-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Wonderful, Merciful Savior" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Dawn Rodgers/Eric Wyse" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s2. | % 1
- s2. | % 2
- s2. | % 3
- s2. | % 4
- s2. | % 5
- s2. | % 6
- s2. | % 7
- s2. \bar "||:" % 8
-%\break % bleah
+ s2.*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \italic \smaller { 1st X piano only, unison } }
- <e \hn c>4. <e \hn c>8 <e \hn c>4 | % 9
- <f \hn d>4. <e \hn c>8 <d \hn b>4 | % 10
- <e \hn c>2. | % 11
- <c \hn g>2. | % 12
- <g' \hn e \hn b>4 <g \hn e \hn b> <g \hn e \hn b> | % 13
- <a \hn f \hn c>4 <g \hn e \hn c> <f \hn d \hn a>8 ( <g \hn c,> ) | % 14
- <g \hn d \hn c>2. ~ | % 15
- <g \hn d \hn b>2. | % 16
- <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 17
- <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn b> | % 18
- <a \hn f \hn c>2. | % 19
- <c, \hn a>2 r4 | % 20
- <e \hn c>4 <f \hn d> <g \hn d> | % 21
- <b, \hn g>2 <c \hn a>4 | % 22
- <c \hn a>2. | % 23
- << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 24
- <g \hn e \hn c>4 <f \hn d \hn c> <e \hn c \hn g> | % 25
- <e \hn b \hn g>2 <d \hn b>4 | % 26
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \italic \smaller { 1st X piano only, unison } }
+ s2.*18 | % 9-26
}
\alternative
{
{
- c2. | % 27
- s2. | % 28
- s2. | % 29
- s2. | % 30
+ s2.*4 | % 27-30
}
{
-\set Score.repeatCommands = #'((volta "2.–3.") end-repeat) % That's an ndash in there...
- c2. | % 31
-\set Score.repeatCommands = #'((volta #f))
+ \set Score.repeatCommands = #'((volta "2.–3.") end-repeat) % That's an ndash in there...
+ s2. | % 31
+ \set Score.repeatCommands = #'((volta #f))
}
}
- r2. \bar "||" % 32
+ s2. \bar "||" % 32
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s2.*18 | % 33-50
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
+ s2.*4 \bar ":|." % 51-54
+
+%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\break % Meh
+\stopStaff s2. \startStaff
+\set Score.currentBarNumber = #55
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ % Coda
+
+ s2.*2 \bar "||" % 55-56
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*27 \bar "|." % 57-83
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s2.*8 | % 1-8
+
+ % Verse
+
+ <e \hn c>4. <e \hn c>8 <e \hn c>4 | % 9
+ <f \hn d>4. <e \hn c>8 <d \hn b>4 | % 10
+ <e \hn c>2. | % 11
+ <c \hn g>2. | % 12
+ <g' \hn e \hn b>4 <g \hn e \hn b> <g \hn e \hn b> | % 13
+ <a \hn f \hn c>4 <g \hn e \hn c> <f \hn d \hn a>8 ( <g \hn c,> ) | % 14
+ <g \hn d \hn c>2. ~ | % 15
+ <g \hn d \hn b>2. | % 16
+ <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 17
+ <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn b> | % 18
+ <a \hn f \hn c>2. | % 19
+ <c, \hn a>2 r4 | % 20
+ <e \hn c>4 <f \hn d> <g \hn d> | % 21
+ <b, \hn g>2 <c \hn a>4 | % 22
+ <c \hn a>2. | % 23
+ << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 24
+ <g \hn e \hn c>4 <f \hn d \hn c> <e \hn c \hn g> | % 25
+ <e \hn b \hn g>2 <d \hn b>4 | % 26
+
+ c2. | % 27
+ s2. | % 28
+ s2. | % 29
+ s2. | % 30
+
+ c2. | % 31
+
+ r2. | % 32
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
<c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 33
<c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 34
<a \hn f \hn c>2. ( | % 35
<< { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 48
<g \hn e \hn c>4 <f \hn d> <e \hn c> | % 49
<e \hn b>4 <d \hn b>2 | % 50
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
+
c2. | % 51
s2. | % 52
s2. | % 53
- s2. \bar ":|" % 54
+ s2. | % 54
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-%\break % Meh
-\stopStaff s2. \startStaff
-\set Score.currentBarNumber = #55
+s2.
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
% Coda
c2. ~ | % 55
- c2. \bar "||" % 56
+ c2. | % 56
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
<c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 57
<c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 58
<a \hn f \hn c>2. ( | % 59
s2. | % 80
s2. | % 81
s2. | % 82
- s2. \bar "|." % 83
+ s2. | % 83
}
+
LeadVoxText = \lyricmode
{
Won -- der -- ful, mer -- ci -- ful sav -- ior,
Riffs = \relative c''
{
- \clef G
- \key c \major
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s2. | % 1
c2. | % 5
d2.:m/c | % 6
c2. | % 7
- d2.:m/c \bar "||:" % 8
-
- \repeat volta 2
- {
- % Verse
-
- c2. | % 9
- d2.:m/c | % 10
- c2. | % 11
- s2. | % 12
- e2.:m | % 13
- f2. | % 14
- g2.:sus4 | % 15
- g2. | % 16
- a2.:m | % 17
- s2. | % 18
- f2. | % 19
- s2. | % 20
- c2. | % 21
- g2. | % 22
- a2.:m | % 23
- f2. | % 24
- c2./g | % 25
- g2.:6 | % 26
- }
- \alternative
- {
- {
- c2. | % 27
- d2.:m/c | % 28
- c2. | % 29
- d2.:m/c | % 30
- }
- {
- c2. | % 31
- }
- }
-
- c2./b \bar "||" % 32
+ d2.:m/c | % 8
+
+ % Verse
+
+ c2. | % 9
+ d2.:m/c | % 10
+ c2. | % 11
+ s2. | % 12
+ e2.:m | % 13
+ f2. | % 14
+ g2.:sus4 | % 15
+ g2. | % 16
+ a2.:m | % 17
+ s2. | % 18
+ f2. | % 19
+ s2. | % 20
+ c2. | % 21
+ g2. | % 22
+ a2.:m | % 23
+ f2. | % 24
+ c2./g | % 25
+ g2.:6 | % 26
+
+ c2. | % 27
+ d2.:m/c | % 28
+ c2. | % 29
+ d2.:m/c | % 30
+
+ c2. | % 31
+
+ c2./b | % 32
% Chorus
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 3/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c | % 5
c4 c c | % 6
c4 c c | % 7
- c4 c c \bar "||:" % 8
-
- \repeat volta 2
- {
- % Verse
-
- c4 c c | % 9
- c4 c c | % 10
- c4 c c | % 11
- c4 c c | % 12
- c4 c c | % 13
- c4 c c | % 14
- c4 c c | % 15
- c4 c c | % 16
- c4 c c | % 17
- c4 c c | % 18
- c4 c c | % 19
- c4 c c | % 20
- c4 c c | % 21
- c4 c c | % 22
- c4 c c | % 23
- c4 c c | % 24
- c4 c c | % 25
- c4 c c | % 26
- }
- \alternative
- {
- {
- c4 c c | % 27
- c4 c c | % 28
- c4 c c | % 29
- c4 c c | % 30
- }
- {
- c4 c c | % 31
- }
- }
-
- c4 c c \bar "||" % 32
+ c4 c c | % 8
+
+ % Verse
+
+ c4 c c | % 9
+ c4 c c | % 10
+ c4 c c | % 11
+ c4 c c | % 12
+ c4 c c | % 13
+ c4 c c | % 14
+ c4 c c | % 15
+ c4 c c | % 16
+ c4 c c | % 17
+ c4 c c | % 18
+ c4 c c | % 19
+ c4 c c | % 20
+ c4 c c | % 21
+ c4 c c | % 22
+ c4 c c | % 23
+ c4 c c | % 24
+ c4 c c | % 25
+ c4 c c | % 26
+
+ c4 c c | % 27
+ c4 c c | % 28
+ c4 c c | % 29
+ c4 c c | % 30
+
+ c4 c c | % 31
+
+ c4 c c | % 32
% Chorus
c4 c c | % 51
c4 c c | % 52
c4 c c | % 53
- c4 c c \bar ":|" % 54
+ c4 c c | % 54
%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
\stopStaff s2. \startStaff
-\set Score.currentBarNumber = #55
-
-%\once \override Score.RehearsalMark #'self-alignment-X = #left
-%\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
% Coda
c4 c c | % 55
- c4 c c \bar "||" % 56
+ c4 c c | % 56
c4-> r2 | % 57
r2. | % 58
c4 c c | % 80
c4 c c | % 81
c4 c c | % 82
- c2.-\fermata \bar "|." % 83
+ c2.-\fermata | % 83
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
projects / music / blobdiff