*4 | % 1-4
}
% Verse
\repeat volta 2
{
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- f4. c8 c4 f ~ | % 5
-<<
-{ \voiceOne
- f2.. f8 | % 6
- f8 f4 g8 ~ g ef ~ ef4 ~ | % 7
- ef1 | % 8
- bf'4. f8 f4 bf ~ | % 9
- bf2. \tiny bf8 \normalsize bf\noBeam | % 10
- bf8 a4 g8 f2 | % 11
-}
-\context Voice = v { \voiceTwo
-\tiny
- f4. c8 c4 f ~ | % 6
- f2.. f8 | % 7
- f8 f4 g8 ~ g ef ~ ef4 ~ | % 8
- ef1 | % 9
- bf'4. f8 f4 bf ~ | % 10
- bf2. r8 bf | % 11
-}
->>
-\oneVoice
+ s1*7 | % 5-11
}
\alternative
{
{
- \context Voice = v { \voiceTwo bf4 a g8 ( f e f ) } | % 12
+ s1 | % 12
}
{
- \context Voice = v { \voiceTwo bf4 a g8 ( f e f ) } | % 13
+ s1 | % 13
}
}
\repeat volta 3
{
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- r4 c'8. c16 c4. c8 | % 14
- c4. bf8 a ( g ) g4 | % 15
- r4 bf8. bf16 bf4. bf8 | % 16
- bf4 a g8 ( f e f ) | % 17
- r4 c'8. c16 c4. c8 | % 18
- c4. bf8 a ( g ) g4 | % 19
- r4 bf8. bf16 bf4. bf8 | % 20
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 14-20
}
\alternative
{
{
- bf4 a g8 ( f ) e ( f ) | % 21
- f2 r | % 22
- R1^\markup { \bold D.S. } \bar "||" % 23
+ s1*2 | % 21-22
+ s1^\markup { \bold D.S. } \bar "||" % 23
}
{
- bf4 a g8 ( f ) e f | % 24
+ s1 | % 24
}
{
- bf4 a g8 ( f ) e f \bar "||" % 25
+ s1 \bar "||" % 25
}
}
% Outro
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \small \italic { a capella } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \small \italic { a capella } }
+
+ s1*7 | % 26-32
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \small \italic { tutti } }
+
+ s1*2 \bar "|." % 33-34
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ R1*4 | % 1-4
+
+ % Verse
+
+ f4. c8 c4 f ~ | % 5
+<<
+{ \voiceOne
+ f2.. f8 | % 6
+ f8 f4 g8 ~ g ef ~ ef4 ~ | % 7
+ ef1 | % 8
+ bf'4. f8 f4 bf ~ | % 9
+ bf2. \tiny bf8 \normalsize bf\noBeam | % 10
+ bf8 a4 g8 f2 | % 11
+}
+\context Voice = v { \voiceTwo
+\tiny
+ f4. c8 c4 f ~ | % 6
+ f2.. f8 | % 7
+ f8 f4 g8 ~ g ef ~ ef4 ~ | % 8
+ ef1 | % 9
+ bf'4. f8 f4 bf ~ | % 10
+ bf2. r8 bf | % 11
+}
+>>
+\oneVoice
+
+ \context Voice = v { \voiceTwo bf4 a g8 ( f e f ) } | % 12
+
+ \context Voice = v { \voiceTwo bf4 a g8 ( f e f ) } | % 13
+
+ % Chorus
+
+ r4 c'8. c16 c4. c8 | % 14
+ c4. bf8 a ( g ) g4 | % 15
+ r4 bf8. bf16 bf4. bf8 | % 16
+ bf4 a g8 ( f e f ) | % 17
+ r4 c'8. c16 c4. c8 | % 18
+ c4. bf8 a ( g ) g4 | % 19
+ r4 bf8. bf16 bf4. bf8 | % 20
+
+ bf4 a g8 ( f ) e ( f ) | % 21
+ f2 r | % 22
+ R1 | % 23
+
+ bf4 a g8 ( f ) e f | % 24
+
+ bf4 a g8 ( f ) e f | % 25
+
+ % Outro
r4 c'8. c16 c4. c8 | % 26
c4. bf8 a ( g ) g4 | % 27
c4. bf8 a ( g ) g4 | % 31
r4 bf8. bf16 bf4. bf8 | % 32
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \small \italic { tutti } }
-
bf4 a g8 ( f ) e ( f ) | % 33
- f1^\fermata \bar "|." % 34
+ f1^\fermata | % 34
}
+
LeadVoxText = \lyricmode
{
I will wor -- ship _
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- f1:sus2 | % 1
- s1 | % 2
- ef1:sus2 | % 3
- s1 | % 4
- }
+ f1:sus2 | % 1
+ s1 | % 2
+ ef1:sus2 | % 3
+ s1 | % 4
% Verse
- \repeat volta 2
- {
- f1:sus2 | % 5
- s1 | % 6
- ef1:sus2 | % 7
- s1 | % 8
- bf1 | % 9
- s1 | % 10
- f1 | % 11
- }
- \alternative
- {
- {
- g2:m7 bf4/c c | % 12
- }
- {
- g2:m7 bf4/c c | % 13
- }
- }
+ f1:sus2 | % 5
+ s1 | % 6
+ ef1:sus2 | % 7
+ s1 | % 8
+ bf1 | % 9
+ s1 | % 10
+ f1 | % 11
+
+ g2:m7 bf4/c c | % 12
+
+ g2:m7 bf4/c c | % 13
% Chorus
- \repeat volta 3
- {
- f1 | % 14
- c1/e | % 15
- bf1/d | % 16
- g4:m7 f/a bf:6 c | % 17
- f1 | % 18
- c1/e | % 19
- g1:m7 | % 20
- }
- \alternative
- {
- {
- g4:m7 f/a bf:6 c | % 21
- f1 | % 22
- bf1/c | % 23
- }
- {
- g4:m7 f/a bf:6 c | % 24
- }
- {
- g4:m7 f/a bf:6 c | % 25
- }
- }
+ f1 | % 14
+ c1/e | % 15
+ bf1/d | % 16
+ g4:m7 f/a bf:6 c | % 17
+ f1 | % 18
+ c1/e | % 19
+ g1:m7 | % 20
+
+ g4:m7 f/a bf:6 c | % 21
+ f1 | % 22
+ bf1/c | % 23
+
+ g4:m7 f/a bf:6 c | % 24
+
+ g4:m7 f/a bf:6 c | % 25
% Outro
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- c1 ~ | % 1
- c1 | % 2
- c1 ~ | % 3
- c1 | % 4
- }
+ c1 ~ | % 1
+ c1 | % 2
+ c1 ~ | % 3
+ c1 | % 4
% Verse
- \repeat volta 2
- {
- c1 ~ | % 5
- c1 | % 6
- c1 ~ | % 7
- c1 | % 8
- c1 ~ | % 9
- c1 | % 10
- c1 | % 11
- }
- \alternative
- {
- {
- c2 c4 c | % 12
- }
- {
- c4 c c c | % 13
- }
- }
+ c1 ~ | % 5
+ c1 | % 6
+ c1 ~ | % 7
+ c1 | % 8
+ c1 ~ | % 9
+ c1 | % 10
+ c1 | % 11
+
+ c2 c4 c | % 12
+
+ c4 c c c | % 13
% Chorus
- \repeat volta 3
- {
- c4 c-> c c-> | % 14
- c4 c-> c c-> | % 15
- c4 c-> c c-> | % 16
- c4-> c c c | % 17
- c4 c-> c c-> | % 18
- c4 c-> c c-> | % 19
- c4 c-> c c-> | % 20
- }
- \alternative
- {
- {
- c4 c c c | % 21
- c4 c c c | % 22
- c1 \bar "||" % 23
- }
- {
- c4 c c c | % 24
- }
- {
- c4 c c c \bar "||" % 25
- }
- }
+ c4 c-> c c-> | % 14
+ c4 c-> c c-> | % 15
+ c4 c-> c c-> | % 16
+ c4-> c c c | % 17
+ c4 c-> c c-> | % 18
+ c4 c-> c c-> | % 19
+ c4 c-> c c-> | % 20
+
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c1 | % 23
+
+ c4 c c c | % 24
+
+ c4 c c c | % 25
% Outro
c1 | % 31
c1 | % 32
c4_\markup { \italic { rit. } } c c c | % 33
- c1^\fermata \bar "|." % 34
+ c1^\fermata | % 34
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
\new Lyrics \lyricsto "lead" \LeadVoxTextD
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
- ragged-last = ##t
+% ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "You Are My All In All" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
s1^\markup { \hspace #0.0 \raise #2.0 { 16th note ballad } } | % 1
s1 | % 2
\time 2/4 s2 \time 4/4 | % 3
- s1 \bar "||:" % 4
+ s1 \bar ".|:-||" % 4
\repeat volta 3
{
% A section
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- r4 f16 g a8 g g f e | % 5
- f4 f16 g a8 c, c f e | % 6
- d4 d16 e f8 f4 e | % 7
- f4. ( g16 f e2 ) | % 8
-
- r4 f16 g a8 g g f e | % 9
- f4 f16 g a8 c, c f e | % 10
- d4 d16 e f8 f4 e | % 11
- f2. r4 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% B section
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
- a2 g | % 13
- f4 c' a2 | % 14
- bf4 bf a g | % 15
- a4. ( bf16 a g2 ) | % 16
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- a2 g | % 17
- f4 c' a2 | % 18
- bf4 bf a g | % 19
+ s1*7 | % 13-19
}
\alternative
{
{
- f2. r4 | % 20
+ s1 | % 20
}
{
- f2. r4^\markup { \hspace #-2.0 \raise #1.0 \bold { D.S. } } \bar "||" % 21
+ s2. s4^\markup { \hspace #-2.0 \raise #1.0 \bold { D.S. } } \bar "||" % 21
}
{
- f2. r4 \bar "||" % 22
+ s1 \bar "||" % 22
}
}
% Ending
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*4 \bar "|." % 23-26
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s1 | % 1
+ s1 | % 2
+ s2 | % 3
+ s1 | % 4
+
+ % A section
+
+ r4 f16 g a8 g g f e | % 5
+ f4 f16 g a8 c, c f e | % 6
+ d4 d16 e f8 f4 e | % 7
+ f4. ( g16 f e2 ) | % 8
+
+ r4 f16 g a8 g g f e | % 9
+ f4 f16 g a8 c, c f e | % 10
+ d4 d16 e f8 f4 e | % 11
+ f2. r4 | % 12
+
+ % B section
+
+ a2 g | % 13
+ f4 c' a2 | % 14
+ bf4 bf a g | % 15
+ a4. ( bf16 a g2 ) | % 16
+
+ a2 g | % 17
+ f4 c' a2 | % 18
+ bf4 bf a g | % 19
+
+ f2. r4 | % 20
+
+ f2. r4 | % 21
+
+ f2. r4 | % 22
+
+ % Ending
a2 g | % 23
f4 c' a2 | % 24
bf4 bf a g | % 25
- f1^\fermata \bar "|." % 26
+ f1^\fermata | % 26
}
+
LeadVoxText = \lyricmode
{
You are my strength when I am weak;
Riffs = \relative c''
{
- \clef G
- \key f \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
r4 f16 g a8 g g16 f ~ f e8 f16 ~ | % 1
f4 f16 g a8 c, c16 f ~ f e8 d16 ~ | % 2
- \time 2/4 d4 d16 e f8 \time 4/4 | % 3
- f2 e \bar "||:" % 4
+ d4 d16 e f8 | % 3
+ f2 e | % 4
\normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
f2 c/e | % 1
d2:m f/a | % 2
- \time 2/4 bf2 \time 4/4 | % 3
+ bf2 | % 3
f2/c c | % 4
- \repeat volta 3
- {
- % A section
+ % A section
f2 c/e | % 5
d2:m f/a | % 6
g2:m7 f4/c c | % 11
bf2/f f | % 12
- % B section
+ % B section
f2 c/e | % 13
d2:m f/a | % 14
bf4/d c/e f2 | % 18
g2:m7 f4/c c | % 19
- }
- \alternative
- {
- {
- bf2/f f | % 20
- }
- {
- bf2/f f | % 21
- }
- {
- bf2/f f | % 22
- }
- }
+ bf2/f f | % 20
+
+ bf2/f f | % 21
+
+ bf2/f f | % 22
% Ending
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 1
c4 c c c | % 2
- \time 2/4 c4 c \time 4/4 | % 3
+ c4 c | % 3
c4 c c c | % 4
- \repeat volta 3
- {
- % A section
+ % A section
c4 c c c | % 5
c4 c c c | % 6
c4 c c c | % 11
c4 c c c | % 12
- % B section
+ % B section
c4 c c c | % 13
c4 c c c | % 14
c4 c c c | % 18
c4 c c c | % 19
- }
- \alternative
- {
- {
- c4 c c c | % 20
- }
- {
- c4 c c c | % 21
- }
- {
- c4 c c c \bar "||" % 22
- }
- }
+ c4 c c c | % 20
+
+ c4 c c c | % 21
+
+ c4 c c c | % 22
% Ending
c2 c | % 23
c4 c c2 | % 24
c2 c4 c | % 25
- c2 c^\fermata \bar "|." % 26
+ c2 c^\fermata | % 26
+ \normalsize
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "You Have Been Good" }
% Neat!
% subtitle = \markup { \fret-diagram #"6-3;5-x;4-2;3-o;2-3;1-3;" " - " \fret-diagram-terse #"3-(;6;;5;4;3-);" }
%
% Song's structure
%
-Global =
+Global =
{
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 12/8
% Intro
- s1. | % 1
- s1. | % 2
- s1. | % 3
- s1. \bar "||:" % 4
+ s1.*3 | % 1-3
+ s1. \bar ".|:-||" % 4
\repeat volta 3
{
% A section
\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- s1. | % 5
- s1. | % 6
- s1. | % 7
- s1. | % 8
-
- s1. | % 9
- s1. | % 10
- s1. | % 11
- s1. \bar "||" % 12
+ s1.*8 \bar "||" % 5-12
% B section
\once \override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- s1. | % 13
- s1. | % 14
- s1. | % 15
- s1. \bar "||" % 16
+ s1.*4 \bar "||" % 13-16
% A section
- s1. | % 17
- s1. | % 18
- s1. | % 19
+ s1.*3 | % 17-19
}
\alternative
{
{
- s1. | % 20
- s1. | % 21
+ s1.*2 | % 20-21
}
{
s2. s4. s8^\markup { \hspace #4.0 \raise #1.0 \bold { D.S. } } s s \bar "||" % 22
% Ending
- s1. | % 24
- s1. | % 25
- s1. | % 26
- s1. \bar "|." % 27
+ s1.*4 \bar "|." % 24-27
}
%
LeadVox = \relative c'
{
- \clef G
- \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
s1. | % 1
d1.^\fermata | % 27
}
+
LeadVoxText = \lyricmode
{
O Lord, _ you have been good, _
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
d4. d:sus4 d g | % 1
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
Rhythm =
{
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\score
{
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\context Staff
<<
- \context Staff << \new Voice = "lead" \LeadVox \new Voice \Riffs >>
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
projects / music / commitdiff