2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Have Decided To Follow Jesus" }
14 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
16 tagline = "Engraved by JLH and Lilypond 2.8.2"
17 % Let's try a chord dictionary
18 subtitle = \markup { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \center-column { Bbmaj7 \fret-diagram-terse #"x;1;3;2;3;x;" } " " \center-column { A7sus4 \fret-diagram-terse #"x;o;2;o;3;x;" } " " \center-column { "F#7#5" \fret-diagram-terse #"2;x;2;3;3;x;" } " " \center-column { "Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
26 LeadVox = \relative c'
28 \set Voice.autoBeaming = ##f
29 % \set Staff.instrumentName = #"Lead vox"
30 \override Staff.TimeSignature #'style = #'()
34 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
36 % \set Score.markFormatter = #format-mark-box-letters
40 r1^\markup { \italic { Ac. guitar } } | % 1
42 r1^\markup { \italic { Guitar II in } } | % 3
44 r1^\markup { \italic { Bass in } } | % 5
46 r1^\markup { \italic { Drums in } } | % 7
53 \mark \markup { \override #'(font-family . sans) { \box { A } } }
55 a4. a8 ~ a8 r8 r4 | % 9
57 fs4. d8 ~ d8 r8 r4 | % 11
59 d4. d8 ~ d8 r8 r4 | % 13
61 b4. a8 ~ a8 r8 r4 | % 15
64 a4. a8 ~ a8 r8 r4 | % 17
66 fs4. d8 ~ d8 r8 r4 | % 19
86 r4 d' d fs \bar "|:" % 30
90 \once \override Score.RehearsalMark #'self-alignment-X = #left
91 \mark \markup { \override #'(font-family . sans) { \box { B } } \small \italic { Women 8vb throughout } }
100 r4 d d fs \bar ":|" % 38
104 \once \override Score.RehearsalMark #'self-alignment-X = #left
105 \mark \markup { \override #'(font-family . sans) { \box { C } } \small \italic { On cue } }
115 r1^\fermata \bar "|." % 47
119 LeadVoxText = \lyricmode
121 I have de- ci- ded _ to fol- low Je- sus _
122 I have de- ci- ded _ to fol- low Je- sus _
123 I have de- ci- ded _ to fol- low Je- sus _
124 No tur- ning back, no tur- ning back.
130 No tur- ning back! No tur- ning back!
131 No tur- ning back! No tur- ning back!
135 LeadVoxTextB = \lyricmode
137 _ _ _ with me, _ still I will fol- low _
138 Though none go with me, _ still I will fol- low _
139 Though none go with me, _ still I will fol- low _
140 No tur- ning back, no tur- ning back.
145 LeadVoxTextC = \lyricmode
147 _ _ _ hind me, _ the cross be- fore me _
148 The world be- hind me, _ the cross be- fore me _
149 The world be- hind me, _ the cross be- fore me _
150 No tur- ning back, no tur- ning _
160 %Bah, can't we set this globally?
165 c4.:9 b2:7.9+ bf8:7+ | % 1
166 s4. a2:sus4.7 c8:9 | % 2
167 s4. b2:7.9+ bf8:7+ | % 3
168 s4. a2:sus4.7 c8:9 | % 4
169 s4. b2:7.9+ bf8:7+ | % 5
170 s4. a2:sus4.7 c8:9 | % 6
171 s4. b2:7.9+ bf8:7+ | % 7
172 s4. a2:sus4.7 s8 | % 8
180 d2..:7+ fs8:aug7 | % 11
182 g4.:7+ d2:/fs e8:m7 | % 13
183 s4. a2:sus4.7 s8 | % 14
184 d2..:7+ g8:m/a | % 15
187 d2..:7+ cs8:m11 | % 17
188 s4. fs2:7.9+ b8:m7 | % 18
197 s4. b2:7.9+ bf8:7+ | % 23
198 s4. a2:sus4.7 c8:9 | % 24
199 s4. b2:7.9+ bf8:7+ | % 25
200 s4. a2:sus4.7 s8 | % 26
203 s4. b2:7.9+ bf8:7+ | % 27
204 s4. a2:sus4.7 c8:9 | % 28
205 s4. b2:7.9+ bf8:7+ | % 29
209 s4 a:sus4.7 s2 | % 30
213 d2..:7+ af8:7.5- | % 31
217 e2..:m7 a8:sus4.7 | % 35
219 c4.:9 b2:7.9+ bf8:7+ | % 37
220 s4. a2:sus4.7 s8 | % 38
224 c4.:9 b2:7.9+ bf8:7+ | % 39
225 s4. a2:sus4.7 c8:9 | % 40
226 s4. b2:7.9+ bf8:7+ | % 41
227 s4. a2:sus4.7 c8:9 | % 42
228 s4. b2:7.9+ bf8:7+ | % 43
229 % s4. a2:sus4.7 c8:9 | % 44
230 % s4. b2:7.9+ bf8:7+ | % 45
231 s4. a2:sus4.7 s8 | % 46
240 % Use a RhythmicStaff on the chords instead of this?
