Initial cleanup of manual content.

[ardour-manual] / include / track-types.html

diff --git a/include/track-types.html b/include/track-types.html
index 090dc44f020ad66d040c005bc1d5eb14a9f76b0e..4ea3f9bd721a37f34f9d9ea2fc62b9a81ed036aa 100644 (file)
--- a/include/track-types.html
+++ b/include/track-types.html
@@ -53,24 +53,27 @@
 </p>
 <dl class="narrower-table">
   <dt>Normal</dt>
 </p>
 <dl class="narrower-table">
   <dt>Normal</dt>

-  <dd>Tracks in <dfn>normal mode</dfn> will record non-destructively &mdash; 
-  new data is written to new files, and when overdubbing, new regions will be 
-  layered on top of existing ones. This is the recommended mode for most workflows.
+  <dd>Tracks in <dfn>normal mode</dfn> will record non-destructively&mdash;new
+  data is written to new files, and when overdubbing, new regions will be 
+  layered on top of existing ones. This is the recommended mode for most
+  workflows.

   </dd>
   <dt>Non-Layered</dt>
   </dd>
   <dt>Non-Layered</dt>

-  <dd>Tracks using <dfn>non-layered mode</dfn> will record non-destructively
-  &mdash; new data is written to new files, but when overdubbing, the existing 
-  regions are trimmed so that there are no overlaps. This does not affect
-  the previously recorded audio data, and trimmed regions can be expanded
-  again at will. Non-layered mode can be very useful for spoken word material, 
-  especially in combination with <a href="/editing-and-arranging/change-region-lengths/pushpull-trimming/">push/pull trimming</a>.
+  <dd>Tracks using <dfn>non-layered mode</dfn> will record
+  non-destructively&mdash;new data is written to new files, but when
+  overdubbing, the existing regions are trimmed so that there are no overlaps.
+  This does not affect the previously recorded audio data, and trimmed regions
+  can be expanded again at will. Non-layered mode can be very useful for spoken
+  word material, especially in combination with
+  <a href="/editing-and-arranging/change-region-lengths/pushpull-trimming/">push/pull trimming</a>.

   </dd>
   <dt>Tape</dt>
   <dd><dfn>Tape-mode</dfn> tracks do <strong>destructive</strong> recording: 
   </dd>
   <dt>Tape</dt>
   <dd><dfn>Tape-mode</dfn> tracks do <strong>destructive</strong> recording: 

-  all data is recorded to a single file and if you overdub a section of existing 
-  data, the existing data is destroyed irrevocably &mdash; there is no undo. 
-  Fixed crossfades are added at every punch in and out point. This mode can be 
-  useful for certain kinds of re-recording workflows, but it not suggested for normal 
+  all data is recorded to a single file and if you overdub a section of
+  existing data, the existing data is destroyed irrevocably&mdash;there is no
+  undo. Fixed crossfades are added at every punch in and out point. This mode
+  can be useful for certain kinds of re-recording workflows, but it not
+  suggested for normal 

   use.</dd>
 </dl>
 <img class="right" src="/images/a3_nonlayered_example.png" alt="normal and non-layered overdubbing comparision"
   use.</dd>
 </dl>
 <img class="right" src="/images/a3_nonlayered_example.png" alt="normal and non-layered overdubbing comparision"


@@ -78,10 +81,10 @@
 <p>
   The screenshot on the right shows the subtle difference between an overdub 
   in <dfn>normal mode</dfn> (upper track) and one in <dfn>non-layered mode</dfn> 
 <p>
   The screenshot on the right shows the subtle difference between an overdub 
   in <dfn>normal mode</dfn> (upper track) and one in <dfn>non-layered mode</dfn> 

-  (lower track). Both tracks were created using identical audio data. <br />
+  (lower track). Both tracks were created using identical audio data. <br>

   The upper track shows a new region which has been <dfn>layered on
   top</dfn> of the the existing (longer) region. You can see this if you look 
   The upper track shows a new region which has been <dfn>layered on
   top</dfn> of the the existing (longer) region. You can see this if you look 

-  carefully at the region name strips.<br />
+  carefully at the region name strips.<br>

   The lower track has split the existing region in two, trimmed each new
   region to create space for the new overdub, and inserted the overdub region 
   in between. 
   The lower track has split the existing region in two, trimmed each new
   region to create space for the new overdub, and inserted the overdub region 
   in between. 


@@ -94,7 +97,7 @@
   any plugins in a track). However it is useful to not have to configure this sort 
   of thing for the most common cases, and so the 
   <a href="/working-with-tracks/adding-tracks-and-busses/">Add Tracks</a> dialog allows you to 
   any plugins in a track). However it is useful to not have to configure this sort 
   of thing for the most common cases, and so the 
   <a href="/working-with-tracks/adding-tracks-and-busses/">Add Tracks</a> dialog allows you to 

-  select "Mono", "Stereo" and few other typical multichannel presets<br />
+  select "Mono", "Stereo" and few other typical multichannel presets<br>

   The name of the preset describes the number of <dfn>input channels</dfn>
   of the track or bus.
 </p>
   The name of the preset describes the number of <dfn>input channels</dfn>
   of the track or bus.
 </p>


@@ -103,7 +106,7 @@
   busses for you, the number of outputs will be determined by the number of
   inputs of the <dfn>master <a
   href="/introducing-ardour/understanding-basic-concepts-and-terminology/#busses">bus</a></dfn>,
   busses for you, the number of outputs will be determined by the number of
   inputs of the <dfn>master <a
   href="/introducing-ardour/understanding-basic-concepts-and-terminology/#busses">bus</a></dfn>,

-  to which the track outputs will be connected.<br />
+  to which the track outputs will be connected.<br>

   For example, if you have a two-channel master bus, then a Mono track has one 
   input and two outputs; a Stereo track has two inputs and two outputs.
 </p>
   For example, if you have a two-channel master bus, then a Mono track has one 
   input and two outputs; a Stereo track has two inputs and two outputs.
 </p>


@@ -117,6 +120,4 @@
   preferable to leave Ardour to make connections automatically, even if you later 
   change some of them manually.
 </p>
   preferable to leave Ardour to make connections automatically, even if you later 
   change some of them manually.
 </p>

-  
-