-\version "2.16.0"
+% Chart needs to be added
+
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #18
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
- { \fontsize #3.5 "Lord You Have My Heart" } }
+ { \fontsize #3.5 "Lord, You Have My Heart" } }
% composer = \markup { \override #'(font-family . sans) "" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+ (set! (ly:music-property arg 'tweaks)
+ (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 \bar "||:" % 4
+ s1*4 \bar ".|:-||" % 1-4
\repeat volta 2
{
- R1 | % 5
- R1 | % 6
- R1 | % 7
- R1 | % 8
+ \mark \markup { \override #'(font-family . sans) { \box { 1 } } }
+ s1^\markup { Band In w/Rhodes Fig. } | % 5
+ s1*3 | % 6-8
}
\repeat volta 2
{
% Verse
-
- R1 | % 9
- R1 | % 10
- R1 | % 11
- R1 | % 12
- R1 | % 13
- R1 | % 14
- R1 | % 15
- R1 | % 16
-
- R1 | % 17
- R1 | % 18
- R1 | % 19
- R1 | % 20
- R1 | % 21
- R1 | % 22
- R1 | % 23
- R1 | % 24
+
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1^\markup { Piano, Ac. Gtr. tacet 1st X } | % 9
+ s1*15 \bar "||" % 10-24
% Chorus
- R1 \bar "||" % 25
- R1 | % 26
- R1 | % 27
- R1 | % 28
- R1 | % 29
- R1 | % 30
- R1 | % 31
- R1 | % 32
- R1 | % 33
- R1 | % 34
- R1 | % 35
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1^\markup { Full Band } | % 25
+ s1*10 | % 26-35
}
\alternative
{
{
- R1 | % 36
- R1 | % 37
- R1 \bar "||" % 38
-
- R1 | % 39
- R1 | % 40
- R1 | % 41
- R1 | % 42
+ s1*3 \bar "||" % 36-38
+
+ s1*4 | % 39-42
}
{
- R1 | % 43
+ s1 | % 43
}
}
- R1 | % 44
- R1 | % 45
- R1 | % 46
- R1 | % 47
- R1 | % 48
- R1 \bar "||" % 49
+ s1*6 \bar "||" % 44-49
- R1 | % 50
- R1 | % 51
- R1 | % 52
- R1 \bar "||" % 53
+ s1*4 \bar "||" % 50-53
- R1 | % 54
- R1 | % 55
- R1 | % 56
- R1 \bar "||:" % 57
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1^\markup { BIG! } | % 54
+ s1*3 \bar ".|:-||" % 55-57
\repeat volta 2
{
- R1 | % 58
- R1 | % 59
- R1 | % 60
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*3 | % 58-60
}
\alternative
{
{
- R1 | % 61
+ s1 | % 61
}
{
- R1 | % 62
+ s1 | % 62
}
}
\repeat volta 2
{
- R1 | % 63
- R1 | % 64
- R1 | % 65
- R1 | % 66
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1^\markup { Open } | % 63
+ s1*3 | % 64-66
}
- R1 | % 67
- R1 | % 68
- R1 | % 69
- R1 | % 70
- R1 | % 71
- R1 | % 72
- r1^\fermata \bar "|." % 73
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s1^\markup { On Cue } | % 67
+ s1*6 \bar "|." % 68-73
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ % Intro
+
+ s1*8 | % 1-8
+
+ % Verse
+
+ gs4 gs8 a ~ a gs4 e8 ~ | % 9
+ e2. r8 cs | % 10
+ e4 gs8 fs ~ fs e4 b8 ~ | % 11
+ b2. r4 | % 12
+ gs'4 gs8 a ~ a gs4 e8 ~ | % 13
+ e4 r8 gs fs4. e8 | % 14
+ e1 | % 15
+ R1 | % 16
+
+ gs4 gs8 a ~ a gs4 e8 ~ | % 17
+ e2. r8 cs | % 18
+ e4 gs8 fs ~ fs e4 b8 ~ | % 19
+ b2. r4 | % 20
+ gs'4 gs8 a ~ a gs4 e8 ~ | % 21
+ e4 r8 gs fs4. e8 | % 22
+ e1 | % 23
+ r2 r4 r8 b | % 24
+
+ % Chorus
+
+ gs'2 a | % 25
+ b2 e,4. ( fs8 ) | % 26
+ << { \voiceOne fs1 ~ } \context Voice = vEcho { \voiceTwo <\hn fs \hn ds>2 <\hn gs \hn e> } >> | % 27
+ << { \voiceOne fs2 r4 r8 \stemDown b, \stemNeutral } \context Voice = vEcho { \voiceTwo <\hn a' \hn fs>2 <\hn cs \hn a>4. ( \stemUp <\hn b \hn gs>8 ) \stemNeutral } >> | % 28
+ << { \voiceOne gs2 a } \context Voice = vEcho { \voiceTwo <\hn b \hn gs>1 } >> | % 29
+ << { \voiceOne b4 e,8 e ~ e fs4 fs8 ~ } \context Voice = vEcho { \voiceTwo s1 } >> | % 30
+ << { \voiceOne fs1 } \context Voice = vEcho { \voiceTwo <\hn fs \hn ds>2 <\hn gs \hn e> } >> | % 31
+ << { \voiceOne r2 r4 r8 \stemDown b, \stemNeutral } \context Voice = vEcho { \voiceTwo <\hn a' \hn fs>4 <\hn gs \hn e>8 <\hn a \hn fs> ~ <\hn a \hn fs> <\hn cs \hn a>4 ( \stemUp <\hn b \hn gs>8 ) \stemNeutral } >> | % 32
+ << { \voiceOne gs2 a } \context Voice = vEcho { \voiceTwo <\hn b \hn gs>1 } >> | % 33
+ << { \voiceOne b2 e,4. ( fs8 ) } \context Voice = vEcho { \voiceTwo s1 } >> | % 34
+ << { \voiceOne fs1 } \context Voice = vEcho { <\hn fs \hn ds>2 <\hn gs \hn e>4. ( <\hn fs \hn ds>8 ) } >> | % 35
+
+ << { \voiceOne r2 r4 <e \hn a> } \context Voice = vEcho { \voiceTwo \hn fs2. s4 } >> \oneVoice | % 36
+ <e \hn a>2 <gs \hn cs> | % 37
+ <fs \hn b>2. <e \hn gs>4 | % 38
+
+ <e \hn gs>1 | % 39
+ R1 | % 40
+ R1 | % 41
+ R1 | % 42
+
+ r2 r4 e | % 43
+
+ e2 gs | % 44
+ fs2. e4 | % 45
+ e1 ~ | % 46
+ e2 r4 <e \hn b \hn gs> | % 47
+ <e \hn cs \hn a>2 <gs \hn e \hn b> | % 48
+ <fs \hn ds \hn b>2. <e \hn b \hn a>4 | % 49
+
+ <e \hn b \hn gs>1 ~ | % 50
+ <e \hn b \hn gs>1 | % 51
+ R1 | % 52
+ R1 | % 53
+
+ R1 | % 54
+ R1 | % 55
+ R1 | % 56
+ r2 r4 <e \hn b \hn gs> | % 57
+
+ <e \hn cs \hn a>2 <gs \hn e \hn b> | % 58
+ <fs \hn ds \hn b>2. <e \hn b \hn a>4 | % 59
+ <e \hn b \hn gs>1 | % 60
+
+ r2 r4 <e \hn b \hn gs> | % 61
+
+ r2 r4 <e \hn b \hn gs' \hn b \hn e> | % 62
+
+ <e \hn cs \hn a' \hn cs \hn e>2 <gs \hn e \hn b' \hn e \hn gs> | % 63
+ <fs \hn ds \hn b' \hn ds \hn fs>2. <e \hn b \hn a' \hn b \hn e>4 | % 64
+ <e \hn b \hn gs' \hn b \hn e>1 | % 65
+ r2 r4 <e \hn b \hn gs' \hn b \hn e> | % 66
+
+ <e \hn cs \hn a' \hn cs \hn e>2 <gs \hn e \hn b' \hn e \hn gs> | % 67
+ <fs \hn ds \hn b' \hn ds \hn fs>2. <e \hn b \hn a' \hn b \hn e>4 | % 68
+ <e \hn b \hn gs' \hn b \hn e>1 | % 69
+ r2 r4 <e \hn b \hn gs' \hn b \hn e> | % 70
+ <e \hn cs \hn a' \hn cs \hn e>2 <gs \hn e \hn b' \hn e \hn gs> | % 71
+ <fs \hn ds \hn b' \hn ds \hn fs>2. <e \hn b \hn a' \hn b \hn e>4 | % 72
+ <e \hn b \hn gs' \hn b \hn e>1^\fermata | % 73
+}
+
+
LeadVoxText = \lyricmode
{
- Lord, you have my heart and I will search for yours,
- Je- sus take my life and lead me on.
- Lord, you have my heart and I will search for yours,
- Let me be to you a sa- cri- fice.
+ Lord, you have _ my heart _ and I will search _ for yours, _
+ Je -- sus take _ my life _ and lead me on.
+ Lord, you have _ my heart _ and I will search _ for yours, _
+ Let me be _ to you _ a sac -- ri -- fice.
+
+ And I will praise you _ Lord, _
+ and I will sing of love _ come down, _
+ And as you show your _ face,
+ we'll see your glo -- ry here.
+
+ We'll see your glo -- ry here. _
+ We'll see your glo -- ry here. _
+ We'll see your glo -- ry here.
+ We'll
+
+ We'll see your glo -- ry here.
+ We'll see your glo -- ry here.
+ We'll see your glo -- ry here.
+}
- And I will praise you Lord
+LeadVoxEcho = \lyricmode
+{
+ I will praise you, _ Lord,
+ I will sing of love _ come _ down,
+ show your _ face
}
+Cross = { \override NoteHead #'style = #'cross }
+Norm = { \revert NoteHead #'style }
+
%
-% Chord names
+% Riffs
%
-
-Chords = \chordmode
+Riffs = \relative c'
{
-%Bah, can't we set this globally?
-% \popChords
+ \tiny
- % Intro
+ << { \voiceTwo cs1 } \context Voice = vb { \voiceOne \tiny e'8.^\markup { \italic { Rhodes fig.; ride cym. } } gs,16 ~ gs8 b ~ b8 cs4 gs8 } >> | % 1
+ << { \voiceTwo b,1 } \context Voice = vb { \voiceOne e'8. gs,16 ~ gs8 b ~ b8 cs4 gs8 } >> | % 2
+ << { \voiceTwo a,1 } \context Voice = vb { \voiceOne e''8. gs,16 ~ gs8 b ~ b8 cs4 gs8 } >> | % 3
+ << { \voiceTwo b,1 } \context Voice = vb { \voiceOne e'8. gs,16 ~ gs8 b ~ b8 cs4 gs8 } >> | % 4
- | % 1
- | % 2
- | % 3
- | % 4
+ << { \Cross a,4_\markup { \italic { Kick pattern + Snare 2&4 w/Ride } } r r8 a r4 \Norm } \context Voice = vb { \voiceOne r8 b^\markup { \italic { El. Gtr. fig. } } e fs ~ fs2 ~ } >> | % 5
+ << { \Cross a,4 r r8 a r4 \Norm } \context Voice = vb { \voiceOne fs'1 } >> | % 6
+ << { \Cross a,4 r r8 a r4 \Norm } \context Voice = vb { \voiceOne r8 b e fs ~ fs2 ~ } >> | % 7
+ << { \Cross a,4 r r8 a r4 \Norm } \context Voice = vb { \voiceOne fs'1 } >> | % 8
- \repeat volta 2
- {
- | % 5
- | % 6
- | % 7
- | % 8
- }
+ s1^\markup { \italic { Snare 2&4 w/Hat } } | % 9
- \repeat volta 2
- {
- % Verse
-
- | % 9
- | % 10
- | % 11
- | % 12
- | % 13
- | % 14
- | % 15
- | % 16
-
- | % 17
- | % 18
- | % 19
- | % 20
- | % 21
- | % 22
- | % 23
- | % 24
+ s1*13
- % Chorus
+ s1^\markup { \italic { Ac. Gtr. In } } | % 23
- | % 25
- | % 26
- | % 27
- | % 28
- | % 29
- | % 30
- | % 31
- | % 32
- | % 33
- | % 34
- | % 35
- }
- \alternative
- {
- {
- | % 36
- | % 37
- | % 38
-
- | % 39
- | % 40
- | % 41
- | % 42
- }
- {
- | % 43
- }
- }
+ s1
- | % 44
- | % 45
- | % 46
- | % 47
- | % 48
- | % 49
+ s1^\markup { \italic { Snare 2&4 w/Ride } } | % 25
- | % 50
- | % 51
- | % 52
- | % 53
+ s1*11
- | % 54
- | % 55
- | % 56
- | % 57
+ s1^\markup { \italic { Cym. Colors } } | % 37
+ s1
+ s1^\markup { \italic { w/Rhodes & Gtr figs. } } | % 39
- \repeat volta 2
- {
- | % 58
- | % 59
- | % 60
- }
- \alternative
- {
- {
- | % 61
- }
- {
- | % 62
- }
- }
+ s1*10
- \repeat volta 2
- {
- | % 63
- | % 64
- | % 65
- | % 66
- }
+ s1^\markup { \italic { w/Rhodes & Gtr figs., Cym. Clrs } } | % 50
+
+ s1*3
+
+ s1^\markup { \italic { Snare 2&4 w/Ride } } | % 54
- | % 67
- | % 68
- | % 69
- | % 70
- | % 71
- | % 72
- | % 73
+ \normalsize
}
%
-% Chord rhythms
+% Chord names
%
+Chords = \chordmode
+{
+ % Intro
+
+ s1*4 | % 1-4
+
+ cs1:m11 | % 5
+ s1 | % 6
+ a1:sus2/cs | % 7
+ s1 | % 8
+
+ % Verse
+
+ cs1:m7 | % 9
+ a1:sus2 | % 10
+ s2 e/gs | % 11
+ b1:5 | % 12
+ cs1:m7 | % 13
+ a2:sus2 b:3.5.11 | % 14
+ e1 | % 15
+ b1/ds | % 16
+
+ cs1:m7 | % 17
+ a1:sus2 | % 18
+ s2 e/gs | % 19
+ b1:5 | % 20
+ cs1:m7 | % 21
+ a2:sus2 b:3.5.11 | % 22
+ e1 | % 23
+ s1 | % 24
+
+ % Chorus
+
+ e1 | % 25
+ a2:sus2 e/gs | % 26
+ b2 b:sus4 | % 27
+ b2 b:sus4 | % 28
+ e1 | % 29
+ a2:sus2 e/gs | % 30
+ b2 b:sus4 | % 31
+ b2 b:sus4 | % 32
+ e1 | % 33
+ a2:sus2 e/gs | % 34
+ b2 b:sus4 | % 35
+
+ b1 | % 36
+ a2:sus2 e/gs | % 37
+ b1:sus4 | % 38
+
+ cs1:m11 | % 39
+ s1 | % 40
+ a1:sus2/cs | % 41
+ s1 | % 42
+
+ b1 | % 43
+
+ a2:sus2 e/gs | % 44
+ b2. b4:sus4 | % 45
+ e1 | % 46
+ s1 | % 47
+ a2:sus2 e/gs | % 48
+ b2. b4:sus4 | % 49
+
+ cs1:m11 | % 50
+ s1 | % 51
+ a1:sus2/cs | % 52
+ s1 | % 53
+
+ a2:sus2 e/gs | % 54
+ b2. b4:sus4 | % 55
+ e1 | % 56
+ s1 | % 57
+
+
+ a2:sus2 e/gs | % 58
+ b2 b:sus4 | % 59
+ e1 | % 60
+
+ s1 | % 61
+
+ e1 | % 62
+
+ a2:sus2 e/gs | % 63
+ b2 b:sus4 | % 64
+ e1 | % 65
+ s1 | % 66
+
+ a2:sus2 e/gs | % 67
+ b2. b4:sus4 | % 68
+ cs1:m7 | % 69
+ cs1:m/b | % 70
+ a2:sus2 e/gs | % 71
+ b2. b4:sus4 | % 72
+ e1 | % 73
+}
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
+%
+% Chord rhythms
+%
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c \bar "||:" % 4
-
- \repeat volta 2
- {
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- }
-
- \repeat volta 2
- {
- % Verse
-
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
-
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
-
- % Chorus
-
- c4 c c c \bar "||" % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c c | % 35
- }
- \alternative
- {
- {
- c4 c c c | % 36
- c4 c c c | % 37
- c4 c c c \bar "||" % 38
-
- c4 c c c | % 39
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- }
- {
- c4 c c c | % 43
- }
- }
+ s1*4 | % 1-4
+
+ c1 ~ | % 5
+ c1 | % 6
+ c1 ~ | % 7
+ c1 | % 8
+
+ % Verse
+
+ c1 | % 9
+ c1 | % 10
+ c2 c | % 11
+ c1 | % 12
+ c1 | % 13
+ c2 c | % 14
+ c1 | % 15
+ c1 | % 16
+
+ c1 | % 17
+ c1 | % 18
+ c2 c | % 19
+ c1 | % 20
+ c1 | % 21
+ c2 c | % 22
+ c1 | % 23
+ c8 c c c c c c c | % 24
+
+ % Chorus
+
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+
+ c4 c c c | % 36
+ c2 c | % 37
+ c1 | % 38
+
+ c1 ~ | % 39
+ c1 | % 40
+ c1 ~ | % 41
+ c1 | % 42
+
+ c4 c c c | % 43
c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
c4 c c c | % 47
c4 c c c | % 48
- c4 c c c \bar "||" % 49
+ c4 c c c | % 49
- c4 c c c | % 50
- c4 c c c | % 51
- c4 c c c | % 52
- c4 c c c \bar "||" % 53
+ c1 ~ | % 50
+ c1 | % 51
+ c1 ~ | % 52
+ c1 | % 53
c4 c c c | % 54
c4 c c c | % 55
c4 c c c | % 56
- c4 c c c \bar "||:" % 57
+ c4 c c c | % 57
- \repeat volta 2
- {
- c4 c c c | % 58
- c4 c c c | % 59
- c4 c c c | % 60
- }
- \alternative
- {
- {
- c4 c c c | % 61
- }
- {
- c4 c c c | % 62
- }
- }
- \repeat volta 2
- {
- c4 c c c | % 63
- c4 c c c | % 64
- c4 c c c | % 65
- c4 c c c | % 66
- }
+ c4 c c c | % 58
+ c4 c c c | % 59
+ c4 c c c | % 60
+
+ c4 c c c | % 61
+
+ c4 c c c | % 62
+
+ c4 c c c | % 63
+ c4 c c c | % 64
+ c4 c c c | % 65
+ c4 c c c | % 66
c4 c c c | % 67
c4 c c c | % 68
c4 c c c | % 69
c4 c c c | % 70
- c4 c c c | % 71
+ c2 c | % 71
c4 c c c | % 72
- c1^\fermata \bar "|." % 73
+ c1^\fermata | % 73
+}
+
+
+Dynamics =
+{
+ s1_\mp | % 1
+
+ s1*3
+
+ s1_\mf | % 5
+
+ s1*18
+
+ s1_\< | % 24
+ s1_\f | % 25
+
+ s1*10
+
+ s4_\> s2 s4_\! | % 36
+
+ s1*12
+
+ s4 s_\> s s_\! | % 49
+
+ s1*4
+
+ s1_\f | % 54
+
+ s1*7
+
+ s1_\< | % 62
+ s1_\ff | % 63
+
+ s1*8
+
+ s1_\markup { \italic { Rit. } } | % 72
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
-% \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ \new Lyrics \lyricsto "vEcho" \LeadVoxEcho
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff