2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "You Are My All In All" }
14 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
32 s1^\markup { \hspace #0.0 \raise #2.0 { 16th note ballad } } | % 1
34 \time 2/4 s2 \time 4/4 | % 3
41 \mark \markup { \override #'(font-family . sans) { \box { A } } }
46 \once \override Score.RehearsalMark #'self-alignment-X = #left
47 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
57 s2. s4^\markup { \hspace #-2.0 \raise #1.0 \bold { D.S. } } \bar "||" % 21
66 \mark \markup { \override #'(font-family . sans) { \box { C } } }
67 s1*4 \bar "|." % 23-26
74 LeadVox = \relative c'
85 r4 f16 g a8 g g f e | % 5
86 f4 f16 g a8 c, c f e | % 6
87 d4 d16 e f8 f4 e | % 7
88 f4. ( g16 f e2 ) | % 8
90 r4 f16 g a8 g g f e | % 9
91 f4 f16 g a8 c, c f e | % 10
92 d4 d16 e f8 f4 e | % 11
100 a4. ( bf16 a g2 ) | % 16
121 LeadVoxText = \lyricmode
123 You are my strength when I am weak;
124 you are the trea -- sure that I seek,
125 you are my all in all __ _ _ _
127 Seek -- ing you as a pre -- cious jewel;
128 Lord to give up I’d be a fool,
129 you are my all in all.
131 Je -- sus, Lamb of God
132 wor -- thy is your name __ _ _ _
133 Je -- sus, Lamb of God
134 wor -- thy is your name.
139 Je -- sus, Lamb of God
140 wor -- thy is your name.
143 LeadVoxTextB = \lyricmode
145 Tak -- ing my sin, my cross, my shame;
146 ris -- ing a -- gain, I bless your name,
147 you are my all in all __ _ _ _
149 When I fall down, you pick me up;
150 when I am dry you fill my cup,
151 you are my all in all.
155 Riffs = \relative c''
160 r4 f16 g a8 g g16 f ~ f e8 f16 ~ | % 1
161 f4 f16 g a8 c, c16 f ~ f e8 d16 ~ | % 2
223 \numericTimeSignature
224 \override NoteHead #'style = #'slash
277 \time 2/4 s2 \time 4/4 | % 3
280 s4_\markup { \italic { stick } } s2. | % 5
284 s4_\markup { \hspace #0.0 \raise #-1.5 \italic { 1st X stick, 2nd & 3rd X light snare } } s2. | % 13
291 s4 s_\markup { \italic rit. } s2 | % 25
298 \Global % The "roadmap" that everything else depends on
302 \new Voice = "lead" \LeadVox
303 \new Voice = "riffs" \Riffs
304 \new Lyrics \lyricsto "lead" \LeadVoxText
305 \new Lyrics \lyricsto "lead" \LeadVoxTextB
310 \new ChordNames \Chords
311 \new RhythmicStaff << \StaffC \Dynamics >>
314 \set Score.skipBars = ##t
315 \set Score.melismaBusyProperties = #'()
322 #(define fonts (make-pango-font-tree
328 % Spread staves vertically across last page (default: t)
329 % ragged-last-bottom = ##f
330 % Spread staves vertically across the page (default: f)
331 % ragged-bottom = ##t
332 % Allow partial line for last stave (default: f)
335 % To find out what's eating the space at the top...
336 % annotate-spacing = ##t