-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 6/8
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
\repeat volta 4
{
- r2. | % 1
+ s2. | % 1
+ }
+ \alternative
+ {
+ {
+ s2. | % 2
+ }
+ {
+ s2. | % 3
+ }
+ }
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s2.*9 | % 4-12
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \italic \smaller { (1st X unison) } }
+ s2.*7 | % 13-19
}
\alternative
{
{
- r2. | % 2
+ s2.*2 | % 20-21
}
{
- r4. r8 g a | % 3
+ s2. | % 22
}
}
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2.*9 \bar "||" % 23-31
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s2.*9 | % 32-40
+
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
- b4 d,8 a'4 fs8 | % 4
- g4. r8 g g | % 5
- b4 d,8 a'4 fs8 | % 6
- g4. r8 g a | % 7
- b4 d,8 a'4 fs8 | % 8
- g4. r8 g g | % 9
- b4 d,8 a'4 fs8 | % 10
- a16 ( g ) ~ g4 ~ g4. | % 11
- r2. | % 12
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \italic \smaller { (1st X unison) } }
- <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 13
- <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 14
- <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 15
- <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 16
- <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 17
- <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 18
- <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s2.*7 | % 41-47
}
\alternative
{
{
- <g \hn d>2. | % 20
- r2 g8 a | % 21
+ s2. | % 48
}
{
- g2. | % 22
+ s2. | % 49
}
}
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s2. \bar "||" % 50
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s2.*9 | % 51-59
+
+ \repeat volta 2
+ {
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { G } } \italic \smaller { (1st X kids, 2nd X all) } }
+ s2.*8 | % 60-67
+ }
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { H } } }
+ s2.*8 | % 68-75
+ }
+
+ s2.*6 \bar "|." % 76-81
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ r2. | % 1
+
+ r2. | % 2
+
+ r4. r8 g a | % 3
+
+ b4 d,8 a'4 fs8 | % 4
+ g4. r8 g g | % 5
+ b4 d,8 a'4 fs8 | % 6
+ g4. r8 g a | % 7
+ b4 d,8 a'4 fs8 | % 8
+ g4. r8 g g | % 9
+ b4 d,8 a'4 fs8 | % 10
+ a16 ( g ) ~ g4 ~ g4. | % 11
+ r2. | % 12
+
+ <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 13
+ <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 14
+ <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 15
+ <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 16
+ <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 17
+ <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 18
+ <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 19
+
+ <g \hn d>2. | % 20
+ r2 g8 a | % 21
+
+ g2. | % 22
+
<d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 23
<c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 24
<d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 25
<c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 28
<c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 29
<g \hn d>2. | % 30
- r2. \bar "||" % 31
+ r2. | % 31
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
<b \hn e,>8 <b \hn e,> <b \hn e,> <b \hn e,> ( <a \hn d,> ) r | % 32
<g \hn c,>8 <g \hn c,> <a \hn d,> <e \hn c>4. | % 33
<b' \hn e,>8 <b \hn e,> <b \hn e,> <b \hn e,> <a \hn d,> <g \hn b,> | % 34
<d \hn a \hn fs>2. ~ | % 39
<d \hn a \hn fs>4. r8 g, g | % 40
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
- <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 41
- <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 42
- <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 43
- <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 44
- <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 45
- <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 46
- <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 47
- }
- \alternative
- {
- {
- <g \hn d>4. r8 g g | % 48
- }
- {
- <g \hn d>2. | % 49
- }
- }
+ <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 41
+ <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 42
+ <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 43
+ <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 44
+ <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 45
+ <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 46
+ <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 47
+
+ <g \hn d>4. r8 g g | % 48
- r2 g8 a \bar "||" % 50
+ <g \hn d>2. | % 49
+
+ r2 g8 a | % 50
-\mark \markup { \override #'(font-family . sans) { \box { F } } }
b4 d,8 a'4 fs8 | % 51
g4. r8 g g | % 52
b4 d,8 a'4 fs8 | % 53
a16 ( g ) ~ g4 ~ g4. | % 58
r2. | % 59
- \repeat volta 2
- {
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { G } } \italic \smaller { (1st X kids, 2nd X all) } }
- d'4. d4 g,8 | % 60
- c8 c b a4. | % 61
- d4. d4 g,8 | % 62
- c8 c b a4. | % 63
- d4. d4 g,8 | % 64
- c8 c b a4. | % 65
- c4 b8 a16 g8. g8 | % 66
- g2. | % 67
- }
-
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { H } } }
- <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 68
- <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 69
- <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 70
- <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 71
- <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 72
- <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 73
- <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 74
- <g \hn d>2. | % 75
- }
+ d'4. d4 g,8 | % 60
+ c8 c b a4. | % 61
+ d4. d4 g,8 | % 62
+ c8 c b a4. | % 63
+ d4. d4 g,8 | % 64
+ c8 c b a4. | % 65
+ c4 b8 a16 g8. g8 | % 66
+ g2. | % 67
+
+ <d' \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 68
+ <c \hn e,>8 <c \hn e,> <b \hn d,> <a \hn d,>4. | % 69
+ <d \hn g,>4. <d \hn g,>4 <g, \hn d>8 | % 70
+ <c \hn e,>8 <c \hn e,> <b \hn g \hn d> <a \hn fs \hn d>4. | % 71
+ <d \hn b \hn g>4. <d \hn b \hn g>4 <g, \hn d>8 | % 72
+ <c \hn g \hn e>8 <c \hn g \hn e> <b \hn g \hn d> <a \hn fs \hn d>4. | % 73
+ <c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 74
+ <g \hn d>2. | % 75
<c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 76
<g \hn d>2. | % 77
<c \hn g \hn e>4 <b \hn g \hn d>8 <a \hn d,>16 <g \hn d>8. <g \hn d>8 | % 78
<g \hn d>2. | % 79
c4 b8 a16 g8. g8 | % 80
- g2.-\fermata \bar "|." % 81
+ g2.-\fermata | % 81
}
+
LeadVoxText = \lyricmode
{
Men of faith, rise up and sing
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
+ g2.:5^3 | % 1
- \repeat volta 4
- {
- g2.:5^3 | % 1
- }
- \alternative
- {
- {
- s4. g:sus4 | % 2
- }
- {
- g2.:5^3 | % 3
- }
- }
+ s4. g:sus4 | % 2
- \repeat volta 2
- {
- g4. d | % 4
- c2. | % 5
- g4. d | % 6
- c2. | % 7
- g4. d | % 8
- c2. | % 9
- g4. d | % 10
- c2.:sus2 | % 11
- s2. \bar "||" % 12
-
- g2. | % 13
- c4. d | % 14
- g2. | % 15
- c4. d | % 16
- g2. | % 17
- c4. d | % 18
- c4. d:sus4 | % 19
- }
- \alternative
- {
- {
- g2. | % 20
- s2. | % 21
- }
- {
- g2. | % 22
- }
- }
+ g2.:5^3 | % 3
+
+ g4. d | % 4
+ c2. | % 5
+ g4. d | % 6
+ c2. | % 7
+ g4. d | % 8
+ c2. | % 9
+ g4. d | % 10
+ c2.:sus2 | % 11
+ s2. | % 12
+
+ g2. | % 13
+ c4. d | % 14
+ g2. | % 15
+ c4. d | % 16
+ g2. | % 17
+ c4. d | % 18
+ c4. d:sus4 | % 19
+
+ g2. | % 20
+ s2. | % 21
+
+ g2. | % 22
g2. | % 23
c4. d | % 24
d2. | % 39
d2.:sus4 | % 40
- \repeat volta 2
- {
- g2. | % 41
- c4. d | % 42
- g2. | % 43
- c4. d | % 44
- e2.:m7 | % 45
- c4. d | % 46
- c4. d:sus4 | % 47
- }
- \alternative
- {
- {
- g2. | % 48
- }
- {
- g2. | % 49
- }
- }
+ g2. | % 41
+ c4. d | % 42
+ g2. | % 43
+ c4. d | % 44
+ e2.:m7 | % 45
+ c4. d | % 46
+ c4. d:sus4 | % 47
+
+ g2. | % 48
+
+ g2. | % 49
s2. | % 50
c2.:sus2 | % 58
s2. | % 59
- \repeat volta 2
- {
- g2. | % 60
- c4. d | % 61
- g2. | % 62
- c4. d | % 63
- g2. | % 64
- c4. d | % 65
- c4. d:sus4 | % 66
- g2. | % 67
- }
-
- \repeat volta 2
- {
- g2. | % 68
- c4. d | % 69
- g2. | % 70
- c4. d | % 71
- e2.:m7 | % 72
- c4. d | % 73
- c4. d:sus4 | % 74
- g2. | % 75
- }
+ g2. | % 60
+ c4. d | % 61
+ g2. | % 62
+ c4. d | % 63
+ g2. | % 64
+ c4. d | % 65
+ c4. d:sus4 | % 66
+ g2. | % 67
+
+ g2. | % 68
+ c4. d | % 69
+ g2. | % 70
+ c4. d | % 71
+ e2.:m7 | % 72
+ c4. d | % 73
+ c4. d:sus4 | % 74
+ g2. | % 75
c4. d:sus4 | % 76
g2. | % 77
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
%Slash = { \override NoteHead #'style = #'slash }
%Cross = { \override NoteHead #'style = #'cross }
StaffC = \relative c
{
- \override Staff.TimeSignature #'style = #'()
- \time 6/8
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
- \repeat volta 4
- {
- c8-> c c c-> c c | % 1
- }
- \alternative
- {
- {
- c8-> c c c-> c c | % 2
- }
- {
- c2.-> | % 3
- }
- }
+ c8-> c c c-> c c | % 1
- \repeat volta 2
- {
- c8 c c c c c | % 4
- c8 c c c c c | % 5
- c8 c c c c c | % 6
- c8 c c c c c | % 7
- c8 c c c c c | % 8
- c8 c c c c c | % 9
- c8 c c c c c | % 10
- c8 c c c c c | % 11
- c8 c c c c c | % 12
-
- c8 c c c c c | % 13
- c8 c c c c c | % 14
- c8 c c c c c | % 15
- c8 c c c c c | % 16
- c8 c c c c c | % 17
- c8 c c c c c | % 18
- c8 c c c c c | % 19
- }
- \alternative
- {
- {
- g2. ~ | % 20
- g2. | % 21
- }
- {
- c8 c c c c c | % 22
- }
- }
+ c8-> c c c-> c c | % 2
+
+ c2.-> | % 3
+
+ c8 c c c c c | % 4
+ c8 c c c c c | % 5
+ c8 c c c c c | % 6
+ c8 c c c c c | % 7
+ c8 c c c c c | % 8
+ c8 c c c c c | % 9
+ c8 c c c c c | % 10
+ c8 c c c c c | % 11
+ c8 c c c c c | % 12
+
+ c8 c c c c c | % 13
+ c8 c c c c c | % 14
+ c8 c c c c c | % 15
+ c8 c c c c c | % 16
+ c8 c c c c c | % 17
+ c8 c c c c c | % 18
+ c8 c c c c c | % 19
+
+ g2. ~ | % 20
+ g2. | % 21
+
+ c8 c c c c c | % 22
c8 c c c c c | % 23
c8 c c c c c | % 24
c8 c c c c c | % 28
c8 c c c c c | % 29
c8 c c c c c | % 30
- c8 c c c c c \bar "||" % 31
+ c8 c c c c c | % 31
c8 c c c c c | % 32
c8 c c c c c | % 33
c8 c c c c c | % 39
c8 c c c c c | % 40
- \repeat volta 2
- {
- c8 c c c c c | % 41
- c8 c c c c c | % 42
- c8 c c c c c | % 43
- c8 c c c c c | % 44
- c8 c c c c c | % 45
- c8 c c c c c | % 46
- c8 c c c c c | % 47
- }
- \alternative
- {
- {
- c8 c c c c c | % 48
- }
- {
- c2. ~ | % 49
- }
- }
+ c8 c c c c c | % 41
+ c8 c c c c c | % 42
+ c8 c c c c c | % 43
+ c8 c c c c c | % 44
+ c8 c c c c c | % 45
+ c8 c c c c c | % 46
+ c8 c c c c c | % 47
+
+ c8 c c c c c | % 48
+
+ c2. ~ | % 49
- c2. \bar "||" % 50
+ c2. | % 50
c8 c c c c c | % 51
c8 c c c c c | % 52
c8 c c c c c | % 58
c8 c c c c c | % 59
- \repeat volta 2
- {
- c8 c c c c c | % 60
- c8 c c c c c | % 61
- c8 c c c c c | % 62
- c8 c c c c c | % 63
- c8 c c c c c | % 64
- c8 c c c c c | % 65
- c8 c c c c c | % 66
- c8 c c c c c | % 67
- }
-
- \repeat volta 2
- {
- c8 c c c c c | % 68
- c8 c c c c c | % 69
- c8 c c c c c | % 70
- c8 c c c c c | % 71
- c8 c c c c c | % 72
- c8 c c c c c | % 73
- c8 c c c c c | % 74
- c8 c c c c c | % 75
- }
+ c8 c c c c c | % 60
+ c8 c c c c c | % 61
+ c8 c c c c c | % 62
+ c8 c c c c c | % 63
+ c8 c c c c c | % 64
+ c8 c c c c c | % 65
+ c8 c c c c c | % 66
+ c8 c c c c c | % 67
+
+ c8 c c c c c | % 68
+ c8 c c c c c | % 69
+ c8 c c c c c | % 70
+ c8 c c c c c | % 71
+ c8 c c c c c | % 72
+ c8 c c c c c | % 73
+ c8 c c c c c | % 74
+ c8 c c c c c | % 75
c8 c c c c c | % 76
c8 c c c c c | % 77
c8 c c c c c | % 78
c8 c c c c c | % 79
c8 c c c c c | % 80
- c2.-\fermata \bar "|." % 81
+ c2.-\fermata | % 81
}
s2.*6 | % 61-66
s8 \< s s2 | % 67
s8_\ff s s2 | % 68
-%{
- s4_\markup { \italic { snare on 4, bass 8th notes } } s2. | % 1
- s1*26 | % 2-27
- s2 s4 \< s | % 28
- s4_\f s_\markup { \hspace #0.0 \raise #-2.0 \italic { snare 2 & 4 } } s2 | % 29
- s1*8 | % 30-37
- s2 s4 \< s \! | % 38
- s1 | % 39
- s2. s8 \> s \! | % 40
- s4_\markup { \hspace #0.0 \raise #-2.0 \italic { bass 8th notes, band builds each repeat } } s2. | % 41
- s1*8 | % 42-49
- s4 \< s2. | % 50
- s4_\f s2. | % 51
- s1*5 | % 52-56
- s4_\markup { \hspace #0.0 \raise #-2.0 \italic { rit. last time } } s2. | % 57
- s2 s4 \< s \! | % 58
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
projects / music / blobdiff