2 \include "pop-chords.ly"
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3 \include "english.ly"
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5 % Good sizes are 16, 18, & 20
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7 #(set-default-paper-size "letter")
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8 #(set-global-staff-size staffSize)
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9 #(ly:set-option (quote no-point-and-click))
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11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
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15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Great Is The Lord" }
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16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Michael W. Smith" }
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17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
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18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
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27 \numericTimeSignature
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33 s2.*4 \bar ".|:-||" % 1-4
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39 \mark \markup { \override #'(font-family . sans) { \box { A } } }
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41 s2.*8 \bar "||" % 5-12
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45 \mark \markup { \override #'(font-family . sans) { \box { B } } }
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68 LeadVox = \relative c'
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74 R2.*4 \bar "||:" % 1-4
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78 e8 d e f4 f16 e | % 5
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79 d8 g f e4 e16 d | % 6
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80 c8 f e d4 c16 b | % 7
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82 e8 d e f4 f16 e | % 9
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83 d8 g f e4 e16 d | % 10
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84 c8 f e d4 c16 b | % 11
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89 bf'8 bf a bf4 bf8 | % 13
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91 bf'8 bf a bf4 a8 | % 15
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93 bf8 bf a bf4 bf8 | % 17
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101 d4. ~ d8 c b | % 25
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110 r2.^\fermata | % 29
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114 LeadVoxText = \lyricmode
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117 he is ho -- ly and just;
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118 By his po -- wer we trust
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122 he is faith -- ful and true;
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123 By his mer -- cy he proves
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127 And wor -- thy of glo -- ry,
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129 And wor -- thy of praise,
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131 Now lift up your voice,
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132 Now lift up your voice,
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133 Great __ _ _ is the Lord! __ _
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134 Great __ _ _ is the Lord!
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143 Riffs = \relative c'''
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149 c16 g f8 r f16 e c8 r | % 1
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150 c'16 g f8 r f16 e c g' c e | % 2
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151 <c f>16 <g e'> <f c'>8 r <f c'>16 <e g> <c f>8 r | % 3
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152 c'16 g f e d e c4. | % 4
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163 r4. r8 g16 c e g | % 12
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167 bf8-> r4 r4. | % 13
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168 r4. r8 g,16 c e g | % 14
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169 bf8-> r4 r4. | % 15
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170 r4. r8 g,16 c e g | % 16
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171 bf8-> r4 r4 bf8 | % 17
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172 a8 d a b4 b8 | % 18
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175 d4. ~ d8 c b | % 21
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176 << c2. ~ \\ { r4. a,8 b c } >> | % 22
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177 << c'2. \\ { c,4. b8. \tieUp c16 ~ c8 \tieNeutral } >> | % 23
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179 d4. ~ d8 c b | % 25
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181 c16 g f8 r f16 e c8 r | % 26
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182 c'16 g f e d e c4. | % 27
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184 c'16 g f8 r f16 e c8 r | % 28
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188 c'16 g f e d e c4.^\fermata | % 29
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195 Chords = \chordmode
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209 f8 c/e d:m7 c4. | % 8
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213 f8 c/e d:m7 c4. | % 12
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217 bf8/c s f/c bf4./c | % 13
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219 bf8/c s f/c bf4./c | % 15
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221 bf8/c s f/c bf4./c | % 17
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222 d4./fs g8 g4/f | % 18
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223 e4. a8:m a4:m/g | % 19
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245 Rhythm = \relative c
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247 \numericTimeSignature
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248 \override NoteHead #'style = #'slash
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292 c4. c^\fermata | % 29
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308 s8_\f s4 s4. | % 13
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315 \Global % The "roadmap" that everything else depends on
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319 \new Voice = "lead" \LeadVox
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320 \new Lyrics \lyricsto "lead" \LeadVoxText
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325 % \remove "Time_signature_engraver"
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326 % \remove "Clef_engraver"
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327 %Hmm, removing this screws up the formatting...
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328 % \remove "Key_engraver"
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330 \override StaffSymbol #'staff-space = #(magstep -3.0)
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337 \new ChordNames \Chords
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338 \new RhythmicStaff << \Rhythm \Dynamics >>
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341 \set Score.skipBars = ##t
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342 \set Score.melismaBusyProperties = #'()
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349 #(define fonts (make-pango-font-tree
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355 % Don't spread staves vertically across last page (default: t)
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356 % ragged-last-bottom = ##f
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357 % Don't spread staves vertically across the page (default: f)
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358 % ragged-bottom = ##t
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359 % Allow partial line for last stave (default: f)
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362 % To find out what's eating the space at the top...
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363 % annotate-spacing = ##t
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