-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "O Come, O Come, Emmanuel" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Thomas Helmore" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
s1^\markup { \hspace #0.0 \raise #1.0 { Half time feel } } | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
- s1 | % 6
- s1 | % 7
- s2. e4 | % 8
+ s1*7 | % 2-8
\repeat volta 3
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- g4 b b b | % 9
- a4 ( c b ) a | % 10
- g2. a4 | % 11
- b4 g e g | % 12
- a4 ( fs e ) d | % 13
- e2. a4 | % 14
- a4 e e fs | % 15
- g2 ( fs4 ) e | % 16
- d2. g4 | % 17
- a4 b b b | % 18
- a4 ( c b ) a | % 19
- g2. d'4 \bar "||" % 20
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*12 \bar "||" % 9-20
% Chorus
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
- d2. b4 | % 21
- b2. b4 | % 22
- a4 ( c b ) a | % 23
- g2. a4 | % 24
- b4 g e g | % 25
- a4 ( fs e ) d | % 26
-\break % Bleh.
+ s1*6 | % 21-26
}
\alternative
{
{
- e1 | % 27
- s1 | % 28
- s1 | % 29
- s2. e4 | % 30
+ s1*4 | % 27-30
}
{
- e1 | % 31
- s1 | % 32
- s1 | % 33
- s2.^\markup { \hspace #5.0 \raise #1.0 { D.S. } } \stemUp d'4 \stemNeutral \bar "||" % 34
+ s1*3 | % 31-33
+ s2. s4^\markup { \hspace #0.0 \raise #0.6 { D.S. } } \bar "||" % 34
}
{
- e,1 | % 35
+ s1 | % 35
}
}
- s2. a4 \bar "||" % 36
+ s1 \bar "||" % 36
+
+ s1*3 \bar "|." % 37-39
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ % Intro
+
+ s1*7 | % 1-7
+ s2. e4 | % 8
+
+ % Verse
+
+ g4 b b b | % 9
+ a4 ( c b ) a | % 10
+ g2. a4 | % 11
+ b4 g e g | % 12
+ a4 ( fs e ) d | % 13
+ e2. a4 | % 14
+ a4 e e fs | % 15
+ g2 ( fs4 ) e | % 16
+ d2. g4 | % 17
+ a4 b b b | % 18
+ a4 ( c b ) a | % 19
+ g2. d'4 | % 20
+
+ % Chorus
+
+ d2. b4 | % 21
+ b2. b4 | % 22
+ a4 ( c b ) a | % 23
+ g2. a4 | % 24
+ b4 g e g | % 25
+ a4 ( fs e ) d | % 26
+
+ e1 | % 27
+ s1 | % 28
+ s1 | % 29
+ s2. e4 | % 30
+
+ e1 | % 31
+ s1 | % 32
+ s1 | % 33
+ s2. \stemUp d'4 \stemNeutral | % 34
+
+ e,1 | % 35
+
+ s2. a4 | % 36
b4 g e g | % 37
a4 ( fs e ) d | % 38
- e1^\fermata \bar "|." % 39
+ e1^\fermata | % 39
}
+
LeadVoxText = \lyricmode
{
O come, O come, Em -- ma -- _ _ nu -- el,
Riffs = \relative c''
{
- \clef G
- \key e \minor
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
<a fs e d>2. s4 | % 36
\normalsize
-%{
- % Intro
-
- \tiny
- \repeat "percent" 3 % 1 - 6
- {
- << { \tiny f16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny f,,2 c'4 } >> | % 1
- << { \tiny f'16 c f, <f' f,> ~ <f f,> f, c' f f8 e } \\ { \tiny bf,2 c4 } >> | % 2
- }
- << s2. \\ { \tiny d2 c4 } >> | % 7
- << s2. \\ { \tiny bf2. } >> | % 8
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 6 { f''16 c f, <f' f,> ~ <f f,> f, c' f f8 e | } % 16-21
- \oneVoice
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 2 { f16 c f, f' ~ f f, c' f f8 e | } % 29-30
- \oneVoice
-
- \key g \major
-
- \voiceOne
- \repeat "percent" 2 { g16 d g, g' ~ g g, d' g g8 fs | } % 31-32
- \oneVoice
-
- s2.*7
-
- \voiceOne
- \repeat "percent" 4 { g16 d g, g' ~ g g, d' g g8 fs | } % 40-43
