2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Go Tell It On The Mountain" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart/Shamus & Deborah Hammons/J. & Kat Michaels/Chris Craig" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
22 % Useful tweak abbreviations (hn = harmony note)
24 hn = #(define-music-function (parser location arg) (ly:music?)
25 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
27 (set! (ly:music-property arg 'tweaks)
28 (acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
34 LeadVox = \relative c''
50 \time 2/4 r2 \time 4/4 | % 5
54 r1^\markup { \bold { Vamp } } | % 6
62 \mark \markup { \override #'(font-family . sans) { \box { A } } }
64 <b \hn g>2 <b \hn g>8 <a \hn e> <g \hn d> <e \hn c> | % 10
65 d8. ( <e \hn c>16 ~ <e \hn c>8 ) <g \hn b,> ~ <g \hn b,>2 | % 11
66 <a \hn c,>8 <a \hn c,>4 <a \hn c,>8 <g \hn d>4 <a \hn d,> | % 12
67 <b \hn g>4 <d \hn b> <e \hn c> ( <d \hn b> ) | % 13
68 <b \hn g>2 <b \hn g>8 <a \hn e> <g \hn d> <e \hn c> | % 14
69 d8. ( <e \hn c>16 ~ <e \hn c>8 ) <g \hn e> ~ <g \hn e>4 <c \hn g> | % 15
70 <b \hn d,>4 <b \hn d,> <a \hn c,>8 ( <g \hn b,> ) <a \hn c,>4 | % 16
77 \mark \markup { \override #'(font-family . sans) { \box { B } } }
79 <b \hn g>2 <b \hn g>8 <a \hn e> <g \hn d> <e \hn c> | % 18
80 d8. ( <e \hn c>16 ~ <e \hn c>8 ) <g \hn b,> ~ <g \hn b,>2 | % 19
81 <a \hn c,>8 <a \hn c,>4 <a \hn c,>8 <g \hn d>4 <a \hn d,> | % 20
82 <b \hn g>4 <d \hn b> <e \hn c> ( <d \hn b> ) | % 21
83 <b \hn g>2 <b \hn g>8 <a \hn e> <g \hn d> <e \hn c> | % 22
84 d8. ( <e \hn c>16 ~ <e \hn c>8 ) <g \hn e> ~ <g \hn e>4 <c \hn g> | % 23
85 <b \hn d,>4 <b \hn d,> <a \hn c,>8 ( <g \hn b,> ) <a \hn c,>4 | % 24
89 r1^\markup { \hspace #1.0 \raise #0.5 \italic { to Coda 4th time } \hspace #1.0 \musicglyph #"scripts.coda" }
91 %\once \override Score.RehearsalMark #'self-alignment-X = #right
92 %\mark \markup { \italic { to Coda 4th time } \hspace #1.0 \musicglyph #"scripts.coda" }
93 %Ick--only for size 18
95 r2 r4 r8 <g \hn b,>8 \bar "||" % 28
99 \mark \markup { \override #'(font-family . sans) { \box { C } } }
101 <b \hn d,>8 <d \hn g,> ~ <d \hn g,>4 <d \hn g,> <e \hn a,>8 <d \hn g,> ~ | % 29
102 <d \hn g,>8 <b \hn d,> ~ <b \hn d,>4 r r8 <g \hn b,> | % 30
103 <a \hn c,>4 <a \hn c,> <g \hn b,>8. <a \hn c,>16 ~ <a \hn c,>8 <b \hn d,> ~ | % 31
104 <b \hn d,>2 r4 r8 <g \hn b,> | % 32
105 <b \hn d,>4 r8 <d \hn g,> <d \hn g,>4 <e \hn a,>8 <d \hn g,> ~ | % 33
106 <d \hn g,>8 <b \hn d,> ~ <b \hn d,>4 r r8 <g \hn b,> | % 34
107 <a \hn cs,>4 <a \hn cs,> <g \hn e>8. <e \hn cs>16 ~ <e \hn cs>8 <d \hn a>8 ~ ( | % 35
108 <d \hn a>4. <c' \hn fs, \hn d>8 ~ <c \hn fs, \hn d>4 ) r | % 36
113 \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
114 %\stopStaff s1 \startStaff
115 \set Score.currentBarNumber = #37
117 \once \override Score.RehearsalMark #'self-alignment-X = #left
118 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
121 \time 2/4 r2 \time 4/4 \bar "||" % 38
125 \mark \markup { \override #'(font-family . sans) { \box { D } } }
127 r1^\markup { \hspace #0.0 \raise #1.0 \bold { Breakdown } } | % 39
136 \mark \markup { \override #'(font-family . sans) { \box { E } } }
138 r1^\markup { \hspace #1.0 \raise #1.0 \bold { Solos } } | % 43
148 \mark \markup { \override #'(font-family . sans) { \box { F } } }
150 <b \hn g \hn d>4 r^\markup { \hspace #0.0 \raise #1.5 \bold { Vocals On Cue } } <b \hn e, \hn c>8 <a \hn e \hn c> <g \hn e \hn c> <e \hn c> | % 47
151 <g \hn e \hn c>4. <a \hn fs \hn d>8 ~ <a \hn fs \hn d>2 | % 48
152 <b \hn g \hn d>4 r <b \hn e, \hn c>8 <a \hn e \hn c> <g \hn e \hn c> <e \hn c \hn a> | % 49
153 <g \hn e \hn c>8. <b \hn g \hn e>16 ~ <b \hn g \hn e>8 <a \hn fs \hn d> ~ <a \hn fs \hn d>2 | % 50
158 \mark \markup { \override #'(font-family . sans) { \box { G } } }
160 r1^\markup { \hspace #1.0 \raise #1.0 \bold { On Cue } } | % 51
163 r1-\fermata \bar ".|" % 54
167 LeadVoxText = \lyricmode
169 Go tell it on the moun -- _ _ tain, _
170 o -- ver the hills and e -- vr’y -- where, _
171 Go tell it on the moun -- _ _ tain, _
172 that Je -- sus Christ _ is born!
