2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "My Redeemer Lives" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Reuben Morgan" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Drippin’ Soul" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
38 \mark \markup { \override #'(font-family . sans) { \box { A } } }
39 s1*16 \bar "||" % 5-20
43 \mark \markup { \override #'(font-family . sans) { \box { B } } }
44 s1*4 \bar "||" % 21-24
48 \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
59 s2. s4^\markup { \hspace #0.0 \raise #0.6 { D.S. } } \bar "||" % 34
73 LeadVox = \relative c''
85 fs8 e cs e ~ e4 r | % 6
87 fs8 e cs e ~ e e fs gs ~ ( | % 8
88 gs2 ~ gs4. ~ gs16 fs | % 9
89 e4 ) r r8 a a a ( | % 10
93 fs8 e cs e ~ e4 r | % 14
95 fs8 e cs e ~ e e fs gs ~ ( | % 16
96 gs2 ~ gs4. ~ gs16 fs | % 17
97 e4 ) r r8 a a a ( | % 18
103 r4 fs fs e8 fs ~ | % 21
105 r8 e a4 a r8 a8 | % 23
106 a8 gs a8 b ~ b r gs b | % 24
112 b2 gs4. a16 ( gs | % 27
113 fs4 ) r r gs8 b | % 28
117 b2 gs4. a16 ( gs | % 31
120 b2 gs4. a16 ( gs | % 33
123 b2 gs4. a16 ( gs | % 35
130 LeadVoxText = \lyricmode
132 I know he res -- cued my soul, __ _
133 His blood has cov -- ered my sins, _
134 I be -- lieve, __ _ _ _ _ _
137 My shame he’s tak -- en a -- way, __ _
138 My pain is healed in his name, _
139 I be -- lieve, __ _ _ _ _ _
142 I’ll raise a ban -- _ ner
143 ’cause my Lord has con -- quered the grave. _
145 My Re -- deem -- er lives, _
146 my Re -- deem -- er lives; _ _
147 My Re -- deem -- er lives, _
150 deem -- er lives. _ _
152 deem -- er lives. _ _
154 deem -- er lives. _ _
159 % Riff/rhythm figures
161 Riffs = \relative c''
167 \repeat "percent" 3 % 1 - 6
169 << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
170 << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
172 << s2. \\ { \tiny d2 c4 } >> | % 7
173 << s2. \\ { \tiny bf2. } >> | % 8
178 \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
184 \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
190 \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
196 \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
268 \numericTimeSignature
269 \override NoteHead #'style = #'slash
330 \override TextScript #'extra-offset = #'( 0.0 . -1.0 )
332 \partial 4*1 s4_\markup { \italic { lite snare, arp. gtr. } } | % 0
334 s4_\markup { \italic { a capella } } s2 | % 24
342 \Global % The "roadmap" that everything else depends on
346 \new Voice = "lead" \LeadVox
347 \new Voice = "riffs" \Riffs
348 \new Lyrics \lyricsto "lead" \LeadVoxText
353 \new ChordNames \Chords
354 \new RhythmicStaff << \StaffC \Dynamics >>
357 \set Score.skipBars = ##t
358 \set Score.melismaBusyProperties = #'()
363 \context { \Staff \RemoveEmptyStaves }
364 % ragged-last-bottom = ##t
372 #(define fonts (make-pango-font-tree
378 % Don't spread staves vertically across last page (default: t)
379 % ragged-last-bottom = ##f
380 % Don't spread staves vertically across the page (default: f)
381 % ragged-bottom = ##t
382 % Allow partial line for last stave (default: f)
385 % To find out what's eating the space at the top...
386 % annotate-spacing = ##t