2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Jesus Is Just Alright" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Arthur Reynolds" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. The Doobie Brothers" }
16 tagline = "Engraved by JLH and Lilypond 2.8.8"
19 % Useful tweak abbreviations (hn = harmony note)
21 hn = #(define-music-function (parser location arg) (ly:music?)
22 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
24 (set! (ly:music-property arg 'tweaks)
25 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
40 \once \override Score.RehearsalMark #'self-alignment-X = #left
41 \mark \markup { \hspace #0.0 \raise #1.8 \small "Bright rock" }
59 s1*6 \bar ".|:-||" % 10-15
63 \once \override Score.RehearsalMark #'self-alignment-X = #left
64 \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
68 s1*9 \bar "||" % 16-24
70 \once \override Score.RehearsalMark #'self-alignment-X = #left
71 \mark \markup { \override #'(font-family . sans) { \box { B } } }
74 \once \override Score.RehearsalMark #'self-alignment-X = #right
75 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
80 s1*4 \bar "||" % 32-35
93 \once \override Score.RehearsalMark #'self-alignment-X = #left
94 \mark \markup { \override #'(font-family . sans) { \box { C } } \small "Moderate jazz waltz" }
108 \once \override Score.RehearsalMark #'self-alignment-X = #left
109 \mark \markup { \small "Guitar solo" \bold "(rpt. 6x)" }
118 %Ugh, only valid in size 18
125 \once \override Score.RehearsalMark #'self-alignment-X = #left
126 \mark \markup { \override #'(font-family . sans) { \box { D } } \small "Bright rock - Guitar solo" \bold "(rpt. 7x)" }
133 s1*2 \bar "||" % 89-90
135 \once \override Score.RehearsalMark #'self-alignment-X = #right
136 \mark \markup { \italic { D.S. al Coda } }
140 \stopStaff s1 \startStaff |
141 \set Score.currentBarNumber = #91
143 \once \override Score.RehearsalMark #'self-alignment-X = #left
144 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
153 LeadVox = \relative c''
156 \override MultiMeasureRest #'expand-limit = 1
162 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 5
163 <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 6
165 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 7
166 <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 8
168 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 9
170 <d \hn b \hn gs>2 r | % 10
180 <a' \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 16
181 <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 17
182 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 18
183 <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 19
184 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 20
185 <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 21
186 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 22
187 <d \hn b \hn gs>4 r r2 | % 23
190 <a' \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 25
191 <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 26
192 <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 27
193 <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 28
194 <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 29
195 <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 30
196 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 | % 31
198 r4 <g \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2 | % 32
199 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a> ( <d \hn b \hn gs> ) <d \hn b \hn gs> | % 33
201 r8 e4 ( g8 a2 ) | % 35
203 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 36
204 <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 37
205 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 38
206 <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 39
207 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 40
208 <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 41
209 <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 42
210 <d \hn b \hn gs>2 r4 r8 d | % 43
211 g8 a a e g4 ef16 ( d c8 ) | % 44
213 r4 <g' \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2-\fermata | % 45
234 r8 a, e' e ~ e4 ~ | % 61
241 e'8 d c4 a8 d ~ | % 67
246 g8 a4 g8 ~ g ef ( ~ | % 72
252 r4 d8 c ( d4 ) ~ | % 77
253 d4 c8 ( a ) ~ a4 ~ | % 78
273 s1 % blank bar for coda
275 r4 g'8 g ~ g2-\fermata | % 91
279 LeadVoxText = \lyricmode
281 Do, do, do, do, _ do, do, _ do, do. _
282 Do, do, do, do, _ do, do, _ do, do. _
284 Do, do, do, do, _ do, do. _
286 Je -- sus is just _ al -- right _ with me. _
287 Je -- sus is just _ al -- right, _ oh yeah. _
288 Je -- sus is just _ al -- right _ with me. _
289 Je -- sus is just _ al -- right. _
291 I don’t care _ what they _ may say. _
292 I don’t care _ what they _ may do. _
293 I don’t care _ what they _ may say. _
294 Je -- sus is just _ al -- right, oh yeah! _
295 Je -- sus is just _ al -- _ right.
298 Do, do, do, do, _ do, do, _ do, do. _
299 Do, do, do, do, _ do, do, _ do, do. _
301 Do, do, do, do, _ do, do, _ do, do. _
302 Do, do, do, do, _ do, do. _
304 A ho -- pin’ and a pray -- in’, __ _ _
308 Je -- sus, __ _ _ he’s my _ fri -- end. _
309 Je -- sus, __ _ _ well, he’s my __ _ _ fri -- end. _
310 He took me by the hand, _ led me far __ _ _ from this _ land, __ _ _ _
311 Je -- sus, __ _ _ he’s my __ _ _ fri -- end. __ _ _
316 LeadVoxTextB = \lyricmode
318 _ _ _ _ _ _ _ _ _ _ _
319 _ _ _ _ _ _ _ _ _ _ _
323 _ _ _ _ _ _ _ _ _ _ _
324 _ _ _ _ _ _ _ _ _ _ _
325 _ _ _ _ _ _ _ _ _ _ _
328 I don’t care _ what they _ may know. _
329 I don’t care _ where they _ may go. _
330 I don’t care _ what they _ may know. _
339 d8 ds e c' ~ c2 | % 12
340 d,8 ds e c ~ c2 | % 13
341 d8 ds e c' ~ c2 | % 14
342 d,8 ds e g fs d e e, | % 15
347 d'8 ds e c' ~ c2 | % 87
348 d,8 ds e c ~ c2 | % 88
349 d8 ds e c' ~ c2 | % 89
350 d,8 ds e g fs d e e, | % 90
381 a4.:m a8:5^3 s2 | % 16
383 a4.:m a8:5^3 s2 | % 18
384 s4. e8:7.9+ s2 | % 19
385 a4.:m a8:5^3 s2 | % 20
387 a4.:m a8:5^3 s2 | % 22
391 a4.:m a8:5^3 s2 | % 25
393 a4.:m a8:5^3 s2 | % 27
394 s4. e8:7.9+ s2 | % 28
395 a4.:m a8:5^3 s2 | % 29
397 a4.:m a8:5^3 s2 | % 31
400 a4.:m a8:5^3 s2 | % 33
477 s1 % blank bar for coda
488 \numericTimeSignature
489 \override NoteHead #'style = #'slash
490 \override MultiMeasureRest #'expand-limit = 1
514 c4 r8 c r c r c | % 16
515 r8 c r c r c c r | % 17
516 c4 r8 c r c r c | % 18
517 r8 c r c ~ c4 c8 r | % 19
518 c4 r8 c r c r c | % 20
519 r8 c r c r c c r | % 21
520 c4 r8 c r c r c | % 22
522 c4 c c c \bar "||" % 24
524 c4 r8 c r c r c | % 25
525 r8 c r c r c c r | % 26
526 c4 r8 c r c r c | % 27
527 r8 c r c ~ c4 c8 r | % 28
528 c4 r8 c r c r c | % 29
529 r8 c r c r c c r | % 30
530 c4 r8 c r c r c | % 31
533 c4 r8 c r c r c | % 33
547 c8 r c c ~ c2-\fermata | % 45
610 \stopStaff s1 \startStaff |
612 c8 r c c ~ c2-\fermata | % 91
618 s1*4_\markup { \hspace #0.0 \raise #-1.0 \italic { percussion } } | % 1-4
622 s4_\markup { \hspace #0.0 \raise #-1.5 \italic { Bass doubles gtr. riff } } s2. | % 12
629 \Global % The "roadmap": that everything else depends on
633 \new Voice = "lead" \LeadVox
634 \new Voice = "riffs" \Riffs
635 \new Lyrics \lyricsto "lead" \LeadVoxText
636 \new Lyrics \lyricsto "lead" \LeadVoxTextB
641 \new ChordNames \Chords
642 \new RhythmicStaff << \StaffC \Dynamics >>
645 \set Score.skipBars = ##t
646 \set Score.melismaBusyProperties = #'()
653 #(define fonts (make-pango-font-tree
659 % Don't spread staves vertically across last page (default: t)
660 % ragged-last-bottom = ##f
661 % Don't spread staves vertically across the page (default: f)
662 % ragged-bottom = ##t
663 % Allow partial line for last stave (default: f)
666 % To find out what's eating the space at the top...
667 % annotate-spacing = ##t