-\version "2.16.0"\r
+\version "2.19.0"\r
\include "pop-chords.ly"\r
\include "english.ly"\r
\r
-% Good sizes are 16, 18, & 20\r
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)\r
staffSize = #20\r
#(set-default-paper-size "letter")\r
#(set-global-staff-size staffSize)\r
\r
\header\r
{\r
-%Let's bump up the title size and switch to the chord font. :-)\r
-\r
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "No Higher Calling" }\r
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }\r
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }\r
- tagline = "Engraved by JLH and Lilypond 2.8.8"\r
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))\r
}\r
\r
\r
%\r
-% Lead vocal\r
+% Song's structure\r
%\r
-\r
-LeadVox = \relative c'\r
+Global =\r
{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrumentName = #"Lead vox"\r
\clef G\r
\key bf \major\r
- \override Staff.TimeSignature #'style = #'()\r
+ \numericTimeSignature\r
\time 4/4\r
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
\r
\repeat volta 2\r
{\r
% Intro\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { \small "Light half-time feel" }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #left\r
+ \mark \markup { \small "Light half-time feel" }\r
\r
- s1 | % 1\r
- s1 | % 2\r
- s1 | % 3\r
- s1 | % 4\r
+ s1*4 | % 1-4\r
}\r
\r
% Verse\r
\r
-\mark \markup { \override #'(font-family . sans) { \box { A } } }\r
-\r
- f2. d8 f | % 5\r
- a2 bf4. g8 ~ | % 6\r
- g2. f8 ef | % 7\r
- d2 c4. ( d8 ) | % 8\r
- d2 r4 d8 f | % 9\r
- a2 bf4. g8 ~ | % 10\r
- g2. g4 | % 11\r
- gf2 f4. f8 ~ | % 12\r
- f2. f4 | % 13\r
- gf2 af4. ( bf8 ) | % 14\r
- bf1 ~ | % 15\r
- bf2 r | % 16\r
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }\r
+ s1*12 | % 5-16\r
\r
\repeat volta 2\r
{\r
% Verse\r
\r
-\mark \markup { \override #'(font-family . sans) { \box { B } } }\r
-\r
- f2. d8 f | % 17\r
- a2 bf4. g8 ~ | % 18\r
- g2. f8 ef | % 19\r
- d2 c4. ( d8 ) | % 20\r
- d2 r4 d8 f | % 21\r
- a2 bf4. g8 ~ | % 22\r
- g2. g4 | % 23\r
- gf2 f4. f8 ~ | % 24\r
- f2. f4 | % 25\r
- gf2 af4. ( bf8 ) | % 26\r
- bf1 ~ | % 27\r
- bf2. <bf d,>8 <a c,> \bar "||" % 28\r
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }\r
+ s1*12 \bar "||" % 17-28\r
\r
% Chorus\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }\r
-\r
- <g bf,>2. <a c,>8 <bf d,> | % 29\r
- <bf d,>4. ( <a c,>8 ) <a c,>2 | % 30\r
