2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Change My Heart, O God" }
18 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Eddie Espinosa" }
19 % arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Let's try a chord dictionary
22 % subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
25 % Useful tweak abbreviations (hn = harmony note)
27 hn = #(define-music-function (parser location arg) (ly:music?)
28 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
30 (set! (ly:music-property arg 'tweaks)
31 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
45 \once \override TextScript #'padding = #2.0
46 s1*0^\markup { \large \bold { Not too slow } }
48 % s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
50 s1*4 \bar ".|:-||" % 1-4
54 \mark \markup { \override #'(font-family . sans) { \box { A } } }
56 s1^\markup { \large \bold \italic { Fine } } \bar "||" % 12
58 \mark \markup { \override #'(font-family . sans) { \box { B } } }
67 LeadVox = \relative c'
77 r4 e8 f g a4 f8 ~ | % 5
79 r4 d8 e f g4 e8 ~ | % 7
81 r4 e8 f g a4 f8 ~ | % 9
88 r2 \times 2/3 { gs'4 a b } | % 13
92 r2 \times 2/3 { gs4 a b } | % 17
98 LeadVoxText = \lyricmode
100 Change my heart, O God, _
101 Make it e -- ver true. _
102 Change my heart, O God, _
105 You are the pot -- _ ter,
107 Mold me and make _ me,
108 This is what I pray. _
119 r4 e8 f g a4 f8 ~ | % 1
152 e2:sus4 \times 2/3 { e4 e:sus4/fs e/gs } | % 13
156 e2:sus4 \times 2/3 { e4 e:sus4/fs e/gs } | % 17
166 % Use a RhythmicStaff on the chords instead of this?
167 % It almost works, but not quite. Doesn't collapse chords above to single notes...
171 \numericTimeSignature
172 \override NoteHead #'style = #'slash
195 c2 \times 2/3 { c4 c c } | % 13
199 c2 \times 2/3 { c4 c c } | % 17
209 s4_\markup { \italic { snare pat. } } s2 | % 1
210 s4_\markup { \italic { simile } } s2 | % 2
212 s4_\markup { \italic { spacey } } s2 | % 22
216 s4_\markup { \italic { Last time } } s2 | % 51
224 \set Score.skipBars = ##t
225 \set Score.melismaBusyProperties = #'()
229 \Global % The "roadmap" that everything else depends on
230 \new Voice = "lead" \LeadVox
232 \new Lyrics \lyricsto "lead" \LeadVoxText
237 \new ChordNames \Chords
239 % \new ChordNames \transpose b g \Chords
240 \new RhythmicStaff << \Rhythm \Dynamics >>
248 #(define fonts (make-pango-font-tree
254 % Spread staves vertically across last page (default: t)
255 % ragged-last-bottom = ##f
256 % Don't spread staves vertically across the page (default: f)
257 % ragged-bottom = ##t
258 % Allow partial line for last stave (default: f)
261 % To find out what's eating the space at the top...
262 % annotate-spacing = ##t