2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 %Let's bump up the title size and switch to the chord font. :-)
17 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Blessed Be Your Name" }
18 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Matt and Beth Redman" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
28 LeadVox = \relative c'
30 % \set Voice.autoBeaming = ##f
31 % \set Staff.instrument = #"Lead vox"
34 \override Staff.TimeSignature #'style = #'()
36 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
49 \mark \markup { \override #'(font-family . sans) { \box { A } } }
51 r4 r8 ds ~ ds fs4 ds8 ~ | % 5
52 ds8 fs4 fs8 ~ fs4. ds16 cs | % 6
53 ds4. ds8 ~ ds fs4 ds8 ~ | % 7
54 ds8 fs4 fs8 ~ fs4 r8 ds16 cs | % 8
55 ds4. ds8 ~ ds fs4 ds8 ~ | % 9
56 ds8 fs4 fs8 ~ fs4 r8 ds16 cs ~ | % 10
57 cs8 ds cs b ~ b2 | % 11
60 r4 r8 ds ~ ds fs4 ds8 ~ | % 13
61 ds8 fs4 fs8 ~ fs4. ds16 cs | % 14
62 ds4. ds8 ~ ds fs4 ds8 ~ | % 15
63 ds8 fs4 fs8 ~ fs4 r8 ds16 cs | % 16
64 ds4. ds8 ~ ds fs4 ds8 ~ | % 17
65 ds8 fs4 fs8 ~ fs4 r8 ds16 cs ~ | % 18
66 cs8 ds cs b ~ b2 | % 19
71 \mark \markup { \override #'(font-family . sans) { \box { A17 } } }
80 gs2 ds'8 cs cs b \bar "||" % 28
84 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
86 b4. b8 ~ b b ( cs ) cs ~ | % 29
87 cs2 ds8 cs cs b | % 30
90 b4. b8 ~ b b ( cs ) cs ~ | % 33
91 cs2 ds8 cs cs b | % 34
92 ds4 ( e8 ) ds ~ ds cs4 b8 ~ | % 35
101 b2 \repeatTie ds8 cs cs b \bar "||" % 38
103 \once \override Score.RehearsalMark #'self-alignment-X = #right
104 \mark \markup { \italic { D.S. } }
118 \mark \markup { \override #'(font-family . sans) { \box { C } } }
120 ds4 ds ds4. cs8 | % 41
122 ds4 ds ds4. cs8 | % 43
124 ds4 ds ds4. cs8 | % 45
126 ds4 ds ds4. cs8 | % 47
131 cs8 ( b4 ) r8 r4 r8 b | % 48
134 cs8 ( b4 ) r8 r2 | % 49
138 r2 ds8 cs cs b | % 50
144 \mark \markup { \override #'(font-family . sans) { \box { D } } }
146 b4. b8 ~ b b ( cs ) cs ~ | % 51
147 cs2 ds8 cs cs b | % 52
149 r2 ds8 cs cs b | % 54
150 b4. b8 ~ b b ( cs ) cs ~ | % 55
151 cs2 ds8 cs cs b | % 56
152 ds4 ( e8 ) ds ~ ds cs4 b8 ~ | % 57
157 b2 ds8 cs cs b | % 58
160 b2 \repeatTie ds8 cs cs b | % 59
164 b1-\fermata \bar "|." % 60
167 LeadVoxText = \lyricmode
169 Bless -- _ ed be _ your name, _
170 in the land that _ is plen -- _ ti -- ful, _
171 where your streams of _ a -- bun -- _ dance flow, _
172 bless -- ed _ be your name. _
174 Bless -- _ ed be _ your name, _
175 when I’m found in _ the de -- _ sert place, _
176 Though I walk through _ the wild -- _ er -- ness, _
177 bless -- ed _ be your name. _
179 Ev -- ’ry bless -- ing you pour out
180 I'll turn back to praise
181 When the dark -- ness clos -- es in Lord,
184 Bless -- ed be the name of _ the __ _ Lord, _
185 Bless -- ed be your name!
186 Bless -- ed be the name of _ the __ _ Lord, _
187 Bless -- ed be your glor -- _ i -- _ ous name! _
193 You give and take a -- way,
194 You give and take a -- way,
195 My heart will choose to say,
196 Lord bless -- ed be your name. _
201 Bless -- ed be the name of _ the __ _ Lord, _
202 Bless -- ed be your name!
203 Bless -- ed be the name of _ the __ _ Lord, _
204 Bless -- ed be your glor -- _ i -- _ ous name! __ _
208 Bless -- ed be your name!
211 LeadVoxTextB = \lyricmode
213 Bless -- _ ed be _ your name, _
214 when the sun’s shin -- _ ing down _ on me, _
215 when the world’s all _ as it _ should be, _
216 bless -- ed _ be your name. _
218 Bless -- _ ed be _ your name, _
219 on the road marked _ with suf -- _ fer -- ing, _
220 though there's pain in _ the of -- _ fer -- ing, _
221 bless -- ed _ be your name. _
231 %Bah, can't we set this globally?
354 % Use a RhythmicStaff on the chords instead of this?
355 % It almost works, but not quite. Doesn't collapse chords above to single notes...
357 Slash = { \override NoteHead #'style = #'slash }
358 Cross = { \override NoteHead #'style = #'cross }
362 % \set Voice.autoBeaming = ##f
363 % \set Staff.instrument = #"Rhythm"
364 \override Staff.TimeSignature #'style = #'()
366 % \override NoteHead #'style = #'slash
370 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 1
371 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 2
372 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 3
373 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 4
379 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 5
380 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 6
381 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 7
382 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 8
383 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 9
384 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 10
385 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 11
386 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 12
388 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 13
389 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 14
390 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 15
391 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 16
392 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 17
393 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 18
394 \Slash c8-> \Cross c c \Slash c-> \Cross c c c c | % 19
395 \Slash c8 c c c c c c c \bar "||" % 20
406 c8 c c c c c c c \bar "||" % 28
410 c4. c8 ~ c c c c | % 29
411 c4 c8 c ~ c c c4 | % 30
412 c4. c8 ~ c c c c | % 31
413 c4 c8 c ~ c c c4 | % 32
414 c4. c8 ~ c c c c | % 33
415 c4 c8 c ~ c c c4 | % 34
416 c4.-> c8-> ~ c4. c8-> ~ | % 35
425 c8 \repeatTie c c c c c c c \bar "||" % 38
428 c1 \repeatTie ~ | % 39
456 c8 c c c c c c c | % 50
462 c4. c8 ~ c c c c | % 51
463 c4 c8 c ~ c c c4 | % 52
464 c4. c8 ~ c c c c | % 53
465 c4 c8 c ~ c c c4 | % 54
466 c4. c8 ~ c c c c | % 55
467 c4 c8 c ~ c c c4 | % 56
468 c4.-> c8-> ~ c4. c8-> ~ | % 57
473 c8 c c c c c c c | % 58
480 c1-\fermata \bar "|." % 60
486 s4_\markup { \italic { snare on 4, bass 8th notes } } s2. | % 1
489 s4_\f s_\markup { \hspace #0.0 \raise #-2.0 \italic { snare 2 & 4 } } s2 | % 29
493 s2. s8 \> s \! | % 40
494 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { bass 8th notes, band builds each repeat } } s2. | % 41
499 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { rit. last time } } s2. | % 57
508 % \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
509 \new Staff = leadStaff { \new Voice = "lead" \transpose b a \LeadVox }
510 \new Lyrics \lyricsto "lead" \LeadVoxText
511 \new Lyrics \lyricsto "lead" \LeadVoxTextB
514 \new ChoirStaff = "Rhythm"
516 % \new ChordNames = "chords" \Chords
517 \new ChordNames = "chords" \transpose b a \Chords
518 \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
521 \set Score.skipBars = ##t
522 \set Score.melismaBusyProperties = #'()
527 % \context { \Staff \RemoveEmptyStaves }
528 % ragged-last-bottom = ##t
536 #(define fonts (make-pango-font-tree
542 % top-margin = -0.25 \in