Initial cleanup of manual content.

[ardour-manual] / include / create-region-fades-and-crossfades.html

diff --git a/include/create-region-fades-and-crossfades.html b/include/create-region-fades-and-crossfades.html
index 449276844542759203b355911fa06de06d1f6c44..fae552c18c1bb3254d28df7af5a2b6b53368ccb5 100644 (file)
--- a/include/create-region-fades-and-crossfades.html
+++ b/include/create-region-fades-and-crossfades.html
@@ -67,20 +67,20 @@ shapes differ, and which are most suitable for various editing tasks.<br>
 <p>The different types of fades are:<br>
 </p>
 <ul>
-  <li><kbd class="menu">Linear</kbd> : A simple linear coefficient decrease, and its
+  <li><kbd class="menu">Linear</kbd>: A simple linear coefficient decrease, and its
 mathematical inverse. A Linear fade starts attentuating quickly
 and then cuts off even more abruptly at lower levels. When used
 as a crossfade, the signals are each -6dB attenuated at the midpoint.
 This is the correct crossfade to use with highly-correlated signals for
 a smooth transition.<br>
   </li>
-  <li><kbd class="menu">Constant Power</kbd> : The constant power curve starts fading
+  <li><kbd class="menu">Constant Power</kbd>: The constant power curve starts fading
 slowly and then cuts off abruptly. When used as a crossfade
 between 2 audio regions, the signals are symetrically attenuated, and
 they each reach -3dB at the midpoint. This is the correct crossfade to
 use when you want to splice audio in the general ( uncorrelated ) case.<br>
   </li>
-  <li><kbd class="menu">Symmetric</kbd> : The Symmetric fade starts slowly, then
+  <li><kbd class="menu">Symmetric</kbd>: The Symmetric fade starts slowly, then
 attenuates significantly before transitioning to a slower fade-out near
 the end of the fade. When used as a crossfade, the Symmetric
 curve is not mathematically correct like the Equal Power or Linear
@@ -88,13 +88,13 @@ curves, but it provides a slower fade-out at low volumes. This is
 sometimes useful when editing 2 entire music works together so that the
 transition is more gradual.<br>
   </li>
-  <li><kbd class="menu">Fast</kbd> : The Fast curve is a linear decibel fade; It sounds
+  <li><kbd class="menu">Fast</kbd>: The Fast curve is a linear decibel fade; It sounds
 like a perfectly smooth fader or knob moved to silence. This shape is
 excellent as a general-purpose fade-in. When used as a
 crossfade, the inverse fade curve maintains constant power but is
 therefore non-symmetric; so its use is limited to those cases where the
 user finds it appropriate.</li>
-  <li><kbd class="menu">Slow</kbd> : The Slow curve is a modified linear decibel fade.
+  <li><kbd class="menu">Slow</kbd>: The Slow curve is a modified linear decibel fade.
 The initial curve starts more gradually so that it has a less
 abrupt transition near unity. After that, it sounds like a
 perfectly smooth fader or knob moved to silence. This shape is excellent as