-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #18
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Open The Eyes Of My Heart" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
- \set Score.markFormatter = #format-mark-box-letters
% Intro
- r1^\markup { Mid-tempo rock } | % 1
- r1 | % 2
- r1 | % 3
- r1 | % 4
+ s1^\markup { Mid-tempo rock } | % 1
+ s1*3 | % 2-4
% Verse
\repeat volta 2
{
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
- gs8 [ b b b ] ~ b [ gs b b ] ~ | % 5
- b8 [ gs ] ~ gs4 r2 | % 6
- gs8 [ b b b ] ~ b [ gs b b ] ~ | % 7
- b4 r \times 2/3 { gs4 fs e } | % 8
- fs4. e8 ~ e2 | % 9
- r2 \times 2/3 { gs4 fs e } | % 10
- fs4. e8 ~ e2 | % 11
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ s1*7 | % 5-11
}
\alternative
{
{
- r1 | % 12
+ s1 | % 12
}
{
- r4. e8 gs4 b | % 13
+ s1 | % 13
}
}
\repeat volta 3
{
-% \mark #2
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- b4 b8 [ b ] ~ b4 cs8 [ cs ] ~ | % 14
- cs4 r4 r2 | % 15
- cs8 [ b b b ] cs [ b gs gs ] ~ | % 16
- gs [ fs ] ~ fs4 r2 | % 17
- gs8. [ b16 ] ~ b8 [ b ] b [ gs b cs ] ~ | % 18
- cs4 r8 gs gs4 b | % 19
- cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 20
- gs8 [ fs ] ~ fs4 r2 | % 21
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*8 | % 14-21
}
\alternative
{
{
- r1 \bar "||" % 22
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. } }
+ s1 \bar "||" % 22
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. } }
}
{
- r4. e8 gs4 b | % 23
+ s1 | % 23
}
{
- r1 | % 24
+ s1 | % 24
}
}
\repeat volta 2
{
-% \mark #3
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 25
- gs8 [ fs ] ( e4 ) ~ e2 | % 26
- cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 27
- gs8 [ fs ] ( e4 ) ~ e2 | % 28
- cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 29
- gs8 [ fs ] ( e4 ) \times 2/3 { gs fs e } | % 30
- fs4. e8 ~ e2 ~ | % 31
- e2. r4 | % 32
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 | % 25-32
}
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \set Voice.autoBeaming = ##f
+
+ % Intro
+
+ r1*4 | % 1-4
+
+ % Verse
+
+ gs8 [ b b b ] ~ b [ gs b b ] ~ | % 5
+ b8 [ gs ] ~ gs4 r2 | % 6
+ gs8 [ b b b ] ~ b [ gs b b ] ~ | % 7
+ b4 r \times 2/3 { gs4 fs e } | % 8
+ fs4. e8 ~ e2 | % 9
+ r2 \times 2/3 { gs4 fs e } | % 10
+ fs4. e8 ~ e2 | % 11
+
+ r1 | % 12
+
+ r4. e8 gs4 b | % 13
+
+ % Chorus
+
+ b4 b8 [ b ] ~ b4 cs8 [ cs ] ~ | % 14
+ cs4 r4 r2 | % 15
+ cs8 [ b b b ] cs [ b gs gs ] ~ | % 16
+ gs [ fs ] ~ fs4 r2 | % 17
+ gs8. [ b16 ] ~ b8 [ b ] b [ gs b cs ] ~ | % 18
+ cs4 r8 gs gs4 b | % 19
+ cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 20
+ gs8 [ fs ] ~ fs4 r2 | % 21
+
+ r1 | % 22
+
+ r4. e8 gs4 b | % 23
+
+ r1 | % 24
+
+ % Outro
+
+ cs4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 25
+ gs8 [ fs ] ( e4 ) ~ e2 | % 26
+ cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 27
+ gs8 [ fs ] ( e4 ) ~ e2 | % 28
+ cs'4 b8 [ b ] ~ b4 gs8 [ gs ] ~ | % 29
+ gs8 [ fs ] ( e4 ) \times 2/3 { gs fs e } | % 30
+ fs4. e8 ~ e2 ~ | % 31
+ e2. r4 | % 32
+}
+
+
LeadVoxText = \lyricmode
{
O -- pen the eyes _ of my heart _ Lord _
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-
% Intro
e1:sus2 | % 1
% Verse
- \repeat volta 2
- {
- e1:sus2 | % 5
- s1 | % 6
- b1:sus2/ds | % 7
- r1 | % 8
- a1:sus2/cs | % 9
- a1 | % 10
- a4.:6/e e8 s2 | % 11
- }
- \alternative
- {
- {
- a1/b | % 12
- }
- {
- e1 | % 13
- }
- }
+ e1:sus2 | % 5
+ s1 | % 6
+ b1:sus2/ds | % 7
+ r1 | % 8
+ a1:sus2/cs | % 9
+ a1 | % 10
+ a4.:6/e e8 s2 | % 11
+
+ a1/b | % 12
+
+ e1 | % 13
% Chorus
- \repeat volta 3
- {
- b1 | % 14
- cs1:m | % 15
- a2.. b8:sus4 | % 16
- s2 b | % 17
- gs1:m | % 18
- cs1:m | % 19
- fs2..:m a8/b | % 20
- s2.. a8/b | % 21
- }
- \alternative
- {
- {
- s1 \bar "||" % 22
- }
- {
- a1/b | % 23
- }
- {
- a1/b | % 24
- }
- }
+ b1 | % 14
+ cs1:m | % 15
+ a2.. b8:sus4 | % 16
+ s2 b | % 17
+ gs1:m | % 18
+ cs1:m | % 19
+ fs2..:m a8/b | % 20
+ s2.. a8/b | % 21
+
+ s1 | % 22
+
+ a1/b | % 23
+
+ a1/b | % 24
% Outro
- \repeat volta 2
- {
- e1:sus2 | % 25
- s1 | % 26
- b1:sus2/ds | % 27
- s1 | % 28
- a1:sus2/cs | % 29
- fs2:m a/b | % 30
- a4.:6/e e8 s2 | % 31
- a1/b | % 32
- }
+ e1:sus2 | % 25
+ s1 | % 26
+ b1:sus2/ds | % 27
+ s1 | % 28
+ a1:sus2/cs | % 29
+ fs2:m a/b | % 30
+ a4.:6/e e8 s2 | % 31
+ a1/b | % 32
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% Verse
- \repeat volta 2
- {
- c1-\markup { \dynamic mf \italic { Colors 1st time, sidestick on DS } } | % 5
- c1 | % 6
- c1 | % 7
- c1 | % 8
- c1 | % 9
- c1 | % 10
- c4. c8 ~ c2 | % 11
- }
- \alternative
- {
- {
- c1 | % 12
- }
- {
-% c4-> \f c-> \< r2-\markup { \italic { dr. fill } } \ff | % 13
- << { \voiceOne c4_> c_> r2_\markup { \italic { dr. fill } } }
- \new Voice = "v" { \voiceTwo s4 \f s s4. \< s8 \ff } >>
+ c1-\markup { \dynamic mf \italic { Colors 1st time, sidestick on DS } } | % 5
+ c1 | % 6
+ c1 | % 7
+ c1 | % 8
+ c1 | % 9
+ c1 | % 10
+ c4. c8 ~ c2 | % 11
-%{
- r2 r4 r8 << { \voiceOne <b' gs> ~ } \new Voice = "v" { \voiceTwo fs8 ~ } >> | % 12
- << { \voiceOne <b gs>1 ~ } \context Voice = v { \voiceTwo fs2 ~ fs4. f8 ~ } >> | % 13
- << { \voiceOne <b gs>2 } \context Voice = v { \voiceTwo f2 } >> \oneVoice r2 | % 14
-%}
+ c1 | % 12
- }
- }
+ << { \voiceOne c4_> c_> r2_\markup { \italic { dr. fill } } }
+ \new Voice = "v" { \voiceTwo s4 \f s s4. \< s8 \ff } >>
% Chorus
- \repeat volta 3
- {
- c4._\markup { \italic { Rock 4 } } c8 ~ c2 | % 14
- c4. c8 ~ c2 | % 15
- c4. c8 ~ c4. c8 ~ | % 16
- c2 c4_\markup { \italic { dr. fill } } c | % 17
- c4. c8 ~ c2 | % 18
- c4. c8 ~ c2 | % 19
- c4. c8 ~ c4. c8 ~ | % 20
- c4 c c c8 [ c ] ~ | % 21
- }
- \alternative
- {
- {
- c1 | % 22
- }
- {
- c4_> c_> r2_\markup { \italic { dr. fill } } | % 23
- }
- {
-% << c1 \\ { s4 \> s2 s4 \! } >> | % 24
- << { \voiceOne c1 } \context Voice = v { \voiceTwo s4 \> s2 s4 \! } >> | % 24
- }
- }
+ c4._\markup { \italic { Rock 4 } } c8 ~ c2 | % 14
+ c4. c8 ~ c2 | % 15
+ c4. c8 ~ c4. c8 ~ | % 16
+ c2 c4_\markup { \italic { dr. fill } } c | % 17
+ c4. c8 ~ c2 | % 18
+ c4. c8 ~ c2 | % 19
+ c4. c8 ~ c4. c8 ~ | % 20
+ c4 c c c8 [ c ] ~ | % 21
+
+ c1 | % 22
+
+ c4_> c_> r2_\markup { \italic { dr. fill } } | % 23
+
+ << { \voiceOne c1 } \context Voice = v { \voiceTwo s4 \> s2 s4 \! } >> | % 24
% Outro
- \repeat volta 2
- {
- c1_\markup { \dynamic mf \italic { Floating } } | % 25
- c1 | % 26
- c1 | % 27
- c1 | % 28
- c1 | % 29
- c2 c | % 30
- c4. c8^\fermata _\markup { \italic { Last time } } ~ c2 | % 31
- c1 | % 32
- }
+ c1_\markup { \dynamic mf \italic { Floating } } | % 25
+ c1 | % 26
+ c1 | % 27
+ c1 | % 28
+ c1 | % 29
+ c2 c | % 30
+ c4. c8^\fermata _\markup { \italic { Last time } } ~ c2 | % 31
+ c1 | % 32
}
\score
{
<<
-% \new ChoirStaff = "Vox"
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
- \layout
- {
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff