1 % Still need hairpins, directions, dynamics, etc...
4 \include "pop-chords.ly"
7 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
9 #(set-default-paper-size "letter")
10 #(set-global-staff-size staffSize)
11 #(ly:set-option (quote no-point-and-click))
13 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The Lord’s Prayer" }
18 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
41 \mark \markup { \override #'(font-family . sans) \box { A } }
46 \mark \markup { \override #'(font-family . sans) \box { B } }
47 s1*8 \bar "||" % 12-19
52 \mark \markup { \override #'(font-family . sans) \box { C } }
53 s2.*10 \bar "||" % 20-29
57 \mark \markup { \override #'(font-family . sans) \box { D } }
58 s2.*4 \bar "||" % 30-33
62 \mark \markup { \override #'(font-family . sans) \box { E } }
74 \mark \markup { \override #'(font-family . sans) \box { F } }
75 s2.*5 \bar "|." % 41-45
82 LeadVox = \relative c'
95 f4 r \times 2/3 { bf,4 c d } | % 7
109 c2. ~ c8 ( bf ) | % 18
127 d8. d16 d4 \times 2/3 { d8 d d } | % 30
128 f4 ef4. ef16 ef | % 31
135 d4 c \times 2/3 { r8 b c } | % 35
136 d4 c \times 2/3 { r8 b c } | % 36
138 f2. ( ~ f8 bf, ) | % 38
140 c2. ( bf4-\fermata ) | % 40
151 LeadVoxText = \lyricmode
153 Our Fa -- ther, _ who art in hea -- ven, _
154 hal -- low -- ed be _ thy _ name. _
155 Thy king -- dom come, thy will be done,
156 on Earth, as it is in hea -- _ _ ven.
158 Give us this day our dai -- ly bread
159 and for -- give us our debts
160 as we for -- give our debt -- ors.
162 And lead us not in -- to temp -- ta -- tion,
163 but de -- liv -- er us from e -- vil,
164 for thine is the king -- dom,
165 and the pow -- er and the glo -- ry
174 Riffs = \relative c''
182 e8 b ds b cs b ds b | % 42
183 e8 b ds b cs b ds b | % 43
184 e8 b ds b cs b ds b | % 44
204 c2:m7 f4:sus4 f | % 6
231 a4:sus4.7 a2:7 | % 27
233 a4:sus4.7 a2:7 | % 29
245 ef4:maj7 ef2:6 | % 35
247 gf2:6 gf4:aug gf:sus4 | % 37
254 ef4/bf bf ef/bf | % 41
267 \numericTimeSignature
268 \override NoteHead #'style = #'slash
343 s4_\markup { \italic { Ac. gtr only } } s2. | % 1
347 s4_\markup { \italic { Band in } } s2. | % 5
355 \Global % The "roadmap" that everything else depends on
356 \set Score.skipBars = ##t
357 \set Score.melismaBusyProperties = #'()
361 \new Voice = "lead" \LeadVox
363 % \new Voice = "lead" \transpose bf c' \LeadVox
365 \new Lyrics \lyricsto "lead" \LeadVoxText
370 \new ChordNames \Chords
372 % \new ChordNames \transpose bf c \Chords
373 \new RhythmicStaff << \Rhythm \Dynamics >>
381 #(define fonts (make-pango-font-tree
387 % Don't spread staves vertically across last page (default: t)
388 % ragged-last-bottom = ##f
389 % Don't spread staves vertically across the page (default: f)
390 % ragged-bottom = ##t
391 % Allow partial line for last stave (default: f)
394 % To find out what's eating the space at the top...
395 % annotate-spacing = ##t