-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Will Never Be (The Same Again)" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Geoff Bullock" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
+ s1*2 | % 1-2
% A section
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) \box { A } }
- r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 3
- b4 a8 a ~ a4 r | % 4
- r8 d,16 d d e fs e ~ e4 r8 a | % 5
- a8 e4 fs8 ~ fs4 r | % 6
- r8 fs16 fs fs fs g8 ~ g4 r8 b | % 7
- b8 a4 a8 ~ a4 r8 fs | % 8
- d4 fs8 fs16 e ~ e4. d16 cs | % 9
+ \mark \markup { \override #'(font-family . sans) \box { A } }
+ s1*7 | % 3-9
}
\alternative
{
{
- d4 cs8 d ~ d4 r | % 10
+ s1 | % 10
}
{
- d4 cs8 d ~ d4 r | % 11
+ s1 | % 11
}
}
% B section
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-%\mark \markup { \override #'(font-family . sans) \box { B } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*7 | % 12-18
+ \time 2/4 s2 \time 4/4 | % 19
+ s2...
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s16 \bar "||" % 20
+
+ % A section
+
+ \mark \markup { \override #'(font-family . sans) \box { C } }
+ s1*8 \bar "||" % 21-28
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #29
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ % Coda
+
+ s1*8 \bar "||" % 29-36
+
+ % Outro
+
+ \key ef \major
+
+ \mark \markup { \override #'(font-family . sans) \box { D } }
+ s1*14 \bar "|." % 37-50
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ s1*2 | % 1-2
+
+ % A section
+
+ r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 3
+ b4 a8 a ~ a4 r | % 4
+ r8 d,16 d d e fs e ~ e4 r8 a | % 5
+ a8 e4 fs8 ~ fs4 r | % 6
+ r8 fs16 fs fs fs g8 ~ g4 r8 b | % 7
+ b8 a4 a8 ~ a4 r8 fs | % 8
+ d4 fs8 fs16 e ~ e4. d16 cs | % 9
+
+ d4 cs8 d ~ d4 r | % 10
+
+ d4 cs8 d ~ d4 r | % 11
+
+ % B section
g8 g4 g8 ~ g4. a8 ~ | % 12
a8 e4 fs8 ~ fs2 | % 13
f8 f16 f ~ f f g8 ~ g8. g16 ~ g4 | % 16
g8 g16 g ~ g f a8 ~ a4 r8 fs | % 17
d8 d16 b' ~ b8 a ~ a4 r8 fs | % 18
- \time 2/4 g8 fs16 g ~ g b8. ( \time 4/4 | % 19
-%\once \override Score.RehearsalMark #'self-alignment-X = #right
-%\mark \markup { \hspace #4.0 \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
-%Argh, needs to be adjusted by hand...!
- a8 ) a2..^\markup { \hspace #9.0 \raise #0.0 \italic { \larger { to Coda } } \hspace #1.0 \musicglyph #"scripts.coda" } \bar "||" % 20
+ g8 fs16 g ~ g b8. ( | % 19
+ a8 ) a2.. | % 20
% A section
-\mark \markup { \override #'(font-family . sans) \box { C } }
r8 fs16 fs fs fs g8 ~ g4 r4 | % 21
r8 g16 g b8 a ~ a a4 r16 fs | % 22
d16 d b d ~ d fs8 e16 ~ e4 r8 a | % 23
fs8 fs g g ~ g4 r8 b ~ | % 25
b8 a4 a8 ~ a4 r8 fs | % 26
d4 fs8 fs16 e ~ e4. d16 cs | % 27
- d4 cs8 d ~ d4 r \bar "||" % 28
+ d4 cs8 d ~ d4 r | % 28
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
-
-% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #29
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % blank bar for coda
% Coda
r8 fs16 fs fs fs g8 ~ g4 r8 b | % 33
b8 a4 a8 ~ a4 r8 fs | % 34
d4 fs8 fs16 e ~ e4. d16 cs | % 35
- d4 cs8 d ~ d4 r \bar "||" % 36
+ d4 cs8 d ~ d4 r | % 36
% Outro
- \key ef \major
-
-\mark \markup { \override #'(font-family . sans) \box { D } }
r8 g16 g g g af8 ~ af4 r8 r16 af | % 37
c4 bf8 bf ~ bf4 r | % 38
r8 ef,16 ef ef f g f ~ f4 r8 bf | % 39
ef4 g8 g16 f ~ f4. ef16 d | % 47
ef2. d4 | % 48
\voiceTwo { ef2 r2 } \oneVoice | % 49
- s1 \bar "|." % 50
+ s1 | % 50
}
+
LeadVoxText = \lyricmode
{
I will ne -- ver be _ the same a -- gain, _
Riffs = \relative c'
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g4. a2 s8 | % 1
% A section
- \repeat volta 2
- {
- d4. g2/d s8 | % 3
- g4/b a8/cs d2 s8 | % 4
- g4.. a16 s2 | % 5
- g8/b a4/cs d4. a4:sus4 | % 6
- d4. e2:m11 s8 | % 7
- g8 a4 d4. d4/fs | % 8
- g4. a2 s8 | % 9
- }
- \alternative
- {
- {
- g4/b a8/cs d4. a4:sus4 | % 10
- }
- {
- g4/b a8/cs d2 s8 | % 11
- }
- }
+ d4. g2/d s8 | % 3
+ g4/b a8/cs d2 s8 | % 4
+ g4.. a16 s2 | % 5
+ g8/b a4/cs d4. a4:sus4 | % 6
+ d4. e2:m11 s8 | % 7
+ g8 a4 d4. d4/fs | % 8
+ g4. a2 s8 | % 9
+
+ g4/b a8/cs d4. a4:sus4 | % 10
+
+ g4/b a8/cs d2 s8 | % 11
% B section
bf4. c2/bf s8 | % 16
a4.:m7 d2/a s8 | % 17
e4.:m11 d2/fs s8 | % 18
- \time 2/4 g2 \time 4/4 | % 19
+ g2 | % 19
a2:sus4 a | % 20
% A section
g4. a2 s8 | % 27
g4/b a8/cs d2 s8 | % 28
-s1
+ s1 % blank for coda
% Coda
af8/c bf4./d ef2 | % 50
}
+
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% A section
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 3
- c4 c8 c ~ c4 c | % 4
- c4 ~ c8. c16 ~ c4 c | % 5
- c8 c4 c8 ~ c4 c | % 6
- c4. c8 ~ c4 c | % 7
- c8 c4 c8 ~ c4 c | % 8
- c4. c8 ~ c4 c | % 9
- }
- \alternative
- {
- {
- c4 c8 c ~ c4 c-> | % 10
- }
- {
- c4 c8 c ~ c4 c | % 11
- }
- }
+ c4. c8 ~ c4 c | % 3
+ c4 c8 c ~ c4 c | % 4
+ c4 ~ c8. c16 ~ c4 c | % 5
+ c8 c4 c8 ~ c4 c | % 6
+ c4. c8 ~ c4 c | % 7
+ c8 c4 c8 ~ c4 c | % 8
+ c4. c8 ~ c4 c | % 9
+
+ c4 c8 c ~ c4 c-> | % 10
+
+ c4 c8 c ~ c4 c | % 11
% B section
c4. c8-> ~ c4 c | % 16
c4. c8 ~ c4 c | % 17
c4.-> c8-> ~ c4 c | % 18
- \time 2/4 c4-> c \time 4/4 | % 19
- c4-> c c c \bar "||" % 20
+ c4-> c | % 19
+ c4-> c c c | % 20
% A section
c4. c8 ~ c4. c8 ~ | % 25
c8 c4 c8 ~ c4 c | % 26
c4. c8 ~ c4 c | % 27
- c4 c8 c ~ c4 c \bar "||" % 28
+ c4 c8 c ~ c4 c | % 28
% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #29
% Coda
c4. c8 ~ c4 c | % 33
c8 c4 c8 ~ c4 c | % 34
c4. c8 ~ c4 c | % 35
- c4 c8 c ~ c4 c \bar "||" % 36
+ c4 c8 c ~ c4 c | % 36
% Outro
c4. c8 ~ c4 c | % 47
c4 c c c-> | % 48
c4. c8 ~ c4 c | % 49
- c8 c4. c2-\fermata \bar "|." % 50
+ c8 c4. c2-\fermata | % 50
}
s4 s \< s2 | % 48
s4_\f s2. | % 49
s8 s_\markup { \italic { rit. } } s2. | % 50
-
-%{
- s4_\markup { \italic { snare pat. } } s2 | % 1
- s4_\markup { \italic { simile } } s2 | % 2
- s2.*19
- s4_\markup { \italic { spacy } } s2 | % 22
- s2.*5
- s4 s \< s \! | % 28
- s2.*22
- s4_\markup { \italic { Last time } } s2 | % 51
-%}
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "JazzText"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!][nope]
-% obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+
projects / music / blobdiff