241 % It almost works, but not quite. Doesn't collapse chords above to single notes...
245 \set Voice.autoBeaming = ##f
246 % \set Staff.instrumentName = #"Rhythm"
247 \override Staff.TimeSignature #'style = #'()
249 \override NoteHead #'style = #'slash
253 c4. c8 ~ c4. c8 ~ | % 1
254 c4. c8 ~ c4. c8 ~ | % 2
255 c4. c8 ~ c4. c8 ~ | % 3
256 c4. c8 ~ c4. c8 ~ | % 4
257 c4. c8 ~ c4. c8 ~ | % 5
258 c4. c8 ~ c4. c8 ~ | % 6
259 c4. c8 ~ c4. c8 ~ | % 7
270 c4. c8 ~ c4. c8 ~ | % 13
276 c4. c8 ~ c4. c8 ~ | % 18
285 c4. c8 ~ c4. c8 ~ | % 23
286 c4. c8 ~ c4. c8 ~ | % 24
287 c4. c8 ~ c4. c8 ~ | % 25
291 c4. c8 ~ c4. c8 ~ | % 27
292 c4. c8 ~ c4. c8 ~ | % 28
293 c4. c8 ~ c4. c8 ~ | % 29
297 c4 c r2 \bar "|:" % 30
307 c4. c8 ~ c4. c8 ~ | % 37
308 c4. c8 ~ c2 \bar ":|" % 38
312 c4. c8 ~ c4. c8 ~ | % 39
313 c4. c8 ~ c4. c8 ~ | % 40
314 c4. c8 ~ c4. c8 ~ | % 41
315 c4. c8 ~ c4. c8 ~ | % 42
316 c4._\markup { \italic rit. } c8 ~ c4. c8 ~ | % 43
317 % c4. c8 ~ c4. c8 ~ | % 44
318 % c4. c8 ~ c4. c8 ~ | % 45
320 c1^\fermata \bar "|." % 47
327 % \new ChoirStaff = "Vox"
329 \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
330 \new Lyrics \lyricsto "lead" \LeadVoxText
331 \new Lyrics \lyricsto "lead" \LeadVoxTextB
332 \new Lyrics \lyricsto "lead" \LeadVoxTextC
335 \new ChoirStaff = "Rhythm"
337 % \new Staff = "riff" \RhythmB
338 \new ChordNames = "chords" \Chords
339 \new RhythmicStaff = "chordRhythm" \StaffC
342 \set Score.skipBars = ##t
343 \set Score.melismaBusyProperties = #'()
350 #(define fonts (make-pango-font-tree
356 % Don't spread staves vertically across last page (default: t)
357 % ragged-last-bottom = ##f
358 % Don't spread staves vertically across the page (default: f)
359 % ragged-bottom = ##t
360 % Allow partial line for last stave (default: f)
363 % To find out what's eating the space at the top...
364 % annotate-spacing = ##t
365 %let's try this: [It works! Huzzah!]
366 obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)