1 %Numerous problems still exist... !!! FIX !!!
4 \include "pop-chords.ly"
7 % Good sizes are 16, 18, & 20
9 #(set-default-paper-size "letter")
10 #(set-global-staff-size staffSize)
11 #(ly:set-option (quote no-point-and-click))
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "God Is Great" }
16 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = "Engraved by JLH and Lilypond 2.8.2"
43 \mark \markup { \override #'(font-family . sans) { \box { A } } }
45 s1*16 \bar "||" % 5-20
47 s1*16 \bar "||" % 21-36
51 \once \override Score.RehearsalMark #'self-alignment-X = #left
52 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
54 s1*16 \bar "||" % 37-52
55 \once \override Score.RehearsalMark #'self-alignment-X = #right
56 \mark \markup { \italic { To Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
60 s1*4 \bar "||" % 53-56
64 \mark \markup { \override #'(font-family . sans) { \box { C } } }
66 s1*16 \bar "||" % 57-72
68 \once \override Score.RehearsalMark #'self-alignment-X = #right
69 \mark \markup { \italic { D.S. al Coda } }
73 \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
74 %\stopStaff s1 \startStaff
75 \set Score.currentBarNumber = #73
77 \once \override Score.RehearsalMark #'self-alignment-X = #left
78 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
92 s1*8 \bar "||" % 85-92
94 s1*8 \bar ".|:-||" % 93-100
100 s1*8 \bar "||" % 101-108
130 LeadVox = \relative c'
143 e8 a,4 d8 ~ d cs4 b8 ~ | % 6
146 r4 cs8 e e e4 e8 ~ | % 9
147 e8 a,4 d8 ~ d cs4 b8 ~ | % 10
150 r2 cs8 e4 e8 ~ | % 13
151 e8 a,4 d8 ~ d cs4 b8 ~ | % 14
153 cs4 b8 b8 ~ b8 a4 a8 ~ | % 16
159 r2 cs8 e4 e8 ~ | % 21
160 e8 a,4 d8 ~ d cs4 b8 ~ | % 22
163 r2 cs8 e4 e8 ~ | % 25
164 e8 a,4 d8 ~ d cs4 b8 ~ | % 26
167 r2 cs8 e4 e8 ~ | % 29
168 e8 a,4 d8 ~ d cs4 b8 ~ | % 30
170 cs4 b8 b8 ~ b4 a8 a ~ | % 32
179 cs4 r d cs8 b ~ | % 38
180 b8 r r4 d cs8 b ( | % 39
181 a8 ) a4 r8 a4 cs | % 40
182 cs4 r8 a ~ a cs4 cs8 ~ | % 41
183 cs4 a8 d ~ d4 cs8 cs ( | % 42
187 cs4 r d cs8 b ~ | % 46
188 b8 r r4 d cs8 b ( | % 47
189 a8 ) a4 r8 a4 cs | % 48
190 cs4 a8 a ~ a cs4 cs8 ~ | % 49
191 cs8 a4 d8 ~ d cs ( b ) b ~ | % 50
193 cs'4 b8 b ~ b a4 a8 ~ | % 52
202 r2 cs8 e4 e8 ~ | % 57
203 e8 a,4 d8 ~ d cs4 b8 ~ | % 58
206 r2 cs8 e4 e8 ~ | % 61
207 e8 a,4 d8 ~ d cs4 b8 ~ | % 62
210 r2 cs8 e4 e8 ~ | % 65
211 e8 a,4 d8 ~ d cs4 b8 ~ | % 66
213 cs4 ( b8 ) b8 ~ b4 a8 a ~ | % 68
216 d8 cs ( b ) b ~ b2 | % 71
230 r4 a8 d ~ d cs4 a8 ( | % 80
232 r4 a8 d ~ d cs4 b8 ~ | % 82
239 r4 a8 d ~ d cs4 a8 ( | % 88
241 r4 a8 d ~ d cs4 b8 ~ | % 90
248 r4 a8 d ~ d cs4 a8 ( | % 96
250 r4 a8 d ~ d cs4 b8 ~ | % 98
257 cs4 r d cs8 b ~ | % 102
258 b8 r r4 d cs8 b ( | % 103
259 a8 ) a4 r8 a4 cs | % 104
260 cs4 r8 a ~ a cs4 cs8 ~ | % 105
261 cs4 a8 d ~ d4 cs8 cs ( | % 106
263 r2 a4 cs \bar "||" % 108
266 cs4 r d cs8 b ~ | % 110
267 b8 r r4 d cs8 b ( | % 111
268 a8 ) a4 r8 a4 cs | % 112
269 cs4 a8 a ~ a cs4 cs8 ~ | % 113
270 cs8 a4 d8 ~ d cs ( b ) b ~ | % 114
287 LeadVoxText = \lyricmode
289 All cre- a- _ tion cries _ to you _
290 Wor- ship- ping in spi- _ rit and _ in truth _
291 Glo- ry to _ the faith- _ ful one _
292 Je- sus Christ _ God's son _
294 All cre- a- _ tion gives _ you praise _
295 You a- lone _ are tru- _ ly great _
296 You a- lone _ are God _ who reigns _
297 For e- ter- _ ni- ty _
299 God is great and his praise
300 fills the earth, _ fills the hea- _ vens
301 and your name will _ be praised _
302 through all _ the world _
304 God is great, sing his praise
305 all the earth, _ all the hea- _ vens
306 'cause we're li- ving for _ the glo- _ ry
308 The glo- ry of _ your name. _
310 All to you _ O God _ we bring _
311 Je- sus teach _ us how _ to live _
312 Let your fi- _ re burn _ in us _
313 That _ all _ may hear _
314 and all _ may _ see _
319 The whole _ earth sings _
320 The whole _ earth sings _
323 The whole _ earth sings _
324 The whole _ earth sings _
327 The whole _ earth sings _
328 The whole _ earth sings _
330 God is great and his praise
331 fills the earth, _ fills the hea- _ vens
332 and your name will _ be praised _
333 through all _ the world _
335 God is great, sing his praise
336 all the earth, _ all the hea- _ vens
337 'cause we're li- ving for _ the glo- _ ry
342 The glo- ry of _ your name. _
345 LeadVoxTextB = \lyricmode
350 Riffs = \relative c''
358 \repeat "percent" 3 % 1 - 6
360 << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
361 << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
363 << s2. \\ { \tiny d2 c4 } >> | % 7
364 << s2. \\ { \tiny bf2. } >> | % 8
369 \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
375 \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
381 \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
387 \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
419 fs2..:m7 d8:sus2 | % 13
422 fs4.:m7 e2 d8:sus2 | % 16
436 fs2..:m7 d8:sus2 | % 29
439 fs4.:m7 e2 d8:sus2 | % 32
440 s2.. e8:11^7.9 | % 33
442 d2.. e8:11^7.9 | % 35
481 fs2..:m7 d8:sus2 | % 65
484 fs4.:m7 e2 d8:sus2 | % 68
505 fs2..:m7 d8:sus2 | % 81
568 % Alternate chord changes (2nd verse)
570 ChordsSup = \chordmode
592 \numericTimeSignature
593 \override NoteHead #'style = #'slash
598 \partial 2 c4-> c-> | % 0
607 c4 c-> c8 c c c ~ | % 5
608 c4 c-> c8 c c c ~ | % 6
609 c4 c-> c8 c c c ~ | % 7
610 c4 c-> c8 c c c | % 8
611 c4 c-> c8 c c c ~ | % 9
612 c4 c-> c8 c c c ~ | % 10
613 c4 c-> c8 c c c ~ | % 11
614 c4 c-> c8 c c c | % 12
615 c4 c-> c8 c c c ~ | % 13
616 c4 c-> c8 c c c ~ | % 14
617 c4 c-> c8 c c c | % 15
618 c4. c8 ~ c4. c8 ~ | % 16
622 c2. ~ c8 c-> ~ | % 20
624 c4 c-> c8 c c c ~ | % 21
625 c4 c-> c8 c c c ~ | % 22
626 c4 c-> c8 c c c ~ | % 23
627 c4 c-> c8 c c c | % 24
628 c4 c-> c8 c c c ~ | % 25
629 c4 c-> c8 c c c ~ | % 26
630 c4 c-> c8 c c c ~ | % 27
631 c4 c-> c8 c c c | % 28
632 c4 c-> c8 c c c ~ | % 29
633 c4 c-> c8 c c c ~ | % 30
634 c4 c-> c8 c c c | % 31
635 c4. c8 ~ c4. c8 ~ | % 32
669 c4 c-> c8 c c c ~ | % 57
670 c4 c-> c8 c c c ~ | % 58
671 c4 c-> c8 c c c ~ | % 59
672 c4 c-> c8 c c c | % 60
673 c4 c-> c8 c c c ~ | % 61
674 c4 c-> c8 c c c ~ | % 62
675 c4 c-> c8 c c c ~ | % 63
676 c4 c-> c8 c c c | % 64
677 c4 c-> c8 c c c ~ | % 65
678 c4 c-> c8 c c c ~ | % 66
679 c4 c-> c8 c c c | % 67
680 c4. c8 ~ c4. c8 ~ | % 68
688 \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
689 %\stopStaff s1 \startStaff
690 \set Score.currentBarNumber = #73
699 c4 c-> c8 c c c ~ | % 77
700 c4 c-> c8 c c c ~ | % 78
701 c4 c-> c8 c c c ~ | % 79
702 c4 c-> c8 c c c | % 80
703 c4 c-> c8 c c c ~ | % 81
704 c4 c-> c8 c c c ~ | % 82
705 c4 c-> c8 c c c ~ | % 83
706 c4 c-> c8 c c c | % 84
734 c8 c c c c c c c | % 107
735 r8 c-> c4-> r8 c-> c-> c-> | % 108
756 c4. c8 ~ c4 c | % 122
757 c4. c8 ~ c4 c | % 123
758 c4. c8 ~ c4 c | % 124
759 c4. c8 ~ c4 c | % 125
767 s4_\markup { \italic { drum fill } } s | % 0
769 s4_\markup { \italic { snare pat. } } s2 | % 1
770 s4_\markup { \italic { simile } } s2 | % 2
772 s4_\markup { \italic { spacy } } s2 | % 22
776 s4_\markup { \italic { Last time } } s2 | % 51
784 \Global % The "roadmap" that everything else depends on
788 \new Voice = "lead" \LeadVox
789 \new Voice = "riffs" \Riffs
790 \new Lyrics \lyricsto "lead" \LeadVoxText
791 \new Lyrics \lyricsto "lead" \LeadVoxTextB
796 \new ChordNames \Chords
797 \new ChordNames \ChordsSup
798 \new RhythmicStaff << \StaffC \Dynamics >>
801 \set Score.skipBars = ##t
802 \set Score.melismaBusyProperties = #'()
809 #(define fonts (make-pango-font-tree
815 % Don't spread staves vertically across last page (default: t)
816 % ragged-last-bottom = ##f
817 % Don't spread staves vertically across the page (default: f)
818 % ragged-bottom = ##t
819 % Allow partial line for last stave (default: f)
822 % To find out what's eating the space at the top...
823 % annotate-spacing = ##t