2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "God of Our Fathers" }
16 % subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "Genevan Psalter, 1551" }
17 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "George W. Warren" }
18 poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "Daniel C. Roberts" }
19 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
27 LeadVox = \relative c'
29 \set Staff.instrumentName = #"Sop."
65 AltoVox = \relative c'
67 \set Staff.instrumentName = #"Alto"
103 TenorVox = \relative c'
105 \set Staff.instrumentName = #"Tenor"
108 \numericTimeSignature
141 BassVox = \relative c
143 \set Staff.instrumentName = #"Bass"
146 \numericTimeSignature
173 f4 g8 af bf4 bf, | % 17
176 af,2 ef' \bar "|." % 19
183 <ef g bf>2. \times 2/3 { <ef g bf>8 <ef g bf> <ef g bf> } | % 1
184 <ef g bf>4 <ef g bf> <ef g bf> <ef g bf> | % 2
186 r4 \times 2/3 { <ef g bf>8 <ef g bf> <ef g bf> } <ef g bf>4 <ef g bf> | % 6
188 r4 \times 2/3 { <bf bf'>8 <bf bf'> <bf bf'> } <bf bf'>4 <bf bf'> | % 10
190 r4 \times 2/3 { <bf bf'>8 <bf bf'> <bf bf'> } <bf bf'>4 <bf bf'> | % 14
194 LeadVoxText = \lyricmode
196 God of our fa -- thers, whose al -- might -- y hand
197 Leads forth in beau -- ty all the star -- ry band
198 Of shin -- ing worlds in splen -- dor through the skies,
199 Our grate -- ful songs be -- fore Thy throne a -- rise.
202 LeadVoxTextB = \lyricmode
204 Thy love di -- vine hat led us in the past,
205 In this free land by Thee our lo is cast;
206 Be Thou our rul -- er, guard -- ian, guide, and stay,
207 Thy word our law, Thy paths our cho -- sen way.
210 LeadVoxTextC = \lyricmode
212 From war’s a -- larms, from dead -- ly pes -- ti -- lence,
213 Be Thy strong arm our ev -- er sure de -- fense;
214 Thy true re -- li -- gion in our hearts in -- crease,
215 Thy boun -- teous good -- ness nour -- ish us in peace.
218 LeadVoxTextD = \lyricmode
220 Re -- fresh Thy peo -- ple on their toil -- some way,
221 Lead us from night to nev -- er end -- ing day;
222 Fill all our lives with love and grace di -- vine,
223 And glo -- ry, laud, and praise be ev -- er Thine! A -- men.
230 s4_\markup { \italic { snare on 4, bass 8th notes } } s2. | % 1
233 s4_\f s_\markup { \hspace #0.0 \raise #-2.0 \italic { snare 2 & 4 } } s2 | % 29
237 s2. s8 \> s \! | % 40
238 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { bass 8th notes, band builds each repeat } } s2. | % 41
243 s4_\markup { \hspace #0.0 \raise #-2.0 \italic { rit. last time } } s2. | % 57
252 \new ChoirStaff = "Rhythm"
254 \new Staff = UpperStaffA { << \new Voice = "lead" \LeadVox \new Voice \Riffs >> }
255 \new Lyrics \lyricsto "lead" \LeadVoxText
256 \new Lyrics \lyricsto "lead" \LeadVoxTextB
257 \new Lyrics \lyricsto "lead" \LeadVoxTextC
258 \new Lyrics \lyricsto "lead" \LeadVoxTextD
259 \new Staff = UpperStaffB { \new Voice = "alto" \AltoVox }
260 \new Staff = LowerStaffA { \new Voice = "tenor" \TenorVox }
261 \new Staff = LowerStaffB { \new Voice = "bass" \BassVox }
264 \set Score.skipBars = ##t
265 \set Score.melismaBusyProperties = #'()
272 #(define fonts (make-pango-font-tree
278 % Spread staves vertically across last page (default: t)
279 ragged-last-bottom = ##f
280 % Don't spread staves vertically across the page (default: f)
281 % ragged-bottom = ##t
282 % Allow partial line for last stave (default: f)
285 % To find out what's eating the space at the top...
286 % annotate-spacing = ##t