1 % Still needs hairpins/etc
4 \include "pop-chords.ly"
7 % Good sizes are 16, 18, & 20
9 #(set-default-paper-size "letter")
10 #(set-global-staff-size staffSize)
11 #(ly:set-option (quote no-point-and-click))
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans)
18 { \fontsize #3.5 "The Heart Of Worship" } }
19 composer = \markup { \override #'(font-family . sans) "Michael W. Smith" }
20 arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
21 tagline = "Engraved by JLH and Lilypond 2.8.2"
29 LeadVox = \relative c''
31 % \set Voice.autoBeaming = ##f
32 % \set Staff.instrumentName = #"Lead vox"
35 \override Staff.TimeSignature #'style = #'()
37 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
41 r8^\markup { \hspace #0.0 \raise #1.5 { 8th note ballad } } \tiny a a a a d, d b' ~ | % 1
42 b8 a4 fs8 ~ fs e4 d16 d | % 2
43 fs8 fs16 g ~ g8 fs ~ fs2 | % 3
44 fs8 fs16 g ~ g8 fs ~ fs e4. ~ | % 4
45 e1 \normalsize \bar "||:" % 5
51 \once \override Score.RehearsalMark #'self-alignment-X = #left
52 \mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st time piano } }
54 r4. a16 a a8 d,4 e8 ~ | % 6
55 e2 fs8 e e d16 d ~ | % 7
56 d4. a'16 a a8 d,4 e8 ~ | % 8
58 r4. a16 a a8 d,4 e8 ~ | % 10
59 e2 fs8 e e d16 d ~ | % 11
60 d4. a'16 a a8 d,4 e8 ~ | % 12
65 \once \override Score.RehearsalMark #'self-alignment-X = #left
66 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" \italic { band in } }
68 r8 g g g fs e d e ~ | % 14
69 e4. e16 d fs8 e d b | % 15
70 r8 g' g g fs e d e ~ | % 16
72 r8 g g g fs e d e ~ | % 18
73 e4. e16 d fs8 e d b | % 19
74 r8 g' g g a fs b fs16 e ~ | % 20
79 \once \override Score.RehearsalMark #'self-alignment-X = #left
80 \mark \markup { \override #'(font-family . sans) { \box { C } } \italic { snare } }
82 r8 a a a a d, d b' ~ | % 22
83 b8 a4 fs8 ~ fs e r d16 d | % 23
84 fs8 fs16 g ~ g8 fs ~ fs2 | % 24
85 fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 25
86 r8 a' a a a d, d b' ~ | % 26
87 b8 a4 fs8 ~ fs e r d16 d | % 27
88 fs8 fs16 g ~ g8 fs ~ fs2 | % 28
89 \once \override Score.RehearsalMark #'self-alignment-X = #right
90 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
95 fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 29
100 fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ \bar "||" % 32
106 \once \override Score.RehearsalMark #'self-alignment-X = #left
107 \mark \markup { \override #'(font-family . sans) { \box { D } } \italic { solo } }
120 \once \override Score.RehearsalMark #'self-alignment-X = #right
121 \mark \markup { \italic { D.S. al Coda } }
125 %\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
126 \stopStaff s1 \startStaff
127 \set Score.currentBarNumber = #41
129 \once \override Score.RehearsalMark #'self-alignment-X = #left
130 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
132 fs8 fs16 g ~ g8 fs ~ fs e4 d8 \bar "||" % 41
134 \mark \markup { \override #'(font-family . sans) { \box { E } } }
136 r8 a' a a a d, d b' ~ | % 42
137 b8 a4 fs8 ~ fs e r d16 d | % 43
138 fs8 fs16 g ~ g8 fs ~ fs2 | % 44
139 fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 45
140 r8 a' a a a d, d b' ~ | % 46
141 b8 a4 fs8 ~ fs e r d16 d | % 47
142 fs8 fs16 g ~ g8 fs ~ fs2 | % 48
143 fs8 fs16 g ~ g8 fs ~ fs e4 d16 d | % 49
145 fs8 fs16 g ~ g8 fs ~ fs2 | % 50
146 fs8 fs16 g ~ g8 fs ~ fs e4 d16 d | % 51
148 fs8 fs16 g ~ g8 fs ~ fs2 | % 50
149 fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 53
150 d1^\fermata \bar "|." % 54
153 LeadVoxText = \lyricmode
155 _ _ _ _ _ _ _ _ _ _ _ _ _ _
156 _ _ _ _ _ _ _ _ _ _ _ _ _ _
158 When the mu- sic fades _ all is stripped a- way _
159 And I simp- ly come _
160 Long- ing just to bring _ some- thing that's of worth _
161 That will bless your heart _
163 I'll bring you more than a song _
164 for a song in it- self
165 Is not what you have re- quired _
166 You see much deep- er with- in _
167 through the way things ap- pear
168 You're look- ing in- to my heart __ _ _
170 I'm com- ing back to the heart _ of wor- _ ship
171 and it's all a- bout _ you, _ all a- bout _ you _ Je- sus
172 I'm sor- ry Lord for the thing _ I've made _ it
173 when it's all a- bout _ you, _ all a- bout _ you _ Je- sus _
175 all a- bout _ you _ Je- sus _
176 all a- bout _ you _ Je- sus
178 I'm com- ing back to the heart _ of wor- _ ship
179 and it's all a- bout _ you, _ all a- bout _ you _ Je- sus
180 I'm sor- ry Lord for the thing _ I've made _ it
181 when it's all a- bout _ you, _ all a- bout _ you _ Lord
182 when it's all a- bout _ you, _ all a- bout _ you _ Lord
183 when it's all a- bout _ you, _ all a- bout _ you _ Je- sus
186 LeadVoxTextB = \lyricmode
188 _ _ _ _ _ _ _ _ _ _ _ _ _ _
189 _ _ _ _ _ _ _ _ _ _ _ _ _ _
191 King of end- less worth _ no one could ex- press _
192 How much you de- serve _
193 Though I'm weak and poor _ all I have is yours _
194 Ev- ery sin- gle breath _
204 %Bah, can't we set this globally?
211 e4.:m7 d:sus2/fs s4 | % 3
230 e2:m7 d:sus2/fs | % 14
232 e2:m7 d:sus2/fs | % 16
234 e2:m7 d:sus2/fs | % 18
236 e2:m7 d:sus2/fs | % 20
243 e4.:m7 d:sus2/fs s4 | % 24
247 e4.:m7 d:sus2/fs s4 | % 28
265 e4.:m7 d:sus2/fs s4 | % 35
269 e4.:m7 d:sus2/fs s4 | % 39
279 e4.:m7 d:sus2/fs s4 | % 44
283 e4.:m7 d:sus2/fs s4 | % 48
284 g4. a:sus4 a4/fs | % 49
285 e4.:m7 d:sus2/fs s4 | % 50
286 g4. a:sus4 a4/fs | % 51
287 e4.:m7 d:sus2/fs s4 | % 52
297 % Use a RhythmicStaff on the chords instead of this?
298 % It almost works, but not quite. Doesn't collapse chords above to single notes...
302 % \set Voice.autoBeaming = ##f
303 % \set Staff.instrumentName = #"Rhythm"
304 \override Staff.TimeSignature #'style = #'()
306 \override NoteHead #'style = #'slash
312 c4.-> c8-> ~ c4 c | % 3
313 c4.-> c8-> ~ c2 | % 4
327 c4 c c c \bar "||" % 13
338 c4 c c c \bar "||" % 21
344 c4.-> c8-> ~ c4 c | % 24
345 c4.-> c8-> ~ c4 c | % 25
348 c4.-> c8-> ~ c4 c | % 28
353 c4.-> c8-> ~ c4 c | % 29
358 c4.-> c8-> ~ c4 c \bar "||" % 32
366 c4.-> c8-> ~ c4 c | % 35
367 c4.-> c8-> ~ c4 c | % 36
370 c4.-> c8-> ~ c4 c | % 39
371 c4.-> c8-> ~ c4 c | % 40
375 \stopStaff s1 \startStaff |
376 \set Score.currentBarNumber = #41
378 c4.-> c8-> ~ c4 c \bar "||" % 41
381 c4.-> c8-> ~ c4 c | % 44
382 c4.-> c8-> ~ c4 c | % 45
385 c4.-> c8-> ~ c4 c | % 48
386 c4.-> c8-> ~ c4 c | % 49
387 c4.-> c8-> ~ c4 c | % 50
388 c4.-> c8-> ~ c4 c | % 51
389 c4.-> c8-> ~ c4 c | % 52
390 c4.-> c8->_\markup { \italic { rit. } } ~ c4 c | % 53
391 c1^\fermata \bar "|." % 54
399 \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
400 \new Lyrics \lyricsto "lead" \LeadVoxText
401 \new Lyrics \lyricsto "lead" \LeadVoxTextB
404 \new ChoirStaff = "Rhythm"
406 \new ChordNames = "chords" \Chords
407 \new RhythmicStaff = "chordRhythm" \StaffC
410 \set Score.skipBars = ##t
411 \set Score.melismaBusyProperties = #'()
416 % \context { \Staff \RemoveEmptyStaves }
417 % ragged-last-bottom = ##t
425 #(define fonts (make-pango-font-tree