2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Create In Me A Clean Heart" }
16 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
34 s1^\markup { 8th note ballad, s. stick & colors } | % 1
39 \once \override Score.RehearsalMark #'self-alignment-X = #left
40 \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
42 s1*8 \bar ".|:-||" % 5-12
48 \mark \markup { \override #'(font-family . sans) { \box { B } } }
50 s8.^\markup { \italic { 2nd time snare } } s16 s2. | % 13
57 s2.. s8^\markup { \hspace #0.0 \raise #0.65 \bold D.S. } \bar "||" % 21
69 s1*4 \bar "|." % 24-27
76 LeadVox = \relative c'
87 g8 g g g fs4 d8 ( fs | % 5
88 e4 ) e16 ( d e8 ) d4 r | % 6
89 r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 7
91 g8 g g g fs4 d8 ( fs | % 9
92 e4 ) e16 ( d e8 ) d4 r | % 10
93 r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 11
98 c8. c16 c8 b a4 g8 a | % 13
99 b8 b4 a16 ( g ) g4 r8 g | % 14
100 c4 c8 b a a a16 g a8 | % 15
102 c4 c8 b16 ( a ) a4. r16 g | % 17
103 b8. c16 b8 a g e ~ e4 | % 18
104 r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 19
115 r8 g16 g g a g8 fs fs fs16 a ( g8 ) | % 24
117 r8 g16 g g a g8 fs fs fs16 a ( g8 ) | % 26
122 LeadVoxText = \lyricmode
124 Cre -- ate in me a clean heart __ _ _ O __ _ _ God
125 And re -- new a right spi -- rit wi -- thin _ me
126 Cre -- ate in me a clean heart __ _ _ O __ _ _ God
127 And re -- new a right spi -- rit wi -- thin _ me
129 Cast me not a -- way from your pre -- sence O _ Lord
130 And take not your Ho -- ly Spi -- rit from me
131 Re -- store un -- to _ me the joy of your sal -- va -- tion _
132 And re -- new a right spi -- rit wi -- thin _ me
138 And re -- new a right spi -- rit wi -- thin _ me
139 And re -- new a right spi -- rit wi -- thin _ me
164 g2:sus4 g8. a:m7 g8/b | % 12
172 fs2:m7.5- b:7.9- | % 17
173 e4:m7 e:m7/d c:maj7 g/b | % 18
179 g2 g8. a:m7 g8/b | % 22
197 \numericTimeSignature
198 \override NoteHead #'style = #'slash
217 c4 c c8.-> c16-> \< ~ c8 c \! | % 12
230 c4 c c c \bar "||" % 21
232 c4 c c8.-> c16-> \< ~ c8 c \! | % 22
240 c2 c_\markup { \italic { rit. } } | % 26
248 \Global % The "roadmap" that everything else depends on
252 \new Voice = "lead" \LeadVox
253 \new Lyrics \lyricsto "lead" \LeadVoxText
258 \new ChordNames \Chords
259 \new RhythmicStaff \StaffC
262 \set Score.skipBars = ##t
263 \set Score.melismaBusyProperties = #'()
270 #(define fonts (make-pango-font-tree
276 % Don't spread staves vertically across last page (default: t)
277 % ragged-last-bottom = ##f
278 % Don't spread staves vertically across the page (default: f)
279 % ragged-bottom = ##t
280 % Allow partial line for last stave (default: f)
283 % To find out what's eating the space at the top...
284 % annotate-spacing = ##t