-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
-staffSize = #18
+staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Jesus Is Just Alright" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Arthur Reynolds" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. The Doobie Brothers" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-\override MultiMeasureRest #'expand-limit = 1
% Intro
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \hspace #0.0 \raise #1.8 \small "Bright rock" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \hspace #0.0 \raise #1.8 \small "Bright rock" }
- R1*4 | % 1-4
+ s1*4 | % 1-4
\repeat volta 2
{
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 5
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 6
+ s1*2 | % 5-6
}
\alternative
{
{
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 7
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 8
+ s1*2 | % 7-8
}
{
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 9
+ s1 | % 9
}
}
- <d \hn b \hn gs>2 r | % 10
- R1 | % 11
-
- s1 | % 12
- s1 | % 13
- s1 | % 14
- s1 \bar "||:" % 15
+ s1*6 \bar ".|:-||" % 10-15
\repeat volta 2
{
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
% Verse
- <a' \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 16
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 17
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 18
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 19
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 20
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 21
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 22
- <d \hn b \hn gs>4 r r2 | % 23
- R1 \bar "||" % 24
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- <a' \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 25
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 26
- <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 27
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 28
- <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 29
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 30
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 | % 31
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s1*9 \bar "||" % 16-24
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*7 | % 25-31
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
}
\alternative
{
{
- r4 <g \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2 | % 32
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a> ( <d \hn b \hn gs> ) <d \hn b \hn gs> | % 33
- R1 | % 34
- r8 e4 ( g8 a2 ) \bar "||" % 35
-
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 36
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 37
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 38
- <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 39
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 40
- <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 41
- <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 42
- <d \hn b \hn gs>2 r4 r8 d | % 43
- g8 a a e g4 ef16 ( d c8 ) | % 44
+ s1*4 \bar "||" % 32-35
+
+ s1*9 | % 36-44
}
{
- r4 <g' \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2-\fermata | % 45
+ s1 | % 45
}
}
\time 3/4
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \small "Moderate jazz waltz" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \small "Moderate jazz waltz" }
+
+ \repeat volta 2
+ {
+ s2.*4 | % 46-49
+ }
+
+ s2.*30 | % 50-79
\repeat volta 2
{
- R2. | % 46
- R2. | % 47
- R2. | % 48
- R2. | % 49
+ s2. | % 80
}
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \small "Guitar solo" \bold "(rpt. 6x)" }
+
+ \repeat volta 6
+ {
+ s2.*4 | % 81-84
+ }
+
+ s2.*2 | % 85-86
+
+%Ugh, only valid in size 18
+%\break
+
+ \time 4/4
+
+ % Intro
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { D } } \small "Bright rock - Guitar solo" \bold "(rpt. 7x)" }
+
+ \repeat volta 7
+ {
+ s1*2 | % 87-88
+ }
+
+ s1*2 \bar "||" % 89-90
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % Coda
+
+\stopStaff s1 \startStaff |
+\set Score.currentBarNumber = #91
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1 \bar "|." % 91
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+\override MultiMeasureRest #'expand-limit = 1
+
+ % Intro
+
+ R1*4 | % 1-4
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 5
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 6
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 7
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 8
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 9
+
+ <d \hn b \hn gs>2 r | % 10
+ R1 | % 11
+
+ s1 | % 12
+ s1 | % 13
+ s1 | % 14
+ s1 | % 15
+
+ % Verse
+
+ <a' \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 16
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 17
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 18
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 19
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 20
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 21
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 22
+ <d \hn b \hn gs>4 r r2 | % 23
+ R1 | % 24
+
+ <a' \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 25
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 26
+ <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 27
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 28
+ <a \hn e \hn c>8 <g \hn d \hn b>4 <e \hn c \hn a>8 ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 29
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 30
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 | % 31
+
+ r4 <g \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2 | % 32
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a> ( <d \hn b \hn gs> ) <d \hn b \hn gs> | % 33
+ R1 | % 34
+ r8 e4 ( g8 a2 ) | % 35
+
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 36
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 37
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 38
+ <e \hn c \hn a>8 <a \hn e \hn c>4 <g \hn d \hn b>8 ~ <g \hn d \hn b>4 r | % 39
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <e \hn c \hn a>8 ~ | % 40
+ <e \hn c \hn a>8 <g \hn d \hn b>4 <a \hn d, \hn c>8 ~ <a \hn e \hn c>4 r | % 41
+ <a \hn e \hn c>8 <g \hn d \hn b> <e \hn c \hn a> <e \hn c \hn a> ~ <e \hn c \hn a> <e \hn c \hn a>4 <d \hn b \hn gs>8 ~ | % 42
+ <d \hn b \hn gs>2 r4 r8 d | % 43
+ g8 a a e g4 ef16 ( d c8 ) | % 44
+
+ r4 <g' \hn e \hn c>8 <g \hn e \hn c> ~ <g \hn e \hn c>2-\fermata | % 45
+
+ % Bridge
+
+ R2. | % 46
+ R2. | % 47
+ R2. | % 48
+ R2. | % 49
+
e8 e ~ e2 ~ | % 50
e2. | % 51
R2. | % 52
d4 c8 ( a ) ~ a4 ~ | % 78
a2. | % 79
- \repeat volta 2
- {
- R2. | % 80
- }
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \small "Guitar solo" \bold "(rpt. 6x)" }
+ R2. | % 80
- \repeat volta 6
- {
- R2.*4 | % 81
-% R2. | % 82
-% R2. | % 83
-% R2. | % 84
- }
+ R2.*4 | % 81-84
R2. | % 85
R2. | % 86
-%Ugh, only valid in size 18
-\break
-
- \time 4/4
-
% Intro
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { D } } \small "Bright rock - Guitar solo" \bold "(rpt. 7x)" }
-%\once \override Score.RehearsalMark #'self-alignment-X = #left
-%\mark \markup { \override \once #'(font-family . sans) { \box { B } } }
-
- \repeat volta 7
- {
- s1 | % 87
- s1 | % 88
- }
+ s1 | % 87
+ s1 | % 88
s1 | % 89
- s1 \bar "||" % 90
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ s1 | % 90
% Coda
-\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #91
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % blank bar for coda
- r4 g'8 g ~ g2-\fermata \bar "|." % 91
+ r4 g'8 g ~ g2-\fermata | % 91
}
+
LeadVoxText = \lyricmode
{
Do, do, do, do, _ do, do, _ do, do. _
Riffs = \relative c'
{
- \clef G
- \key e \minor
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
\tiny
s1*11 | % 1-11
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1*4 | % 1-4
- \repeat volta 2
- {
- s1 | % 5
- s1 | % 6
- }
- \alternative
- {
- {
- s1 | % 7
- s1 | % 8
- }
- {
- s1 | % 9
- }
- }
+ s1 | % 5
+ s1 | % 6
+
+ s1 | % 7
+ s1 | % 8
+
+ s1 | % 9
e1:7.9+ | % 10
f2:9 e:7.9+ | % 11
s1 | % 14
s1 | % 15
- \repeat volta 2
- {
- % Verse
-
- a4.:m a8:5^3 s2 | % 16
- s2. d4/a | % 17
- a4.:m a8:5^3 s2 | % 18
- s4. e8:7.9+ s2 | % 19
- a4.:m a8:5^3 s2 | % 20
- s2. d4/a | % 21
- a4.:m a8:5^3 s2 | % 22
- e1:7.9+ | % 23
- f2:9 e:7.9+ | % 24
-
- a4.:m a8:5^3 s2 | % 25
- s2. d4/a | % 26
- a4.:m a8:5^3 s2 | % 27
- s4. e8:7.9+ s2 | % 28
- a4.:m a8:5^3 s2 | % 29
- s2. d4/a | % 30
- a4.:m a8:5^3 s2 | % 31
- }
- \alternative
- {
- {
- a4:m c2. | % 32
- a4.:m a8:5^3 s2 | % 33
- e1:7.9+ | % 34
- f2:9 e:7.9+ | % 35
-
- a1:m | % 36
- s2. b4:m7 | % 37
- a1:m7 | % 38
- s2. e4:7.9+ | % 39
- a1:m7 | % 40
- s2. b4:m7 | % 41
- a1:m7 | % 42
- e1:7.9+ | % 43
- f2:9 e:7.9+ | % 44
- }
- {
- a4:m c2. | % 45
- }
- }
+ % Verse
+
+ a4.:m a8:5^3 s2 | % 16
+ s2. d4/a | % 17
+ a4.:m a8:5^3 s2 | % 18
+ s4. e8:7.9+ s2 | % 19
+ a4.:m a8:5^3 s2 | % 20
+ s2. d4/a | % 21
+ a4.:m a8:5^3 s2 | % 22
+ e1:7.9+ | % 23
+ f2:9 e:7.9+ | % 24
+
+ a4.:m a8:5^3 s2 | % 25
+ s2. d4/a | % 26
+ a4.:m a8:5^3 s2 | % 27
+ s4. e8:7.9+ s2 | % 28
+ a4.:m a8:5^3 s2 | % 29
+ s2. d4/a | % 30
+ a4.:m a8:5^3 s2 | % 31
+
+ a4:m c2. | % 32
+ a4.:m a8:5^3 s2 | % 33
+ e1:7.9+ | % 34
+ f2:9 e:7.9+ | % 35
+
+ a1:m | % 36
+ s2. b4:m7 | % 37
+ a1:m7 | % 38
+ s2. e4:7.9+ | % 39
+ a1:m7 | % 40
+ s2. b4:m7 | % 41
+ a1:m7 | % 42
+ e1:7.9+ | % 43
+ f2:9 e:7.9+ | % 44
+
+ a4:m c2. | % 45
% Bridge
- \time 3/4
-
- \repeat volta 2
- {
- a2.:m7 | % 46
- s2. | % 47
- d2. | % 48
- s2. | % 49
- }
+ a2.:m7 | % 46
+ s2. | % 47
+ d2. | % 48
+ s2. | % 49
a2.:m7 | % 50
s2. | % 51
a2.:m7 | % 78
s2. | % 79
- \repeat volta 2
- {
- d2. | % 80
- }
+ d2. | % 80
- \repeat volta 6
- {
- a2.:m7 | % 81
- s2. | % 82
- d2. | % 83
- s2. | % 84
- }
+ a2.:m7 | % 81
+ s2. | % 82
+ d2. | % 83
+ s2. | % 84
a2.:m7 | % 85
s2. | % 86
- \time 4/4
-
% Intro
- \repeat volta 7
- {
- s1 | % 87
- s1 | % 88
- }
+ s1 | % 87
+ s1 | % 88
s1 | % 89
s1 | % 90
% Coda
-s1
+ s1 % blank bar for coda
a4:m c2. | % 91
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\override MultiMeasureRest #'expand-limit = 1
+ \teeny
% Intro
R1*4 | % 1-4
- \repeat volta 2
- {
- r1 | % 5
- r1 | % 6
- }
- \alternative
- {
- {
- r1 | % 7
- r1 | % 8
- }
- {
- r1 | % 9
- }
- }
+ r1 | % 5
+ r1 | % 6
+
+ r1 | % 7
+ r1 | % 8
+
+ r1 | % 9
c4 c r2 | % 10
c4 c c c | % 11
r1 | % 12
r1 | % 13
r1 | % 14
- r1 \bar "||:" % 15
-
- \repeat volta 2
- {
- % Verse
-
- c4 r8 c r c r c | % 16
- r8 c r c r c c r | % 17
- c4 r8 c r c r c | % 18
- r8 c r c ~ c4 c8 r | % 19
- c4 r8 c r c r c | % 20
- r8 c r c r c c r | % 21
- c4 r8 c r c r c | % 22
- c4 c r2 | % 23
- c4 c c c \bar "||" % 24
-
- c4 r8 c r c r c | % 25
- r8 c r c r c c r | % 26
- c4 r8 c r c r c | % 27
- r8 c r c ~ c4 c8 r | % 28
- c4 r8 c r c r c | % 29
- r8 c r c r c c r | % 30
- c4 r8 c r c r c | % 31
- }
- \alternative
- {
- {
- c8 r c c ~ c2 | % 32
- c4 r8 c r c r c | % 33
- c4 c r2 | % 34
- c4 c c c \bar "||" % 35
-
- c8 r r4 r2 | % 36
- r2 r4 c | % 37
- c4 r r2 | % 38
- r2 r4 c | % 39
- c8 r r4 r2 | % 40
- r2 r4 c | % 41
- c4 r r2 | % 42
- c4 c r2 | % 43
- c4 c c c | % 44
- }
- {
- c8 r c c ~ c2-\fermata | % 45
- }
- }
+ r1 | % 15
+
+ % Verse
+
+ c4 r8 c r c r c | % 16
+ r8 c r c r c c r | % 17
+ c4 r8 c r c r c | % 18
+ r8 c r c ~ c4 c8 r | % 19
+ c4 r8 c r c r c | % 20
+ r8 c r c r c c r | % 21
+ c4 r8 c r c r c | % 22
+ c4 c r2 | % 23
+ c4 c c c \bar "||" % 24
+
+ c4 r8 c r c r c | % 25
+ r8 c r c r c c r | % 26
+ c4 r8 c r c r c | % 27
+ r8 c r c ~ c4 c8 r | % 28
+ c4 r8 c r c r c | % 29
+ r8 c r c r c c r | % 30
+ c4 r8 c r c r c | % 31
+
+ c8 r c c ~ c2 | % 32
+ c4 r8 c r c r c | % 33
+ c4 c r2 | % 34
+ c4 c c c | % 35
+
+ c8 r r4 r2 | % 36
+ r2 r4 c | % 37
+ c4 r r2 | % 38
+ r2 r4 c | % 39
+ c8 r r4 r2 | % 40
+ r2 r4 c | % 41
+ c4 r r2 | % 42
+ c4 c r2 | % 43
+ c4 c c c | % 44
+
+ c8 r c c ~ c2-\fermata | % 45
% Bridge
- \time 3/4
-
- \repeat volta 2
- {
- c4 c c | % 46
- c4 c c | % 47
- c4 c c | % 48
- c4 c c | % 49
- }
+ c4 c c | % 46
+ c4 c c | % 47
+ c4 c c | % 48
+ c4 c c | % 49
c4 c c | % 50
c4 c c | % 51
c4 c c | % 78
c4 c c | % 79
- \repeat volta 2
- {
- c8 c r2 | % 80
- }
+ c8 c r2 | % 80
- \repeat volta 6
- {
- c4 c c | % 81
- c4 c c | % 82
- c4 c c | % 83
- c4 c c | % 84
- }
+ c4 c c | % 81
+ c4 c c | % 82
+ c4 c c | % 83
+ c4 c c | % 84
c2. ~ | % 85
c2.-\fermata | % 86
- \time 4/4
-
% Intro
- \repeat volta 7
- {
- r1 | % 87
- r1 | % 88
- }
+ r1 | % 87
+ r1 | % 88
r1 | % 89
r1 | % 90
% Coda
\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #91
- c8 r c c ~ c2-\fermata \bar "|." % 91
+ c8 r c c ~ c2-\fermata | % 91
}
\score
{
<<
+ \Global % The "roadmap": that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff