-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Word Of God, Speak" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
% Useful tweak abbreviations (hn = harmony note)
(set! (ly:music-property arg 'tweaks)
(acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
-
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
- \clef G
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-%{
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
- s1 | % 6
- s1 | % 7
- \voiceTwo r2 r4 g \oneVoice | % 8
-
- \repeat volta 2
- {
- % Verse
-
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- e4. d8 c4 g' | % 9
- a4 f f a | % 10
- g4. e8 e4 d8 ( c ) | % 11
- e4 e d g | % 12
- e4. d8 c4 g' | % 13
- a4 f c' b8 ( a ) | % 14
- g4 e e8 ( d ) c ( d ) | % 15
- e4. d8 c4 <g' \hn f \hn b,> \bar "||" % 16
-
- % Chorus
-
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn b \hn g> | % 17
- <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 18
- <g \hn e \hn c>4 <e \hn c \hn g> <e \hn c \hn a>8 ( <d \hn b> ) <c \hn a> ( <d \hn b \hn g> ) | % 19
- <e \hn c \hn fs,>4 <e \hn c \hn fs,> <d \hn c \hn g> <g \hn f! \hn d> | % 20
- <g \hn e \hn c>4 <c \hn g \hn e> <b \hn g \hn d> <d \hn g, \hn b,> | % 21
- <c \hn a \hn f>4 <b \hn g \hn e>8 ( <a \hn f \hn d> ) <g \hn e \hn c>4 <a \hn f \hn c> | % 22
- <g \hn e \hn c>4 <e \hn c \hn g> << { \voiceOne <e \hn c>8 ( <d \hn b> ) c ( d ) } \context Voice = "v2" { \voiceTwo \tiny a4 a8 b \normalsize } \oneVoice >> | % 23
- \time 2/4 <e \hn c>4 <d \hn b> \time 4/4 | % 24
- \voiceTwo c1 \oneVoice | % 25
- s1 | % 26
- }
- \alternative
- {
- {
- s1 | % 27
- \voiceTwo r2 r4 g' \oneVoice | % 28
- }
- {
- s1 | % 29
- }
- }
-
- s1 | % 30
- s1 | % 31
- s1 | % 32
- \voiceTwo r2 r4 <a \hn d,> \oneVoice \bar "||" % 33
-
- \key d \major
+ \once \override TextScript #'padding = #2.0
+ s1*0^\markup { \large \italic { Piano only } }
- % Verse
+ s1*4 \bar "||" % 1-4
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ % Verse
- <fs \hn a,>4. <e \hn g,>8 <d \hn fs,>4 <a' \hn d,> | % 34
- <b \hn d,>4 <g \hn b,> <g \hn b,> <b \hn d,> | % 35
- <a \hn d,>4. <fs \hn a,>8 <fs \hn a,>4 <e \hn g,>8 ( <d \hn fs,> ) | % 36
- <fs \hn a,>4 <fs \hn a,> <e \hn a> <a \hn e \hn cs> | % 37
- <fs \hn d \hn a>4. <e \hn d \hn g,>8 <d \hn a \hn cs>4 <a' \hn fs \hn d> | % 38
- <b \hn g \hn d>4 <g \hn d \hn b> <d' \hn f, \hn b,> <cs \hn f, \hn cs>8 ( <b \hn d,> ) | % 39
- <a \hn fs \hn d>4 <fs \hn d \hn a> << { \voiceOne <fs \hn d>8 ( <e \hn cs> ) d ( e ) } \context Voice = "v2" { \voiceTwo \tiny b4 b8 cs \normalsize } \oneVoice >> | % 40
- <fs \hn d \hn a>4. <e \hn cs \hn g>8 <d \hn fs,>4 <a' \hn g \hn cs,> \bar "||" % 41
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*8 \bar "||" % 13-20
- <a \hn fs \hn d>4 <d \hn a \hn fs> <cs \hn a \hn e> <e \hn cs \hn a> | % 42
- <d \hn b \hn g>4 <cs \hn a \hn fs>8 ( <b \hn g \hn e> ) <a \hn fs \hn d>4 <b \hn g \hn d> | % 43
- <a \hn fs \hn d>4 <fs \hn d \hn a> <fs \hn d \hn b>8 ( <e \hn cs> ) <d \hn b> ( <e \hn cs \hn a> ) | % 44
- <fs \hn d \hn gs,>4 <fs \hn d \hn gs,> <e \hn d \hn a> <a \hn g! \hn cs,> | % 45
- <a \hn fs \hn d>4 <d \hn a \hn fs> <cs \hn a \hn e> <e \hn a, \hn cs,> | % 46
- <d \hn g, \hn b,>4 <cs \hn fs, \hn a,>8 ( <b \hn e, \hn g,> ) <a \hn d, \hn fs,>4 <b \hn g \hn d> | % 47
- <a \hn fs \hn d>4 <fs \hn d \hn a> << { \voiceOne <fs \hn d>8 ( <e \hn cs> ) d ( <e \hn cs> ) } \context Voice = "v2" { \voiceTwo \tiny b4 b8 a \normalsize } \oneVoice >> | % 48
- <fs' \hn d \hn a>2 <e \hn cs \hn a> \bar "||" % 49
+ % Midtro
- % Outro
+ \mark \markup { \override #'(font-family . sans) { \box { B2 } } }
+ s1*4 \bar "||" % 21-24
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
- \voiceTwo d1 \oneVoice | % 50
- s1 | % 51
- s1 | % 52
- s1 | % 53
- s1 | % 54
- s1 | % 55
- s1 | % 56
- s1 | % 57
- s1 \bar "|." % 58
-%}
-}
+ % Verse
-LeadVoxText = \lyricmode
-{
- I'm find- ing my- self at a loss for words
- and the fun- ny thing is, it's o- kay
- The last thing I need is too be heard
- but to hear what you might say
-
- Word of God speak, would you pour down like rain,
- wash- ing my eyes to see your ma- jes- ty
- To be still and know that you're in this place,
- please let me stay and rest in your ho- li- ness
- Word of God speak.
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 \bar "||" % 25-32
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 \bar "||" % 33-40
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*9 \bar "||" % 41-49
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s1*4 \bar "|." % 96-100
}
-Riffs = \relative c''
+%
+% Lead vocal
+%
+LeadVox = \relative c'
{
- \clef G
- \key c \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
-\tiny
- r8 g16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 1
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 2
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 3
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 4
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 5
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 6
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 7
- \voiceOne <g' d c g>1 \oneVoice | % 8
-
- \repeat volta 2
- {
- % Verse
-
- s1 | % 9
- s1 | % 10
- s1 | % 11
- s1 | % 12
- s1 | % 13
- s1 | % 14
- s1 | % 15
- s1 | % 16
-
- % Chorus
-
- s1 | % 17
- s1 | % 18
- s1 | % 19
- s1 | % 20
- s1 | % 21
- s1 | % 22
- s1 | % 23
- \time 2/4 s2 \time 4/4 | % 24
- \voiceOne r8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ \oneVoice | % 25
- c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 26
- }
- \alternative
- {
- {
- d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 27
- \voiceOne <g' d c g>1 \oneVoice | % 28
- }
- {
- d8 \repeatTie g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 29
- }
- }
-
- c8 bf16 f ~ f2. | % 30
- c'8 bf16 f ~ f4 ~ f8. af16 ~ af bf8. | % 31
- c1 | % 32
- \voiceOne d2 e \oneVoice | % 33
+ r1 | % 1
+ r1 | % 2
+ r1 | % 3
+ r4 r8. c16 e8 g a g ~ | % 4
% Verse
- s1 | % 34
- s1 | % 35
- s1 | % 36
- s1 | % 37
- s1 | % 38
- s1 | % 39
- s1 | % 40
- s1 | % 41
+ g2 ~ g8 e16 g a4 ~ | % 5
+ a16 g g8 ~ g4 r g8 g16 g | % 6
+ c,16 c8. c4 r c16 d8. ~ | % 7
+ d8 c ~ c8. c16 e8 g a g ~ | % 8
+
+ g2 ~ g8. e16 a4 ~ | % 9
+ a16 g g8 ~ g2 g8 g16 g ~ | % 10
+ g2 r8. g16 c d8 d16 ~ | % 11
+ d2 <c, \hn e>8 <d \hn f>16 <e \hn g> ~ <e \hn g>8 <e \hn g> ~ | % 12
% Chorus
- s1 | % 42
- s1 | % 43
- s1 | % 44
- s1 | % 45
- s1 | % 46
- s1 | % 47
- s1 | % 48
- s1 | % 49
+ <e \hn g>4 r8 <g, \hn c>16 <g \hn c> <e' \hn g>8 <d \hn f> <c \hn e> <d \hn g> ~ | % 13
+ <d \hn g>4 r <d \hn g>8 <d \hn g> <e \hn g> <d \hn g> ~ | % 14
+ <d \hn g>8 <c \hn f>16 <c \hn f> ~ <c \hn f>2 <a \hn c>8 <d \hn g> ~ | % 15
+ <d \hn g>8 <c \hn f>16 <c \hn f> r8. <a \hn c>16 <\hn g c \hn e>8 <\hn a d \hn f> <\hn c e \hn g> <\hn c e \hn g> ~ | % 16
+
+ <\hn c e \hn g>4 r8.<g \hn e'>16 <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 17
+ <\hn c d \hn g>4 r <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 18
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 19
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>4 <g \hn g'>8 <g \hn g'>16 <g \hn g'> ~ <g \hn g'>8 <g \hn g'> ~ | % 20
+
+ % Midtro
+
+ <g \hn g'>4 r r2 | % 21
+ r1 | % 22
+ r1 | % 23
+ r4 r8. <\hn g c>16 <\hn c e>8 <\hn e g> <\hn f a> <\hn e g> ~ | % 24
+
+ % Verse
+
+ <\hn e g>4 r r8 <\hn c e>16 <\hn e g> <\hn f a>4 ~ | % 25
+ <\hn f a>16 <\hn e g> <\hn e g>8 ~ <\hn e g>4 r8. g16 g8 g16 g ~ | % 26
+ g16 c,8. r4 r8. c16 c8 d16 c16 ~ | % 27
+ c4 r <\hn c e>8 <\hn e g> <\hn f a> <\hn e g> ~ | % 28
+
+ <\hn e g>4 r r8 <\hn c e>16 <\hn e g> <\hn f a>4 ~ | % 29
+ <\hn f a>16 <\hn e g> <\hn e g>8 ~ <\hn e g>4 r8. g16 g8 g16 g ~ | % 30
+ g16 g r8 r4 r <\hn g, c \hn f>16 <\hn c d \hn g>8 <\hn c d \hn g>16 ~ | % 31
+ <\hn c d \hn g>4 r <\hn g c \hn e>8 <\hn a d \hn f>16 <\hn c e \hn g> ~ <\hn c e \hn g>8 <\hn c e \hn g> ~ | % 32
+
+ % Chorus
+
+ <\hn c e \hn g>4 r8 <\hn g c>16 <\hn g c> <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 33
+ <\hn c d \hn g>2 <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 34
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>2 <a \hn c>8 <\hn a d \hn g> ~ | % 35
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> r8. <a \hn c>16 <\hn g c \hn e>8 <\hn a d \hn f> <\hn c e \hn g> <\hn c e \hn g> ~ | % 36
+
+ <\hn c e \hn g>4 r8.<g \hn e>16 <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 37
+ <\hn c d \hn g>4 r <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 38
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 39
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>4 <\hn g f' \hn g>8 <\hn a e' \hn a>16 <\hn c d \hn g \hn c> ~ <\hn c c \hn g' \hn c>8 <\hn c e \hn g \hn c> ~ | % 40
+
+ <\hn c e \hn g \hn c>4 r8 <\hn g c \hn e \hn g>16 <\hn g c \hn e \hn g> <\hn c \hn e g \hn c>8 <\hn a \hn d f \hn a> <\hn g \hn c e \hn g> <\hn g \hn c e \hn g> ~ | % 41
+ <\hn g \hn c d \hn g>4 r <\hn g \hn b d \hn g>8 <\hn g \hn b d \hn g> <\hn a \hn c e \hn g> <\hn bf d \hn g> ~ | % 42
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r <a \hn c>8 <\hn a d \hn g> ~ | % 43
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> r8. <a \hn c \hn f>16 <\hn g c \hn e \hn g>8 <\hn a d \hn f \hn a> <\hn c e \hn g \hn c> <\hn c e \hn g \hn c> ~ | % 44
+
+ <\hn c e \hn g \hn c>4 r8. <c \hn e \hn g>16 <\hn c \hn e g \hn c>8 <\hn a \hn d f \hn a> <\hn g \hn c e \hn g> <\hn g \hn c e \hn g> ~ | % 45
+ <\hn g \hn c d \hn g>4 r <\hn g \hn b d \hn g>8 <\hn g \hn b d \hn g> <\hn a \hn c e \hn g> <\hn bf d \hn g> ~ | % 46
+ <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 47
+ <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>2 r4 | % 48
+ r4 r8. c16 e8 g a g ~ | % 49
+
+ % End
+
+ g2 r8 e16 g a4 ~ | % 50
+ a16 g g8 ~ g4 r g8 g16 g | % 51
+ c,16 c8. c4 r c16 d8. ~ | % 52
+ d8 c ~ c2.-\fermata | % 53
+}
+
+
+LeadVoxText = \lyricmode
+{
+ I'm find -- ing my -- self _ _ at a loss _ for words _
+ and the fun -- ny thing is, it's o -- _ kay _
+ The last thing I need _ _ is to _ be heard _
+ but to hear _ what you might say _
+
+ Word of God _ speak, _ would you pour down like rain, _
+ wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
+ To be still and know _ that you're in this place, _
+ please let me stay _ and rest _ in your ho -- _ li -- ness _
+ Word of God _ speak. _
+
+ I'm find -- in' my -- self _ in the midst _ of you _
+ be -- yond the mu -- _ sic, be -- yond the noise, _
+ all that I need _ is to be _ with you, _
+ and in the qui -- _ et, hear your voice, _
+
+ Word of God _ speak, _ would you pour down like rain, _
+ wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
+ To be still and know _ that you're in this place, _
+ please let me stay _ and rest _ in your ho -- _ li -- ness _
+
+ Word of God _ speak, _ would you pour down like rain, _
+ wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
+ To be still and know _ that you're in this place, _
+ please let me stay _ and rest _ in your ho -- _ li -- ness _
+
+ I'm find -- ing my -- self _ at a loss _ for words _
+ and the fun -- ny thing is, it's o -- _ kay _
+}
- % Outro
- \voiceOne r8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ \oneVoice | % 50
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 51
- e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 52
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 53
- e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 54
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 55
- e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 56
- d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 cs8. ~ | % 57
- <d a fs d>1^\fermata | % 59
-\normalsize
+Riffs = \relative c''
+{
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- c2:sus2/a c:sus2/f | % 1
- g1:sus4 | % 2
- c2:sus2/a c:sus2/f | % 3
- g1:sus4 | % 4
- c2:sus2/a c:sus2/f | % 5
- g1:sus4 | % 6
- c2:sus2/e c:sus2/f | % 7
- g1:sus4 | % 8
-
- \repeat volta 2
- {
- % Verse
-
- c2 c/e | % 9
- f2 d:m7 | % 10
- c2/g a:m7 | % 11
- c2/f g4:sus4 g | % 12
- c2 c/e | % 13
- f2 fs:dim | % 14
- c2/g a:m7 | % 15
- c4/g g c g:sus4.7 \bar "||" % 16
-
- % Chorus
-
- c2 g | % 17
- f4 e8:m7 d:m7 c4 f | % 18
- c2/g a:m7 | % 19
- d2:9 g4:sus4.7 g:7 | % 20
- c2 g | % 21
- f4 e8:m7 d:m7 c4 f | % 22
- c2/e a:m7 | % 23
- \time 2/4 c4/f g \time 4/4 | % 24
- c2:sus2/a c:sus2/f | % 25
- g1:sus4 | % 26
- }
- \alternative
- {
- {
- c2:sus2/e c:sus2/f | % 27
- g1:sus4 | % 28
- }
- {
- c2:sus2/e c:sus2/ef | % 29
- }
- }
-
- bf1:sus2/d | % 30
- df1:maj7 | % 31
- f1/g | % 32
- g2/a a4 a:sus4.7 \bar "||" % 33
+ c2. c4:sus4 | % 1
+ c2. c4:sus2 | % 2
+ c2./f c4:sus4/f | % 3
+ c2./f c4:sus2/f | % 4
% Verse
- d2 d/fs | % 34
- g2 e:m7 | % 35
- d2/a b:m7 | % 36
- d2/a a | % 37
- d4. e8:m7 d2/fs | % 38
- g2 gs:dim | % 39
- d2/a b:m7 | % 40
- d4/a a d d:sus4.7 \bar "||" % 41
+ c2. c4:sus4 | % 5
+ c2. c4:sus2 | % 6
+ c2./f c4:sus4/f | % 7
+ c2./f c4:sus2/f | % 8
+
+ c2. c4:sus4 | % 9
+ c2. c4:sus2 | % 10
+ c2./f c4:sus4/f | % 11
+ c1/f | % 12
% Chorus
- d2 a | % 42
- g4 fs8:m7 e:m7 d4 g | % 43
- d2/a b:m7 | % 44
- e2:9 a4:sus4.7 a:7 | % 45
- d2/a a | % 46
- g4 fs8:m7 e:m7 d4 g | % 47
- d2/fs b:m7 | % 48
- d2/g a \bar "||" % 49
+ c1 | % 13
+ g2:sus4 g4 a:m11 | % 14
+ bf1:sus2 | % 15
+ f2 c/f | % 16
- % Outro
+ c1 | % 17
+ g2:sus4 g4 a:m11 | % 18
+ bf1:sus2 | % 19
+ f1 | % 20
+
+ % Midtro
+
+ c2. c4:sus4 | % 21
+ c2. c4:sus2 | % 22
