-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #16
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "Show Me Your Ways, O Lord" } }
composer = \markup { \override #'(font-family . sans) "Ed Smart" }
-% arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+% arranger = \markup { \override #'(font-family . sans) "arr." }
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1 | % 1
- R1 | % 2
- R1 | % 3
- r2 r4. d8 \bar "||:" % 4
-
- % Verse
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- d4 d8 e ~ e4 e8 g ~ | % 5
- g8 fs e fs ~ fs2 | % 6
- r4 b,8 cs d4 fs8 e ~ | % 7
- e2. r8 d | % 8
- d4 d8 e ~ e e e g ~ | % 9
- g8 fs e fs ~ fs2 | % 10
- r4 b,8 cs d4 e8 fs ~ | % 11
- fs8 g fs e ~ e2 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { A9 } } }
-
- r4 b'8 b b4 b8 a ~ | % 13
- a4 a8 fs ~ fs4. d8 | % 14
- b'8 b b b ~ b b4 as8 ~ | % 15
- as8 as4 b8 ~ b cs ~ cs4 \bar "||" % 16
+ \mark \markup { \override #'(font-family . sans) { \box { A9 } } }
+ s1*4 \bar "||" % 13-16
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- d8 d d cs ~ cs4 a16 ( fs ) b8 ~ | % 17
- b2 r | % 18
- d4. cs8 ~ cs4 a16 ( fs ) b8 ~ | % 19
- b2 r | % 20
- b8 b b b as b cs d ~ | % 21
- d4. e8 ( ~ e d ) cs cs ~ | % 22
- cs8 b ~ b2 d8 b ~ | % 23
- b8 a8 ~ a2 fs8 fs ( ~ | % 24
- fs8 g ) ~ g2. ~ | % 25
- g4. g8 g fs d d ~ | % 26
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*10 | % 17-26
}
\alternative
{
{
- d2 r | % 27
- R1 | % 28
- R1 | % 29
- r2 r4. d8 | % 30
+ s1*4 | % 27-30
}
{
- d2 \repeatTie r | % 31
+ s1 | % 31
}
}
-
+
+ % Bridge
+
+ s1*7 \bar "||" % 32-38
+
+ % Prechorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*4 \bar "||" % 39-42
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*14 \bar "||" % 43-56
+
+ % Ending
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*5 \bar "|." % 57-61
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ R1*3 | % 1-3
+ r2 r4. d8 | % 4
+
+ % Verse
+
+ d4 d8 e ~ e4 e8 g ~ | % 5
+ g8 fs e fs ~ fs2 | % 6
+ r4 b,8 cs d4 fs8 e ~ | % 7
+ e2. r8 d | % 8
+ d4 d8 e ~ e e e g ~ | % 9
+ g8 fs e fs ~ fs2 | % 10
+ r4 b,8 cs d4 e8 fs ~ | % 11
+ fs8 g fs e ~ e2 \bar "||" % 12
+
+ % Prechorus
+
+ r4 b'8 b b4 b8 a ~ | % 13
+ a4 a8 fs ~ fs4. d8 | % 14
+ b'8 b b b ~ b b4 as8 ~ | % 15
+ as8 as4 b8 ~ b cs ~ cs4 \bar "||" % 16
+
+ % Chorus
+
+ d8 d d cs ~ cs4 a16 ( fs ) b8 ~ | % 17
+ b2 r | % 18
+ d4. cs8 ~ cs4 a16 ( fs ) b8 ~ | % 19
+ b2 r | % 20
+ b8 b b b as b cs d ~ | % 21
+ d4. e8 ( ~ e d ) cs cs ~ | % 22
+ cs8 b ~ b2 d8 b ~ | % 23
+ b8 a8 ~ a2 fs8 fs ( ~ | % 24
+ fs8 g ) ~ g2. ~ | % 25
+ g4. g8 g fs d d ~ | % 26
+
+ d2 r | % 27
+ R1 | % 28
+ R1 | % 29
+ r2 r4. d8 | % 30
+
+ d2 \repeatTie r | % 31
+
% Bridge
r2 g8 fs d d ~ | % 32
<< { \voiceTwo r2 g8 fs d d ~ } \context Voice = vb { \voiceOne fs8 d ~ d2. } >> | % 36
\oneVoice
d4 r r2 | % 37
- R1 \bar "||" % 38
-
-%{
- << { gs,8 b e gs, b e a, b ds a b ds }
- \context Voice = vb { \stemUp gs2 fs4 b \stemNeutral } >> | % 8
-
- r2 fs8 g a d ~ | % 33
- d8 c b c ~ c b a a ~ | % 34
- a2. d,16 e fs8 ~ | % 35
- fs8 d ~ d2. | % 36
-%}
+ R1 | % 38
% Prechorus
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
r4 b'8 b b4 b8 a ~ | % 39
a8 a4 fs8 ~ fs4. d8 | % 40
b'8 b b b b4 b8 as ~ | % 41
- as8 as4 b8 ~ b cs ~ cs4 \bar "||" % 42
+ as8 as4 b8 ~ b cs ~ cs4 | % 42
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
d8 d d cs ~ cs4 a16 ( fs ) b8 ~ | % 43
b2 r | % 44
d4. cs8 ~ cs4 a16 ( fs ) b8 ~ | % 45
cs8 b4. ~ b4 d8 b ~ | % 53
b8 a4. ~ a4 fs8 fs ( ~ | % 54
fs8 g8 ) ~ g2. ~ | % 55
- g4. g8 g fs d d ~ \bar "||" % 56
+ g4. g8 g fs d d ~ | % 56
% Ending
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
d4 r r2 | % 57
r2 g8 fs d d ~ | % 58
d4 r r2 | % 59
r2 g8 fs d4 | % 60
- d1^\fermata \bar "|." % 61
+ d1^\fermata | % 61
}
+
LeadVoxText = \lyricmode
{
To you O Lord, _ I lift _ up my soul _
For you are my God _
You are my God _
You are my God
-
-%{
-To you, Oh Lord, I lift up my soul
-For in you I trust
-In all your ways you are faithful and true
-So to you I give all my hope
-You Oh Lord are truly good
-And you are the one that I desire
-
-Show me your ways, Oh Lord
-Teach me your paths
-Guide me in the light of your truth
-Lord, and teach me
-Oh teach me
-My Lord
-For you are my God
-
-My eyes will ever look to you Lord
-For in you I trust
-And I will never be ashamed
-For its you that's giving me hope
-You Oh Lord are truly good
-And you are the one that I desire
-
-Show me your ways, Oh Lord
-Teach me your paths
-Guide me in the light of your truth
-Lord, and teach me
-Oh teach me
-My Lord
-For you are my God
-
-You are my God (You are my God and my Savior)
-You are my God (You are my God)
-You are my God
-
-You Oh Lord are truly good
-Please guide me in the way that you desire
-
-Show me your ways, Oh Lord
-Teach me your paths
-Guide me in the light of your truth
-
-Lord, and teach me
-
-Please teach me
-Oh teach me
-My Lord
-For you are my God
-You are my God
-You are my God
-%}
}
LeadVoxTextB = \lyricmode
You are my _ God _
}
+
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
d2.. a8:m11 | % 1
% Verse
- \repeat volta 2
- {
- % Verse
+ d4. a2:m11 g8 | % 5
+ s4. d s4 | % 6
+ g2.. a8:sus4 | % 7
+ s2 a | % 8
+ b4.:m7 a2:11^9.7 g8 | % 9
+ s4. d s4 | % 10
+ g2.. d8/a | % 11
+ s4. a s4 | % 12
- d4. a2:m11 g8 | % 5
- s4. d s4 | % 6
- g2.. a8:sus4 | % 7
- s2 a | % 8
- b4.:m7 a2:11^9.7 g8 | % 9
- s4. d s4 | % 10
- g2.. d8/a | % 11
- s4. a s4 | % 12
+ % Prechorus
- % Prechorus
+ g2.. d8/fs | % 13
+ s1 | % 14
+ g2..:maj7 fs8:7 | % 15
+ s1 | % 16
- g2.. d8/fs | % 13
- s1 | % 14
- g2..:maj7 fs8:7 | % 15
- s1 | % 16
+ % Chorus
- % Chorus
+ b4.:m7 a2:11^9.7 g8 | % 17
+ s1 | % 18
+ b4.:m7 fs2:m7 g8 | % 19
+ s1 | % 20
+ g2:maj7 fs4.:7 b8:m7 | % 21
+ s4. a2 g8:sus2 | % 22
+ s2.. d8/fs | % 23
+ s2.. a8:m11 | % 24
+ s1 | % 25
+ c1:sus2 | % 26
+
+ d2.. a8:m11 | % 27
+ s2 c:sus2 | % 28
+ d2.. a8:m11 | % 29
+ s2 c:sus2 | % 30
+
+ d2.. a8:m11 | % 31
- b4.:m7 a2:11^9.7 g8 | % 17
- s1 | % 18
- b4.:m7 fs2:m7 g8 | % 19
- s1 | % 20
- g2:maj7 fs4.:7 b8:m7 | % 21
- s4. a2 g8:sus2 | % 22
- s2.. d8/fs | % 23
- s2.. a8:m11 | % 24
- s1 | % 25
- c1:sus2 | % 26
- }
- \alternative
- {
- {
- d2.. a8:m11 | % 27
- s2 c:sus2 | % 28
- d2.. a8:m11 | % 29
- s2 c:sus2 | % 30
- }
- {
- d2.. a8:m11 | % 31
- }
- }
-
% Bridge
s2 c:sus2 | % 32
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
% Intro
c4_\mf c c r8 c ~ | % 1
c4 c c c | % 2
c4 c c r8 c ~ | % 3
- c4 c c c \bar "||:" % 4
+ c4 c c c | % 4
% Verse
- \repeat volta 2
- {
- % Verse
+ c4._\markup { \italic { piano/vocal, shaker 1st time } } c8 ~ c4. c8 ~ | % 5
+ c4. c8 ~ c4 c | % 6
+ c4 c c r8 c ~ | % 7
+ c4 c c c | % 8
+ c4. c8 ~ c4. c8 ~ | % 9
+ c4. c8 ~ c4 c | % 10
+ c4 c c r8 c ~ | % 11
+ c4. c8 ~ c4 c | % 12
- c4._\markup { \italic { piano/vocal, shaker 1st time } } c8 ~ c4. c8 ~ | % 5
- c4. c8 ~ c4 c | % 6
- c4 c c r8 c ~ | % 7
- c4 c c c | % 8
- c4. c8 ~ c4. c8 ~ | % 9
- c4. c8 ~ c4 c | % 10
- c4 c c r8 c ~ | % 11
- c4. c8 ~ c4 c \bar "||" % 12
+ % Prechorus
- % Prechorus
+ c4 c c r8 c ~ | % 13
+ c4 c c c | % 14
+ c4 c c r8 c ~ | % 15
+ c8 c4 << { c8 ~ c c ~ c4 } \context Voice = vc { s8 s16 \< s4. s16 \! } >> | % 16
- c4 c c r8 c ~ | % 13
- c4 c c c | % 14
- c4 c c r8 c ~ | % 15
- c8 c4 << { c8 ~ c c ~ c4 } \context Voice = vc { s8 s16 \< s4. s16 \! } >> \bar "||" % 16
+ % Chorus
- % Chorus
+ c4._\markup { \dynamic f \italic { bass in } } c8 ~ c4. c8 ~ | % 17
+ c4 c c c | % 18
+ c4. c8 ~ c4. c8 ~ | % 19
+ c4 c c c | % 20
+ c4 c c r8 c ~ | % 21
+ c4. c8 ~ c4. c8 ~ | % 22
+ c4 c c r8 c ~ | % 23
+ c4 c c r8 c ~ | % 24
+ c4 c c c | % 25
+ c4 c c << c \context Voice = vc { s16 \< s s s \! } >> | % 26
+
+ c4_\markup { \italic { band in w/conga } } c c r8 c ~ | % 27
+ c4 c c c | % 28
+ c4 c c r8 c ~ | % 29
+ c4 c c c | % 30
+
+ c4_\ff c c r8 c ~ | % 31
- c4._\markup { \dynamic f \italic { bass in } } c8 ~ c4. c8 ~ | % 17
- c4 c c c | % 18
- c4. c8 ~ c4. c8 ~ | % 19
- c4 c c c | % 20
- c4 c c r8 c ~ | % 21
- c4. c8 ~ c4. c8 ~ | % 22
- c4 c c r8 c ~ | % 23
- c4 c c r8 c ~ | % 24
- c4 c c c | % 25
- c4 c c << c \context Voice = vc { s16 \< s s s \! } >> | % 26
- }
- \alternative
- {
- {
- c4_\markup { \italic { band in w/conga } } c c r8 c ~ | % 27
- c4 c c c | % 28
- c4 c c r8 c ~ | % 29
- c4 c c c | % 30
- }
- {
- c4_\ff c c r8 c ~ | % 31
- }
- }
-
% Bridge
c4 c c c | % 32
c4 c c r8 c ~ | % 35
c4 c c c | % 36
c4 c c r8 c ~ | % 37
- c4 c c c \bar "||" % 38
+ c4 c c c | % 38
% Prechorus
c4 c c r8 c ~ | % 39
c4 c c c | % 40
c4 c c r8 c ~ | % 41
- c8 c4 c8 ~ c c ~ c4 \bar "||" % 42
+ c8 c4 c8 ~ c c ~ c4 | % 42
% Chorus
c4 c c r8 c ~ | % 53
c4 c c r8 c ~ | % 54
c4 c c c | % 55
- c1 \bar "||" % 56
+ c1 | % 56
% Ending
c4 c c c | % 58
c4 c c r8 c ~ | % 59
c4_\markup { \italic { rit. } } c c c | % 60
- c1^\fermata \bar "|." % 61
+ c1^\fermata | % 61
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "vb" \LeadDescant
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff