2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Come, All Ye Faithful" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
32 \partial 4*1 s4 \bar "||" % 0
37 \mark \markup { \override #'(font-family . sans) { \box { A } } }
38 s1*21 \bar "||" % 5-25
42 \mark \markup { \override #'(font-family . sans) { \box { B } } }
45 %\break %Bah, only valid for size 16!!!
47 s1*6 \bar "||" % 40-45
51 \mark \markup { \override #'(font-family . sans) { \box { C } } }
52 s1*25 \bar "|." % 46-70
59 LeadVox = \relative c'
80 e4. ( d8 ) c4 f | % 16
104 e4. ( d8 ) c4 f | % 37
108 %\break %Bah, only valid for size 16!!!
130 e4. ( d8 ) c4 f | % 57
139 bf4-> a-> g-> f-> | % 66
147 LeadVoxText = \lyricmode
149 O come, all ye fai -- thful,
150 joy -- ful and tri -- um -- phant,
151 O come ye, O come _ ye to Beth -- _ le -- hem;
152 Come and be -- hold him, born the king of an -- _ gels;
154 O come let us a -- dore him,
155 O come let us a -- dore him,
156 O come let us a -- dore him, _
157 Christ, _ the Lord. __ _
159 Sing, choirs of an -- gels,
160 sing in ex -- ul -- ta -- tion,
161 O sing, all ye ci -- ti -- zens of hea -- ven a -- bove;
162 Glo -- ry to God, all glo -- ry in the high -- _ est;
164 O come let us a -- dore him,
165 O come let us a -- dore him,
166 O come let us a -- dore him, _
169 Yea, Lord, we greet thee,
170 born this hap -- py morn -- ing,
171 O Je -- sus to thee _ be all glo -- _ ry given;
172 Word of the Fa -- ther, now in flesh ap -- pear -- _ ing;
174 O come let us a -- dore him,
175 O come let us a -- dore him,
176 O come let us a -- dore him, _
179 O come let us a -- dore him, _
180 Christ, __ _ _ the Lord.
184 Riffs = \relative c''
190 bf4-> a-> g-> f-> | % 1
206 g4:m f/a g:m/bf g:7/b | % 1
207 c4 c/bf f/a bf:m/df | % 2
208 f2/c g4:m7/c c:9 | % 3
216 f2/a g4:m7/c a:aug7/cs | % 8
219 c2/g d4:m7/g g:7 | % 11
223 c4/e f d:m g:m/bf | % 15
225 f4 c/f f g:m/f | % 17
229 g4:m f/a g:m/bf g:7/b | % 21
233 g2:m7 g4:m7/c c:7 | % 25
238 g2:m9 c:sus4.7 | % 27
239 f4 c/e f c:7/g | % 28
240 g2:9 g4:m7/c a:aug7/cs | % 29
243 c2/g d4:m7/g g:7 | % 32
248 g2:sus4.7 c:sus4.7 | % 37
249 f4 c/f f g:m/f | % 38
252 ef2:maj9.11+ a4:m7/d d:7/fs | % 41
253 g4:m f/a g:m/bf g:7/b | % 42
254 c2 ef4:9 d:aug7 | % 43
255 g2:9 g4:m/c c:9 | % 44
256 f4 d:m g:m7 g:m7/c | % 45
261 g2:m7 c:sus4.7 | % 47
263 b2:m7.5- g4:m7/c a:aug7/cs | % 49
266 c2/g d4:m7/g g:7 | % 52
267 c2:sus4 e:m7.5- | % 53
268 a2:m7.5- d:aug7 | % 54
269 e2:m7.5- a:sus4.7 | % 55
270 a4:m7/d df:aug f:6/c g/b | % 56
271 bf2:9.11+ c:sus4.7 | % 57
272 f4 c/f f g:m/f | % 58
274 d4:m c/d d:m ef:9 | % 60
275 ef2:9.11+ a4:m7/d d:7/fs | % 61
276 g4:m f/a g:m/bf g:7/b | % 62
277 c2 ef4:9 d:aug7 | % 63
278 g2:9 g4:m/c a:7/cs | % 64
280 g4:m f/a g:m/bf g:7/b | % 66
281 c4 c/bf f/a bf:m/df | % 67
293 \numericTimeSignature
294 \override NoteHead #'style = #'slash
384 \override TextScript #'extra-offset = #'( 0.0 . -1.0 )
386 \partial 4*1 s4_\f | % 0
387 s4_\markup { \italic { full band, snare } } s2. | % 1
390 s4_\markup { \dynamic mf \italic { piano only } } s2. | % 5
392 s4_\markup { \dynamic mp \italic { bass in, cym } } s2. | % 17
394 s4 s \< s s_\f | % 20
396 s2 s_\markup { \italic { dr. fill } } | % 23
397 s4_\markup { \italic { dr. groove, s-stick 2&4 } } s2. | % 24
399 s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 38
401 s4 s \< s s_\f | % 41
402 s4_\markup { \italic { backbeat } } s2. | % 42
404 s2 s_\markup { \italic { dr. fill } } | % 45
405 s4_\markup { \italic { Majestic, slower w/snare } } s2. | % 46
407 s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 58
409 s4 s \< s_\markup { \hspace #0.0 \raise #-2.0 \italic { dr.fill } } s_\f | % 61
410 s4_\markup { \italic { backbeat } } s2. | % 62
412 s4_\markup { \italic { rit. } } s2. | % 69
419 \Global % The "roadmap" that everything else depends on
423 \new Voice = "lead" \LeadVox
424 \new Voice = "riffs" \Riffs
425 \new Lyrics \lyricsto "lead" \LeadVoxText
430 \new ChordNames \Chords
431 \new RhythmicStaff << \StaffC \Dynamics >>
434 \set Score.skipBars = ##t
435 \set Score.melismaBusyProperties = #'()
442 #(define fonts (make-pango-font-tree
448 % Don't spread staves vertically across last page (default: t)
449 % ragged-last-bottom = ##f
450 % Don't spread staves vertically across the page (default: f)
451 % ragged-bottom = ##t
452 % Allow partial line for last stave (default: f)
455 % To find out what's eating the space at the top...
456 % annotate-spacing = ##t