2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "He Knows My Name" }
14 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
15 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
16 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
19 % Useful tweak abbreviations (hn = harmony note)
21 hn = #(define-music-function (parser location arg) (ly:music?)
22 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
24 (set! (ly:music-property arg 'tweaks)
25 (acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
41 s1*4 \bar ".|:-||" % 1-4
47 \mark \markup { \override #'(font-family . sans) { \box { A } } }
53 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
56 \once \override Score.RehearsalMark #'self-alignment-X = #right
57 \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
68 \once \override Score.RehearsalMark #'self-alignment-X = #right
69 \mark \markup { \italic { D.S. al Coda } }
75 \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
76 %\stopStaff s1 \startStaff
77 \set Score.currentBarNumber = #22
82 \once \override Score.RehearsalMark #'self-alignment-X = #left
83 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
85 s1*9 \bar "|." % 22-30
92 LeadVox = \relative c'
103 r4 e8 fs ~ fs4 a8 gs ( ~ | % 5
104 gs4 e8 ) cs ~ cs4 r | % 6
105 r4 gs'8 a ( ~ a gs ) fs fs ~ | % 7
107 r4 e8 fs ~ fs4 gs8 a | % 9
108 gs4 ( e8 ) cs ~ cs4. e8 | % 10
109 gs4 gs8 fs ~ fs4 e8 e ~ | % 11
114 r4 <cs' \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ( ~ | % 13
115 <fs \hn ds \hn b>4. <e \hn b \hn gs>8 ) ~ <e \hn b \hn gs>2 | % 14
116 r4 <cs' \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ~ | % 15
117 <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <gs \hn e \hn b> ~ <gs \hn e \hn b>2 | % 16
118 r4 <cs \hn a \hn e>8 <b \hn gs \hn e> ~ <b \hn gs \hn e>4 <gs \hn e \hn b>8 <fs \hn ds \hn b> ~ | % 17
119 <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn cs \hn gs> ~ <e \hn cs \hn gs>4 r8 <e \hn b \hn gs> | % 18
120 <e \hn cs \hn a>4 <gs \hn e \hn cs>8 <fs \hn ds \hn b>8 ~ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn b \hn gs> ~ | % 19
122 <e \hn b \hn gs>2 r | % 20
124 <e \hn b \hn gs>2 \repeatTie r | % 21
128 s1 % Extra bar for coda
130 <e \hn cs \hn a>4 <gs \hn e \hn cs>8 <fs \hn ds \hn b>8 ~ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <e \hn b \hn gs> ~ | % 22
131 <e \hn b \hn gs>2 r4 r8 <e \hn b> | % 23
132 <e \hn cs \hn a>4 <gs \hn e \hn cs>8 <fs \hn ds \hn b>8 ~ <fs \hn ds \hn b>4 <e \hn cs \hn a>8 <gs \hn e \hn cs> ~ | % 24
133 <gs \hn e \hn cs>2. r8 e | % 25
134 e4 gs8 fs ~ fs4 e | % 26
135 \voiceTwo e1 \oneVoice | % 27
140 LeadVoxText = \lyricmode
142 I have _ a mak -- _ _ er, _
143 he formed __ _ _ my heart. _
144 Be -- fore _ e -- ven time be -- gan _
145 my life was in _ his hand. _
147 He knows _ my name, __ _ _ _
148 He knows _ my ev -- _ ’ry thought, _
149 He sees _ each tear _ that falls _
150 and hears me when _ I call. _
154 hears me when _ I call. _
155 and hears me when _ I call. _
156 He hears me when _ I call.
159 LeadVoxTextB = \lyricmode
161 I have _ a Fa -- _ _ ther, _
162 he calls _ me his own. _
163 He’ll ne -- _ ver _ leave _ me _
164 no mat -- ter where _ I go. _
168 Riffs = \relative c''
175 \partial 8*1 cs16 ds | % 0
176 e4 gs8 fs ~ fs4 e8 gs ~ | % 1
177 gs2. r8 cs,,16 ds | % 2
178 e4 gs8 fs ~ fs4 e8 e ~ | % 3
180 s1*23 | % 5-26 (+ hidden measure)
181 \voiceOne r4 e'8 fs ~ fs4 a8 gs ~ \oneVoice | % 27
182 gs4 e8 cs ~ cs4 r8 cs16 ds | % 28
183 e4 gs8 fs ~ fs4 e | % 29
196 \partial 8*1 s8 | % 0
198 s4. cs2:m7/b s8 | % 2
199 fs4.:m7 b a8/b e | % 3
204 e4. fs2:m11 e8/gs | % 5
206 e4./b a2:sus2/cs b8:sus4 | % 7
208 e4. fs2:m11 e8/gs | % 9
210 e4./b b a8/b e | % 11
211 s2 fs4:m7 e/gs | % 12
225 s2 fs4:m7 e/gs | % 21
229 s1 % Extra bar for coda
231 fs4.:m7 b2 cs8:m7 | % 22
233 fs4.:m7 b2 cs8:m7 | % 24
235 fs4.:m7 b a4/b | % 26
236 e4. fs2:m11 e8/gs | % 27
248 \numericTimeSignature
249 \override NoteHead #'style = #'slash
254 \partial 8*1 s8 | % 0
255 c4. c8 ~ c4. c8 ~ | % 1
257 c4. c8 ~ c4 c8 c ~ | % 3
262 c4. c8 ~ c4. c8 ~ | % 5
264 c4. c8 ~ c4. c8 ~ | % 7
266 c4. c8 ~ c4. c8 ~ | % 9
268 c4. c8 ~ c4 c8 c ~ | % 11
273 c4. c8 ~ c4. c8 ~ | % 13
275 c4. c8 ~ c4. c8 ~ | % 15
277 c4. c8 ~ c4. c8 ~ | % 17
279 c4. c8 ~ c4. c8 ~ | % 19
283 c4 \repeatTie c c c | % 21
287 \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
288 %\stopStaff s1 \startStaff
290 c4. c8 ~ c4. c8 ~ | % 22
292 c4. c8 ~ c4. c8 ~ | % 24
295 c4. c8 ~ c4. c8 ~ | % 27
305 s4_\markup { \italic { snare pat. } } s2 | % 1
306 s4_\markup { \italic { simile } } s2 | % 2
308 s4_\markup { \italic { spacy } } s2 | % 22
312 s4_\markup { \italic { Last time } } s2 | % 51
320 \Global % The "roadmap" that everything else depends on
324 \new Voice = "lead" \LeadVox
325 \new Voice = "riffs" \Riffs
326 \new Lyrics \lyricsto "lead" \LeadVoxText
327 \new Lyrics \lyricsto "lead" \LeadVoxTextB
332 \new ChordNames \Chords
333 \new RhythmicStaff << \StaffC \Dynamics >>
336 \set Score.skipBars = ##t
337 \set Score.melismaBusyProperties = #'()
344 #(define fonts (make-pango-font-tree
350 % Don't spread staves vertically across last page (default: t)
351 % ragged-last-bottom = ##f
352 % Don't spread staves vertically across the page (default: f)
353 % ragged-bottom = ##t
354 % Allow partial line for last stave (default: f)
357 % To find out what's eating the space at the top...
358 % annotate-spacing = ##t