-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Little Town Of Bethlehem" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Lewis H. Redner" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
- tagline = "Engraved by JLH and Lilypond 2.8.8"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \partial 4*1 a4 | % 0
+ \partial 4*1 s4 | % 0
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- a4 a af a | % 1
- c4 bf d, g | % 2
- f4 e8 ( f ) g4 c, | % 3
- a'2. a4 | % 4
- a4 a d c | % 5
- c4 bf d, g | % 6
- f4 e8 ( f ) a4 g | % 7
- f2. a4 \bar "||" % 8
-
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- a4 a g f | % 9
- e2 e4 e | % 10
- d4 e f g | % 11
- a2. a4 | % 12
- a4 a af a | % 13
- c4 bf d, d' | % 14
- c4 f, a4. g8 | % 15
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 1-8
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 9-15
}
\alternative
{
{
- f2. a4 | % 16
+ s1 | % 16
}
{
- f1^\fermata \bar "|." % 17
+ s1 \bar "|." % 17
}
}
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ a4 | % 0
+
+ a4 a af a | % 1
+ c4 bf d, g | % 2
+ f4 e8 ( f ) g4 c, | % 3
+ a'2. a4 | % 4
+ a4 a d c | % 5
+ c4 bf d, g | % 6
+ f4 e8 ( f ) a4 g | % 7
+ f2. a4 | % 8
+
+ a4 a g f | % 9
+ e2 e4 e | % 10
+ d4 e f g | % 11
+ a2. a4 | % 12
+ a4 a af a | % 13
+ c4 bf d, d' | % 14
+ c4 f, a4. g8 | % 15
+
+ f2. a4 | % 16
+
+ f1^\fermata | % 17
+}
+
+
LeadVoxText = \lyricmode
{
O lit -- tle town of Beth -- le -- hem, how still we _ see thee lie!
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
- \partial 4*1 s4 | % 0
-
- \repeat volta 2
- {
- f2 f4:dim7 f | % 1
- bf2:5.9 g:m7 | % 2
- f2/c g4:m7/c c:7.9- | % 3
- f1:maj7 | % 4
- f2/ef d:7 | % 5
- g2.:m bf4:m6 | % 6
- f2/c g4:m7/c c:7.9- | % 7
- f2:sus4 f | % 8
-
- f2 g4:dim7 gs:dim7 | % 9
- a1 | % 10
- d4:m a:7/e f:6 g:m/bf | % 11
- a2:sus4 a | % 12
- f2 f4:dim7 f | % 13
- bf2:5.9 g:7/b | % 14
- f2/c g4:m/c c:7.9- | % 15
- }
- \alternative
- {
- {
- f2:sus4 f | % 16
- }
- {
- f2:sus4 f | % 17
- }
- }
+ s4 | % 0
+
+ f2 f4:dim7 f | % 1
+ bf2:3.5.9 g:m7 | % 2
+ f2/c g4:m7/c c:7.9- | % 3
+ f1:maj7 | % 4
+ f2/ef d:7 | % 5
+ g2.:m bf4:m6 | % 6
+ f2/c g4:m7/c c:7.9- | % 7
+ f2:sus4 f | % 8
+
+ f2 g4:dim7 gs:dim7 | % 9
+ a1 | % 10
+ d4:m a:7/e f:6 g:m/bf | % 11
+ a2:sus4 a | % 12
+ f2 f4:dim7 f | % 13
+ bf2:3.5.9 g:7/b | % 14
+ f2/c g4:m/c c:7.9- | % 15
+
+ f2:sus4 f | % 16
+
+ f2:sus4 f | % 17
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \partial 4*1 s4 | % 0
+ s4 | % 0
- \repeat volta 2
- {
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c \bar "||" % 8
-
- c4 c-> c-> c-> | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- }
- \alternative
- {
- {
- c4 c c c | % 16
- }
- {
- c2 c^\fermata \bar "|." % 17
- }
- }
+ c4 c c c | % 1
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+
+ c4 c-> c-> c-> | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+
+ c4 c c c | % 16
+
+ c2 c^\fermata | % 17
}
s4_\markup { \dynamic mf \italic { band in } } s2. | % 8
s1*6
s4_\markup { \italic { rit. 2nd X } } s2. | % 15
-
-%{
- \override TextScript #'extra-offset = #'( 0.0 . -1.0 )
-
- \partial 4*1 s4_\f | % 0
- s4_\markup { \italic { full band, snare } } s2. | % 1
- s1*2
- s4 s \> s s \! | % 4
- s4_\markup { \dynamic mf \italic { piano only } } s2. | % 5
- s1*11
- s4_\markup { \dynamic mp \italic { bass in, cym } } s2. | % 17
- s1*2
- s4 s \< s s_\f | % 20
- s1*2
- s2 s_\markup { \italic { dr. fill } } | % 23
- s4_\markup { \italic { dr. groove, s-stick 2&4 } } s2. | % 24
- s1*13
- s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 38
- s1*2
- s4 s \< s s_\f | % 41
- s4_\markup { \italic { backbeat } } s2. | % 42
- s1*2
- s2 s_\markup { \italic { dr. fill } } | % 45
- s4_\markup { \italic { Majestic, slower w/snare } } s2. | % 46
- s1*11
- s4_\markup { \dynamic mp \italic { no backbeat } } s2. | % 58
- s1*2
- s4 s \< s_\markup { \hspace #0.0 \raise #-2.0 \italic { dr.fill } } s_\f | % 61
- s4_\markup { \italic { backbeat } } s2. | % 62
- s1*6
- s4_\markup { \italic { rit. } } s2. | % 69
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
-% \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff