From 43b3a3e2ca80feff762e05e9b1cac3df14eb6c2a Mon Sep 17 00:00:00 2001 From: Shamus Hammons Date: Sun, 2 May 2021 23:35:28 -0500 Subject: [PATCH] New charts "How Great Thou Art" and "In The Garden". --- how-great-thou-art-hymnal.ly | 236 ++++++++++++++++++++++++++++ how-great-thou-art-lead.ly | 292 +++++++++++++++++++++++++++++++++++ in-the-garden-hymnal.ly | 235 ++++++++++++++++++++++++++++ in-the-garden-lead.ly | 277 +++++++++++++++++++++++++++++++++ 4 files changed, 1040 insertions(+) create mode 100644 how-great-thou-art-hymnal.ly create mode 100644 how-great-thou-art-lead.ly create mode 100644 in-the-garden-hymnal.ly create mode 100644 in-the-garden-lead.ly diff --git a/how-great-thou-art-hymnal.ly b/how-great-thou-art-hymnal.ly new file mode 100644 index 0000000..a0ebe05 --- /dev/null +++ b/how-great-thou-art-hymnal.ly @@ -0,0 +1,236 @@ +\version "2.21.1" +\include "pop-chords.ly" +\include "english.ly" + +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) +staffSize = #18 +#(set-default-paper-size "letter") +#(set-global-staff-size staffSize) +#(ly:set-option (quote no-point-and-click)) + +\header +{ + title = \markup { \override #'(font-family . sans) \fontsize #3.5 "How Great Thou Art" } +% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr." } + tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) +} + + +% +% Song's structure +% +Global = +{ + \key bf \major + \numericTimeSignature + \time 4/4 + + \partial 8*3 s4. | % 0 + s1*8 \bar "||" % 1-8 + s1*7 % 9-15 + \partial 8*5 s2 s8 \bar "|." % 16 +} + + +Soprano = \relative c' +{ + \clef G + \voiceOne + + f8 f f | % 0 + d4. f8 f f g g | % 1 + ef4 g4. g8 g g | % 2 + f4. d8 f f ef ef | % 3 + d2 ~ d8 f f f | % 4 + d4. f8 f f g g | % 5 + ef4 g4. g8 g g | % 6 + f4. d8 f f ef ef | % 7 + d2 ~ d8 f f bf | % 8 + + d4. c8 bf a bf8. g16 | % 9 + f2 ~ f8 bf bf a | % 10 + c,2 ~ c8 ef g f | % 11 + d2 ~ d8 f f bf | % 12 + d4. c8 bf a bf8. g16 | % 13 + f2 ~ f8 bf a bf | % 14 + c2 ~ c8 d ef a, | % 15 + bf2 ~ bf8 | % 16 +} + +Alto = \relative c' +{ + \clef G + \voiceTwo + + d8 d d | % 0 + bf4. d8 ef bf ef ef | % 1 + bf4 ef4. ef8 d cs | % 2 + d4. bf8 d d c a | % 3 + bf2 ~ bf8 d d d | % 4 + bf4. d8 ef bf ef ef | % 5 + bf4 ef4. ef8 d cs | % 6 + d4. bf8 d d c a | % 7 + bf2 ~ bf8 d d d | % 8 + + f4. af8 g fs g8. ef16 | % 9 + d2 ~ d8 d d ef | % 10 + a,2 ~ a8 c ef c | % 11 + bf2 ~ bf8 d d d | % 12 + f4. af8 g fs g8. ef16 | % 13 + d2 ~ d8 d ef f | % 14 + g2 ~ g8 g g ef | % 15 + d2 ~ d8 | % 16 +} + +Tenor = \relative c' +{ + \clef F + \voiceThree + + bf8 bf bf | % 0 + f4. bf8 a f bf bf | % 1 + g4 bf4. bf8 bf bf | % 2 + bf4. f8 a a g f | % 3 + f2 ~ f8 bf bf bf | % 4 + f4. bf8 a f bf bf | % 5 + g4 bf4. bf8 bf bf | % 6 + bf4. f8 a a g f | % 7 + f2 ~ f8 bf8 bf bf | % 8 + + bf4. bf8 ef ef ef8. bf16 | % 9 + bf2 ~ bf8 f f c' | % 10 + f,2 ~ f8 a bf a | % 11 + f2 ~ f8 bf bf bf | % 12 + bf4. bf8 ef ef ef8. bf16 | % 13 + bf2 ~ bf8 bf f bf | % 14 + bf2 ~ bf8 b c c | % 15 + bf2 ~ bf8 | % 16 +} + +Bass = \relative c +{ + \clef F + \voiceFour + + bf8 bf bf | % 0 + bf4. bf8 c d ef ef | % 1 + ef4 ef4. ef8 e e | % 2 + f4. f8 f, f f f | % 3 + bf2 ~ bf8 bf bf bf | % 4 + bf4. bf8 c d ef ef | % 5 + ef4 ef4. ef8 e e | % 6 + f4. f8 f, f f f | % 7 + bf2 ~ bf8 bf bf bf | % 8 + + bf4. d8 ef ef ef8. ef16 | % 9 + bf2 ~ bf8 bf f' f | % 10 + f,2 ~ f8 f g a | % 11 + bf2 ~ bf8 bf bf bf | % 12 + bf4. d8 ef ef ef8. ef16 | % 13 + bf2 ~ bf8 bf c d | % 14 + ef2 ~ ef8 d c f | % 15 + bf,2 ~ bf8 | % 16 +} + +VerseA = \lyricmode +{ + O Lord my God! when I in awe -- some won -- der + Con -- sid -- er all the worlds Thy hands have made, _ + I see the starts, I hear the roll -- ing thun -- der, + Thy power through -- out the u -- ni -- verse dis -- played: _ + + Then sings my soul, my Sav -- ior God, to Thee, _ + How great Thou art, _ how great Thou art! _ + Then sings my soul, my Sav -- ior God, to Thee, _ + How great Thou art, _ how great Thou art! _ +} + +VerseB = \lyricmode +{ + When through the woods and for -- est glades I wan -- der + And hear the birds sing sweet -- ly in the trees; _ + When I look down from loft -- y moun -- tain gran -- deur + And hear the brook and feel the gen -- tle breeze: _ +} + +VerseC = \lyricmode +{ + And when I think that God, His Son not spar -- ing, + Sent Him to die, I scarce can take it in, _ + That on the cross, my bur -- den glad -- ly bear -- ing, + He bled and died to take a -- way my sin; _ +} + +VerseD = \lyricmode +{ + When Christ shall come with shout of ac -- cla -- ma -- tion + And take me home; what joy shall fill my heart! _ + Then I shall bow in hum -- ble ad -- o -- ra -- tion, + And there pro -- claim, my God how great Thou art! _ +} + + +\score +{ + << + \context Staff + << + \Global + \new Voice = "vA" \Soprano + \new Voice = "vB" \Alto + \new Lyrics \lyricsto "vA" \VerseA + \new Lyrics \lyricsto "vA" \VerseB + \new Lyrics \lyricsto "vA" \VerseC + \new Lyrics \lyricsto "vA" \VerseD + >> + + << + \new Staff = leadStaffB + { + << + \Global + \new Voice = "vC" \Tenor + \new Voice = "vD" \Bass + >> + } + >> + + \set Score.skipBars = ##t + \set Score.melismaBusyProperties = #'() + >> + +%{ \midi + { + \tempo 4 = 80 + %% Remove the dynamics from the midi output + \context + { + \Voice + \remove "Dynamic_performer" + \remove "Span_dynamic_performer" + } + } +%} +} + + +\paper +{ + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJazz Text" + "Luxi Mono" + (/ staffSize 20))) + +% Spread staves vertically across last page (default: t) +% ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) +% ragged-bottom = ##t +% Allow partial line for last stave (default: f) +% ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t +} diff --git a/how-great-thou-art-lead.ly b/how-great-thou-art-lead.ly new file mode 100644 index 0000000..c830e56 --- /dev/null +++ b/how-great-thou-art-lead.ly @@ -0,0 +1,292 @@ +\version "2.21.1" +\include "pop-chords.ly" +\include "english.ly" + +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) +staffSize = #18 +#(set-default-paper-size "letter") +#(set-global-staff-size staffSize) +#(ly:set-option (quote no-point-and-click)) + +\header +{ + title = \markup { \override #'(font-family . sans) \fontsize #3.5 "How Great Thou Art" } +% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr." } + tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) +} + + +% +% Song's structure +% +Global = +{ + \key g \major + \numericTimeSignature + \time 4/4 + + \partial 8*3 s4. | % 0 + s1*4 | % 1-4 + + \repeat volta 4 + { + s1*8 \bar "||" % 5-12 + s1*7 % 13-19 + } + \alternative + { + { + s1 | % 20 + } + { + s1 | % 21 + } + } + + s1*0^\markup { \large \italic { Rit. } } + s1*2 \bar "|." % 22-23 +} + + +Soprano = \relative c' +{ + \clef G +% \voiceOne + + s8*3 | % 0 + s1*3 | % 1-3 + s2 s8 f8 f f | % 4 + + d2 r8 f8 f f | % 5 + g8. g16 ef8 g r g g16 g8 f16 ~ | % 6 + f4. d8 f f16 ef ~ ef8 ef16 d ~ | % 7 + d2 r8 f f f | % 8 + d2 r8 f8 f f | % 9 + g8. g16 ef8 g r g g16 g8 f16 ~ | % 10 + f4. d8 f f16 ef ~ ef8 ef16 d ~ | % 11 + d2 r8 f f bf | % 12 + + d4. c8 bf8. a16 bf8. g16 | % 13 + f2 r8 bf bf a | % 14 + c,4. ef8 g4. f8 | % 15 + d2 r8 f f bf | % 16 + d4. c8 bf8. a16 bf8. g16 | % 17 + f2 r8 bf a bf | % 18 + c4. d8 ef4 a, | % 19 + + bf2 r8 f f f | % 20 + + bf2 r8 bf a bf | % 21 + + c4. d8 ef4 a, | % 22 + bf1 | % 23 +} + + +VerseA = \lyricmode +{ + O Lord my God! when I in awe -- some won -- der + Con -- sid -- er all _ the worlds Thy hands _ have made, _ + I see the stars, I hear the roll -- ing thun -- der, + Thy power through -- out _ the u -- ni -- verse _ dis -- played: _ + + Then sings my soul, my Sav -- ior God, to Thee, + How great Thou art, how great Thou art! + Then sings my soul, my Sav -- ior God, to Thee, + How great Thou art, how great Thou art! + + When through the + art! + + How great Thou art, how great Thou art! +} + +VerseB = \lyricmode +{ + _ _ _ woods and for -- est glades I wan -- der + And hear the birds _ sing sweet -- ly in _ the trees; _ + When I look down from loft -- y moun -- tain gran -- deur + And hear the brook _ and feel the gen -- _ tle breeze: _ + + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ + + And when I +} + +VerseC = \lyricmode +{ + _ _ _ think that God, His Son not spar -- ing, + Sent Him to die, _ I scarce can take _ it in, _ + That on the cross, my bur -- den glad -- ly bear -- ing, + He bled and died _ to take a -- way _ my sin; _ + + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ + + When Christ shall +} + +VerseD = \lyricmode +{ + _ _ _ come with shout of ac -- cla -- ma -- tion + And take me home; _ what joy shall fill _ my heart! _ + Then I shall bow in hum -- ble ad -- o -- ra -- tion, + And there pro -- claim, _ my God how great _ Thou art! _ +} + + +% +% Instrumental lines +% +RhythmB = \relative c' +{ + \clef G + \tiny + + % Intro + + f8 f bf | % 0 + d4. c8 bf8. a16 bf8. g16 | % 1 + f2 r8 bf a16 bf8. | % 2 + c4. d8 ef4 a, | % 3 + bf2 r8 s4. | % 4 +} + + +% +% Chord names +% +Chords = \chordmode +{ + % Intro + + s8*3 | % 0 + bf2 ef | % 1 + bf1 | % 2 + f2:7 c4:m7 f:7 | % 3 + bf2 ef | % 4 + + bf1 | % 5 + ef2 e:dim7 | % 6 + bf2 f4 ef | % 7 + bf2 ef | % 8 + bf1 | % 9 + ef2 e:dim7 | % 10 + bf2 f4 ef | % 11 + bf2 f:7 | % 12 + + bf2 ef | % 13 + bf1 | % 14 + f2 ef | % 15 + bf2 f:7 | % 16 + bf2 ef | % 17 + bf1 | % 18 + f2:7 c4:m7 f:7 | % 19 + bf2 ef | % 20 + + bf1 | % 21 + + f2:7 c4:m7 f:7 | % 22 + bf1 | % 23 +} + + +% +% Chord rhythms +% +StaffC = \relative c +{ + \numericTimeSignature + \override NoteHead #'style = #'slash + \teeny + + % Intro + + s8*3 | % 0 + \stemDown c4 c c c | % 1 + c4 c c c | % 2 + c4 c c c | % 3 + c4 c c c | % 4 + + % Verse + + c4 c c c | % 5 + c4 c c c | % 6 + c4 c c c | % 7 + c4 c c c | % 8 + c4 c c c | % 9 + c4 c c c | % 10 + c4 c c c | % 11 + c4 c c c | % 12 + + % Chorus + + c4 c c c | % 13 + c4 c c c | % 14 + c4 c c c | % 15 + c4 c c c | % 16 + c4 c c c | % 17 + c4 c c c | % 18 + c4 c c c | % 19 + + c4 c c c | % 20 + + c4 c c c | % 21 + + c4 c c c | % 22 + c1 | % 23 +} + + +\score +{ + << + \Global + + \context Staff + << + \new Voice = "vA" \transpose bf g \Soprano + \new Lyrics \lyricsto "vA" \VerseA + \new Lyrics \lyricsto "vA" \VerseB + \new Lyrics \lyricsto "vA" \VerseC + \new Lyrics \lyricsto "vA" \VerseD + \new Voice \transpose bf g \RhythmB + >> + + \new ChoirStaff + << + \new ChordNames \transpose bf g \Chords + \new RhythmicStaff \StaffC + >> + + \set Score.skipBars = ##t + \set Score.melismaBusyProperties = #'() + >> +} + + +\paper +{ + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJazz Text" + "Luxi Mono" + (/ staffSize 20))) + +% Spread staves vertically across last page (default: t) +% ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) +% ragged-bottom = ##t +% Allow partial line for last stave (default: f) + ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t +} diff --git a/in-the-garden-hymnal.ly b/in-the-garden-hymnal.ly new file mode 100644 index 0000000..fef172d --- /dev/null +++ b/in-the-garden-hymnal.ly @@ -0,0 +1,235 @@ +\version "2.21.1" +\include "pop-chords.ly" +\include "english.ly" + +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) +staffSize = #20 +#(set-default-paper-size "letter") +#(set-global-staff-size staffSize) +#(ly:set-option (quote no-point-and-click)) + +\header +{ + title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In The Garden" } +% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr." } + tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) +} + + +% +% Song's structure +% +Global = +{ + \key af \major + \numericTimeSignature + \time 6/8 + + \partial 8*1 s8 | % 0 + s2.*8 \bar "||" % 1-8 + s2.*7 % 9-15 + \partial 8*5 s2 s8 \bar "|." % 16 + +% s2^\markup { \bold { ATTO II. } \italic { Seguito della Scena II. } } | % 1 +% s2*7 \bar "||" % 2-8 + + % Body + +% s2^\markup { \bold { CHERUBINO. } } | % 9 +% s2*70 \bar "|." % 10-78 +} + + +Soprano = \relative c' +{ + \clef G + \voiceOne + + ef8 | % 0 + ef8 c df ef af bf | % 1 + c4. ~ c8 bf af | % 2 + af4 af8 bf af f | % 3 + af4. ef4 g16 af | % 4 + bf4 bf8 g4 f16 g | % 5 + af4 bf8 c4 c8 | % 6 + bf4 c8 bf4 af8 | % 7 + g4 ( a8 ) bf c8. bf16 | % 8 + + af4 af8 af g f | % 9 + g4 g8 g4 ef16 ef | % 10 + df'4 df8 df c b | % 11 + c4. ~ c4 af16 bf | % 12 + c4 c8 bf bf g | % 13 + af4 af8 af4 f8 | % 14 + ef16 af8. af8 g16 bf8. ~ bf8 | % 15 + af4. ~ af4 | % 16 +} + +Alto = \relative c' +{ + \clef G + \voiceTwo + + c8 | % 0 + c8 af bf c ef ef | % 1 + ef4. ~ ef8 ef gf | % 2 + f4 f8 f f df | % 3 + c4. c4 df16 df | % 4 + df4 df8 df4 df16 df | % 5 + ef4 ef8 ef4 ef8 | % 6 + d4 ef8 d4 d8 | % 7 + ef4. g8 ef8. df16 | % 8 + + c4 c8 c c c | % 9 + df4 df8 df4 df16 df | % 10 + f4 f8 f ef d | % 11 + ef4. ~ ef4 c16 df | % 12 + ef4 ef8 e e e | % 13 + f4 gf8 f4 df8 | % 14 + c16 c8. c8 df16 df8. ~ df8 | % 15 + c4. ~ c4 | % 16 +} + +Tenor = \relative c' +{ + \clef F + \voiceThree + + af8 | % 0 + af8 ef ef af af g | % 1 + af4. ~ af8 g af | % 2 + af4 af8 df df af | % 3 + af4. af4 af16 f | % 4 + g4 g8 bf4 af16 bf | % 5 + af4 g8 c4 af8 | % 6 + af4 af8 g4 bf8 | % 7 + bf4 ( c8 ) df8 g,8. g16 | % 8 + + ef4 ef8 ef ef ef | % 9 + ef4 ef8 bf'4 g16 g | % 10 + af4 af8 g g g | % 11 + af4. ~ af4 ef16 ef | % 12 + af4 af8 g g c | % 13 + c4 c8 df4 af8 | % 14 + af16 af8. af8 bf16 g8. ~ g8 | % 15 + af4. ~ af4 | % 16 +} + +Bass = \relative c +{ + \clef F + \voiceFour + + af8 | % 0 + af8 af af af c ef | % 1 + af,4. ~ af8 bf c | % 2 + df4 df8 df df df | % 3 + af4. af4 ef'16 ef | % 4 + ef4 ef8 ef4 ef16 df | % 5 + c4 ef8 af,4 af8 | % 6 + bf4 bf8 bf4 bf8 | % 7 + ef4. ef8 ef8. ef16 | % 8 + + af,4 af8 af af af | % 9 + bf4 bf8 ef4 ef16 ef | % 10 + ef4 ef8 ef ef ef | % 11 + af,4. ~ af4 af16 af | % 12 + af4 af8 c c c | % 13 + f4 ef8 df4 df8 | % 14 + ef16 ef8. ef8 ef16 ef8. ~ ef8 | % 15 + af,4. ~ af4 | % 16 +} + +VerseA = \lyricmode +{ + I come to the gar -- den a -- lone, _ + While the dew is still on the ros -- es; + And the voice I hear, fall -- ing on my ear, + The Son of God dis -- clos -- _ es. + + And He walks with me, and He talks with me, + And He tells me I am His own; _ + And the joy we share as we tar -- ry there, + None oth -- er has ev -- er _ known. _ +} + +VerseB = \lyricmode +{ + He speaks, and the sound of His voice _ + Is so sweet the birds hush their sing -- ing, + And the mel -- o -- dy that He gave to me + With -- in my heart is ring -- _ ing. +} + +VerseC = \lyricmode +{ + I'd stay in the gar -- den with Him _ + Though the night a -- round me be fall -- ing, + But He bids me go; through the voice of woe, + His voice to me is call -- _ ing. +} + + +\score +{ + << + \context Staff + << + \Global + \new Voice = "vA" \Soprano + \new Voice = "vB" \Alto + \new Lyrics \lyricsto "vA" \VerseA + \new Lyrics \lyricsto "vA" \VerseB + \new Lyrics \lyricsto "vA" \VerseC + >> + + << + \new Staff = leadStaffB + { + << + \Global + \new Voice = "vC" \Tenor + \new Voice = "vD" \Bass + >> + } + >> + + \set Score.skipBars = ##t + \set Score.melismaBusyProperties = #'() + >> + +%{ \midi + { + \tempo 4 = 80 + %% Remove the dynamics from the midi output + \context + { + \Voice + \remove "Dynamic_performer" + \remove "Span_dynamic_performer" + } + } +%} +} + + +\paper +{ + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJazz Text" + "Luxi Mono" + (/ staffSize 20))) + +% Spread staves vertically across last page (default: t) + ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) +% ragged-bottom = ##t +% Allow partial line for last stave (default: f) +% ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t +} diff --git a/in-the-garden-lead.ly b/in-the-garden-lead.ly new file mode 100644 index 0000000..3ec2bcd --- /dev/null +++ b/in-the-garden-lead.ly @@ -0,0 +1,277 @@ +\version "2.21.1" +\include "pop-chords.ly" +\include "english.ly" + +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) +staffSize = #20 +#(set-default-paper-size "letter") +#(set-global-staff-size staffSize) +#(ly:set-option (quote no-point-and-click)) + +\header +{ + title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In The Garden" } +% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr." } + tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) +} + + +% +% Song's structure +% +Global = +{ + \key g \major + \numericTimeSignature + \time 6/8 + + \partial 8*1 s8 | % 0 + s2.*4 | % 1-4 + + \repeat volta 3 + { + s2.*8 \bar "||" % 5-12 + s2.*7 % 13-19 + } + \alternative + { + { + s2. | % 20 + } + { + s2. | % 21 + } + } + + s1*0^\markup { \large \italic { Rit. } } + s2.*2 \bar "|." % 22-23 +} + + +Soprano = \relative c' +{ + \clef G + \voiceOne + + s8 | % 0 + s2.*3 | % 1-3 + s2 s8 ef | % 4 + + ef8 c df ef af bf | % 5 + c4. ~ c8 bf af | % 6 + af4 af8 bf af f | % 7 + af4. ef4 g16 af | % 8 + bf4 bf8 g4 f16 g | % 9 + af4 bf8 c4 c8 | % 10 + bf4 c8 bf4 af8 | % 11 + g4 ( af8 ) bf-\fermata c8.-\fermata bf16 | % 12 + + af4 af8 af g f | % 13 + g4 g8 g4 ef16 ef | % 14 + df'4 df8 df c b | % 15 + c4. ~ c4 af16 bf | % 16 + c4 c8 bf bf g | % 17 + af4 af8 af4 f8 | % 18 + ef16 af8. af8 g16 bf8. ~ bf8 | % 19 + + af4. ~ af4 ef8 | % 20 + + af4. ~ af4 f8 | % 21 + + ef16 af8. af8 g16 bf8. ~ bf8 | % 22 + af2. | % 23 +} + + +VerseA = \lyricmode +{ + I come to the gar -- den a -- lone, _ + While the dew is still on the ros -- es; + And the voice I hear, fall -- ing on my ear, + The Son of God dis -- clos -- _ es. + + And He walks with me, and He talks with me, + And He tells me I am His own; _ + And the joy we share as we tar -- ry there, + None oth -- er has ev -- er _ known. _ + + He + known. _ + + None oth -- er has ev -- er _ known. _ + +} + +VerseB = \lyricmode +{ + _ speaks, and the sound of His voice _ + Is so sweet the birds hush their sing -- ing, + And the mel -- o -- dy that He gave to me + With -- in my heart is ring -- _ ing. + + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ + + I'd +} + +VerseC = \lyricmode +{ + _ stay in the gar -- den with Him _ + Though the night a -- round me be fall -- ing, + But He bids me go; through the voice of woe, + His voice to me is call -- _ ing. +} + + +% +% Instrumental lines +% +RhythmB = \relative c'' +{ + \clef G + \tiny + + % Intro + af16 bf | % 0 + c4 c8 bf bf g | % 1 + af4 af8 af4 f8 | % 2 + ef16 af8. af8 g16 bf8. ~ bf8 | % 3 + af4. ~ af4 s8 | % 4 +} + + +% +% Chord names +% +Chords = \chordmode +{ + % Intro + + s8 | % 0 + af4. c:m | % 1 + f4.:m df | % 2 + af4. ef:7 | % 3 + af4 df8 af4. | % 4 + + af4. f:m | % 5 + af2. | % 6 + df4. bf:m | % 7 + af2. | % 8 + ef2.:7 | % 9 + af4 ef8 af4. | % 10 + bf2.:7 | % 11 + ef2:7 c8:m ef:7 | % 12 + + af2. | % 13 + ef2.:7 | % 14 + s2. | % 15 + af2. | % 16 + af4. c:m | % 17 + f4.:m df | % 18 + af4. ef:7 | % 19 + + af4 df8 af4. | % 20 + + f4.:m df | % 21 + + af4. ef:7 | % 22 + af4 df8 af4. | % 23 +} + + +% +% Chord rhythms +% +StaffC = \relative c +{ + \numericTimeSignature + \override NoteHead #'style = #'slash + \teeny + + % Intro + + s8 | % 0 + \stemDown c8 c c c c c | % 1 + c8 c c c c c | % 2 + c8 c c c c c | % 3 + c8 c c c c c | % 4 + + % Verse + + c8 c c c c c | % 5 + c8 c c c c c | % 6 + c8 c c c c c | % 7 + c8 c c c c c | % 8 + c8 c c c c c | % 9 + c8 c c c c c | % 10 + c8 c c c c c | % 11 + c8 c c c-\fermata c-\fermata c | % 12 + + % Chorus + + c8 c c c c c | % 13 + c8 c c c c c | % 14 + c8 c c c c c | % 15 + c8 c c c c c | % 16 + c8 c c c c c | % 17 + c8 c c c c c | % 18 + c8 c c c c c | % 19 + + c8 c c c c c | % 20 + + c8 c c c c c | % 21 + + c8 c c c c c | % 22 + c8 c c c4. | % 23 +} + + +\score +{ + << + \Global % The "roadmap" that everything else depends on + + \context Staff + << + \new Voice = "lead" \transpose af g \Soprano + \new Lyrics \lyricsto "lead" \VerseA + \new Lyrics \lyricsto "lead" \VerseB + \new Lyrics \lyricsto "lead" \VerseC + \new Voice \transpose af g \RhythmB + >> + + \new ChoirStaff + << + \new ChordNames \transpose af g \Chords + \new RhythmicStaff \StaffC + >> + + \set Score.skipBars = ##t + \set Score.melismaBusyProperties = #'() + >> +} + + +\paper +{ + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJazz Text" + "Luxi Mono" + (/ staffSize 20))) + +% Spread staves vertically across last page (default: t) +% ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) +% ragged-bottom = ##t +% Allow partial line for last stave (default: f) + ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t +} -- 2.37.2