- \oneVoice
- \normalsize
-%}
}
+
RiffsBass = \relative c
{
\clef F
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 | % 1
s2.. b8:m11 | % 7
s1 | % 8
- \repeat volta 3
- {
- % Verse
-
- e1:m7 | % 9
- a1:m9 | % 10
- e1:m7 | % 11
- c1:maj7 | % 12
- a2:m7 b:m7 | % 13
- e1:m7 | % 14
- a1:m9 | % 15
- e2:m7 d4/c c | % 16
- b1:m7 | % 17
- g2:maj7 e:m7 | % 18
- a2:m7 c:maj7/d | % 19
- g2:sus2 g | % 20
-
- % Chorus
-
- d2. e4:m7 | % 21
- b1:m7 | % 22
- a2:m7 b:7.9-.13- | % 23
- e2.:m7 d4 | % 24
- c2:maj7 a:m7 | % 25
- fs:m7.5- b:m7 | % 26
- }
- \alternative
- {
- {
- s1 | % 27
- s1 | % 28
- s2.. b8:m11 | % 29
- s1 | % 30
- }
- {
- s1 | % 31
- s1 | % 32
- s2.. b8:m11 | % 33
- s1 | % 34
- }
- {
- s2.. b8:m11 | % 35
- }
- }
+ % Verse
+
+ e1:m7 | % 9
+ a1:m9 | % 10
+ e1:m7 | % 11
+ c1:maj7 | % 12
+ a2:m7 b:m7 | % 13
+ e1:m7 | % 14
+ a1:m9 | % 15
+ e2:m7 d4/c c | % 16
+ b1:m7 | % 17
+ g2:maj7 e:m7 | % 18
+ a2:m7 c:maj7/d | % 19
+ g2:sus2 g | % 20
+
+ % Chorus
+
+ d2. e4:m7 | % 21
+ b1:m7 | % 22
+ a2:m7 b:7.9-.13- | % 23
+ e2.:m7 d4 | % 24
+ c2:maj7 a:m7 | % 25
+ fs:m7.5- b:m7 | % 26
+
+ s1 | % 27
+ s1 | % 28
+ s2.. b8:m11 | % 29
+ s1 | % 30
+
+ s1 | % 31
+ s1 | % 32
+ s2.. b8:m11 | % 33
+ s1 | % 34
+
+ s2.. b8:m11 | % 35
s1 | % 36
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
r2.. c8 ~ | % 7
c1 | % 8
- \repeat volta 3
- {
- % Verse
+ % Verse
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c \bar "||" % 20
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c c c | % 20
- % Chorus
+ % Chorus
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- }
- \alternative
- {
- {
- r1 | % 27
- r1 | % 28
- r2.. c8 ~ | % 29
- c1 | % 30
- }
- {
- r1 | % 31
- r1 | % 32
- r2.. c8 ~ | % 33
- c8 c c c c c c c | % 34
- }
- {
- r2.. c8 ~ | % 35
- }
- }
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
- c1 \bar "||" % 36
+ r1 | % 27
+ r1 | % 28
+ r2.. c8 ~ | % 29
+ c1 | % 30
+
+ r1 | % 31
+ r1 | % 32
+ r2.. c8 ~ | % 33
+ c8 c c c c c c c | % 34
+
+ r2.. c8 ~ | % 35
+
+ c1 | % 36
c2 c | % 37
c2 c | % 38
- c1^\fermata \bar "|." % 39
+ c1^\fermata | % 39
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
\new Staff = leadStaffBass { \new Voice = "leadbass" \RiffsBass }
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\layout
{
\context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
}
}
-% Alternate score (for dorks)
-%{
- <<
- \new ChoirStaff = "Rhythm"
- <<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
- >>
-
- <<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
- \new Lyrics \lyricsto "lead" \LeadVoxText
- \new Lyrics \lyricsto "lead" \LeadVoxTextB
- >>
-
- <<
- \new Staff = leadStaffBass { \new Voice = "leadbass" \RiffsBass }
- >>
-
- \set Score.skipBars = ##t
- \set Score.melismaBusyProperties = #'()
- >>
-
- \layout
- {
- \context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
- }
-%}
-
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+ ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff