--- /dev/null
+\version "2.19.0"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+ title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Lift My Eyes Up" }
+% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+ (set! (ly:music-property arg 'tweaks)
+ (acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
+
+
+%
+% Song's structure
+%
+Global =
+{
+ \clef G
+ \key d \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Intro
+
+ \repeat volta 2
+ {
+ s1^\markup { \italic { Piano & Ac. Gtr } } | % 1
+ s1 | % 2
+ }
+
+ \repeat volta 2
+ {
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1^\markup { \italic { Drums & Bass 2nd X } } | % 3
+ s1*7 \bar "||" % 4-10
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 11-17
+ }
+ \alternative
+ {
+ {
+ s1 | % 18
+ s1^\markup { \italic { Full Band } } | % 19
+ s2. s4^\markup { \italic { Dr. Fill } } | % 20
+ }
+ {
+ s2. s4^\markup { \italic { Dr. Fill } } \bar "||" % 21
+ }
+ }
+
+ % Solo
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \key e \major
+
+ s1*8 \bar "||" % 22-29
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 \bar "||" % 30-37
+
+ % Ending
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1^\markup { \italic { Floating } } | % 38
+ s1*4 \bar "|." % 39-42
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s1*2 | % 1-2
+
+ % Verse
+
+ r8 fs fs a g4 a | % 3
+ r8 fs fs a g ( fs16 ) d ~ d4 | % 4
+ r8 fs fs d g4 fs8. ( e16 ) | % 5
+ e2 ~ e4 r | % 6
+ r8 fs fs d g4 a | % 7
+ r8 fs fs a g ( fs16 ) d ~ d4 | % 8
+ r8 fs fs d g4 fs8. ( e16 ) | % 9
+ e2 ~ e4 r | % 10
+
+ % Chorus
+
+ r8 <fs \hn a,> <a \hn d,> <d \hn fs,> <cs \hn e,>8. <d \hn fs,>16 ~ <d \hn fs,>8 <a \hn d,> | % 11
+ r8 <fs \hn a,> <a \hn d,> <d \hn fs,> <cs \hn e,>8. <d \hn fs,>16 ~ <d \hn fs,>8 <a \hn d,> | % 12
+ r8 <fs \hn a,> <a \hn d,> <d \hn fs,> <cs \hn e,>4 <d \hn fs,>4 | % 13
+ <cs \hn e,>4 ~ <cs \hn e,>16 ( <b \hn d,> <a \hn cs,> <a \hn cs,> ) ~ <a \hn cs,>2 | % 14
+ r8 <fs \hn a,> <a \hn d,> <d \hn fs,> <cs \hn e,>8. <d \hn fs,>16 ~ <d \hn fs,>8 <a \hn d,> | % 15
+ r8 <fs \hn a,> <a \hn d,> <d \hn fs,> <cs \hn e,>8. <d \hn fs,>16 ~ <d \hn fs,>8 <a \hn d,> | % 16
+ r8 <fs \hn a,> <a \hn d,> <d \hn fs,> <cs \hn g>4 <d \hn fs,>4 | % 17
+
+ <cs \hn e,>4 ~ <cs \hn e,>16 ( <b \hn d,> <a \hn cs,> <a \hn cs,> ) ~ <a \hn cs,>2 | % 18
+ s1 | % 19
+ s1 | % 20
+
+ <cs \hn e,>4 ~ <cs \hn e,>16 ( <b \hn d,> <a \hn cs,> <a \hn cs,> ) ~ <a \hn cs,>2 | % 21
+
+ % Solo
+
+ s1*8 | % 22-29
+
+ % Chorus
+
+ r8 <gs \hn b,> <b \hn e,> <e \hn gs,> <ds \hn fs,>8. <e \hn gs,>16 ~ <e \hn gs,>8 <b \hn e,> | % 30
+ r8 <gs \hn b,> <b \hn e,> <e \hn gs,> <ds \hn fs,>8. <e \hn gs,>16 ~ <e \hn gs,>8 <b \hn e,> | % 31
+ r8 <gs \hn b,> <b \hn e,> <e \hn gs,> <ds \hn fs,>4 <e \hn gs,>4 | % 32
+ <ds \hn fs,>4 ~ <ds \hn fs,>16 ( <cs \hn e,> <b \hn ds,> <b \hn ds,> ) ~ <b \hn ds,>2 | % 33
+ r8 <gs \hn b,> <b \hn e,> <e \hn gs,> <ds \hn fs,>8. <e \hn gs,>16 ~ <e \hn gs,>8 <b \hn e,> | % 34
+ r8 <gs \hn b,> <b \hn e,> <e \hn gs,> <ds \hn fs,>8. <e \hn gs,>16 ~ <e \hn gs,>8 <b \hn e,> | % 35
+ r8 <gs \hn b,> <b \hn e,> <e \hn gs,> <ds \hn a>4 <e \hn gs,>4 | % 36
+ <ds \hn fs,>4 ~ <ds \hn fs,>16 ( <cs \hn e,> <b \hn ds,> <b \hn ds,> ) ~ <b \hn ds,>2 | % 37
+
+ % Ending
+
+ r8 gs gs b a4 b | % 38
+ r8 gs gs b a ( gs16 ) e ~ e4 | % 39
+ r8 gs gs e a4 gs8. ( fs16 ) | % 40
+ fs1-\fermata | % 41
+ s1 | % 42
+}
+
+
+LeadVoxText = \lyricmode
+{
+ I lift my eyes up, up to the moun -- _ tains, _
+ where does my help come _ from? _
+ My help comes from you, ma -- ker of hea -- _ ven, _
+ cre -- a -- tor of the _ earth, _
+
+ O, how I need you _ Lord,
+ You are my on -- ly _ hope,
+ You are my on -- ly prayer, _ _ _ _ _
+ So I will wait for _ you,
+ to come an res -- cue _ me,
+ to come and give me life. _ _ _ _ _
+
+ life. _ _ _ _ _
+
+ O, how I need you _ Lord,
+ You are my on -- ly _ hope,
+ You are my on -- ly prayer, _ _ _ _ _
+ So I will wait for _ you,
+ to come an res -- cue _ me,
+ to come and give me life. _ _ _ _ _
+
+ I lift my eyes up, up to the moun -- _ tains, _
+ where does my help come _ from? _
+}
+
+
+Riffs = \relative c'
+{
+ \tiny
+
+ % Intro
+
+ <a d fs>8 a16 d <a fs'>8 a16 d <b d g>8. <d g>16 ~ <d g> <b d g>8.| % 1
+ <a d fs>8 a16 d <a fs'>8 a16 d <b d g>8 b16 <b d a'> ~ <b d a'> <b d g>8. | % 2
+
+ s1*16
+
+ <a d fs>8 a16 d <a fs'>8 a16 d <b d g>8. <d g>16 ~ <d g> <b d g>8.| % 19
+ <a d fs>8 a16 d <a fs'>8 a16 d <b d g>8 b16 <b d a'> ~ <b d a'> <b d g>8. | % 20
+
+ s1
+
+ % Solo
+
+ \override NoteHead #'style = #'slash
+ b'4 b b b | % 22
+ b4 b b b | % 23
+ b4 b b b | % 24
+ b4 b b b | % 25
+ b4 b b b | % 26
+ b4 b b b | % 27
+ b4 b b b | % 28
+ b4 b b b | % 29
+
+ s1*12
+
+ b1-\fermata | % 42
+ \revert NoteHead #'style
+
+ \normalsize
+}
+
+
+%
+% Chord names
+%
+Chords = \chordmode
+{
+ % Intro
+
+ d2 g/d | % 1
+ d2 g/d | % 2
+
+ % Verse
+
+ d2 g/d | % 3
+ d2 g/d | % 4
+ d2 g4/d b:m7 | % 5
+ a2:sus4 a | % 6
+ d2 g | % 7
+ d2 g | % 8
+ d2/fs g4 b:m7 | % 9
+ a2:sus4 a | % 10
+
+ % Chorus
+
+ d2/fs g | % 11
+ d2/fs g | % 12
+ d2/fs g4 b:m7 | % 13
+ a2:3.5.11 a | % 14
+ d2/fs g | % 15
+ d2/fs g | % 16
+ d2/fs g4 b:m7 | % 17
+
+ a2:3.5.11 a | % 18
+ d2 g/d | % 19
+ d2 g/d | % 20
+
+ a2:3.5.11 a4 b:sus4 | % 21
+
+ % Solo
+
+ e2 a/e | % 22
+ e2 a/e | % 23
+ e2 a4/e cs:m7 | % 24
+ b2:sus4 b | % 25
+ e2 a | % 26
+ e2 a | % 27
+ e2/gs a4 cs:m7 | % 28
+ b2:sus4 b | % 29
+
+ % Chorus
+
+ e2/gs a | % 30
+ e2/gs a | % 31
+ e2/gs a4 cs:m7 | % 32
+ b2:3.5.11 b | % 33
+ e2/gs a | % 34
+ e2/gs a | % 35
+ e2/gs a4 cs:m7 | % 36
+ b2:3.5.11 b | % 37
+
+ % Ending
+
+ e2 a/e | % 38
+ e2 a/e | % 39
+ e2/gs a4 cs:m7 | % 40
+ b1:3.5.11 | % 41
+ e1 | % 42
+}
+
+
+Dynamics =
+{
+ s1_\mp | % 1
+ s1
+ s1_\markup { \dynamic mp - \dynamic mf } | % 3
+ s1*16
+ s1_\mf | % 19
+ s2 s_\< | % 20
+ s1_\f
+ s1*15
+ s2 s_\> | % 37
+ s1_\mp
+ s1
+ s2 s_\markup { \italic { Rit. } } | % 40
+}
+
+
+\score
+{
+ <<
+ <<
+ \new ChordNames \Chords
+ >>
+
+ \new Staff
+ <<
+ \Global % The "roadmap" that everything else depends on
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ \Dynamics
+ >>
+
+%{ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
+ >>%}
+
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+ >>
+}
+
+
+\paper
+{
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
+}
+
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