From f527218f36b040f6e869a7617ed3380707c7f5c1 Mon Sep 17 00:00:00 2001
From: Shamus Hammons <jlhamm@acm.org>
Date: Fri, 29 Sep 2017 18:46:03 -0500
Subject: [PATCH] New chart "Your Grace Is Enough".

---
 your-grace-is-enough.ly | 545 ++++++++++++++++++++++++++++++++++++++++
 1 file changed, 545 insertions(+)
 create mode 100644 your-grace-is-enough.ly

diff --git a/your-grace-is-enough.ly b/your-grace-is-enough.ly
new file mode 100644
index 0000000..84c4b88
--- /dev/null
+++ b/your-grace-is-enough.ly
@@ -0,0 +1,545 @@
+% Missing dynamics, band directions
+
+\version "2.19.0"
+\include "pop-chords.ly"
+\include "english.ly"
+
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #21
+#(set-default-paper-size "letter")
+#(set-global-staff-size staffSize)
+#(ly:set-option (quote no-point-and-click))
+
+%{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
+
+\header
+{
+	title    = \markup { \override #'(font-family . sans) \fontsize #3.5 "Your Grace Is Enough" }
+	composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Matt Maher/Chris Tomlin" }
+	arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. S. Hammons" }
+	tagline  = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
+}
+
+
+%
+% Song's structure
+%
+Global =
+{
+	\clef G
+	\key g \major
+	\numericTimeSignature
+	\time 4/4
+
+	% Intro
+
+	s1*8 \bar ".|:-||"   % 1-8
+
+	\repeat volta 2
+	{
+		% Verse
+
+		\mark \markup { \override #'(font-family . sans) { \box { A } } }
+		s1*16 \bar "||"   % 9-24
+
+		% Prechorus
+
+		\mark \markup { \override #'(font-family . sans) { \box { B } } }
+		s1*8 \bar "||"   % 25-32
+
+		% Chorus
+
+		\mark \markup { \override #'(font-family . sans) { \box { C } } }
+		s1*7 |   % 33-40
+	}
+	\alternative
+	{
+		{
+			s1 |   %
+		}
+		{
+			s1 \bar "||"   %
+		}
+	}
+
+	% Chorus
+
+	\mark \markup { \override #'(font-family . sans) { \box { D } } }
+	s1*8 \bar "||"   % 41-48
+
+	% Prechorus
+
+	\mark \markup { \override #'(font-family . sans) { \box { E } } }
+	s1*8 |   % 49-56
+
+	\repeat volta 3
+	{
+		% Chorus
+
+		\mark \markup { \override #'(font-family . sans) { \box { F } } }
+		s1*8 |   % 57-64
+	}
+
+	% Ending
+
+	\mark \markup { \override #'(font-family . sans) { \box { G } } }
+	s1*9 \bar "|."   % 65-73
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+	% Intro
+
+	R1*8 |   % 1-8
+
+	% Verse
+
+	r4 g8 a4. fs8 g ~ |   % 9
+	g4 a8 fs4. g8 g ~ |   % 10
+	g4 r r2 |   % 11
+	R1 |   % 12
+
+	r4 g8 a4. fs8 g ~ |   % 13
+	g4 a8 fs4. g8 g ~ |   % 14
+	g4 r r2 |   % 15
+	R1 |   % 16
+
+	r4 g8 a ~ a fs4. |   % 17
+	g4 a8 fs ~ fs g4. |   % 18
+	g4 fs8 e ~ e d4. |   % 19
+	R1 |   % 20
+
+	r4 g8 a ~ a fs4. |   % 21
+	g4 a fs g8 g ~ |   % 22
+	g2 r |   % 23
+	r2 a4 c |   % 24
+
+	% Prechorus
+
+	b4. a8 ~ a4 c |   % 25
+	b4. a8 ~ a4 c |   % 26
+	b4. a8 ~ a4 c |   % 27
+	b4. a8 ~ a4 c |   % 28
+
+	b4. a8 ~ a4 c |   % 29
+	b4. a8 ~ a8 b4 ( g8 ) |   % 30
+	g2 r2 |   % 31
+	r2 r4 g |   % 32
+
+	% Chorus
+
+	d'2 c4 b8 a ~ |   % 33
+	a2 r4 g |   % 34
+	d'2 c4 b8 g ~ |   % 35
+	g2 r4 g |   % 36
+
+	d'2 c4 b8 a ~ |   % 37
+	a2 c8 ( b4. ) |   % 38
+	g2 r |   % 39
+
+	R1 |   % 40
+
+	r2 r4 g |   % 41
+
+	% Chorus
+
+	d'2 c4 b8 a ~ |   % 41
+	a2 r4 g |   % 42
+	d'2 c4 b8 g ~ |   % 43
+	g2 r4 g |   % 44
+
+	d'2 c4 b8 a ~ |   % 45
+	a2 c8 ( b4. ) |   % 46
+	g2 r |   % 47
+	r2 a4 c |   % 48
+
+	% Prechorus
+
+	b4. a8 ~ a4 c |   % 49
+	b4. a8 ~ a4 c |   % 50
+	b4. a8 ~ a4 c |   % 51
+	b4. a8 ~ a4 c |   % 52
+
+	b4. a8 ~ a4 c |   % 53
+	b4. a8 ~ a8 b4 ( g8 ) |   % 54
+	g2 r2 |   % 55
+	r2 r4 g |   % 56
+
+	% Chorus
+
+	d'2 c4 b8 a ~ |   % 57
+	a2 r4 g |   % 58
+	<< { \voiceOne \teeny d'8 d4. \normalsize } \context Voice = vb { \voiceTwo d2 } >> \oneVoice c4 b8 g ~ |   % 59
+	g2 r4 g |   % 60
+
+	d'2 c4 b8 a ~ |   % 61
+	a2 c8 ( b4. ) |   % 62
+	g2 r |   % 63
+	<< { \voiceOne \teeny d'8 d4 e8 ( ~ e d ) d4 \normalsize } \context Voice = vb { \voiceTwo r2 r4 g, } >> \oneVoice |   % 64
+
+	% Outro
+
+	R1*8 |   % 65-72
+	r1-\fermata |   % 73
+}
+
+
+LeadVoxText = \lyricmode
+{
+	Great is your faith -- _ ful -- ness O God, _
+	you wres -- tle with _ the sin -- ner's heart, _
+	you lead _ us by still wa -- _ ters and to mer -- _ cy,
+	and no -- _ thing can keep us a -- part. _
+
+	So re -- mem -- ber _ your peo -- ple _
+	re -- mem -- ber _ your chil -- dren, _
+	re -- mem -- ber _ your pro -- mise _
+	O _ God.
+
+	Your grace is e -- nough, _
+	your grace is e -- nough, _
+	your grace is e -- nough _
+	for _ me.
+
+	Your grace is e -- nough, _
+	your grace is e -- nough, _
+	your grace is e -- nough _
+	for _ me.
+
+	So re -- mem -- ber _ your peo -- ple _
+	re -- mem -- ber _ your chil -- dren, _
+	re -- mem -- ber _ your pro -- mise _
+	O _ God.
+
+	Your
+	<<
+	{ grace is e -- nough, _
+	your grace _ is e -- nough, _
+	your grace is e -- nough _
+	for _ me. _ _ _ _ _ Your }
+
+	\new Lyrics = "verse2" \with { alignBelowContext = #"verse1" }
+	{ \set associatedVoice = "Lead"
+	grace is e -- nough, _
+	Heaven reach -- ing down to us, _
+	your grace is e -- nough _
+	for _ me. God I see _ _ your
+	}
+
+	\new Lyrics = "verse3" \with { alignBelowContext = #"verse2" }
+	{ \set associatedVoice = "Lead"
+	grace is e -- nough, _
+	I'm co -- vered in your love, _
+	your grace is e -- nough _
+	for _ me. _ _ _ _ _ _
+	}
+	>>
+}
+
+LeadVoxTextB = \lyricmode
+{
+	Great is your love _ and jus -- tice God, _
+	you use the weak _ to lead the strong, _
+	you lead _ us in the song _ of your sal -- va -- _ tion,
+	and all _ your peo -- ple sing a -- long. _
+}
+
+
+Riffs = \relative c''
+{
+	% Intro
+
+	\tiny
+%{
+	d16 e fs d e fs d e fs d e fs d e fs d |   % 1
+	e16 fs d e fs d e fs d e fs d e fs d e |   % 2
+	fs16 d e fs d e fs d e fs d e fs d e fs |   % 3
+	d16 e fs d e fs d e fs d e fs d e fs d |   % 4
+%}
+	\normalsize
+}
+
+
+%
+% Chord names
+%
+Chords = \chordmode
+{
+	% Intro
+
+	g1 |   % 1
+	d1:sus4 |   % 2
+	e1:m7 |   % 3
+	c1:3.5.9 |   % 4
+	g1 |   % 5
+	d1:sus4 |   % 6
+	c1:3.5.9 |   % 7
+	s1 |   % 8
+
+	% Verse
+
+	g1 |   % 9
+	g1/b |   % 10
+	c1:3.5.9 |   % 11
+	s1 |   % 12
+	e1:m7 |   % 13
+	d1:sus4 |   % 14
+	c1:3.5.9 |   % 15
+	s1 |   % 16
+
+	g1 |   % 17
+	g1/b |   % 18
+	c1:3.5.9 |   % 19
+	s1 |   % 20
+	e1:m7 |   % 21
+	d1:sus4 |   % 22
+	c1:3.5.9 |   % 23
+	s1 |   % 24
+
+	% Prechorus
+
+	a1:m7 |   % 25
+	g1/b |   % 26
+	c1:3.5.9 |   % 27
+	d1:sus4 |   % 28
+	e1:m7 |   % 29
+	g1 |   % 30
+	c1:3.5.9 |   % 31
+	s1 |   % 32
+
+	% Chorus
+
+	g1 |   % 33
+	d1:sus4 |   % 34
+	e1:m7 |   % 35
+	c1:3.5.9 |   % 36
+	g1 |   % 37
+	d1:sus4 |   % 38
+	c1:3.5.9 |   % 39
+
+	s1 |   % 40
+
+	s1 |   % 41
+
+	% Chorus
+
+	g1 |   % 41
+	d1:sus4 |   % 42
+	e1:m7 |   % 43
+	c1:3.5.9 |   % 44
+	g1 |   % 45
+	d1:sus4 |   % 46
+	c1:3.5.9 |   % 47
+	s1 |   % 48
+
+	% Prechorus
+
+	a1:m7 |   % 49
+	g1/b |   % 50
+	c1:3.5.9 |   % 51
+	d1:sus4 |   % 52
+	e1:m7 |   % 53
+	d2/fs g |   % 54
+	c1:3.5.9 |   % 55
+	s1 |   % 56
+
+	% Chorus
+
+	g1 |   % 57
+	d1:sus4 |   % 58
+	e1:m7 |   % 59
+	c1:3.5.9 |   % 60
+	g1 |   % 61
+	d1:sus4 |   % 62
+	c1:3.5.9 |   % 63
+	s1 |   % 64
+
+	% Outro
+
+	g1 |   % 65
+	d1:sus4 |   % 66
+	e1:m7 |   % 67
+	c1:3.5.9 |   % 68
+	g1 |   % 69
+	d1:sus4 |   % 70
+	c1:3.5.9 |   % 71
+	s1 |   % 72
+	g1 |   % 73
+
+}
+
+
+%
+% Chord rhythms
+%
+StaffC = \relative c
+{
+	\numericTimeSignature
+	\override NoteHead #'style = #'slash
+	\stemDown
+	\teeny
+
+	% Intro
+
+	c4 c c c |   % 1
+	c4 c c c |   % 2
+	c4 c c c |   % 3
+	c4 c c c |   % 4
+	c4 c c c |   % 5
+	c4 c c c |   % 6
+	c4 c c c |   % 7
+	c4 c c c |   % 8
+
+	% Verse
+
+	c4 c c c |   % 9
+	c4 c c c |   % 10
+	c4 c c c |   % 11
+	c4 c c c |   % 12
+	c4 c c c |   % 13
+	c4 c c c |   % 14
+	c4 c c c |   % 15
+	c4 c c c |   % 16
+
+	c4 c c c |   % 17
+	c4 c c c |   % 18
+	c4 c c c |   % 19
+	c4 c c c |   % 20
+	c4 c c c |   % 21
+	c4 c c c |   % 22
+	c4 c c c |   % 23
+	c4 c c c |   % 24
+
+	% Prechorus
+
+	c4 c c c |   % 25
+	c4 c c c |   % 26
+	c4 c c c |   % 27
+	c4 c c c |   % 28
+	c4 c c c |   % 29
+	c4 c c c |   % 30
+	c4 c c c |   % 31
+	c4 c c c |   % 32
+
+	% Chorus
+
+	c4 c c c |   % 33
+	c4 c c c |   % 34
+	c4 c c c |   % 35
+	c4 c c c |   % 36
+	c4 c c c |   % 37
+	c4 c c c |   % 38
+	c4 c c c |   % 39
+
+	c4 c c c |   % 40
+
+	c4 c c c |   % 41
+
+	% Chorus
+
+	c4 c c c |   % 41
+	c4 c c c |   % 42
+	c4 c c c |   % 43
+	c4 c c c |   % 44
+	c4 c c c |   % 45
+	c4 c c c |   % 46
+	c4 c c c |   % 47
+	c4 c c c |   % 48
+
+	% Prechorus
+
+	c4 c c c |   % 49
+	c4 c c c |   % 50
+	c4 c c c |   % 51
+	c4 c c c |   % 52
+	c4 c c c |   % 53
+	c4 c c c |   % 54
+	c4 c c c |   % 55
+	c4 c c c |   % 56
+
+	% Chorus
+
+	c4 c c c |   % 57
+	c4 c c c |   % 58
+	c4 c c c |   % 59
+	c4 c c c |   % 60
+	c4 c c c |   % 61
+	c4 c c c |   % 62
+	c4 c c c |   % 63
+	c4 c c c |   % 64
+
+	% Outro
+
+	c4 c c c |   % 65
+	c4 c c c |   % 66
+	c4 c c c |   % 67
+	c4 c c c |   % 68
+	c4 c c c |   % 69
+	c4 c c c |   % 70
+	c4 c c c |   % 71
+	c4 c c c |   % 72
+	c1-\fermata |   % 73
+}
+
+
+Dynamics =
+{
+	s1_\markup { \italic { snare pat. } } |   % 1
+	s1_\markup { \italic { simile } } |   % 2
+	s1*19
+	s1_\markup { \italic { spacy } } |   % 22
+	s1*5
+	s1 s \< s \! |   % 28
+	s1*22
+	s1_\markup { \italic { Last time } } |   % 51
+}
+
+
+\score
+{
+	<<
+		\Global		% The "roadmap" that everything else depends on
+
+		\context Staff
+		<<
+			\new Voice = "lead" \LeadVox
+			\new Voice = "riffs" \Riffs
+			\new Lyrics = "verse1" \lyricsto "lead" \LeadVoxText
+			\new Lyrics \lyricsto "lead" \LeadVoxTextB
+		>>
+
+		\new ChoirStaff
+		<<
+			\new ChordNames \Chords
+			\new RhythmicStaff << \StaffC \Dynamics >>
+		>>
+
+		\set Score.skipBars = ##t
+		\set Score.melismaBusyProperties = #'()
+	>>
+}
+
+
+\paper
+{
+	#(define fonts (make-pango-font-tree
+		"Times New Roman"
+		"LilyJAZZText"
+		"Luxi Mono"
+		(/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+%	ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+%	ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+	ragged-last = ##t
+
+% To find out what's eating the space at the top...
+%	annotate-spacing = ##t
+}
+
-- 
2.37.2