-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Nothing But The Blood" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro/midtro
- R1^\markup { \hspace #0.0 \raise #1.0 { Moderate folk-rock } } | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1^\markup { \hspace #0.0 \raise #1.0 { Moderate folk-rock } } | % 1
+ s1*3 \bar ".|:-||" % 2-4
\repeat volta 3
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- f4 f f g | % 5
- a4 c a2 | % 6
- f8 [ f f g ] a4 a | % 7
- g4. ( f8 ) f4 r | % 8
- f4 f f g | % 9
- a4 c a2 | % 10
- f8 [ f f g ] a4 a | % 11
- g4. ( f8 ) f4 r \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
-% Bah, some ppl don't like syncopation
-%{
- c'4. a8 ~ a g4 a8 ~ | % 13
- a4 c8 [ a ] ~ a4 r | % 14
- g4. g8 ~ g8 f4 g8 ~ | % 15
- g8 g4 a8 ( \stemUp c4 ) \stemNeutral r | % 16
- c4. a8 ~ a g4 a8 ~ | % 17
- a8 c4 a8 ~ a4 r | % 18
- f8 [ f f g ] a4 a | % 19
- g4. ( f8 ) f4 r | % 20
-%}
-% Straight as a stretched out wire... :-(
- c'2 a4 g | % 13
- a4 c a r | % 14
- g2 g4 f | % 15
- g4 g a ( \stemUp c ) \stemNeutral | % 16
- c2 a4 g | % 17
- a4 c a r | % 18
- f8 [ f f g ] a4 a | % 19
-% g4. ( f8 ) f4 r | % 20
- g2.. ( f8 ) | % 20
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*8 | % 13-20
}
\alternative
{
{
- f4 r r2 | % 21
- R1 | % 22
- R1 | % 23
- R1 | % 24
+ s1*4 | % 21-24
}
{
- f4 r r2 | % 25
+ s1 | % 25
}
}
- R1 | % 26
+ s1 | % 26
% Outro
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- f8 [ f f g ] a4 a | % 27
- g4. ( f8 ) f4 r | % 28
- f8 [ f f g ] a4 a | % 29
- g4. ( f8 ) f4 r | % 30
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*4 | % 27-30
}
% Ending
- R1 | % 31
- R1 \bar "|." % 32
+ s1*2 \bar "|." % 31-32
}
-% This isn't the hymnal melody, but I like it. So there! :-P
-LeadVoxAlt = \relative c''
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
{
\set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
- \clef G
- \key f \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
- \repeat volta 3
- {
- % Intro/midtro
+ % Intro/midtro
- R1^\markup { Moderate folk-rock } | % 1
- R1 | % 2
- R1 | % 3
- R1 \bar "||" % 4
+ R1*4 | % 1-4
- % Verse
+ % Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
- c4 a8 [ a ] ~ a4 g8 [ a ] ~ | % 5
- a4 c8 [ c ] ~ c2 | % 6
- f,8 [ f f g ] a4 f | % 7
- g4. a8 ~ a4 r | % 8
- c4 a8 [ a ] ~ a4 g8 [ a ] ~ | % 9
- a4 c8 [ c ] ~ c2 | % 10
- f,8 [ f f g ] a4 f | % 11
- g4. f8 ~ f4 r \bar "||" % 12
+ f4 f f g | % 5
+ a4 c a2 | % 6
+ f8 [ f f g ] a4 a | % 7
+ g4. ( f8 ) f4 r | % 8
+ f4 f f g | % 9
+ a4 c a2 | % 10
+ f8 [ f f g ] a4 a | % 11
+ g4. ( f8 ) f4 r \bar "||" % 12
- % Chorus
+ % Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
- c'4. a8 ~ a g4 a8 ~ | % 13
- a4 c8 [ c ] ~ c4 r | % 14
- d4. f8 ~ f8 d4 d8 ~ | % 15
- d8 c4 c8 ~ c4 r | % 16
- c4. a8 ~ a g4 a8 ~ | % 17
- a8 c4 c8 ~ c4 r | % 18
- f,8 [ f f g ] a4 f | % 19
- g4. f8 ~ f4 r | % 20
- }
+ c'2 a4 g | % 13
+ a4 c a r | % 14
+ g2 g4 f | % 15
+ g4 g a ( \stemUp c ) \stemNeutral | % 16
+ c2 a4 g | % 17
+ a4 c a r | % 18
+ f8 [ f f g ] a4 a | % 19
+ g2.. ( f8 ) | % 20
- % Outro
+ f4 r r2 | % 21
+ R1 | % 22
+ R1 | % 23
+ R1 | % 24
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ f4 r r2 | % 25
- f8 [ f f g ] a4 f | % 21
- g4. a8 ~ a4 r | % 22
- f8 [ f f g ] a4 f | % 23
- g4. f8 ~ f4 r | % 24
- }
+ R1 | % 26
+
+ % Outro
+
+ f8 [ f f g ] a4 a | % 27
+ g4. ( f8 ) f4 r | % 28
+ f8 [ f f g ] a4 a | % 29
+ g4. ( f8 ) f4 r | % 30
% Ending
- R1 | % 25
- R1 \bar "|." % 26
+ R1 | % 31
+ R1 | % 32
}
+
LeadVoxText = \lyricmode
{
What can wash a- way my sin?
What can make me whole a- gain?
No- thing but the blood of Je- _ sus.
-% Bah, some ppl don't like syncopation...
-%{
- Oh, pre- _ cious is _ the flow _
- That makes _ me white _ as snow; _
- No o- _ ther fount _ I know, _
- No- thing but the blood of Je- _ sus.
-%}
-% Straight as a stretched out wire... :-(
Oh, pre- cious is the flow
That makes me white as snow; _
No o- ther fount I know,
This is all _ my right- _ eous- _ ness,
}
+
%
% Chord names
%
-
Chords = \chordmode
{
% Intro/midtro
f4./a bf2:sus2 s8 | % 3
c4.:^3 d2:m7 s8 | % 4
- \repeat volta 3
- {
- % Verse
+ % Verse
- f4./a bf2:sus2 s8 | % 5
- c4.:^3 d2:m7 s8 | % 6
- f4./a bf2:sus2 s8 | % 7
- c4.:^3 d2:m7 s8 | % 8
- f4./a bf2:sus2 s8 | % 9
- c4.:^3 d2:m7 s8 | % 10
- f4./a bf2:sus2 s8 | % 11
- c4.:^3 d2:m7 s8 | % 12
+ f4./a bf2:sus2 s8 | % 5
+ c4.:^3 d2:m7 s8 | % 6
+ f4./a bf2:sus2 s8 | % 7
+ c4.:^3 d2:m7 s8 | % 8
+ f4./a bf2:sus2 s8 | % 9
+ c4.:^3 d2:m7 s8 | % 10
+ f4./a bf2:sus2 s8 | % 11
+ c4.:^3 d2:m7 s8 | % 12
- % Chorus
+ % Chorus
- f4. c2 s8 | % 13
- d4.:m7 f2 s8 | % 14
- bf4. f2/a s8 | % 15
- bf2 c | % 16
- f4./a bf2 s8 | % 17
- c4.:^3 d2:m7 s8 | % 18
- f4./a bf2 s8 | % 19
- c1:^3 | % 20
- }
- \alternative
- {
- {
- f4./a bf2:sus2 s8 | % 21
- c4.:^3 d2:m7 s8 | % 22
- f4./a bf2:sus2 s8 | % 23
- c4.:^3 d2:m7 s8 | % 24
- }
- {
- f4./a bf2:sus2 s8 | % 25
- }
- }
+ f4. c2 s8 | % 13
+ d4.:m7 f2 s8 | % 14
+ bf4. f2/a s8 | % 15
+ bf2 c | % 16
+ f4./a bf2 s8 | % 17
+ c4.:^3 d2:m7 s8 | % 18
+ f4./a bf2 s8 | % 19
+ c1:^3 | % 20
+
+ f4./a bf2:sus2 s8 | % 21
+ c4.:^3 d2:m7 s8 | % 22
+ f4./a bf2:sus2 s8 | % 23
+ c4.:^3 d2:m7 s8 | % 24
+
+ f4./a bf2:sus2 s8 | % 25
c4.:^3 d2:m7 s8 | % 26
% Outro
- \repeat volta 2
- {
- f4./a bf2:sus2 s8 | % 27
- c4.:^3 d2:m7 s8 | % 28
- f4./a bf2:sus2 s8 | % 29
- c4.:^3 d2:m7 s8 | % 30
- }
+ f4./a bf2:sus2 s8 | % 27
+ c4.:^3 d2:m7 s8 | % 28
+ f4./a bf2:sus2 s8 | % 29
+ c4.:^3 d2:m7 s8 | % 30
% Ending
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro/midtro
c4. c8 ~ c4 c | % 3
c4. c8 ~ c4 c | % 4
- \repeat volta 3
- {
- % Verse
+ % Verse
- c4. c8 ~ c4 c | % 5
- c4. c8 ~ c4 c | % 6
- c4. c8 ~ c4 c | % 7
- c4. c8 ~ c4 c | % 8
- c4. c8 ~ c4 c | % 9
- c4. c8 ~ c4 c | % 10
- c4. c8 ~ c4 c | % 11
- c4. c8 ~ c4 c | % 12
+ c4. c8 ~ c4 c | % 5
+ c4. c8 ~ c4 c | % 6
+ c4. c8 ~ c4 c | % 7
+ c4. c8 ~ c4 c | % 8
+ c4. c8 ~ c4 c | % 9
+ c4. c8 ~ c4 c | % 10
+ c4. c8 ~ c4 c | % 11
+ c4. c8 ~ c4 c | % 12
- % Chorus
+ % Chorus
- c4. c8 ~ c4 c | % 13
- c4. c8 ~ c4 c | % 14
- c4. c8 ~ c4 c | % 15
- c4 c c c | % 16
- c4. c8 ~ c4 c | % 17
- c4. c8 ~ c4 c | % 18
- c4. c8 ~ c4 c | % 19
- c4 c c c | % 20
- }
- \alternative
- {
- {
- c4. c8 ~ c4 c | % 21
- c4. c8 ~ c4 c | % 22
- c4. c8 ~ c4 c | % 23
- c4. c8 ~ c4 c | % 24
- }
- {
- c4. c8 ~ c4 c | % 25
- }
- }
+ c4. c8 ~ c4 c | % 13
+ c4. c8 ~ c4 c | % 14
+ c4. c8 ~ c4 c | % 15
+ c4 c c c | % 16
+ c4. c8 ~ c4 c | % 17
+ c4. c8 ~ c4 c | % 18
+ c4. c8 ~ c4 c | % 19
+ c4 c c c | % 20
+
+ c4. c8 ~ c4 c | % 21
+ c4. c8 ~ c4 c | % 22
+ c4. c8 ~ c4 c | % 23
+ c4. c8 ~ c4 c | % 24
+
+ c4. c8 ~ c4 c | % 25
c4. c8 ~ c4 c | % 26
% Outro
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 27
- c4. c8 ~ c4 c | % 28
- c4. c8 ~ c4 c | % 29
- c4. c8 ~ c4 c | % 30
- }
+ c4. c8 ~ c4 c | % 27
+ c4. c8 ~ c4 c | % 28
+ c4. c8 ~ c4 c | % 29
+ c4. c8 ~ c4 c | % 30
% Ending
c4._\markup { \italic { on cue } } c8 ~ c4 c | % 31
- c4. c8 ~ c2^\fermata \bar "|." % 32
+ c4. c8 ~ c2^\fermata | % 32
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
\new Lyrics \lyricsto "lead" \LeadVoxTextC
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff