-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Jesus, All For Jesus" }
% composer = \markup { \override #'(font-family . sans) "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
(acons 'font-size -3.5 (ly:music-property arg 'tweaks))) arg)
+%
+% Song's structure
+%
+Global =
+{
+ \clef G
+ \key d \major
+ \numericTimeSignature
+ \time 4/4
+
+ % Intro
+
+ \repeat volta 2
+ {
+ s1*2 | % 1-2
+ }
+
+ s1*8 \bar ".|:-||" % 3-10
+
+ % A section
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*5 | % 11-15
+ }
+ \alternative
+ {
+ {
+ s1*3 | % 16-18
+ }
+ {
+ s1 | % 19
+ }
+ }
+
+ s1*2 \bar ".|:-||" % 20-21
+
+ \repeat volta 2
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*5 | % 22-26
+ }
+ \alternative
+ {
+ {
+ s1*3 | % 27-29
+ }
+ {
+ s1 % 30
+ }
+ }
+
+ s1*2 \bar "||" % 31-32
+
+ % B section
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*8 \bar "||" % 40
+
+ % A section
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+
+ s1*5 | % 41-45
+ s1 | % 46
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s1*2 \bar "||" % 47-48
+
+ % Midtro
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*8 \bar "||" % 49-56
+
+ % A section
+
+ \mark \markup { \override #'(font-family . sans) { \box { F } } }
+ s1*5 | % 57-61
+ s1*3 \bar "||" % 62-64
+
+ \mark \markup { \override #'(font-family . sans) { \box { G } } }
+ s1*8 \bar "||" % 65-72
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % Coda
+
+%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #73
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1*2 \bar "||" % 73-74
+ s1*7 \bar "|." % 75-81
+}
+
+
% Various melody lines
melodyLineA =
%
% Lead vocal
%
-
LeadVox = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \repeat volta 2
- {
- R1 | % 1
- R1 | % 2
- }
+ R1*2 | % 1-2
s1*8 | % 3-10
% A section
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ fs4. ( e8 ) fs2 ~ | % 11
+ fs2 fs4 a | % 12
+ b4. ( a8 ) a2 ~ | % 13
+ a2 b4 a | % 14
+ e4. d8 e2 ~ | % 15
- fs4. ( e8 ) fs2 ~ | % 11
- fs2 fs4 a | % 12
- b4. ( a8 ) a2 ~ | % 13
- a2 b4 a | % 14
- e4. d8 e2 ~ | % 15
- }
- \alternative
- {
- {
- e4. e8 fs e d a | % 16
- b1 ( | % 17
- a2 ) r2 | % 18
- }
- {
- e'4. \repeatTie e8 fs e d cs | % 19
- }
- }
+ e4. e8 fs e d a | % 16
+ b1 ( | % 17
+ a2 ) r2 | % 18
+
+ e'4. \repeatTie e8 fs e d cs | % 19
d1 ~ | % 20
d2 r | % 21
- \repeat volta 2
- {
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
- <fs \hn d \hn a>4. \melodyLineB % 22-26
- }
- \alternative
- {
- {
- \melodyLineBRptA % 27-29
- }
- {
- <e' \hn cs \hn a>4. \repeatTie \melodyLineBRptB % 30
- }
- }
+ <fs \hn d \hn a>4. \melodyLineB % 22-26
+
+ \melodyLineBRptA % 27-29
+
+ <e' \hn cs \hn a>4. \repeatTie \melodyLineBRptB % 30
<d \hn a \hn fs>1 | % 31
- r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 \bar "||" % 32
+ r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 | % 32
% B section
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
<b \hn g \hn d>4. <a \hn fs \hn d>8 <b \hn g \hn d>2 ~ | % 33
<b \hn g \hn d>4 <a \hn fs \hn d> <b \hn g \hn e>8 ( a ) <a \hn fs \hn d>4 | % 34
<a \hn fs \hn d>4. <fs \hn d \hn a>8 <a \hn fs \hn d>2 ~ | % 35
<b \hn g \hn d>4. <a \hn fs \hn d>8 <b \hn g \hn d>2 ~ | % 37
<b \hn g \hn d>4 <cs \hn a \hn g> <d \hn b \hn g>8 ( <cs \hn a \hn d,> ) <b \hn g \hn d> ( <a \hn fs \hn d> ) | % 38
<a \hn fs \hn d>2. <fs \hn d \hn a>4 | % 39
- <e \hn cs \hn a>1 \bar "||" % 40
+ <e \hn cs \hn a>1 | % 40
% A section
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
\melodyLineC % 41-45
<e \hn cs \hn a>4. \melodyLineBRptB % 46
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
<d \hn a \hn fs>1 ~ | % 47
- <d \hn a \hn fs>2 r \bar "||" % 48
+ <d \hn a \hn fs>2 r | % 48
% Midtro
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
- s1*8 \bar "||" % 49-56
+ s1*8 | % 49-56
% A section
-\mark \markup { \override #'(font-family . sans) { \box { F } } }
-
\melodyLineC % 57-61
- \melodyLineBRptA \bar "||" % 62-64
-
-\mark \markup { \override #'(font-family . sans) { \box { G } } }
+ \melodyLineBRptA | % 62-64
<fs' \hn d \hn a>4. \melodyLineB % 65-69
<e \hn cs \hn a>4. \melodyLineBRptB % 70
<d \hn a \hn fs>1 | % 71
- r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 \bar "||" % 72
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ r2 <fs \hn d>8 ( <a \hn fs \hn d> ) <a \hn fs \hn d>4 | % 72
% Coda
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #73
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % blank bar for coda
<d, \hn a \hn fs>1 ~ | % 73
- <d \hn a \hn fs>2 r \bar "||" % 74
- s1*7 \bar "|." % 75-81
+ <d \hn a \hn fs>2 r | % 74
+ s1*7 | % 75-81
}
+
LeadVoxText = \lyricmode
{
Je -- _ sus, _ all for Je -- _ sus, _
%
Riffs = \relative c'
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
\tiny
-
s1*2 | % 1-2
\melodyLineA
d1 ~ | % 9
s1*19 | % 57-74 (+1 for coda)
\melodyLineA
d1^\fermata | % 81
-
\normalsize
}
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- d4. a8/d d2 | % 1
- s1 | % 2
- }
+ d4. a8/d d2 | % 1
+ s1 | % 2
d4. a8/d d2 | % 3
s1 | % 4
% A section
- \repeat volta 2
- {
- d4. a8/d d2 | % 11
- s1 | % 12
- g2/d d | % 13
- s1 | % 14
- a4. a8:sus4 a2 | % 15
- }
- \alternative
- {
- {
- s1 | % 16
- b1:m | % 17
- a1 | % 18
- }
- {
- a1 | % 19
- }
- }
+ d4. a8/d d2 | % 11
+ s1 | % 12
+ g2/d d | % 13
+ s1 | % 14
+ a4. a8:sus4 a2 | % 15
+
+ s1 | % 16
+ b1:m | % 17
+ a1 | % 18
+
+ a1 | % 19
d1 | % 20
s2 g/a | % 21
- \repeat volta 2
- {
- d4. a8/d d2 | % 22
- s1 | % 23
- g2 d | % 24
- s1 | % 25
- a4. a8:sus4 a2 | % 26
- }
- \alternative
- {
- {
- s1 | % 27
- b1:m | % 28
- a1 | % 29
- }
- {
- a1 | % 30
- }
- }
+ d4. a8/d d2 | % 22
+ s1 | % 23
+ g2 d | % 24
+ s1 | % 25
+ a4. a8:sus4 a2 | % 26
+
+ s1 | % 27
+ b1:m | % 28
+ a1 | % 29
+
+ a1 | % 30
d1 | % 31
s1 | % 32
% Coda
-s1
+ s1 % blank bar for coda
d1 | % 73
s2 g:sus2/a | % 74
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- c8. c16 ~ c8 c c4 c | % 1
- c4 c c c | % 2
- }
+ c8. c16 ~ c8 c c4 c | % 1
+ c4 c c c | % 2
c8. c16 ~ c8 c c4 c | % 3
c4 c c c | % 4
% A section
- \repeat volta 2
- {
- c8. c16 ~ c8 c c4 c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- c8. c16 ~ c8 c c4 c | % 15
- }
- \alternative
- {
- {
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- }
- {
- c4 c c c | % 19
- }
- }
+ c8. c16 ~ c8 c c4 c | % 11
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c8. c16 ~ c8 c c4 c | % 15
+
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+
+ c4 c c c | % 19
c4 c c c | % 20
c4 c c c | % 21
- \repeat volta 2
- {
- c8. c16 ~ c8 c c4 c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c8. c16 ~ c8 c c4 c | % 26
- }
- \alternative
- {
- {
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- }
- {
- c4 c c c | % 30
- }
- }
+ c8. c16 ~ c8 c c4 c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c8. c16 ~ c8 c c4 c | % 26
+
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+
+ c4 c c c | % 30
c4 c c c | % 31
- c4 c c c \bar "||" % 32
+ c4 c c c | % 32
% B section
c4 c c c | % 37
c4 c c c | % 38
c4 c c c | % 39
- c4 c c c \bar "||" % 40
+ c4 c c c | % 40
c8. c16 ~ c8 c c4 c | % 41
c4 c c c | % 42
c8. c16 ~ c8 c c4 c | % 45
c4 c c c | % 46
c4 c c c | % 47
- c4 c c c \bar "||" % 48
+ c4 c c c | % 48
c8. c16 ~ c8 c c4 c | % 49
c4 c c c | % 50
c8. c16 ~ c8 c c4 c | % 53
c4 c c c | % 54
c4 c c c | % 55
- c4 c c c \bar "||" % 56
+ c4 c c c | % 56
c8. c16 ~ c8 c c4 c | % 57
c4 c c c | % 58
c8. c16 ~ c8 c c4 c | % 61
c4 c c c | % 62
c4 c c c | % 63
- c4 c c c \bar "||" % 64
+ c4 c c c | % 64
c8. c16 ~ c8 c c4 c | % 65
c4 c c c | % 66
c8. c16 ~ c8 c c4 c | % 69
c4 c c c | % 70
c4 c c c | % 71
- c4 c c c \bar "||" % 72
+ c4 c c c | % 72
% Coda
\stopStaff s1 \startStaff |
-\set Score.currentBarNumber = #73
c4 c c c | % 73
- c4 c c c \bar "||" % 74
+ c4 c c c | % 74
c8. c16 ~ c8 c c4 c | % 75
c4 c c c | % 76
c4 c c c | % 78
c8. c16 ~ c8 c c4 c | % 79
c4 c c c | % 80
- c1^\fermata \bar "|." % 81
+ c1^\fermata | % 81
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff