-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Leaning On The Everlasting Arms" }
-% title = \markup { \override #'(font-name . "DomCasual BT")
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
+ s1*2 | % 1-2
}
\repeat volta 2
{
- R1 | % 3
- R1 | % 4
+ s1*2 | % 3-4
}
\repeat volta 2
{
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st X unison } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \italic { 1st X unison } }
- <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 5
- <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 6
- <d \hn b>4 <d \hn b> <g \hn b,>8 <fs \hn a,> <g \hn b,> <a \hn c,> | % 7
- <b \hn d,>8. <b \hn d,>16 ~ <b \hn d,>8 <a \hn d,>8 ~ <a \hn d,>2 | % 8
- <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 9
- <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 10
- <d \hn b>4 <d \hn b> <g \hn c,>8 <fs \hn c> <g \hn c,> <a \hn c,> | % 7
- <b \hn d,>8. <a \hn d,>16 ~ <a \hn d,>8 <g \hn b,> r2 \bar "||" % 12
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 13
- <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a> ~ <e \hn c \hn a>2 | % 14
- <d \hn b>4 <g \hn b,>8 <fs \hn a,> <g \hn b,>4 <a \hn c,> | % 15
- <b \hn cs,>8. <b \hn cs,>16 ~ <b \hn cs,>8 <a \hn d,> ~ <a \hn d,>4 r | % 16
- <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 17
- <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a' \hn c> ~ <e \hn c \hn a' \hn c>2 | % 18
- <d \hn g \hn b>4 <d \hn g \hn b> <g \hn e \hn c>8 <fs \hn d \hn c> <g \hn e \hn c> <a \hn fs \hn c> | % 19
- \time 2/4 <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <g \hn g,> ~ \time 4/4 | % 20
-
- <g \hn g,>4 r r2 | % 21
- R1 | % 22
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1*7 | % 13-19
+ \time 2/4 s2 \time 4/4 | % 20
+ s1*2 | % 21-22
}
\alternative
{
{
- R1 | % 23
- R1 | % 24
+ s1*2 | % 23-24
}
{
- R1 | % 25
+ s1 | % 25
}
}
- R1 | % 26
+ s1 | % 26
\key a \major
\repeat volta 2
{
- R1 | % 27
- R1 | % 28
+ s1*2 | % 27-28
}
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \italic { bass & drums only } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \italic { bass & drums only } }
+
+ s1*4 | % 29-32
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \italic { full band } }
+
+ s1*4 | % 33-36
+
+ \repeat volta 2
+ {
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*8 | % 37-44
+ }
+
+ s1*4 \bar "|." % 45-48
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ R1*2 | % 1-2
+
+ R1*2 | % 3-4
+
+ % Verse
+
+ <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 5
+ <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 6
+ <d \hn b>4 <d \hn b> <g \hn b,>8 <fs \hn a,> <g \hn b,> <a \hn c,> | % 7
+ <b \hn d,>8. <b \hn d,>16 ~ <b \hn d,>8 <a \hn d,>8 ~ <a \hn d,>2 | % 8
+ <b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn c,> <g \hn b,>4 | % 9
+ <a \hn c,>4 <a \hn c,> <a \hn c,>8 <g \hn c,> <e \hn a,>4 | % 10
+ <d \hn b>4 <d \hn b> <g \hn c,>8 <fs \hn c> <g \hn c,> <a \hn c,> | % 7
+ <b \hn d,>8. <a \hn d,>16 ~ <a \hn d,>8 <g \hn b,> r2 | % 12
+
+ % Chorus
+
+ <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 13
+ <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a> ~ <e \hn c \hn a>2 | % 14
+ <d \hn b>4 <g \hn b,>8 <fs \hn a,> <g \hn b,>4 <a \hn c,> | % 15
+ <b \hn cs,>8. <b \hn cs,>16 ~ <b \hn cs,>8 <a \hn d,> ~ <a \hn d,>4 r | % 16
+ <b \hn g \hn d>4. ~ <b \hn g \hn d>16 <g \hn d \hn b> ~ <g \hn d \hn b>2 | % 17
+ <g \hn e \hn c>4. ~ <g \hn e \hn c>16 <e \hn c \hn a' \hn c> ~ <e \hn c \hn a' \hn c>2 | % 18
+ <d \hn g \hn b>4 <d \hn g \hn b> <g \hn e \hn c>8 <fs \hn d \hn c> <g \hn e \hn c> <a \hn fs \hn c> | % 19
+ \time 2/4 <b \hn g \hn d>8. <a \hn fs \hn d>16 ~ <a \hn fs \hn d>8 <g \hn g,> ~ \time 4/4 | % 20
+
+ <g \hn g,>4 r r2 | % 21
+ R1 | % 22
+
+ R1*2 | % 23-24
+
+ R1 | % 25
+
+ R1 | % 26
+
+
+ R1*2 | % 27-28
+
+ % Verse
cs4 cs cs8 b a4 | % 29
b4 b b8 a fs4 | % 30
e4 e a8 gs a b | % 31
cs8. cs16 ~ cs8 b ~ b2 | % 32
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \italic { full band } }
-
<cs \hn e,>4 <cs \hn e,> <cs \hn e,>8 <b \hn d,> <a \hn cs,>4 | % 33
<b \hn d,>4 <b \hn d,> <b \hn d,>8 <a \hn d,> <fs \hn b,>4 | % 34
<e \hn cs>4 <e \hn cs> <a \hn fs \hn d>8 <gs \hn e \hn d> <a \hn fs \hn d> <b \hn gs \hn d> | % 35
<cs \hn a \hn e>8. <b \hn gs \hn e>16 ~ <b \hn gs \hn e>8 <a \hn e \hn cs> r2 | % 36
- \repeat volta 2
- {
- % Chorus
+ % Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
- <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 37
- <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b> ~ <fs \hn d \hn b>2 | % 38
- <e \hn cs>4 <a \hn cs,>8 <gs \hn b,> <a \hn cs,>4 <b \hn d,> | % 39
- <cs \hn ds,>8. <cs \hn ds,>16 ~ <cs \hn ds,>8 <b \hn e,> ~ <b \hn e,>4 r | % 40
- <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 41
- <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b' \hn d> ~ <fs \hn d \hn b' \hn d>2 | % 42
- <e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 43
- <cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 44
- }
+ <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 37
+ <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b> ~ <fs \hn d \hn b>2 | % 38
+ <e \hn cs>4 <a \hn cs,>8 <gs \hn b,> <a \hn cs,>4 <b \hn d,> | % 39
+ <cs \hn ds,>8. <cs \hn ds,>16 ~ <cs \hn ds,>8 <b \hn e,> ~ <b \hn e,>4 r | % 40
+ <cs \hn a \hn e>4. ~ <cs \hn a \hn e>16 <a \hn e \hn cs> ~ <a \hn e \hn cs>2 | % 41
+ <a \hn fs \hn d>4. ~ <a \hn fs \hn d>16 <fs \hn d \hn b' \hn d> ~ <fs \hn d \hn b' \hn d>2 | % 42
+ <e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 43
+ <cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 44
<e \hn a \hn cs>4 <e \hn a \hn cs> <a \hn fs \hn d \hn d'>8 <gs \hn e \hn d \hn d'> <a \hn fs \hn d \hn d'> <b \hn gs \hn d \hn d'> | % 45
<cs \hn a \hn e \hn e'>8. <b \hn gs \hn e \hn d'>16 ~<b \hn gs \hn e \hn d'>8 <a \hn e \hn cs \hn cs'> ~ <a \hn e \hn cs \hn cs'>4 r | % 46
e4 e a8 gs a b | % 47
- cs4 b a2^\fermata \bar "|." % 48
+ cs4 b a2^\fermata | % 48
}
+
LeadVoxText = \lyricmode
{
What a fel -- low -- ship, what a joy di -- vine,
Riffs = \relative c'
{
-%{
- \clef G
- \key ef \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-
- % Intro
-
- \tiny
- <ef g,>16 d bf f ~ f4 ~ f4. g16 bf | % 1
- c1 | % 2
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 3
- c2 <ef, bf af> | % 4
-
- s1*9
- s2
-
-\voiceOne
-\tieDown
- <ef g,>16 d bf f ~ f4 ~ f4. g16 bf | % 14
-\tieNeutral
-\oneVoice
- c1 | % 15
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 16
- c2 <ef, bf af> | % 17
-
- <ef' g,>16 d bf f ~ f4 ~ f4. g16 bf | % 18
- c2 r | % 19
-
- s1*10
-
- \stemUp
- <f a,>16 e c g ~ g4 ~ g4. a16 c | % 31
- \stemNeutral
- d2 r | % 32
- <f a,>16 e c g ~ g4 ~ g4. a16 c | % 33
- d2 r | % 34
-%}
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- s1 | % 1
- s1 | % 2
- }
+ s1 | % 1
+ s1 | % 2
- \repeat volta 2
- {
- g1:7 | % 3
- g1:7 | % 4
- }
+ g1:7 | % 3
+ g1:7 | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- g2 g/b | % 5
- c2:6 a:m7 | % 6
- g2 e:m7 | % 7
- g2/d d | % 8
- g2 g/b | % 9
- c2:6 a:m7 | % 10
- g2/b c | % 11
- g4/d d g2 \bar "||" % 12
+ g2 g/b | % 5
+ c2:6 a:m7 | % 6
+ g2 e:m7 | % 7
+ g2/d d | % 8
+ g2 g/b | % 9
+ c2:6 a:m7 | % 10
+ g2/b c | % 11
+ g4/d d g2 \bar "||" % 12
- % Chorus
+ % Chorus
- g2 g:7/b | % 13
- c2 a:m7 | % 14
- g2 e:m7 | % 15
- a2:7 d4:sus4 d | % 16
- g2 g:7/b | % 17
- c2 a:m7 | % 18
- g2/b c | % 19
- \time 2/4 g4/d d \time 4/4 | % 20
-
- g1:7 | % 21
- g1:7 | % 22
- }
- \alternative
- {
- {
- g1:7 | % 23
- g1:7 | % 24
- }
- {
- g1:7 | % 25
- }
- }
+ g2 g:7/b | % 13
+ c2 a:m7 | % 14
+ g2 e:m7 | % 15
+ a2:7 d4:sus4 d | % 16
+ g2 g:7/b | % 17
+ c2 a:m7 | % 18
+ g2/b c | % 19
+ g4/d d | % 20
+
+ g1:7 | % 21
+ g1:7 | % 22
+
+ g1:7 | % 23
+ g1:7 | % 24
+
+ g1:7 | % 25
g1:7 | % 26
- \repeat volta 2
- {
- a1:7 | % 27
- a1:7 | % 28
- }
+
+ a1:7 | % 27
+ a1:7 | % 28
% Verse
a2/cs d | % 35
a4/e e a2 | % 36
- \repeat volta 2
- {
- % Chorus
+ % Chorus
- a2 a:7/cs | % 37
- d2 b:m7 | % 38
- a2 fs:m7 | % 39
- b2:7 e4:sus4 e | % 40
- a2 a:7/cs | % 41
- d2 b:m7 | % 42
- a2/cs d | % 43
- a4/e e a2 | % 44
- }
+ a2 a:7/cs | % 37
+ d2 b:m7 | % 38
+ a2 fs:m7 | % 39
+ b2:7 e4:sus4 e | % 40
+ a2 a:7/cs | % 41
+ d2 b:m7 | % 42
+ a2/cs d | % 43
+ a4/e e a2 | % 44
a2/cs d | % 45
a4/e e a2 | % 46
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- R1 | % 1
- R1 | % 2
- }
+ R1 | % 1
+ R1 | % 2
- \repeat volta 2
- {
- c4-> c-> r2 | % 3
- c8-> c-> r4 r2 | % 4
- }
+ c4-> c-> r2 | % 3
+ c8-> c-> r4 r2 | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c-> r \bar "||" % 12
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c-> r | % 12
- % Chorus
+ % Chorus
- c2 c4 c | % 13
- c2 c4 c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c2 c4 c | % 17
- c2 c4 c | % 18
- c4 c c c | % 19
- \time 2/4 c4 c \time 4/4 | % 20
-
- c4-> c-> r2 | % 21
- c8-> c-> r4 r2 | % 22
- }
- \alternative
- {
- {
- c4-> c-> r2 | % 23
- c8-> c-> r4 r2 | % 24
- }
- {
- c4-> c-> r2 | % 25
- }
- }
+ c2 c4 c | % 13
+ c2 c4 c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c2 c4 c | % 17
+ c2 c4 c | % 18
+ c4 c c c | % 19
+ c4 c | % 20
+
+ c4-> c-> r2 | % 21
+ c8-> c-> r4 r2 | % 22
+
+ c4-> c-> r2 | % 23
+ c8-> c-> r4 r2 | % 24
+
+ c4-> c-> r2 | % 25
c8-> c-> r4 r2 | % 26
- \repeat volta 2
- {
- c4-> c-> r2 | % 27
- c8-> c-> r4 r2 | % 28
- }
+ c4-> c-> r2 | % 27
+ c8-> c-> r4 r2 | % 28
% Verse
c4 c c c | % 35
c4 c c c | % 36
- \repeat volta 2
- {
- % Chorus
+ % Chorus
- c2 c4 c | % 37
- c2 c4 c | % 38
- c4 c c c | % 39
- c4 c c c | % 40
- c2 c4 c | % 41
- c2 c4 c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
- }
+ c2 c4 c | % 37
+ c2 c4 c | % 38
+ c4 c c c | % 39
+ c4 c c c | % 40
+ c2 c4 c | % 41
+ c2 c4 c | % 42
+ c4 c c c | % 43
+ c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
c2-> c-> | % 47
- c4-> c-> c2^\fermata \bar "|." % 48
+ c4-> c-> c2^\fermata | % 48
}
s4_\markup { \italic { 1st X bass & drums only } } s2. | % 5
s1*7 | % 6-12
s4_\markup { \italic { full band } } s2. | % 13
-%{
- s4_\markup { \italic { snare pat. } } s2 | % 1
- s4_\markup { \italic { simile } } s2 | % 2
- s2.*19
- s4_\markup { \italic { spacy } } s2 | % 22
- s2.*5
- s4 s \< s \! | % 28
- s2.*22
- s4_\markup { \italic { Last time } } s2 | % 51
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff
- {
- <<
- \new Voice = "lead" \LeadVox
- \new Voice = "riffs" \Riffs
- >>
- }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff