+ s2. \bar "||" % 32
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s2.*18 | % 33-50
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
+ s2.*4 \bar ":|." % 51-54
+
+%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\break % Meh
+\stopStaff s2. \startStaff
+\set Score.currentBarNumber = #55
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ % Coda
+
+ s2.*2 \bar "||" % 55-56
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*27 \bar "|." % 57-83
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s2.*8 | % 1-8
+
+ % Verse
+
+ <e \hn c>4. <e \hn c>8 <e \hn c>4 | % 9
+ <f \hn d>4. <e \hn c>8 <d \hn b>4 | % 10
+ <e \hn c>2. | % 11
+ <c \hn g>2. | % 12
+ <g' \hn e \hn b>4 <g \hn e \hn b> <g \hn e \hn b> | % 13
+ <a \hn f \hn c>4 <g \hn e \hn c> <f \hn d \hn a>8 ( <g \hn c,> ) | % 14
+ <g \hn d \hn c>2. ~ | % 15
+ <g \hn d \hn b>2. | % 16
+ <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 17
+ <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn b> | % 18
+ <a \hn f \hn c>2. | % 19
+ <c, \hn a>2 r4 | % 20
+ <e \hn c>4 <f \hn d> <g \hn d> | % 21
+ <b, \hn g>2 <c \hn a>4 | % 22
+ <c \hn a>2. | % 23
+ << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 24
+ <g \hn e \hn c>4 <f \hn d \hn c> <e \hn c \hn g> | % 25
+ <e \hn b \hn g>2 <d \hn b>4 | % 26
+
+ c2. | % 27
+ s2. | % 28
+ s2. | % 29
+ s2. | % 30
+
+ c2. | % 31
+
+ r2. | % 32