174 Go tell it on the moun -- _ _ tain, _
175 o -- ver the hills and e -- vr’y -- where, _
176 Go tell it on the moun -- _ _ tain, _
177 that Je -- sus Christ _ is born!
179 While shep -- herds _ kept their watch -- _ in' _
180 o'er si -- lent flocks by _ night, _
181 Be -- hold, through -- out the hea -- _ vens, _
182 there shone a ho -- ly _ light, _ _ _
184 Go, tell it on the moun -- tain, _
185 Go, tell it on the moun -- _ _ tain, _
188 LeadVoxTextB = \lyricmode
200 The shep -- herds _ feared and trem -- _ bled _
201 when lo, a -- bove the _ earth, _
202 Rang out the an -- gel cho -- _ rus _
203 that hailed our Sav -- ior's _ birth, _ _ _
206 LeadVoxTextC = \lyricmode
218 Down in _ a low -- ly man -- _ ger _
219 the hum -- ble Christ was _ born, _
220 And God sent us sal -- va -- _ tion _
221 that bless -- ed Christ -- mas _ morn, _ _ _
225 Riffs = \relative c''
233 \repeat "percent" 3 % 1 - 6
235 << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
236 << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
238 << s2. \\ { \tiny d2 c4 } >> | % 7
239 << s2. \\ { \tiny bf2. } >> | % 8
244 \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
250 \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
256 \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
262 \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
283 \time 2/4 s2 \time 4/4 | % 5
296 g4./b e8:m7 s2 | % 11
297 a2:m7 d4:sus4 d | % 12
309 g4./b e8:m7 s2 | % 11
310 a2:m7 d4:sus4 d | % 12
325 a2:m7 d4:sus4 d | % 23
338 \time 2/4 s2 \time 4/4 | % 30
381 \numericTimeSignature
382 \override NoteHead #'style = #'slash
389 c8.-> c16-> ~ c8 c8-> ~ c2 | % 1
390 c8.-> c16-> ~ c8 c8-> ~ c2 | % 2
391 c8.-> c16-> ~ c8 c8-> ~ c2 | % 3
392 c8.-> c16-> ~ c8 c8-> ~ c2 ~ | % 4
394 \time 2/4 c2 \time 4/4 | % 5
407 c4 c8 c8 ~ c4 c | % 11
411 c4 c8 c8 ~ c4 c | % 15
420 c4 c8 c8 ~ c4 c | % 11
424 c4 c8 c8 ~ c4 c | % 15
427 c8.-> c16-> ~ c8 c8-> ~ c2 | % 17
428 c8.-> c16-> ~ c8 c8-> ~ c2 | % 18
429 c8.-> c16-> ~ c8 c8-> ~ c2 | % 19
430 c8.-> c16-> ~ c8 c8-> ~ c2 \bar "||" % 20
446 %\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
447 \stopStaff s1 \startStaff
448 \set Score.currentBarNumber = #37
450 c8.-> c16-> ~ c8 c8-> ~ c2 ~ | % 29
451 \time 2/4 c2 \time 4/4 \bar "||" % 30
482 c8.-> c16-> ~ c8 c8-> ~ c2 | % 43
483 c8.-> c16-> ~ c8 c8-> ~ c2 | % 44
484 c8.-> c16-> ~ c8 c8-> ~ c2 | % 45
485 c8.-> c16-> ~ c8 c8-> ~ c2-\fermata \bar "|." % 46
492 s4_\markup { \italic { snare pat. } } s2 | % 1
493 s4_\markup { \italic { simile } } s2 | % 2
495 s4_\markup { \italic { spacy } } s2 | % 22
499 s4_\markup { \italic { Last time } } s2 | % 51
509 \new Voice = "lead" \LeadVox
510 \new Voice = "riffs" \Riffs
511 \new Lyrics \lyricsto "lead" \LeadVoxText
512 \new Lyrics \lyricsto "lead" \LeadVoxTextB
513 \new Lyrics \lyricsto "lead" \LeadVoxTextC
518 \new ChordNames \Chords
519 \new RhythmicStaff << \StaffC \Dynamics >>
522 \set Score.skipBars = ##t
523 \set Score.melismaBusyProperties = #'()
530 #(define fonts (make-pango-font-tree
536 % Don't spread staves vertically across last page (default: t)
537 % ragged-last-bottom = ##f
538 % Don't spread staves vertically across the page (default: f)
539 % ragged-bottom = ##t
540 % Allow partial line for last stave (default: f)
543 % To find out what's eating the space at the top...
544 % annotate-spacing = ##t