2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "(I Will Not Be) Shaken" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "T.Guerrero" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
50 \mark \markup { \override #'(font-family . sans) { \box { A } } }
51 s1^\markup { \italic { (1st X Gtr 16ths) } } | % 5
53 \mark \markup { \override #'(font-family . sans) { \box { A9 } } }
54 s8 s2..^\markup { \italic { (1st X Add Bass & Kick) } } | % 13
56 s1^\markup { \italic { (Drum Fill) } } \bar "||" % 14-20
60 \mark \markup { \override #'(font-family . sans) { \box { B } } }
61 s8 s2..^\markup { \italic { (Snare 2&4) } } | % 21
62 s1*10 \bar "||" % 22-31
78 \mark \markup { \override #'(font-family . sans) { \box { C } } }
80 s1^\markup { \italic { (Add Gtr. 16ths) } } | % 42
82 s1^\markup { \italic { (Drum Fill) } } \bar ".|:-||" % 45
88 \mark \markup { \override #'(font-family . sans) { \box { D } } }
89 s8 s2..^\markup { \bold { Solos } } | % 46
104 \mark \markup { \override #'(font-family . sans) { \box { E } } }
105 s16 s2...^\markup { \italic { (Add Gtr. 16ths) } } | % 51
106 s1^\markup { \italic { (Women Echo) } } | % 52
108 s1^\markup { \italic { (Women Echo) } } | % 54
109 s2.. s8^\markup { \italic { (Tutti) } } | % 55
111 s1^\markup { \italic { (Drum Fill) } } \bar ".|:-||" % 58
117 \mark \markup { \override #'(font-family . sans) { \box { F } } }
127 \mark \markup { \override #'(font-family . sans) { \box { G } } }
138 LeadVox = \relative c'
154 g8. a16 ~ a8 b ~ b4 r8 e, | % 10
162 b4 c8. d16 ~ d4 r8 fs, | % 17
163 g8. a16 ~ a8 b ~ b4 r8 e, | % 18
169 r4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 21
170 <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 22
171 <e \hn c>4 <g \hn c,>16 <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 23
172 <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 24
174 r4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 25
175 <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 26
176 <e \hn c>8. <g \hn c,>16 <g \hn c,> <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 27
177 <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 28
178 r4 <g \hn b,>16 <g \hn b,>8 <b \hn d,>16 ~ <b \hn d,> <b \hn d,>8 <a \hn c,>16 ~ <a \hn c,> <g \hn b,>8. | % 29
191 r4 d'16 d8 d16 ~ d b8 c16 ~ c d8 c16 ~ | % 36
192 c16 c8 c16 ~ c b8 a16 ( g4 ) r | % 37
193 r8. a16 c c8 c16 ~ c b8 a16 ~ a8 g | % 38
194 c8 b16 a ~ a g8 a16 ~ a4 r | % 39
195 r8. <b \hn d,>16 <d \hn g,> <d \hn g,>8 <d \hn g,>16 ~ <d \hn g,> <b \hn d,>8 <c \hn e,>16 ~ <c \hn e,> <d \hn g,>8 <d \hn g,>16 ~ | % 40
196 <d \hn g,>16 <c \hn e,>8 <c \hn e,>16 ~ <c \hn e,> <b \hn d,>8 <a \hn c,>16 ( <g \hn b,>4 ) r | % 41
197 r4 <b \hn g \hn e>16 <b \hn g \hn e>8 <b \hn g \hn e>16 ~ <b \hn g \hn e> <g \hn e \hn b>8 <a \hn fs \hn d>16 ~ <a \hn fs \hn d> ( <b \hn g \hn e>8. ) | % 42
198 r4 <c \hn a \hn e>16 <c \hn a \hn e>8 <c \hn a \hn e>16 ~ <c \hn a \hn e> <b \hn g \hn d>8 <a \hn e \hn c>16 ~ <a \hn e \hn c> <g \hn e \hn c>8. | % 43
199 r8. <b \hn d,>16 <d \hn g,> <d \hn g,>8 <d \hn g,>16 ~ <d \hn g,> <b \hn d,>8 <c \hn e,>16 ~ <c \hn e,> << { \voiceOne d8. ~ } \context Voice = vb { \voiceTwo \hn g,8. ( } >> | % 44
200 << { \voiceOne d'2. } \context Voice = vb { \voiceTwo \hn fs,2. ) } >> \oneVoice r4 | % 45
219 g8. a16 ~ a8 b ~ b4 r8 e, | % 56
220 a4 b <c \hn g \hn e>-> <d \hn g, \hn e>-> | % 57
221 <d \hn a \hn fs>2.-> r4 | % 58
225 r4 <g, \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 59
226 <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 60
227 <e \hn c>4 <g \hn c,>16 <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 61
228 <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 62
230 r4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn g,>16 ~ | % 63
231 <e \hn g,>4 <g \hn b,>16 <g \hn b,>8 <g \hn b,>16 ~ <g \hn b,> <a \hn c,>8 <b \hn d,>16 ~ <b \hn d,>16 <g \hn b,>8 <e \hn c>16 ~ | % 64
232 <e \hn c>8. <g \hn c,>16 <g \hn c,> <g \hn c,>8 <g \hn c,>16 ~ <g \hn c,> <a \hn c,>8 <b \hn e,>16 ~ <b \hn e,> <g \hn e>8 <a \hn d,>16 ~ | % 65
233 <a \hn d,>8. d,16 <g \hn d> <g \hn d>8 <g \hn d>16 ~ <g \hn d> <fs \hn c>8 <e \hn c>16 ~ <e \hn c> <d \hn a>8. | % 66
235 r4 <g \hn b,>16 <g \hn b,>8 <b \hn d,>16 ~ <b \hn d,> <b \hn d,>8 <a \hn c,>16 ~ <a \hn c,> <g \hn b,>8. | % 67
242 r4 <g \hn b,>16 <g \hn b,>8 <b \hn d,>16 ~ <b \hn d,> <b \hn d,>8 <a \hn c,>16 ~ <a \hn c,> <g \hn b,>8. | % 71
246 LeadVoxText = \lyricmode
248 My soul finds rest in you,
249 my for -- tress and my rock,
250 my hope for life, my hid -- ing _ place, _
251 my re -- fuge and my God.
253 In you I've found my home,
254 my shel -- ter from the storm,
255 and I'll pour out _ my hear to _ you, _
256 and lean u -- pon your throne.
258 I will put _ my trust _ in you, _
259 I will put _ my hope _ there too, _
260 I will stand _ u -- pon _ your word, _
261 and I will not _ be sha -- _ ken,
263 I will let _ my prai -- _ ses show, _
264 hold -- ing on _ to what _ I know, _
265 be -- cause I know _ you're al -- _ ways there, _
266 and I will not _ be sha -- _ ken,
267 I will not _ be sha -- _ ken.
269 I will not _ be moved, _ I'm lean -- _ ing on _ the throne, _
270 be -- cause you died _ for me _ and called me to _ your own, _
271 and e -- ven when _ the dark -- _ est winds _ be -- gin _ to blow, _
272 I will stand _ my ground, _ _ I will not _ be moved, _ _
273 and I will not _ be sha -- _ ken. _
275 My soul finds rest in you,
276 my for -- tress and my rock,
277 my hope for life, my hid -- ing _ place, _
278 my re -- fuge and my God.
280 I will put _ my trust _ in you, _
281 I will put _ my hope _ there too, _
282 I will stand _ u -- pon _ your word, _
283 and I will not _ be sha -- _ ken,
285 I will let _ my prai -- _ ses show, _
286 hold -- ing on _ to what _ I know, _
287 be -- cause I know _ you're al -- _ ways there, _
288 and I will not _ be sha -- _ ken,
289 I will not _ be sha -- _ ken.
291 I will not _ be sha -- _ ken.
295 Riffs = \relative c''
304 e8 cs4 b8 ~ b a4 b8 ~ | % 1
305 b8 cs4. ~ cs4 e8 e ~ | % 2
306 e8 cs4 b8 ~ b cs4 a8 ~ | % 3
320 g4:sus2 s8. c16:sus2 s2 | % 1
321 g4:sus2 s8. c16:sus2 s2 | % 2
322 g4:sus2 s8. c16:sus2 s2 | % 3
323 e4:m7 s8. d16 s2 | % 4
350 d4..:sus4 d16 s2 | % 24
352 c4..:sus2 g16/b s2 | % 26
354 d4..:sus4 d16 s2 | % 28
355 c4..:sus2 d16 s2 | % 29
356 g4..:sus2 c16:sus2 s2 | % 30
357 g4..:sus2 c16:sus2 s2 | % 31
359 g4..:sus2 c16:sus2 s2 | % 32
360 e4..:m7 d16 s2 | % 33
362 g4..:sus2 c16:sus2 s2 | % 34
364 g4..:sus2 c16:sus2 s2 | % 35
371 c2:sus2 d4 c:sus2 | % 39
381 g4..:sus2 c16:sus2 s2 | % 46
382 g4..:sus2 c16:sus2 s2 | % 47
383 g4..:sus2 c16:sus2 s2 | % 48
385 e4..:m7 d16 s2 | % 49
387 e4..:m7 d16 s2 | % 50
405 d4..:sus4 d16 s2 | % 62
407 c4..:sus2 g16/b s2 | % 64
409 d4..:sus4 d16 s2 | % 66
411 c4..:sus2 d16 s2 | % 67
415 g4..:sus2 c16:sus2 s2 | % 68
416 g4..:sus2 c16:sus2 s2 | % 69
417 g4..:sus2 c16:sus2 s2 | % 70
418 e4..:m7 d16 s2 | % 71
429 \numericTimeSignature
430 \override NoteHead #'style = #'slash
436 c4 c8. c16-> ~ c4 c | % 1
437 c4 c8. c16-> ~ c4 c | % 2
438 c4 c8. c16-> ~ c4 c | % 3
439 c4 c8. c16-> ~ c4 c | % 4
463 c4.. c16-> ~ c4 c | % 21
464 c4.. c16-> ~ c4 c | % 22
465 c4.. c16-> ~ c4 c | % 23
466 c4.. c16-> ~ c4 c | % 24
467 c4.. c16-> ~ c4 c | % 25
468 c4.. c16-> ~ c4 c | % 26
469 c4.. c16-> ~ c4 c | % 27
470 c4.. c16-> ~ c4 c | % 28
471 c4.. c16-> ~ c4 c | % 29
472 c4 c8. c16-> ~ c4 c | % 30
473 c4 c8. c16-> ~ c4 c | % 31
475 c4 c8. c16-> ~ c4 c | % 32
476 c4 c8. c16-> ~ c4 c | % 33
478 c4 c8. c16-> ~ c4 c | % 34
480 c4 c8. c16-> ~ c4 c | % 35
497 c4 c8. c16-> ~ c4 c | % 46
498 c4 c8. c16-> ~ c4 c | % 47
499 c4 c8. c16-> ~ c4 c | % 48
501 c4 c8. c16-> ~ c4 c | % 49
503 c4 c8. c16-> ~ c4 c | % 50
518 c4.. c16-> ~ c4 c | % 59
519 c4.. c16-> ~ c4 c | % 60
520 c4.. c16-> ~ c4 c | % 61
521 c4.. c16-> ~ c4 c | % 62
522 c4.. c16-> ~ c4 c | % 63
523 c4.. c16-> ~ c4 c | % 64
524 c4.. c16-> ~ c4 c | % 65
525 c4.. c16-> ~ c4 c | % 66
527 c4 c8. c16 ~ c2 | % 67
531 c4 c8. c16-> ~ c2 | % 68
532 c4 c8. c16-> ~ c2 | % 69
533 c4 c8. c16-> ~ c4 c | % 70
534 c4 c8. c16-> ~ c4 c | % 71
569 s2 s_\markup { \italic { Last X Rit. } } | % 71
576 \set Score.skipBars = ##t
577 \set Score.melismaBusyProperties = #'()
578 \Global % The "roadmap" that everything else depends on
582 \new Voice = "lead" \LeadVox
584 \new Lyrics = "verse1" \lyricsto "lead" \LeadVoxText
589 \new ChordNames \Chords
591 % \new ChordNames \transpose b g \Chords
592 \new RhythmicStaff << \Rhythm \Dynamics >>
600 #(define fonts (make-pango-font-tree
606 % Spread staves vertically across last page (default: t)
607 % ragged-last-bottom = ##f
608 % Don't spread staves vertically across the page (default: f)
609 % ragged-bottom = ##t
610 % Allow partial line for last stave (default: f)
613 % To find out what's eating the space at the top...
614 % annotate-spacing = ##t