-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Will Praise Him Still" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Fernando Ortega" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. John Wierick" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key g \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- \time 2/4 s2 \time 4/4 | % 5
- r2 r4 g8 fs | % 6
+ s1*4 | % 1-4
+ \time 2/4 s2 \time 4/4 | % 5
+ s1 | % 6
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
- e4 e d d8 g | % 7
- a4 a b b8 a | % 8
- g4 e d d8 g | % 9
- \time 2/4 a4 a \time 4/4 | % 10
- g2 r4 g8 fs | % 11
-
- e4 e d d8 g | % 12
- a4 a b b8 a | % 13
- g4 e d d8 g | % 14
- \time 2/4 a4 a \time 4/4 | % 15
- g2 r4 b8 d \bar "||" % 16
+ s1*3 | % 7-9
+ \time 2/4 s2 \time 4/4 | % 10
+ s1*4 | % 11-14
+ \time 2/4 s2 \time 4/4 | % 15
+ s1 \bar "||" % 16
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
- <d \hn fs>4 <d \hn fs> <d \hn g>4 b8 ( a16 g ) | % 17
- <a \hn d>4 <a \hn d> <b \hn d> b8 d | % 18
- <e \hn g>4 <e \hn g> <d \hn fs> b8 a | % 19
- \time 2/4 g4 b \time 4/4 | % 20
+ s1*3 | % 17-19
+ \time 2/4 s2 \time 4/4 | % 20
}
\alternative
{
{
- a2 r4 g8 fs \bar "||" % 21
- e4 e d d8 g | % 22
- a4 a b b8 a | % 23
- g4 e d d8 g | % 24
- \time 2/4 a4 a \time 4/4 | % 25
- g2. r4 | % 26
- r2 r4 g8 fs | % 27
+ s1 \bar "||" % 21
+ s1*3 | % 22-24
+ \time 2/4 s2 \time 4/4 | % 25
+ s1*2 | % 26-27
}
{
- a2 r4 e'8 e | % 28
- d4 d d b8 ( a16 g ) | % 29
+ s1*2 | % 28-29
}
}
+ s1*2 | % 30-31
+ \time 2/4 s2 \time 4/4 | % 32
+ s1 \bar "||" % 33
+
+ % Verse
+
+ s1*3 | % 34-36
+ \time 2/4 s2 \time 4/4 | % 37
+ s1*2 | % 38-39
+
+ \repeat volta 2
+ {
+ % Interlude
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*4 | % 40-43
+ }
+
+ % Chorus
+
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*3 | % 44-46
+ \time 2/4 s2 \time 4/4 | % 47
+ s1*4 | % 48-51
+ \time 2/4 s2 \time 4/4 | % 52
+ s1 \bar "||" % 53
+
+ % Verse outro
+
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*3 | % 54-56
+ \time 2/4 s2 \time 4/4 | % 57
+ s1*2 \bar "|." % 58-59
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ s1*4 | % 1-4
+ s2 | % 5
+ r2 r4 g8 fs | % 6
+
+ % Verse
+
+ e4 e d d8 g | % 7
+ a4 a b b8 a | % 8
+ g4 e d d8 g | % 9
+ a4 a | % 10
+ g2 r4 g8 fs | % 11
+
+ e4 e d d8 g | % 12
+ a4 a b b8 a | % 13
+ g4 e d d8 g | % 14
+ a4 a | % 15
+ g2 r4 b8 d | % 16
+
+ % Chorus
+
+ <d \hn fs>4 <d \hn fs> <d \hn g>4 b8 ( a16 g ) | % 17
+ <a \hn d>4 <a \hn d> <b \hn d> b8 d | % 18
+ <e \hn g>4 <e \hn g> <d \hn fs> b8 a | % 19
+ g4 b | % 20
+
+ a2 r4 g8 fs | % 21
+ e4 e d d8 g | % 22
+ a4 a b b8 a | % 23
+ g4 e d d8 g | % 24
+ a4 a | % 25
+ g2. r4 | % 26
+ r2 r4 g8 fs | % 27
+
+ a2 r4 e'8 e | % 28
+ d4 d d b8 ( a16 g ) | % 29
+
a4 a b b8 d | % 30
e4 e d b8 a | % 31
- \time 2/4 g4 b \time 4/4 | % 32
- a2 r4 g8 fs \bar "||" % 33
+ g4 b | % 32
+ a2 r4 g8 fs | % 33
% Verse
e4 e d d8 g | % 34
a4 a b b8 a | % 35
g4 e d d8 g | % 36
- \time 2/4 a4 a \time 4/4 | % 37
+ a4 a | % 37
g2. r4 | % 38
R1 | % 39
- \repeat volta 2
- {
- % Interlude
-
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ % Interlude
- s1 | % 40
- s1 | % 41
- s1 | % 42
- \voiceOne s2. <e' \hn g>8 <e \hn fs> \oneVoice | % 43
- }
+ s1 | % 40
+ s1 | % 41
+ s1 | % 42
+ \voiceOne s2. <e' \hn g>8 <e \hn fs> \oneVoice | % 43
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
d4 d d b8 ( a16 g ) | % 44
a4 a b b8 d | % 45
e4 e d b8 a | % 46
- \time 2/4 g4 b \time 4/4 | % 47
+ g4 b | % 47
a2 r4 e'8 e | % 48
d4 d d b8 ( a16 g ) | % 49
a4 a b b8 d | % 50
e4 e d b8 a | % 51
- \time 2/4 g4 b \time 4/4 | % 52
- a2 r4 g8 fs \bar "||" % 53
+ g4 b | % 52
+ a2 r4 g8 fs | % 53
% Verse outro
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
-
e4 e d d8 g | % 54
a4 a b b8 a | % 55
g4 e d d8 g | % 56
- \time 2/4 a4 a \time 4/4 | % 57
+ a4 a | % 57
g1 ~ | % 58
- g1^\fermata \bar "|." % 59
+ g1^\fermata | % 59
}
+
LeadVoxText = \lyricmode
{
When the mor- ning falls on the far- thest hill
Riffs = \relative c'''
{
- \clef G
- \key g \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
-\tiny
+ \tiny
r2. g8 fs | % 1
e4 e d d8 g | % 2
a4 a b b16 c32 b a16 g | % 3
g4 e d d8 g | % 4
- \time 2/4 a4 a \time 4/4 | % 5
+ a4 a | % 5
g1 | % 6
- \repeat volta 2
- {
- % Verse
+ % Verse
- s1 | % 7
- s1 | % 8
- s1 | % 9
- \time 2/4 s2 \time 4/4 | % 10
- s1 | % 11
+ s1 | % 7
+ s1 | % 8
+ s1 | % 9
+ s2 | % 10
+ s1 | % 11
- s1 | % 12
- s1 | % 13
- s1 | % 14
- \time 2/4 s2 \time 4/4 | % 15
- s1 | % 16
+ s1 | % 12
+ s1 | % 13
+ s1 | % 14
+ s2 | % 15
+ s1 | % 16
- % Chorus
+ % Chorus
- s1 | % 17
- s1 | % 18
- s1 | % 19
- \time 2/4 s2 \time 4/4 | % 20
- }
- \alternative
- {
- {
- s1 | % 21
- s1 | % 22
- s1 | % 23
- s1 | % 24
- \time 2/4 s2 \time 4/4 | % 25
- s1 | % 26
- s1 | % 27
- }
- {
- s1 | % 28
- s1 | % 29
- }
- }
+ s1 | % 17
+ s1 | % 18
+ s1 | % 19
+ s2 | % 20
+
+ s1 | % 21
+ s1 | % 22
+ s1 | % 23
+ s1 | % 24
+ s2 | % 25
+ s1 | % 26
+ s1 | % 27
+
+ s1 | % 28
+ s1 | % 29
s1 | % 30
s1 | % 31
- \time 2/4 s2 \time 4/4 | % 32
+ s2 | % 32
s1 | % 33
% Verse
s1 | % 34
s1 | % 35
s1 | % 36
- \time 2/4 s2 \time 4/4 | % 37
+ s2 | % 37
s1 | % 38
s1 | % 39
- \repeat volta 2
- {
- % Interlude
+ % Interlude
- << { \tiny e4 e d d8 g } \\ { \tiny <c, g>2 <b g> } >> | % 40
- << { a'4 a b b8 a } \\ { <a, fs>2 b16 c b a g8 fs } >> | % 41
- << { g'4 e d d8 g } \\ { e,4. g16 a b8 g d b' } >> | % 42
- << { a'4 a b16 c b a s4 } \\ { a,4. g16 fs g4 b8 g } >> | % 43
- }
+ << { \tiny e4 e d d8 g } \\ { \tiny <c, g>2 <b g> } >> | % 40
+ << { a'4 a b b8 a } \\ { <a, fs>2 b16 c b a g8 fs } >> | % 41
+ << { g'4 e d d8 g } \\ { e,4. g16 a b8 g d b' } >> | % 42
+ << { a'4 a b16 c b a s4 } \\ { a,4. g16 fs g4 b8 g } >> | % 43
% Chorus
s1 | % 44
s1 | % 45
s1 | % 46
- \time 2/4 s2 \time 4/4 | % 47
+ s2 | % 47
s1 | % 48
s1 | % 49
s1 | % 50
s1 | % 51
- \time 2/4 s2 \time 4/4 | % 52
+ s2 | % 52
s1 | % 53
% Verse outro
s1 | % 54
s1 | % 55
s1 | % 56
- \time 2/4 s2 \time 4/4 | % 57
+ s2 | % 57
s1 | % 58
- s1 \bar "|." % 59
-\normalsize
+ s1 | % 59
+ \normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
s1 | % 1
c2/g g | % 2
d2/fs e:m | % 3
a2:m g/b | % 4
- \time 2/4 d2 \time 4/4 | % 5
+ d2 | % 5
g1 | % 6
- \repeat volta 2
- {
- % Verse
+ % Verse
- c2 g/b | % 7
- d2 g | % 8
- a2:m g/b | % 9
- \time 2/4 d2 \time 4/4 | % 10
- g1 | % 11
+ c2 g/b | % 7
+ d2 g | % 8
+ a2:m g/b | % 9
+ d2 | % 10
+ g1 | % 11
- c2/g g | % 12
- d2/fs e:m | % 13
- a2:m g/b | % 14
- \time 2/4 d2 \time 4/4 | % 15
- g1 | % 16
+ c2/g g | % 12
+ d2/fs e:m | % 13
+ a2:m g/b | % 14
+ d2 | % 15
+ g1 | % 16
- % Chorus
+ % Chorus
- d2 g | % 17
- d2/fs g | % 18
- e2:m b:m | % 19
- \time 2/4 c \time 4/4 | % 20
- }
- \alternative
- {
- {
- d1 | % 21
- c2 g/b | % 22
- d2 e:m | % 23
- a2:m g/b | % 24
- \time 2/4 d2 \time 4/4 | % 25
- g1 | % 26
- s1 | % 27
- }
- {
- d1 | % 28
- d2 g | % 29
- }
- }
+ d2 g | % 17
+ d2/fs g | % 18
+ e2:m b:m | % 19
+ c | % 20
+
+ d1 | % 21
+ c2 g/b | % 22
+ d2 e:m | % 23
+ a2:m g/b | % 24
+ d2 | % 25
+ g1 | % 26
+ s1 | % 27
+
+ d1 | % 28
+ d2 g | % 29
d2/fs g | % 30
e2:m b:m | % 31
- \time 2/4 c2 \time 4/4 | % 32
+ c2 | % 32
d1 | % 33
% Verse
c2 g/b | % 34
d2 e:m | % 35
a2:m7 g/b | % 36
- \time 2/4 d2 \time 4/4 | % 37
+ d2 | % 37
g1 | % 38
s1 | % 39
- \repeat volta 2
- {
- % Interlude
+ % Interlude
- c2/g g | % 40
- d2/fs g | % 41
- c2/g g | % 42
- d2/fs g | % 43
- }
+ c2/g g | % 40
+ d2/fs g | % 41
+ c2/g g | % 42
+ d2/fs g | % 43
% Chorus
d2 g | % 44
d2:/fs g | % 45
e2:m b:m7 | % 46
- \time 2/4 c2 \time 4/4 | % 47
+ c2 | % 47
d1 | % 48
d2 g | % 49
d2/fs g | % 50
e2:m b:m7 | % 51
- \time 2/4 c2 \time 4/4 | % 52
+ c2 | % 52
d1 | % 53
% Verse outro
c2 g/b | % 54
d2 e:m | % 55
a2:m g/b | % 56
- \time 2/4 d2 \time 4/4 | % 57
+ d2 | % 57
g1 | % 58
s1 | % 59
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 2
c4 c c c | % 3
c4 c c c | % 4
- \time 2/4 c4 c \time 4/4 | % 5
+ c4 c | % 5
c4 c c c | % 6
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- \time 2/4 c4 c \time 4/4 | % 10
- c4 c c c | % 11
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c | % 10
+ c4 c c c | % 11
- c4 c c c | % 12
- c4 c c c | % 13
- c4 c c c | % 14
- \time 2/4 c4 c \time 4/4 | % 15
- c4 c c c | % 16
+ c4 c c c | % 12
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c | % 15
+ c4 c c c | % 16
- % Chorus
+ % Chorus
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- \time 2/4 c4 c \time 4/4 | % 20
- }
- \alternative
- {
- {
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- \time 2/4 c4 c \time 4/4 | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- }
- {
- c4 c c c | % 28
- c4 c c c | % 29
- }
- }
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+ c4 c | % 20
+
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+
+ c4 c c c | % 28
+ c4 c c c | % 29
c4 c c c | % 30
c4 c c c | % 31
- \time 2/4 c4 c \time 4/4 | % 32
+ c4 c | % 32
c4 c c c | % 33
% Verse
c4 c c c | % 34
c4 c c c | % 35
c4 c c c | % 36
- \time 2/4 c4 c \time 4/4 | % 37
+ c4 c | % 37
c4 c c c | % 38
c4 c c c | % 39
- \repeat volta 2
- {
- % Interlude
+ % Interlude
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- }
+ c4 c c c | % 40
+ c4 c c c | % 41
+ c4 c c c | % 42
+ c4 c c c | % 43
% Chorus
c4 c c c | % 44
c4 c c c | % 45
c4 c c c | % 46
- \time 2/4 c4 c \time 4/4 | % 47
+ c4 c | % 47
c4 c c c | % 48
c4 c c c | % 49
c4 c c c | % 50
c4 c c c | % 51
- \time 2/4 c4 c \time 4/4 | % 52
+ c4 c | % 52
c1 | % 53
% Verse outro
c2 c | % 54
c2 c | % 55
c2 c | % 56
- \time 2/4 c4 c \time 4/4 | % 57
+ c4 c | % 57
c1 ~ | % 58
- c1^\fermata \bar "|." % 59
+ c1^\fermata | % 59
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
projects / music / blobdiff