+ c2./f c4:sus4/f | % 23
+ c2./f c4:sus2/f | % 24
+
+ % Verse
+
+ c2. c4:sus4 | % 25
+ c2. c4:sus2 | % 26
+ c2./f c4:sus4/f | % 27
+ c2./f c4:sus2/f | % 28
- d2:sus2 g:6.9 | % 50
- a1:sus4 | % 51
- d2:sus2/b g:6.9 | % 52
- a1:sus4 | % 53
- d2:sus2 g:6.9 | % 54
- a1:sus4 | % 55
- d2:sus2/fs g:6.9 | % 56
- a1:sus4 | % 57
- d1 | % 58
+ c2. c4:sus4 | % 29
+ c2. c4:sus2 | % 30
+ c2./f c4:sus4/f | % 31
+ c1 | % 32
+
+ % Chorus
+
+ c1 | % 33
+ g2:sus4 g4 a:m11 | % 34
+ bf1:sus2 | % 35
+ f2 c/f | % 36
+
+ c1 | % 37
+ g2:sus4 g4 a:m11 | % 38
+ bf1:sus2 | % 39
+ f1 | % 40
+
+ c1 | % 41
+ g2:sus4 g4 a:m11 | % 42
+ bf1:sus2 | % 43
+ f2 c/f | % 44
+
+ c1 | % 45
+ g2:sus4 g4 a:m11 | % 46
+ bf1:sus2 | % 47
+ f1 | % 48
+ f1:sus2 | % 49
+
+ % End
+
+ c2. c4:sus4 | % 50
+ c2. c4:sus2 | % 51
+ c2./f c4:sus4/f | % 52
+ f1:sus2 | % 53
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
-StaffC = \relative c
+Rhythm = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 2
c4 c c c | % 3
c4 c c c | % 4
+
+ % Verse
+
c4 c c c | % 5
c4 c c c | % 6
c4 c c c | % 7
- c1 | % 8
-
- \repeat volta 2
- {
- % Verse
-
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c-> \bar "||" % 16
-
- % Chorus
-
- c4 c c c | % 17
- c4 c8 c c4 c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c | % 21
- c4 c8 c c4 c | % 22
- c4 c c c | % 23
- \time 2/4 c4 c \time 4/4 | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- }
- \alternative
- {
- {
- c4 c c c | % 27
- c4 c c c | % 28
- }
- {
- c4 c c c | % 29
- }
- }
+ c4 c c c | % 8
+
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ % Chorus
+
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+
+ % Midtro
+
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+
+ % Verse
+
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+
+ c4 c c c | % 29
c4 c c c | % 30
c4 c c c | % 31
c4 c c c | % 32
- c4 c c c \bar "||" % 33
- % Verse
+ % Chorus
+ c4 c c c | % 33
c4 c c c | % 34
c4 c c c | % 35
c4 c c c | % 36
+
c4 c c c | % 37
- c4. c8 c4 c | % 38
+ c4 c c c | % 38
c4 c c c | % 39
c4 c c c | % 40
- c4 c c c-> \bar "||" % 41
-
- % Chorus
+ c4 c c c | % 41
c4 c c c | % 42
- c4 c8 c c4 c | % 43
+ c4 c c c | % 43
c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
- c4 c8 c c4 c | % 47
+ c4 c c c | % 47
c4 c c c | % 48
- c2 c \bar "||" % 49
+ c1^\fermata | % 49
% Outro
c4 c c c | % 50
c4 c c c | % 51
c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c1^\fermata \bar "|." % 58
+ c1^\fermata | % 53
}
Dynamics =
{
-%{
- s4_\mf s2. | % 1
- s1*22 | % 2-23
- s4 s \> | % 24
- s4 \! s2. | % 25
- s1*2 | % 26-27
- s4 \< s s \! s | % 28
- s1*4 | % 29-32
- s4 \< s s \! s | % 33
- s1*23 | % 34-56
- s2 s2_\markup { \italic { rit. } } | % 57
-%}
+ s1*12 | % 1-12
+ s4_\markup { \italic { Add bass, pad } } s2. | % 13
+ s1*7 | % 14-20
+ s4_\markup { \italic { Add perc, Ac. gtrs. } } s2. | % 21
+ s1*28 | % 22-49
+ s4_\markup { \italic { Piano only, like intro } } s2. | % 50
+ s1*2 | % 51-52
+ s4_\markup { \italic { Full band } } s2. | % 53
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
>>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% Don't spread staves vertically across the page (default: f)
% ragged-bottom = ##t
% Allow partial line for last stave (default: f)
- ragged-last = ##t
+% ragged-last = ##t
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
projects / music / blobdiff