% Still needs hairpins/etc
-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "The Heart Of Worship" } }
composer = \markup { \override #'(font-family . sans) "Michael W. Smith" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- r8^\markup { \hspace #0.0 \raise #1.5 { 8th note ballad } } \tiny a a a a d, d b' ~ | % 1
- b8 a4 fs8 ~ fs e4 d16 d | % 2
- fs8 fs16 g ~ g8 fs ~ fs2 | % 3
- fs8 fs16 g ~ g8 fs ~ fs e4. ~ | % 4
- e1 \normalsize \bar "||:" % 5
+ s8^\markup { \hspace #0.0 \raise #1.5 { 8th note ballad } } s2.. | % 1
+ s1*4 \normalsize \bar ".|:-||" % 2-5
\repeat volta 2
{
% Verse
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st time piano } }
-
- r4. a16 a a8 d,4 e8 ~ | % 6
- e2 fs8 e e d16 d ~ | % 7
- d4. a'16 a a8 d,4 e8 ~ | % 8
- e2 r | % 9
- r4. a16 a a8 d,4 e8 ~ | % 10
- e2 fs8 e e d16 d ~ | % 11
- d4. a'16 a a8 d,4 e8 ~ | % 12
- e2 r \bar "||" % 13
-
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st time piano } }
+
+ s1*8 \bar "||" % 6-13
+
% Prechorus
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" \italic { band in } }
-
- r8 g g g fs e d e ~ | % 14
- e4. e16 d fs8 e d b | % 15
- r8 g' g g fs e d e ~ | % 16
- e2 r | % 17
- r8 g g g fs e d e ~ | % 18
- e4. e16 d fs8 e d b | % 19
- r8 g' g g a fs b fs16 e ~ | % 20
- e2 r \bar "||" % 21
-
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" \italic { band in } }
+
+ s1*8 \bar "||" % 14-21
+
% Chorus
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \italic { snare } }
-
- r8 a a a a d, d b' ~ | % 22
- b8 a4 fs8 ~ fs e r d16 d | % 23
- fs8 fs16 g ~ g8 fs ~ fs2 | % 24
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 25
- r8 a' a a a d, d b' ~ | % 26
- b8 a4 fs8 ~ fs e r d16 d | % 27
- fs8 fs16 g ~ g8 fs ~ fs2 | % 28
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \italic { snare } }
+
+ s1*7 | % 22-28
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
}
\alternative
{
{
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 29
- d2 r | % 30
- R1 | % 31
+ s1*3 | % 29-31
}
{
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ \bar "||" % 32
+ s1 \bar "||" % 32
}
}
% Solo
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { D } } \italic { solo } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { D } } \italic { solo } }
- d2 r | % 33
-%blegh
-\break
- R1 | % 34
- R1 | % 35
- R1 | % 36
- R1 | % 37
- R1 | % 38
- R1 | % 39
- R1 \bar "||" % 40
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ s1*8 \bar "||" % 33-40
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
% Coda
\stopStaff s1 \startStaff
\set Score.currentBarNumber = #41
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1 \bar "||" % 41
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*13 \bar "|." % 42-54
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ s1*5 | % 1-5
+
+ % Verse
+
+ r4. a16 a a8 d,4 e8 ~ | % 6
+ e2 fs8 e e d16 d ~ | % 7
+ d4. a'16 a a8 d,4 e8 ~ | % 8
+ e2 r | % 9
+ r4. a16 a a8 d,4 e8 ~ | % 10
+ e2 fs8 e e d16 d ~ | % 11
+ d4. a'16 a a8 d,4 e8 ~ | % 12
+ e2 r | % 13
+
+ % Prechorus
+
+ r8 g g g fs e d e ~ | % 14
+ e4. e16 d fs8 e d b | % 15
+ r8 g' g g fs e d e ~ | % 16
+ e2 r | % 17
+ r8 g g g fs e d e ~ | % 18
+ e4. e16 d fs8 e d b | % 19
+ r8 g' g g a fs b fs16 e ~ | % 20
+ e2 r | % 21
+
+ % Chorus
- fs8 fs16 g ~ g8 fs ~ fs e4 d8 \bar "||" % 41
+ r8 a a a a d, d b' ~ | % 22
+ b8 a4 fs8 ~ fs e r d16 d | % 23
+ fs8 fs16 g ~ g8 fs ~ fs2 | % 24
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 25
+ r8 a' a a a d, d b' ~ | % 26
+ b8 a4 fs8 ~ fs e r d16 d | % 27
+ fs8 fs16 g ~ g8 fs ~ fs2 | % 28
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 29
+ d2 r | % 30
+ R1 | % 31
+
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 32
+
+ % Solo
+
+ d2 r | % 33
+ R1*7 | % 33-40
+
+ % Coda
+