- <a c,>2. <bf d,>8 <c f,> | % 31\r
- <c f,>4. ( <bf d,>8 ) <bf d,>4 <bf d,>8 <a c,> | % 32\r
- <g bf,>2. <g bf,>4 | % 33\r
- <g bf,>4 <f a,>8 <f a,> ~ <f a,> <ef g,>4 <f bf,>8 ~ | % 34\r
- <f bf,>1 | % 35\r
- r2 r4 <f d>8 <g ef> | % 36\r
- <g ef>2. <a c,>8 <bf d,> | % 37\r
- <bf d,>4. <a c,>8 ~ <a c,>4. <a c,>8 | % 38\r
- <a c,>2. <bf d,>8 <c ef,> | % 39\r
- <c ef,>4. <bf d,>8 ~ <bf d,>4 bf | % 40\r
- bf2. bf4 | % 41\r
- bf4 a8 g ~ g a ~ a4 | % 42\r
-\once \override Score.RehearsalMark #'self-alignment-X = #right\r
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #left\r
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }\r
+\r
+ s1*14 | % 29-42\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #right\r
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }\r
}\r
\alternative\r
{\r
{\r
- \voiceTwo\r
- bf1 | % 43\r
- \oneVoice\r
- s1 | % 44\r
- s1 | % 45\r
- s1 | % 46\r
+ s1*4 | % 43-46\r
}\r
{\r
- bf1 | % 47\r
+ s1 | % 47\r
}\r
}\r
\r
- r2 r4 <f d>8 <g ef> \bar "||" % 48\r
+ s1 \bar "||" % 48\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #right\r
-\mark \markup { \italic { D.S. al Coda } }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #right\r
+ \mark \markup { \italic { D.S. al Coda } }\r
\r
% Coda\r
\r
-\stopStaff s1 \startStaff |\r
+\stopStaff s1 \startStaff\r
\set Score.currentBarNumber = #49\r
\r
-\once \override Score.RehearsalMark #'self-alignment-X = #left\r
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }\r
+ \once \override Score.RehearsalMark #'self-alignment-X = #left\r
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }\r
+\r
+ s1*9 \bar "|." % 49-57\r
+}\r
+\r
+\r
+%\r
+% Lead vocal\r
+%\r
+LeadVox = \relative c'\r
+{\r
+ % Intro\r
+\r
+ s1 | % 1\r
+ s1 | % 2\r
+ s1 | % 3\r
+ s1 | % 4\r
+\r
+ % Verse\r
+\r
+ f2. d8 f | % 5\r
+ a2 bf4. g8 ~ | % 6\r
+ g2. f8 ef | % 7\r
+ d2 c4. ( d8 ) | % 8\r
+ d2 r4 d8 f | % 9\r
+ a2 bf4. g8 ~ | % 10\r
+ g2. g4 | % 11\r
+ gf2 f4. f8 ~ | % 12\r
+ f2. f4 | % 13\r
+ gf2 af4. ( bf8 ) | % 14\r
+ bf1 ~ | % 15\r
+ bf2 r | % 16\r
+\r
+ % Verse\r
+\r
+ f2. d8 f | % 17\r
+ a2 bf4. g8 ~ | % 18\r
+ g2. f8 ef | % 19\r
+ d2 c4. ( d8 ) | % 20\r
+ d2 r4 d8 f | % 21\r
+ a2 bf4. g8 ~ | % 22\r
+ g2. g4 | % 23\r
+ gf2 f4. f8 ~ | % 24\r
+ f2. f4 | % 25\r
+ gf2 af4. ( bf8 ) | % 26\r
+ bf1 ~ | % 27\r
+ bf2. <bf d,>8 <a c,> \bar "||" % 28\r
+\r
+ % Chorus\r
+\r
+ <g bf,>2. <a c,>8 <bf d,> | % 29\r
+ <bf d,>4. ( <a c,>8 ) <a c,>2 | % 30\r
+ <a c,>2. <bf d,>8 <c f,> | % 31\r
+ <c f,>4. ( <bf d,>8 ) <bf d,>4 <bf d,>8 <a c,> | % 32\r
+ <g bf,>2. <g bf,>4 | % 33\r
+ <g bf,>4 <f a,>8 <f a,> ~ <f a,> <ef g,>4 <f bf,>8 ~ | % 34\r
+ <f bf,>1 | % 35\r
+ r2 r4 <f d>8 <g ef> | % 36\r
+ <g ef>2. <a c,>8 <bf d,> | % 37\r
+ <bf d,>4. <a c,>8 ~ <a c,>4. <a c,>8 | % 38\r
+ <a c,>2. <bf d,>8 <c ef,> | % 39\r
+ <c ef,>4. <bf d,>8 ~ <bf d,>4 bf | % 40\r
+ bf2. bf4 | % 41\r
+ bf4 a8 g ~ g a ~ a4 | % 42\r
+\r
+ \voiceTwo bf1 \oneVoice | % 43\r
+ s1*3 | % 44-46\r
+\r
+ bf1 | % 47\r
+\r
+ r2 r4 <f d>8 <g ef> | % 48\r
+\r
+ % Coda\r
+\r
+ s1 % extra bar for coda\r
\r
bf2 s | % 49\r
- s1 | % 50\r
- s1 | % 51\r
- s1 | % 52\r
- s1 | % 53\r
- s1 | % 54\r
- s1 | % 55\r
- s1 | % 56\r
- s1 \bar "|." % 57\r
+ s1*8 | % 50-57\r
}\r
\r
+\r
LeadVoxText = \lyricmode\r
{\r
Down at your feet, O Lord, _\r
\r
Riffs = \relative c'\r
{\r
- \clef G\r
- \key bf \major\r
- \override Staff.TimeSignature #'style = #'()\r
- \time 4/4\r
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f\r
-\r
\tiny\r
r2 r8 d f bf | % 1\r
bf4. af8 ~ af4. af8 | % 2\r
\r
s1*38 | % 5-42\r
\r
- \voiceOne\r
- r2 r8 d f bf | % 43\r
- \oneVoice\r
+ \voiceOne r2 r8 d f bf \oneVoice | % 43\r
bf4. af8 ~ af4. af8 | % 44\r
af4. g8 ~ g4. f8 | % 45\r
f1 | % 46\r
bf4. af8 ~ af4. af8 | % 54\r
af4. g8 ~ g4. f8 | % 55\r
f1 | % 56\r
- r1-\fermata \bar "|." % 57\r
+ r1-\fermata | % 57\r
}\r
\r
\r
%\r
% Chord names\r
%\r
-\r
Chords = \chordmode\r
{\r
-%Bah, can't we set this globally?\r
-% \popChords\r
-\r
- \repeat volta 2\r
- {\r
- % Intro\r
+ % Intro\r
\r
- bf1 | % 1\r
- af4.:6.9 af8:sus2 s2 | % 2\r
- af4./ef ef8 s2 | % 3\r
- f2:sus4 f | % 4\r
- }\r
+ bf1 | % 1\r
+ af4.:6.9 af8:sus2 s2 | % 2\r
+ af4./ef ef8 s2 | % 3\r
+ f2:sus4 f | % 4\r
\r
% Verse\r
\r
bf1:sus2 | % 15\r
bf2 ef/f | % 16\r
\r
- \repeat volta 2\r
- {\r
- % Verse\r
-\r
- bf1 | % 17\r
- f2/d bf/d | % 18\r
- ef1 | % 19\r
- bf2/f f | % 20\r
- bf1 | % 21\r
- f2/g g:m7 | % 22\r
- ef1 | % 23\r
- ef2:m af:sus2 | % 24\r
- bf1 | % 25\r
- gf2:6 af:sus2 | % 26\r
- bf1 | % 27\r
- bf1:sus2/d | % 28\r
-\r
- % Chorus\r
+ % Verse\r
\r
- ef1 | % 29\r
- g2:m7 f | % 30\r
- d1:m7 | % 31\r
- f2/g g:m7 | % 32\r
- c1:m7 | % 33\r
- ef2/f f | % 34\r
- bf1 | % 35\r
- bf1/d | % 36\r
- ef1 | % 37\r
- g2:m7 f | % 38\r
- d1:7/fs | % 39\r
- c2:m/g g:m7 | % 40\r
- ef1 | % 41\r
- bf4./f ef4/f f4. | % 42\r
- }\r
- \alternative\r
- {\r
- {\r
- bf1 | % 43\r
- af4.:6.9 af8:sus2 s2 | % 44\r
- af4./ef ef8 s2 | % 45\r
- f2:sus4 f | % 46\r
- }\r
- {\r
- bf1 | % 47\r
- }\r
- }\r
+ bf1 | % 17\r
+ f2/d bf/d | % 18\r
+ ef1 | % 19\r
+ bf2/f f | % 20\r
+ bf1 | % 21\r
+ f2/g g:m7 | % 22\r
+ ef1 | % 23\r
+ ef2:m af:sus2 | % 24\r
+ bf1 | % 25\r
+ gf2:6 af:sus2 | % 26\r
+ bf1 | % 27\r
+ bf1:sus2/d | % 28\r
+\r
+ % Chorus\r
+\r
+ ef1 | % 29\r
+ g2:m7 f | % 30\r
+ d1:m7 | % 31\r
+ f2/g g:m7 | % 32\r
+ c1:m7 | % 33\r
+ ef2/f f | % 34\r
+ bf1 | % 35\r
+ bf1/d | % 36\r
+ ef1 | % 37\r
+ g2:m7 f | % 38\r
+ d1:7/fs | % 39\r
+ c2:m/g g:m7 | % 40\r
+ ef1 | % 41\r
+ bf4./f ef4/f f4. | % 42\r
+\r
+ bf1 | % 43\r
+ af4.:6.9 af8:sus2 s2 | % 44\r
+ af4./ef ef8 s2 | % 45\r
+ f2:sus4 f | % 46\r
+\r
+ bf1 | % 47\r
\r
bf1:sus2/d | % 48\r
\r
%\r
% Chord rhythms\r
%\r
-\r
-% Use a RhythmicStaff on the chords instead of this?\r
-% It almost works, but not quite. Doesn't collapse chords above to single notes...\r
-\r
StaffC = \relative c\r
{\r
-% \set Voice.autoBeaming = ##f\r
-% \set Staff.instrumentName = #"Rhythm"\r
- \override Staff.TimeSignature #'style = #'()\r
- \time 4/4\r
+ \numericTimeSignature\r
\override NoteHead #'style = #'slash\r
+ \teeny\r
\r
- \repeat volta 2\r
- {\r
- % Intro\r
+ % Intro\r
\r
- c4 c c c | % 1\r
- c4. c8 ~ c2 | % 2\r
- c4. c8 ~ c2 | % 3\r
- c4 c c c | % 4\r
- }\r
+ c4 c c c | % 1\r
+ c4. c8 ~ c2 | % 2\r
+ c4. c8 ~ c2 | % 3\r
+ c4 c c c | % 4\r
\r
% Verse\r
\r
c4 c c c | % 15\r
c4 c c c | % 16\r
\r
- \repeat volta 2\r
- {\r
- % Verse\r
-\r
- c4 c c c | % 17\r
- c4 c c c | % 18\r
- c4 c c c | % 19\r
- c4 c c c | % 20\r
- c4 c c c | % 21\r
- c4 c c c | % 22\r
- c4 c c c | % 23\r
- c4 c c c | % 24\r
- c4 c c c | % 25\r
- c4 c c c | % 26\r
- c4 c c c | % 27\r
- c4 c c c \bar "||" % 28\r
-\r
- % Chorus\r
-\r
- c4 c c c | % 29\r
- c4 c c c | % 30\r
- c4 c c c | % 31\r
- c4 c c c | % 32\r
- c4 c c c | % 33\r
- c4 c c c | % 34\r
- c4 c c c | % 35\r
- c4 c c c | % 36\r
- c4 c c c | % 37\r
- c4 c c c | % 38\r
- c4 c c c | % 39\r
- c4 c c c | % 40\r
- c4 c c c | % 41\r
- c4. c8 ~ c c4. | % 42\r
- }\r
- \alternative\r
- {\r
- {\r
- c4 c c c | % 43\r
- c4. c8 ~ c2 | % 44\r
- c4. c8 ~ c2 | % 45\r
- c4 c c c | % 46\r
- }\r
- {\r
- c4 c c c | % 47\r
- }\r
- }\r
+ % Verse\r
\r
- c4 c c c \bar "||" % 48\r
+ c4 c c c | % 17\r
+ c4 c c c | % 18\r
+ c4 c c c | % 19\r
+ c4 c c c | % 20\r
+ c4 c c c | % 21\r
+ c4 c c c | % 22\r
+ c4 c c c | % 23\r
+ c4 c c c | % 24\r
+ c4 c c c | % 25\r
+ c4 c c c | % 26\r
+ c4 c c c | % 27\r
+ c4 c c c \bar "||" % 28\r
+\r
+ % Chorus\r
+\r
+ c4 c c c | % 29\r
+ c4 c c c | % 30\r
+ c4 c c c | % 31\r
+ c4 c c c | % 32\r
+ c4 c c c | % 33\r
+ c4 c c c | % 34\r
+ c4 c c c | % 35\r
+ c4 c c c | % 36\r
+ c4 c c c | % 37\r
+ c4 c c c | % 38\r
+ c4 c c c | % 39\r
+ c4 c c c | % 40\r
+ c4 c c c | % 41\r
+ c4. c8 ~ c c4. | % 42\r
+\r
+ c4 c c c | % 43\r
+ c4. c8 ~ c2 | % 44\r
+ c4. c8 ~ c2 | % 45\r
+ c4 c c c | % 46\r
+\r
+ c4 c c c | % 47\r
+\r
+ c4 c c c | % 48\r
\r
% Coda\r
\r
\stopStaff s1 \startStaff |\r
-\set Score.currentBarNumber = #49\r
\r
c4 c c c | % 49\r
c4. c8 ~ c2 | % 50\r
c4. c8 ~ c2 | % 54\r
c4. c8 ~ c2 | % 55\r
c4 c c c | % 56\r
- c1-\fermata \bar "|." % 57\r
+ c1-\fermata | % 57\r
}\r
\r
\r
\score\r
{\r
<<\r
+ \Global % The "roadmap" that everything else depends on\r
+\r
+ \context Staff\r
<<\r
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }\r
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }\r
+ \new Voice = "lead" \LeadVox\r
+ \new Voice = "riffs" \Riffs\r
\new Lyrics \lyricsto "lead" \LeadVoxText\r
>>\r
\r
- \new ChoirStaff = "Rhythm"\r
+ \new ChoirStaff\r
<<\r
- \new ChordNames = "chords" \Chords\r
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>\r
+ \new ChordNames \Chords\r
+ \new RhythmicStaff << \StaffC \Dynamics >>\r
>>\r
\r
\set Score.skipBars = ##t\r
\set Score.melismaBusyProperties = #'()\r
>>\r
-\r
- \layout\r
- {\r
-% \context { \Staff \RemoveEmptyStaves }\r
-% ragged-last-bottom = ##t\r
- ragged-last = ##t\r
- }\r
}\r
\r
\r
\paper\r
{\r
- #(define fonts (make-pango-font-tree\r
- "Times New Roman"\r
- "DomCasual BT"\r
- "Luxi Mono"\r
- (/ staffSize 20)))\r
-\r
-% top-margin = -0.25 \in\r
+ #(define fonts (make-pango-font-tree\r
+ "Times New Roman"\r
+ "LilyJAZZText"\r
+ "Luxi Mono"\r
+ (/ staffSize 20)))\r
+\r
+% Don't spread staves vertically across last page (default: t)\r
+% ragged-last-bottom = ##f\r
+% Don't spread staves vertically across the page (default: f)\r
+% ragged-bottom = ##t\r
+% Allow partial line for last stave (default: f)\r
+ ragged-last = ##t\r
+\r
+% To find out what's eating the space at the top...\r
+% annotate-spacing = ##t\r
}\r
+\r
projects / music / blobdiff