New charts "How Great Thou Art" and "In The Garden".

[music] / this-little-light-of-mine.ly

diff --git a/this-little-light-of-mine.ly b/this-little-light-of-mine.ly
index 6fdb3b4d792a5a9cd465d063bf456a8039daa03f..e44ffcbc420700e38f40ede8613dd27332545878 100644 (file)
--- a/this-little-light-of-mine.ly
+++ b/this-little-light-of-mine.ly
@@ -1,8 +1,8 @@
-\version "2.16.0"
+\version "2.19.0"
 \include "pop-chords.ly"
 \include "english.ly"
 
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
 staffSize = #18
 #(set-default-paper-size "letter")
 #(set-global-staff-size staffSize)
@@ -12,14 +12,10 @@ staffSize = #18
 
 \header
 {
-%Let's bump up the title size and switch to the chord font. :-)
-
        title    = \markup { \override #'(font-family . sans) \fontsize #3.5 "This Little Light Of Mine" }
-%      composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Group" }
+       composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
        arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Group" }
        tagline  = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-%      subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } "       " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } "       " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" }  "       " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" }  "       " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" }  "       " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" }  }
 }
 
 % Useful tweak abbreviations (hn = harmony note)
@@ -37,7 +33,7 @@ hn = #(define-music-function (parser location arg) (ly:music?)
 Global =
 {
        \key e \major
-       \override Staff.TimeSignature #'style = #'()
+       \numericTimeSignature
        \time 4/4
 
        % Intro
@@ -75,18 +71,7 @@ Global =
 %
 LeadVox = \relative c'
 {
-%      \set Staff.instrument = #"Lead vox"
-       \clef G
-       \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-%      \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-       s1*4 |   % 1-4
-
-       r1 |   % 5
-       r1 |   % 6
-       r1 |   % 7
-       r1 |   % 8
+       s1*8 |   % 1-8
 
        b8 cs16 b e fs8 e16 ~ e4 r |   % 9
        gs8 gs 16 gs gs fs8 e16 ~ e4 r |   % 10
@@ -117,6 +102,7 @@ LeadVox = \relative c'
        r1 |   % 30
 }
 
+
 LeadVoxText = \lyricmode
 {
        This lit -- tle light of mine, _
@@ -162,10 +148,7 @@ LeadVoxTextC = \lyricmode
 
 Riffs = \relative c'
 {
-       \clef G
        \override NoteHead #'style = #'cross
-%Hm. Needed anymore?
-%      \override Score.SpacingSpanner #'average-spacing-wishes = ##f
 
        % Intro
 
@@ -173,7 +156,9 @@ Riffs = \relative c'
        \stemDown e8[ r e] r e[ r e] r |   % 1
        e8[ r e] r e[ r e] r \stemNeutral |   % 2
        << \override NoteHead #'style = #'cross { r8 b'[ r b] r b[ r b] } \\ \override NoteHead #'style = #'cross { e,8[ r e] r e[ r e] r } >> |   % 3
-       << { r8 b'[ r b] r b[ r b] } \\ { e,8[ r e] r e[ r e] r } >> |   % 4
+
+       \repeat "percent" 5
+       { << { r8 b'[ r b] r b[ r b] } \\ { e,8[ r e] r e[ r e] r } >> } |   % 4-8
        \normalsize
 }
 
@@ -185,9 +170,9 @@ Chords = \chordmode
 {
        s1*4 |   % 1-4
 
-       e2 r8 cs:m d4 |   % 5
-       e2 r8 g a4 |   % 6
-       e2 r8 cs:m d4 |   % 7
+       e2 s8 cs:m d4 |   % 5
+       e2 s8 g a4 |   % 6
+       e2 s8 cs:m d4 |   % 7
        e1 |   % 8
 
        e1 |   % 9
@@ -213,9 +198,9 @@ Chords = \chordmode
        e2/b b |   % 25
        e1 |   % 26
 
-       e2 r8 cs:m d4 |   % 27
-       e2 r8 g a4 |   % 28
-       e2 r8 cs:m d4 |   % 29
+       e2 s8 cs:m d4 |   % 27
+       e2 s8 g a4 |   % 28
+       e2 s8 cs:m d4 |   % 29
        e1 |   % 30
 }
 
@@ -223,15 +208,11 @@ Chords = \chordmode
 %
 % Chord rhythms
 %
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
 Rhythm = \relative c
 {
-%%     \set Voice.autoBeaming = ##f
-%%     \set Staff.instrument = #"Rhythm"
-       \override Staff.TimeSignature #'style = #'()
+       \numericTimeSignature
        \override NoteHead #'style = #'slash
+       \teeny
 
        s1*4 |   % 1-4
 
@@ -276,7 +257,7 @@ Dynamics =
        s1 |   % 2
        s4_\markup { \italic { add clap } } s2. |   % 3
        s1 |   % 4
-       s4_\markup { \italic { w/stomp & clap } } s2. |   % 5
+       s4_\markup { \italic { band in } } s2. |   % 5
 }
 
 
@@ -286,7 +267,7 @@ Dynamics =
                \set Score.skipBars = ##t
                \set Score.melismaBusyProperties = #'()
 
-%              \new Staff
+%              \new ChoirStaff
                <<
                        \new ChordNames \Chords
 %Capo 4 edition
@@ -296,7 +277,7 @@ Dynamics =
 
                \new Staff
                <<
-                       \Global                                         % The "roadmap" that everything else depends on
+                       \Global         % The "roadmap" that everything else depends on
                        \new Voice = "lead" \LeadVox
                        \new Voice \Riffs
                        \new Lyrics \lyricsto "lead" \LeadVoxText
@@ -309,11 +290,11 @@ Dynamics =
 
 \paper
 {
-  #(define fonts (make-pango-font-tree
-    "Times New Roman"
-    "DomCasual BT"
-    "Luxi Mono"
-    (/ staffSize 20)))
+       #(define fonts (make-pango-font-tree
+               "Times New Roman"
+               "LilyJAZZText"
+               "Luxi Mono"
+               (/ staffSize 20)))
 
 % Spread staves vertically across last page (default: t)
        ragged-last-bottom = ##f
@@ -324,6 +305,5 @@ Dynamics =
 
 % To find out what's eating the space at the top...
 %      annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
-       page-top-space = 0
 }
+