+ s1 % blank bar for coda
+
+ fs8 fs16 g ~ g8 fs ~ fs e4 d8 | % 41
r8 a' a a a d, d b' ~ | % 42
b8 a4 fs8 ~ fs e r d16 d | % 43
fs8 fs16 g ~ g8 fs ~ fs2 | % 50
fs8 fs16 g ~ g8 fs ~ fs e4 d8 ~ | % 53
- d1^\fermata \bar "|." % 54
+ d1^\fermata | % 54
}
+
LeadVoxText = \lyricmode
{
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
-
When the mu- sic fades _ all is stripped a- way _
And I simp- ly come _
Long- ing just to bring _ some- thing that's of worth _
LeadVoxTextB = \lyricmode
{
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _ _ _ _ _ _ _
-
King of end- less worth _ no one could ex- press _
How much you de- serve _
Though I'm weak and poor _ all I have is yours _
%
-% Chord names
+% Riffs
%
+Riffs = \relative c''
+{
+ % Intro
+
+ \tiny
+ r8 a a a a d, d b' ~ | % 1
+ b8 a4 fs8 ~ fs e4 d16 d | % 2
+ fs8 fs16 g ~ g8 fs ~ fs2 | % 3
+ fs8 fs16 g ~ g8 fs ~ fs e4. ~ | % 4
+ e1 | % 5
+ \normalsize
+}
+
+%
+% Chord names
+%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
d1 | % 1
g4. a:sus4 s4 | % 4
a1 | % 5
- \repeat volta 2
- {
- % Verse
-
- d1 | % 6
- a1 | % 7
- e1:m7 | % 8
- a2:sus4 a | % 9
- d1 | % 10
- a1:sus2/cs | % 11
- e1:m7 | % 12
- a2:sus4 a | % 13
-
- % Prechorus
-
- e2:m7 d:sus2/fs | % 14
- a2:sus4 d/fs | % 15
- e2:m7 d:sus2/fs | % 16
- a2:sus4 a | % 17
- e2:m7 d:sus2/fs | % 18
- a2:sus4 d/fs | % 19
- e2:m7 d:sus2/fs | % 20
- a2:sus4 a | % 21
-
- % Chorus
-
- d1 | % 22
- a1:sus2/cs | % 23
- e4.:m7 d:sus2/fs s4 | % 24
- g4. a:sus4 a4 | % 25
- d1 | % 26
- a1:sus2/cs | % 27
- e4.:m7 d:sus2/fs s4 | % 28
- }
- \alternative
- {
- {
- g4. a:sus4 a4 | % 29
- d1 | % 30
- a2:sus4 a | % 31
- }
- {
- g4. a:sus4 a4 | % 32
- }
- }
+ % Verse
+
+ d1 | % 6
+ a1 | % 7
+ e1:m7 | % 8
+ a2:sus4 a | % 9
+ d1 | % 10
+ a1:sus2/cs | % 11
+ e1:m7 | % 12
+ a2:sus4 a | % 13
+
+ % Prechorus
+
+ e2:m7 d:sus2/fs | % 14
+ a2:sus4 d/fs | % 15
+ e2:m7 d:sus2/fs | % 16
+ a2:sus4 a | % 17
+ e2:m7 d:sus2/fs | % 18
+ a2:sus4 d/fs | % 19
+ e2:m7 d:sus2/fs | % 20
+ a2:sus4 a | % 21
+
+ % Chorus
+
+ d1 | % 22
+ a1:sus2/cs | % 23
+ e4.:m7 d:sus2/fs s4 | % 24
+ g4. a:sus4 a4 | % 25
+ d1 | % 26
+ a1:sus2/cs | % 27
+ e4.:m7 d:sus2/fs s4 | % 28
+
+ g4. a:sus4 a4 | % 29
+ d1 | % 30
+ a2:sus4 a | % 31
+
+ g4. a:sus4 a4 | % 32
% Solo
% Coda
-s1
+ s1 % blank bar for coda
g4. a:sus4 a4 | % 41
d1 | % 42
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4.-> c8-> ~ c2 | % 4
c1 | % 5
- \repeat volta 2
- {
- % Verse
-
- c4-\mp c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c \bar "||" % 13
-
- % Prechorus
-
- c4-\mf c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c \bar "||" % 21
-
- % Chorus
-
- c4-\f c c c | % 22
- c4 c c c | % 23
- c4.-> c8-> ~ c4 c | % 24
- c4.-> c8-> ~ c4 c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4.-> c8-> ~ c4 c | % 28
- }
- \alternative
- {
- {
- c4.-> c8-> ~ c4 c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- }
- {
- c4.-> c8-> ~ c4 c \bar "||" % 32
- }
- }
+ % Verse
+
+ c4-\mp c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+
+ % Prechorus
+
+ c4-\mf c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
+
+ % Chorus
+
+ c4-\f c c c | % 22
+ c4 c c c | % 23
+ c4.-> c8-> ~ c4 c | % 24
+ c4.-> c8-> ~ c4 c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4.-> c8-> ~ c4 c | % 28
+
+ c4.-> c8-> ~ c4 c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+
+ c4.-> c8-> ~ c4 c | % 32
% Solo
% Coda
\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #41
- c4.-> c8-> ~ c4 c \bar "||" % 41
+ c4.-> c8-> ~ c4 c | % 41
c4 c c c | % 42
c4 c c c | % 43
c4.-> c8-> ~ c4 c | % 44
c4.-> c8-> ~ c4 c | % 51
c4.-> c8-> ~ c4 c | % 52
c4.-> c8->_\markup { \italic { rit. } } ~ c4 c | % 53
- c1^\fermata \bar "|." % 54
+ c1^\fermata | % 54
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff